Wagner - Parsifal | 3e Akte | ZaterdagMatinee
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- Опубликовано: 12 дек 2010
- Laat je meeslepen door de magische derde akte van Wagner's 'Parsifal', uitgevoerd door het Radio Filharmonisch Orkest, Groot Omroepkoor en de Mannen van het Staatskoor 'Latvija', onder leiding van dirigent Jaap van Zweden en koordirigent Eberhard Friedrich. Abonneer op dit kanaal: bit.ly/3FGTYP6
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For those not familiar with the score: at 43:26 the oboe begins a note that blossoms (literally!) into the Good Friday Spell music as the meadow bursts into bloom. For me this is one of the most touchingly beautiful passages in all of Wagner.
Behoort tot de meest fantastische muziek der 19e eeuw en van alle eeuwen. Tot in eeuwigheid.
a fabulous version. an my god, was robert holl still in unbelievable form in 2010. for me probably the best and most moving gurnemanz i have seen! splendid!
The best musical work of all time!
Parsifal is based on the Judeo-Christian myth of Jesus's grail. As an Aryan, it disgusts me that Wagner made this work.
Bravo! Qué excelente versión. La voz de Parsifal es la ideal para el protagonista, juvenil, pura y etérea... Gracias por compartir esta joya musical. Estas versiones sin escena son preferibles a las abominaciones experimentales modernas que se presentan en los teatros del mundo.
Se le hace justicia a esta obra maestra de la musica universal
Sobre todo en Bayreuth. Y con el mismo Vogt...
Sobre todo en Bayreuth. Y con el mismo Vogt...
Splendid performance. Splendid orchestra. Splendid artists. I'm deeply moved and humbled.
Wunderbar seidiger cantabler Orchesterklang.
Grossartig dirigiert, mit viel Binnenspannung...
Ein differenzierter wortdeutlicher Gurnemanz, Robert Holl.
Vielen vielen Dank!!
The criticisms of Vogt are entirely unfounded. So far as I know, we don't have recordings of Wagner's tenors, but we do have recordings of the next generation of Wagnerian tenors. A comparison of the recording of Muck using the tenor Pistor shows an almost identical sound to Vogt when parallel passages are considered. Muck was the Wagner family's chosen successor to Levi as conductor of Parsifal, and he conducted all performances of the opera at Bayreuth between 1903 and 1930.
De gustibus non disputandum est, however taste is entirely personal and has no validity in any accurate evaluation. Vogt may be as close to the Bayreuth ideal of Parsifal that we can come.
I agree: I truly love his unpretentious, heartfelt interpretation!! He doesn't try to be what he's not; he goes with his strengths and gives it his best - and yes, such an approach works remarkably well with Parsifal, though I can see he might not be appropriate as Siegfried or probably Tristan.
Otherwise, one wonders if all 3 acts were after all done on the same evening!! Truly, regardless: were I able to be there, being there a total of 4½ or 5 hours would be AMPLY WORTH IT - beautiful!!!
My heart breaks. With the Corona Pandemic
putting all of these dedicated musicians and singers out of work...combined with the need for social distancing...will we ever be able to experience a live event like this again? Who knows?
as a church organist we are feeling the pain of not playing church services and the glory of bach 's music . this will pass ,i hope so,,i miss my church services
Fabulous Robert Holl! Klaus Florian Vogt IS Parsifal, who is supposed to be a naive young man. I love this version.
Om het kort samen te vatten: Verbluffende uitvoering met een zeer warme klankkleur
Magistrale muziek.
Once again I say
Vogt is a unique and pure voice like no other.. as well as being a superb and sensitive singer. Bravo.
I agree totally! He is simply the best! Beautiful voice, so pure, and you can understand him perfectly. Great musician!
After Melchior, Windgassen is my favorite. He was dignified, had impeccable diction and sang with great legato. I think Wagner, who by the way considered himself to be a bel canto composer, would have loved Windgassen. This tenor at least is not shouting as so many Wagnerian singers are apt to do.
No, this is a rather satisfying concert performance of "Parsifal". Next question.
Why should a singer have a sound like all the others.... His (Vogt) sound is exceptionally musical and not small at all -I heard him live a couple of times. What does a "typical" Wagner voice have to be like... the most exceptional singers in history had a very personal sound after all.
Je viens moi aussi prendre la défense de cet excellent ténor qui représente fort bien à mon avis le personnage pur et naïf de Parsifal , et dont la voix , n' en déplaisent à certains puristes ( ? ) , est remarquablement "placée" et possède un "timbre" très clair . Un certain manque de puissance certainement , mais compensée par une grande chaleur humaine dans l' interprétation . Kundry par contre n' est pas bouleversante ... mais bon , lorsqu' on a entendu Régine Crespin , après , on devient un peu difficile ...! Merci pour cette version de Parsifal que je ne connaissais pas .
De tenoribus non est disputandum.
Fabulous Falk Struckmann !
A very believable Parsifal. His voice is natural and with a youthfullness entirely suited for the "pure fool". Very different from the elderly and obese singers we are accustomed to.
Super......Klaus Florian!!!
Highest wonder!
It's beautiful!
+Wagner Eric I couldn't get a ticket.It broke my heart.I knew how good it would be ,given the artists and of course the chorus master,the genius Eberhard Friederich.The best concert performance of the work. Christopher McQuaid.
The criticisms regarding Klaus Florian Vogt as Parsifal in this series remind me about what happened with Ívo Pogorélich and the great controversy that erupted at the Chopin International Piano Competition in Warsaw, Poland, one fine year: half the jury gave him the best possible marks, while the other half gave him the worst possible evaluation!!! It seems that one can't really agree on some sort of middle ground - you love him (as I do here) or you hate him!! Are our standards wrong??? 5/5
13:08 - 13:14 complete role of Kundry in Act III. 😀
I say 5/5 because of not only Klaus Florian Vogt but all the other performers including the orchestra: some lovely playing by the principal woodwinds and brass in addition to wonderful ensemble work, even if they're not quite the Amsterdam Concertgebouw Orkest or the Berlin Philharmonic. Generally I agree with much of what the conductor does - the one facet I could really pick upon is those "bells". They're not bad, yet you know that they're not real cathedral/church bells...
Love the well timed ads...
Never heard of uBlock Origin? Or any of the other ad blockers available?
Grandioos. En grandioos uitgevoerd.
Groots. Bravo.
Thank you.
KFV... enfin un tenor wagnerien bien éduqué...souplesse, clareté du timbre...donc projection de la voix !
wish there was a subtitle fixed to this. would be wonderful !
Was this one of the new series from Karl Pilngton, as he travels the world conducting all main orchestras, then gets rated out of 10 by Len Goodman.
KFV: Thumbs up!!!!
I couldn´t agree more. He sings very well, though.
Eine sehr schöne Aufführung des "Parsifal", kein überflüssiger "heldischer" Bombast und dadurch demütiger dem sprituellen Gehalt gegenüber als andere, was der Oper nur gut tut.
Mein Dank an alle Mitwirkenden unter Jaap van Zwedens Leitung für ein wunderbares Erlebnis!
Schade, daß es mir nicht gelingt, das Video des 2. Aktes fehlerfrei abzuspielen, es scheint technisch leicht beschädigt zu sein.
I dare say, Robert Holl is Gurnemanz!
He lays it too thick on, everything is over-expressive which is not necessary, the music is expressive enough. You can hear that Holl forces his voice which is often 'breaking', too heavy, he wants too much.
Always this heavy criticism of Klaus Florian Vogt. I grant you: he has a voice unlike any other Wagnerian singer, but that makes him so unique and wonderful.
I must admit that personally I prefer Jonas Kaufmann, but I still love Vogts approach as well. It's breathtaking.
to me he sounds a bit like gerhard unger .... KFV should sing pedrillio, david, steersman and so on ....
43:40
43:26 good friday
I mean KVF !
Steuermann Tenor!
too fast!!!.... the tenor is so good!
mittag very fast
Vogt is magnificent here as Parsifal. Wagner would have given him an A + because Vogt posseses the technique and delivers the sound Wagner always wanted from his singers...bel canto.
It is very stupid to interrupt with an ad any moment apiece of classical music.
Never heard of uBlock Origin? Or any of the other ad blockers available?
Parsifal is supposed to be a teenager and Klaus Florian Vogt has a very juvenile voice, so it makes sense. Do I like it? Not really. I find it bland and if I think about Windgassen, Jerusalem or even Domingo, I think that KFV is actually not a Heldentenor. I like this version though because Robert Holl is a fantastic Gurnemanz.
i totally disagree, partly
michel-philippe Lehaire I agree with your comments, From the sound of this performance it appears that Mr. Vogt`s pleasant voice lacks the low notes that all heldentenors must have. His low notes are weak and colorless. I would also prefer some more volume and body. Maybe these will come with time. Mr, Holl`s Kurnemanz is very good but the big stars of this performance are the conductor and the orchestra. Those listeners that can, must compare the ethereal and mystic sound of this wondeful performance with the hard and heroic sound of last year’s Met Parsifal.
You-re wrong, because Parsifal must be absolutly not have an heldentenor's voice character, but a lyic and dramatic one... The only wagnerians characters of heldentenor's wagnerian voices are Tannhauser, Tristan and Siegfried...
Lamouché Jean Luc - Such ignorance, Lyric and dramatic?? And what about Siegmund, the lowest tessitura for a tenor in the repertoir, perhaps you would recommend a tenore leggiero?
@@tomilopes Juan Diego Florez!!
Er "zeratmet" einfach jede Phrase! Unmusikalische Interpretation !!!
Vogt is incongruous in this role. He is just wrong. His pitch is great but his entire voice is wrong wrong wrong. I googled him as I hadn't heard of him, and read a review published last week by Jessica Duchin. She says it all.
Now for some serious Wagnerian Sturm und Drang we have Falk Struckmann weighing in mightily at around 1:01. Damn. Powerful singing.
Karl is a lyric tenor and even though he can sing this rep it still doesn't make it right. That's my opinion anyway I prefer to hear a Jugendlicher Heldentenor or a Heldontenor singing this.
ich persönlich glaube dass dieser tenor nur die rollen singen sollte die auch gerhard unger sang .... denn er ist ein charaktertenor .... gut für nebenrollen ... aber nicht für den lohengrin und den parsifal!!!
OMG!!! THE TENOR HAS NOTHING TO DO WITH SINGING PARSIFAL
HE IS FAR FROM EVERYTHING THERE....!
s.jerusalem- parsifal......K.Vogt- Mickey Mouse
Overrompelend!
KFV hat ein dünnes glanzloses Stimmchen ohne jegliche Technik! Chorknabe wäre sein Fach!
A very believable Parsifal. His voice is natural and with a youthfullness entirely suited for the "pure fool". Very different from the elderly and obese singers we are accustomed to.
Ante na 1:27:30 - pozdrav. Joj ljupko, dobija je cviće...