I've been a commercial photographer for 45 years and this is the best illustration of these principles I've seen. I have a BFA so have been lucky to draw on the work of the painters and old masters to help with my photography. It is a shame that Justin only has 1,000 views in 5 mos. The models are all painfully beautiful.
Agreed with everything here, but I always felt the following are the most important composition rules: Composition rule #1: Point your camera at a great subject (We see this in a lot of your before/afters. Its not just lighting, retouching composition. It is also that the older photo is of an amateur or inexperienced model with a more bland look while the newer work is of a world class model that is spectacularly gorgeous and has the modelling skill to make sure the image is engaging and natural) Composition rule #2: Put your subject in an interesting location Composition rule #3: Do the above in great light There is also a Joe McNally quote I've always tried to live by which was something along the lines of: "A great photograph is built by what you choose not to light"
Glad you enjoyed it. Yes absolutely, I go much deeper into hair & makeup as well as many other Photoshoot planning concepts like location, color palettes, & timing etc. in my masterclass. :)
Thank you very much Nelson. Check out my tutorials to learn how - my techniques apply to black skin tones too -> since all skin tones are based on red pigment (to answer your question in the other comment).
@justinlaurens First, I love your style. I was looking into your course and was wondering if I could adjust it to my sports photography shoots. Have you ever done a sports photoshoot and applied this method?
Hey Jeremy, thanks for the kind words. Yes, this course was built to help all kinds of photographers develop the skills to take professional photos. Currently I have wildlife, commercial, food & beverage photographers (+ many more) inside the course and they’re very happy. 😊 There is also a section that speaks specifically on how to dial in your camera settings (incl. shutter speed) to capture fast action in sports, etc. I always tell my students they can send me a DM on Instagram or shoot me an email if they feel anything is missing in the course and I will add in a module to fill in the gap within 2-3 weeks of notice. That’s my commitment to you. Let me know if that works Jeremy. instagram.com/justinlaurens justin@justinlaurens.com
Looking at the video thumbnail, I am moved in some way by the smile and humble naturalness of the left image despite the bad composition. She's alive and open, with a sense of story i'm intrigued by with no forced, distracting and defensive arm configuration in the way like the right image. I simply sense a personal portrait story on the left while the right not so, more a commercial vibe.
I would to see these techniques with models of all hues to see what needs to be tweets for various subjects. At one point you talk about contract and placing the subjects in front a dark background, but that does not work for a dark skinned subject. And when you use the technique conversely, it’s a silhouette which does not work when the subject is a portrait. Can you translate these ideas for all subjects.
Photography is a visual art. So, if we never see it, how do we know that is true? I would love to see more examples of this. We so rarely see these lighting techniques on a variety of complexions. We so often see dozen of examples on one skin type. It gets frustrating to continuously see only one skin type examples, when my subjects are so varied. It seem to be an issue with many photography tutorials, books, youtube videos and frankly most photography sites.@@justinlaurens
Well, of course, it helps to shoot a beautiful mountain or a good sunset too. But there are better ways to capture those mountains & sunsets. (And also ways to capture them poorly). Composition is still crucial in all cases.
Send me a DM on Instagram: instagram.com/justinlaurens - I’ll send as many testimonials as you like; and can connect you with students who have bought my course. 👍
To be honest, I personally prefer the photo on the left (in the thumbnail for the video). Of course, the “base” is important in any business, as a foundation for further development. However, blindly following other people's rules and recommendations, a person ends up only copying and creating nothing new.
All very good, but will soon be unnecessary. Get the correct prompts and even include the lens, the camera make and film stock required into Midjourney and the creative photographer becomes unnecessary. Unfortunate as it may seem to many, this is where we are now and it’s unstoppable.
I've been a commercial photographer for 45 years and this is the best illustration of these principles I've seen. I have a BFA so have been lucky to draw on the work of the painters and old masters to help with my photography. It is a shame that Justin only has 1,000 views in 5 mos. The models are all painfully beautiful.
Wow thank you so much Richard. Really means a lot my friend 🙏
Agreed with everything here, but I always felt the following are the most important composition rules:
Composition rule #1: Point your camera at a great subject (We see this in a lot of your before/afters. Its not just lighting, retouching composition. It is also that the older photo is of an amateur or inexperienced model with a more bland look while the newer work is of a world class model that is spectacularly gorgeous and has the modelling skill to make sure the image is engaging and natural)
Composition rule #2: Put your subject in an interesting location
Composition rule #3: Do the above in great light
There is also a Joe McNally quote I've always tried to live by which was something along the lines of: "A great photograph is built by what you choose not to light"
Love that quote! ❤️🔥
Thanks my teacher, I like how you edit the photo and take shooting
Appreciate it my friend 🙏
Yo bro..... After 10 month 😢.... Please dont quit RUclips.
Back to posting regularly don't worry! 🙏
wow! great tips! i love every single one of them. Will try them out immediately on my daily photos!
Really appreciate it my friend 🙏 Tag me on Instagram when you post the pics @justinlaurens
Fabulous photos indeed. It does help having well dressed, well groomed and made-up models for all the shoots but wonderful results.
Glad you enjoyed it. Yes absolutely, I go much deeper into hair & makeup as well as many other Photoshoot planning concepts like location, color palettes, & timing etc. in my masterclass. :)
Amazing portraiture. You're absolutely phenomenal.
Thank you so much my friend 😀
Thank God u finally remembered your RUclips password 😂been a while
hahaha was busy creating the new course! But I'm back now!
Very informative as always😍
Thanks Sarah ❤️🔥
I really love the way you edit
Thank you very much Nelson. Check out my tutorials to learn how - my techniques apply to black skin tones too -> since all skin tones are based on red pigment (to answer your question in the other comment).
Outstanding video💪🏾
Glad you liked it! Thanks for letting me know man
Great tips, Justin! Really like your editing style. Insightful and entertaining to watch! 🙌
Really appreciated this 🙏
Thank you very much,
I would really like you to test your ideas on black skin tones for example. Please
Hey, I like your work. How can I buy just this prompt cards for posing,...? Cheatsheets for Fotografie. I have to try them out. Best regards!
Sure, send me a DM on Instagram :) instagram.com/justinlaurens
Chat there!
@justinlaurens First, I love your style. I was looking into your course and was wondering if I could adjust it to my sports photography shoots. Have you ever done a sports photoshoot and applied this method?
Hey Jeremy, thanks for the kind words. Yes, this course was built to help all kinds of photographers develop the skills to take professional photos. Currently I have wildlife, commercial, food & beverage photographers (+ many more) inside the course and they’re very happy. 😊
There is also a section that speaks specifically on how to dial in your camera settings (incl. shutter speed) to capture fast action in sports, etc.
I always tell my students they can send me a DM on Instagram or shoot me an email if they feel anything is missing in the course and I will add in a module to fill in the gap within 2-3 weeks of notice.
That’s my commitment to you. Let me know if that works Jeremy.
instagram.com/justinlaurens
justin@justinlaurens.com
Glad to see you back 🎉
Thanks my friend - good to be back :)
Looking at the video thumbnail, I am moved in some way by the smile and humble naturalness of the left image despite the bad composition. She's alive and open, with a sense of story i'm intrigued by with no forced, distracting and defensive arm configuration in the way like the right image. I simply sense a personal portrait story on the left while the right not so, more a commercial vibe.
Amazing! taking the training you linked right now!!
Hope you like it! Lmk! :)
These are super helpful. Thank you!
Glad you like them!
Thought provoking
Glad to hear!
Thank you very much
You are welcome my friend.
I would to see these techniques with models of all hues to see what needs to be tweets for various subjects. At one point you talk about contract and placing the subjects in front a dark background, but that does not work for a dark skinned subject. And when you use the technique conversely, it’s a silhouette which does not work when the subject is a portrait. Can you translate these ideas for all subjects.
Placing a model with darker skin who’s well illuminated in front of a darker background still has the exact same effect.
Photography is a visual art. So, if we never see it, how do we know that is true? I would love to see more examples of this. We so rarely see these lighting techniques on a variety of complexions. We so often see dozen of examples on one skin type. It gets frustrating to continuously see only one skin type examples, when my subjects are so varied. It seem to be an issue with many photography tutorials, books, youtube videos and frankly most photography sites.@@justinlaurens
Important as all of this is, having a photogenic model that knows what she’s doing in front of a camera helps just as much
Well, of course, it helps to shoot a beautiful mountain or a good sunset too. But there are better ways to capture those mountains & sunsets. (And also ways to capture them poorly). Composition is still crucial in all cases.
Nice video.
Excellent explanation or communication you can say.
👍
I feel the background in your video frame is too congested. Rest is best.
🇮🇳🙏
Osm brother
Thanks bro 👊
Has anyone bought his master class?
Send me a DM on Instagram: instagram.com/justinlaurens - I’ll send as many testimonials as you like; and can connect you with students who have bought my course. 👍
Ey 1st 😂😅
Thanks my man haha! 🙌
❤❤❤
😕 Promo*SM
Lol aren’t “aspects” just another way of saying rules in this context?
To be honest, I personally prefer the photo on the left (in the thumbnail for the video). Of course, the “base” is important in any business, as a foundation for further development. However, blindly following other people's rules and recommendations, a person ends up only copying and creating nothing new.
All very good, but will soon be unnecessary. Get the correct prompts and even include the lens, the camera make and film stock required into Midjourney and the creative photographer becomes unnecessary. Unfortunate as it may seem to many, this is where we are now and it’s unstoppable.
This may be true but AI can’t replace the joy of the experience the photographer has. Just listen to the excitement in the speaker’s voice.
@garyjames-ij4fr Legendary response. And agreed 👌
❤❤❤❤