Except... (11:52) ... DG's Bebop has chromatic passing notes (D, B, Gb if in F minor) and chords, using the harmonic minor only as a basic mood, and using it as it arose principally - a way to navigate the V chord in the minor key in functional harmony. The use of the harmonic minor modally in a folk context is not really not comparable with its usage in jazz standards and to suggest that folkish treatments thus extend the jazz vocabulary is a false premise. It's likely that original folk performances using the harmonic minor were somewhat improvised in any event, so we end up with reiteration rather than change. And we haven't mentioned the rhythmic vitality and variety found in a typical jazz treatment.
Very nice , singing and playing in rhythms like 7/8 or 9/8 and the modal music is so rich!
Except... (11:52) ... DG's Bebop has chromatic passing notes (D, B, Gb if in F minor) and chords, using the harmonic minor only as a basic mood, and using it as it arose principally - a way to navigate the V chord in the minor key in functional harmony. The use of the harmonic minor modally in a folk context is not really not comparable with its usage in jazz standards and to suggest that folkish treatments thus extend the jazz vocabulary is a false premise. It's likely that original folk performances using the harmonic minor were somewhat improvised in any event, so we end up with reiteration rather than change. And we haven't mentioned the rhythmic vitality and variety found in a typical jazz treatment.
and? What is your message exactly?