gaff tape, some black wrap anti reflect spray wooden spring clamps you can change them with bare hands, plastic wedges for shimming also I like to keep 3 or 4 tennis balls cut halfway for tripods legs for surface safety.
This is fantastic, I just worked on my first 48hour Film Project weekend and used this list as a guide, the director was impressed with the knowledge and things I had in my tool kit. Thank you for making it possible sir
yoooo, loved this vid. If you're down to make more film industry vids, I'll watch em! I'm just starting out and wanna learn to be a good PA, gaffer, and eventually cinematographer. Thanks! Hope you're doing swell.
This video is wildly helpful, I don’t know how you don’t have more views. I bet if you put “Filmmaking” and “Lighting” in the title it’d help, I’m not in the industry and as a RUclipsr the keywords for grip/electrician aren’t what I’d think to search for. Again, so useful
I'm not a grip but you should try some Knipex parallel jaw pliers over a visegrip. The visegrip distroys everything it touches. The Knipex are way more expensive but lighter, less bulky and more functional and work as good as a wrench most times. I don't think I've picked up a visegrip since.
lately I've been using a bunch of those tiny strong magnets and combining then with everything, including zip ties. They are also great to hold screws.
I am a woman and I want to get into this field. I am looking for resources on how and where to start working as a grip lady in the film industry. Is it okay for a woman to do this type of job? I eagerly want to get involved with stuff like this. I thank you so very much for creating and sharing your video with us. I gratefully appreciate it so much, this is so awesome. Thank you so much and God Bless. I am also one of your recent subscribers and I had saved this video into my favorites.
Hey, Phantom! I am so glad you found some value in this video. You'll find that numerous women all over the world are working G&E in the film industry. Getting in isn't too hard as long as the film industry is decently sized in your area. All it takes is a bit of conversation between you and producers and currently-working G&E professionals and a LOT of free labor to build up trust with said indiividuals. Call around, get on set where you can, and leave a positive first impression. And don't forget about "set-iquette!" If you are attentive and focused on micro details your chances of being called back for future work will be drastically increased.
Hey hey! I'm a woman working in G&E, and here in Texas we have a Facebook group called "Best Gals". It's a group/class geared towards helping women feel more comfortable getting into Grip/Electric work! You don't have to be Texas based to join, and you're more than welcome to join our group and ask any questions (all judgement free). And incase anyone else is reading, it is a woman forward class, but it's not female exclusive. Anyone who wants to learn more but isn't sure where to start can join as well! :)
Thanks for this video! Excellent info that was easy to digest. I'm looking to get into the industry and luckily, I somehow have 90% of the items that you mentioned, which is the easier part of this equation. A lot of good info in the comments as well. Thanks again.
This was a great video! I'm glad to say that I have the majority of these tools, but being new to film electrical, I definitely need those books and the multitool. 😅
Hi. 👋🏼 I’m the Trenton Caleb texts or Venmo’s when he thinks he’s texting you, ha. Loved watching this and scooping ideas for more tools to have on hand for my lower budget shoots where I go from producing and coordinating to key gripping in a flash. Also loved the primo yet still chill quality of this vid. Will definitely be sharing it with some younger filmmakers who are breaking into set work. 👍🏼💪🏼
Hahaha so you’re the infamous “other” Trent. I’ve been victim to his texts as well. I appreciate the feedback, man! This is all information that I wished that I knew when first started out so I hope it can help jump start any newbie G&E out there.
This is legit info, from a legit source. I do love your iron rangers though. Maybe a resole and a padded insert could make them your stylish set boots? haha
Haha thank you, Will 👊 as much as I love the Iron Rangers, they just aren’t anything past a casual boot for me. Nothing beats a soft, flexible pair of Nike’s on a hot day on set.
Loved the video! In addition to everything you mentioned, I usually will carry a container of Ben Nye Neutral Set colorless powder and a collapsible brush and sponge. I work on a lot of smaller sets without hair and makeup and this powder does WONDERS for diffusing specular reflections on skin.
So I live in Northern California I do stagehand work , which consists of rigging , carp , grip Ect. What are some things I can do to work on films . I have done so many events but my heart lies in film
You know what? I actually unintentionally left that out. Whoops. I was so focused on the other gear that I let the most common tool slip my mind. Gaff is life!
High Performance Salon ah, that means a lot. The feeling is so very mutual, too. I still feel the impact you left on me when I got to attend one of your seminars years back. You’re a true inspiration, Jason!
You know any good steel toe sneaker type shoes. I always need to kick tires so i hate regular athletic shoes but i definitely don’t always wAbt to be wearing boots
Yes, actually! Look into some that Reebok makes. I just purchased some a couple months back. It’s exactly what you’re looking for. Google “alloy toe shoes Reebok” and you should find them
This might be a topic I cover for an upcoming video. For me, it was doing whatever necessary to get on set. Any way, shape or form, find a set to get on. A great place to begin is on student projects as they are always looking for help. Those are the projects where you will learn the most. The stakes are generally very low so you can certainly experiment and ask questions. Keep doing a lot of free work and eventually someone will notice your great attitude and work ethic.
Here in Utah we fall under IATSE local 99. Unfortunately we don’t have great representation out here since we are a right-to-work state. Ultimately we end up fighting a lot of our own battles.
Can you strike a semi-cool HMI with your gorilla grips without torching your hands???? Looking for a less chunky pair of gloves for the set bag. ALSO an essential for me is spray-on gold bond with aloe..... comers in handy on the hot summertime shoots! I carry just about the exact same kit all in a setwear ac pouch.
Yeah, I handle semi-cooled HMIs just fine with the GG gloves. I’ll have to try out the gold bond...I’ve been getting my ass kicked this summer on set. Too hot, my dude!
today's close pins are garbage. don't buy them from a cheap store. get them from a country hardware store ,a garage sale, or from your grandma. find ones that predate 1990. there slightly larger and the springs are stronger, that is of course you have the time.
The grip book is a must have for any up and coming hammers in the industry.
gaff tape, some black wrap anti reflect spray wooden spring clamps you can change them with bare hands, plastic wedges for shimming also I like to keep 3 or 4 tennis balls cut halfway for tripods legs for surface safety.
This is fantastic, I just worked on my first 48hour Film Project weekend and used this list as a guide, the director was impressed with the knowledge and things I had in my tool kit. Thank you for making it possible sir
I'm out of film school and headed into the industry, but I wish I had you as a prof! This was clear, concise, and fun to watch. Thanks for the video
14:31 copped the fifth edition and it vastly improved my work ethic and understanding holy shit definitely recommend
June 4th is my first day as a Grip PA on set! Thank you so much for your advice and recs!
yoooo, loved this vid. If you're down to make more film industry vids, I'll watch em! I'm just starting out and wanna learn to be a good PA, gaffer, and eventually cinematographer. Thanks! Hope you're doing swell.
This video is wildly helpful, I don’t know how you don’t have more views.
I bet if you put “Filmmaking” and “Lighting” in the title it’d help, I’m not in the industry and as a RUclipsr the keywords for grip/electrician aren’t what I’d think to search for.
Again, so useful
I recently had added a lighting wrench to tighten the C-stands extra tight and To loosen also I added different sizes baby pins to my tool bag
I'm not a grip but you should try some Knipex parallel jaw pliers over a visegrip. The visegrip distroys everything it touches. The Knipex are way more expensive but lighter, less bulky and more functional and work as good as a wrench most times. I don't think I've picked up a visegrip since.
Good note here. I'll look into that. Thanks, David!
Thanks for the tips. The bit about dust masks. . . January 2020... priceless
Dear lord. Somehow I knew something was about to happen that year...
lately I've been using a bunch of those tiny strong magnets and combining then with everything, including zip ties. They are also great to hold screws.
I am a woman and I want to get into this field. I am looking for resources on how and where to start working as a grip lady in the film industry. Is it okay for a woman to do this type of job? I eagerly want to get involved with stuff like this. I thank you so very much for creating and sharing your video with us. I gratefully appreciate it so much, this is so awesome. Thank you so much and God Bless. I am also one of your recent subscribers and I had saved this video into my favorites.
Women can absolutely do this job! Anyone who can lift 50 lbs, work in tight spaces, is flexible, patient and can work long hours can do this.
Hey, Phantom! I am so glad you found some value in this video. You'll find that numerous women all over the world are working G&E in the film industry. Getting in isn't too hard as long as the film industry is decently sized in your area. All it takes is a bit of conversation between you and producers and currently-working G&E professionals and a LOT of free labor to build up trust with said indiividuals. Call around, get on set where you can, and leave a positive first impression. And don't forget about "set-iquette!" If you are attentive and focused on micro details your chances of being called back for future work will be drastically increased.
Don't worry about thinking of yourself as a "grip lady" among "grips", your path into the industry is the same as every fellow grip :)
Hey hey! I'm a woman working in G&E, and here in Texas we have a Facebook group called "Best Gals". It's a group/class geared towards helping women feel more comfortable getting into Grip/Electric work! You don't have to be Texas based to join, and you're more than welcome to join our group and ask any questions (all judgement free). And incase anyone else is reading, it is a woman forward class, but it's not female exclusive. Anyone who wants to learn more but isn't sure where to start can join as well! :)
Well done, nice and concise. From an old film guy, you did a great job explaining and showing your kits. Thanks! Cheers from Flagstaff.
Thanks for this video! Excellent info that was easy to digest. I'm looking to get into the industry and luckily, I somehow have 90% of the items that you mentioned, which is the easier part of this equation. A lot of good info in the comments as well. Thanks again.
This was a great video! I'm glad to say that I have the majority of these tools, but being new to film electrical, I definitely need those books and the multitool. 😅
Hi. 👋🏼 I’m the Trenton Caleb texts or Venmo’s when he thinks he’s texting you, ha. Loved watching this and scooping ideas for more tools to have on hand for my lower budget shoots where I go from producing and coordinating to key gripping in a flash. Also loved the primo yet still chill quality of this vid. Will definitely be sharing it with some younger filmmakers who are breaking into set work. 👍🏼💪🏼
Hahaha so you’re the infamous “other” Trent. I’ve been victim to his texts as well. I appreciate the feedback, man! This is all information that I wished that I knew when first started out so I hope it can help jump start any newbie G&E out there.
This is legit info, from a legit source. I do love your iron rangers though. Maybe a resole and a padded insert could make them your stylish set boots? haha
Haha thank you, Will 👊 as much as I love the Iron Rangers, they just aren’t anything past a casual boot for me. Nothing beats a soft, flexible pair of Nike’s on a hot day on set.
@@TrentonMichael I totally agree with the hot days on set. I have my airmaxs for that. Haha
Loved the video! In addition to everything you mentioned, I usually will carry a container of Ben Nye Neutral Set colorless powder and a collapsible brush and sponge. I work on a lot of smaller sets without hair and makeup and this powder does WONDERS for diffusing specular reflections on skin.
This is brilliant. Thanks for that recommendation. I’ve had a decent number of sweaty and shiny faces that are a bit of a nuisance to light.
Your local will have a list of MINIMUM REQUIRED tools. I’m sure yours says an adjustable wrench(c-wrench).
Thanks some great ideas and good practical advice one can learn from.
So I live in Northern California I do stagehand work , which consists of rigging , carp , grip Ect. What are some things I can do to work on films . I have done so many events but my heart lies in film
Great Video. Working on a set now and this is great advice.
Great breakdown. Thanks for sharing.
Absolutely helpful and utilitarian!! You are awesome
Great video man. I’d add gaff tape to your small tool bag. Call me Red Greene for loving tape but, gaff tape is duct tape 2.0
You know what? I actually unintentionally left that out. Whoops. I was so focused on the other gear that I let the most common tool slip my mind. Gaff is life!
Best content ever
Good stuff!! Thanks for sharing...
you rock!!! thank you for the book recommendations especially
Great video. Thank you so much!
Great video!
Loved it
Thanks for sharing 🙏🏽🖖🏽
Always good stuff homie! Great give video. 👊
High Performance Salon thanks a lot, my guy!
Trenton Michael you were always awesome to work with. In true Trenton style you are still killing the game.
High Performance Salon ah, that means a lot. The feeling is so very mutual, too. I still feel the impact you left on me when I got to attend one of your seminars years back. You’re a true inspiration, Jason!
Awesome video my!
Thank you ❤️
Good info thanks for sharing
Thanks for the tips.
You know any good steel toe sneaker type shoes. I always need to kick tires so i hate regular athletic shoes but i definitely don’t always wAbt to be wearing boots
Yes, actually! Look into some that Reebok makes. I just purchased some a couple months back. It’s exactly what you’re looking for. Google “alloy toe shoes Reebok” and you should find them
good job
Soooo good! Thanks for the advices :D
Cool stuff mate!
Good stuff!!!
I’m glad you enjoyed!
Awesome video, would you keep your seating pads n blanket burritos in your big bag or is that provided by the set? Should I bring my own?
Those pads are usually provided by the grip and electric rental company
cheers buddy
How did you find jobs in Film Industry? Thanks
This might be a topic I cover for an upcoming video. For me, it was doing whatever necessary to get on set. Any way, shape or form, find a set to get on. A great place to begin is on student projects as they are always looking for help. Those are the projects where you will learn the most. The stakes are generally very low so you can certainly experiment and ask questions. Keep doing a lot of free work and eventually someone will notice your great attitude and work ethic.
@@TrentonMichael Thank you
"GripoElectric"? I've never heard that before. So are you 80 and 728? Do you have to pay dues to both of them? Non-Union?
Here in Utah we fall under IATSE local 99. Unfortunately we don’t have great representation out here since we are a right-to-work state. Ultimately we end up fighting a lot of our own battles.
Can you strike a semi-cool HMI with your gorilla grips without torching your hands???? Looking for a less chunky pair of gloves for the set bag.
ALSO an essential for me is spray-on gold bond with aloe..... comers in handy on the hot summertime shoots!
I carry just about the exact same kit all in a setwear ac pouch.
Yeah, I handle semi-cooled HMIs just fine with the GG gloves. I’ll have to try out the gold bond...I’ve been getting my ass kicked this summer on set. Too hot, my dude!
What tool pouch do you acutally have?
I actually just upgraded to a BuiltTough clip-on belt. It’s served me very well so far!
E-tape? paper tape?
Huuuge! Cheers
CLC
Is a grip or gaffer a union job?
Lmao what
Yes both are
Tape
This guy is prepared for the worst possible outcome, he’s like Ironman when he learns from his mistakes
Pro Tip: if you do anything with cameras or screens in general, don‘t buy polarized sunglasses.
today's close pins are garbage. don't buy them from a cheap store. get them from a country hardware store ,a garage sale, or from your grandma. find ones that predate 1990. there slightly larger and the springs are stronger, that is of course you have the time.
100% agree! I’m just wasting the modern ones now
Trying to sell me some pants? No