People who think her singing Abigaille dozens of times (without the required low register and all the accuracy and ease in florid passages, though she's good enough in it) is just right for her voice and not damaging it at all, but a few Turandots will destroy her voice immediately... What do these people think? Turandot sounds just right for her. People forget that this was an acclaimed role of Lotte Lehmann, Rosa Raisa, Anna Roselle, Bianca Scacciati, Zinka Milanov - not just Wagnerian sopranos.
@SuperMagren I don't her like either, BUT my point is just that it is obvious that those predicting her Armageddon because she is singing Turandot are making way too much ado about nothing. If singing Odabella, Abigaille and Lady Macbeth countless times for years didn't destroy her, it won't be some Turandots that will do it. I also think she is overhyped, she was actually much better 10 years ago, but even then she had some serious problems, now she is at best serviceable. But that doesn't negate the fact that Turandot is a role that is *not* totally unfit for her type of voice. That's all.
@@Hans-sg5rg Sometimes singers have different opinions about their own voices. If she fills comfortable in this - good for her. It’s up to her to decide.
@@TheLalangue Yes. And sometimes it has to do with the house they are singing in (size, acoustics, etc.). Some theaters are easier to sing in than others.
Nei nostri teatri ( Russia, Rostov-on-Don, Mosca, Piter) le cantante possono cantare le parte difficile, Batterfly, Katerina Ismailova, Tosca, ...ogni giorno, 1, 2, 3...Penso, che la parte di Turandot-anche
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So glad she is finally getting the opportunity to sing Turandot in NYC.
Long overdue.
Обожаю Монастырскую! Прекрасный, нежный, сильный голос, без срывов! Слышать её пение, это истинное удовольствие!
Magnifique! Bravissima! C'est comme cela que j'imagine Turandot dans une voix soprano grande lyrique... Merci ! Et quelle technique!!
Je suis ravie qu’elle va bientôt chanter ce même rôle à Metropolitain Opera!
Beautiful! So powerful , amazing . Brava! Reminds me of the late Dimitrova.
Bravissima la nostra soprano LIUDMILA MONASTYRSKA !!!!! Gordimsia vami !!!
She is just amazing :D
Великолепное исполнение, так приятно слышать, что кто-то может в наше время так качественно спеть Турандот.
Браво, Людмила! Браво!
Finally, we have found the Turandot of our times...Looking forward to hearing more of her in this role in the big theatres.
Now this is excellent in her voice!
Браво,ЛЮДМИЛА.
Была на этом спектакле. Горжусь что прикоснулась к великой певице!
Good
No chestvoice. Lacks clarity and core.
Voice gets woofy without squillo.
Where do you think she needs to use chest voice in THIS aria?
People who think her singing Abigaille dozens of times (without the required low register and all the accuracy and ease in florid passages, though she's good enough in it) is just right for her voice and not damaging it at all, but a few Turandots will destroy her voice immediately... What do these people think? Turandot sounds just right for her. People forget that this was an acclaimed role of Lotte Lehmann, Rosa Raisa, Anna Roselle, Bianca Scacciati, Zinka Milanov - not just Wagnerian sopranos.
Суко, не чіпай наших кращих!
Problem is she’s terrible.
@SuperMagren I don't her like either, BUT my point is just that it is obvious that those predicting her Armageddon because she is singing Turandot are making way too much ado about nothing. If singing Odabella, Abigaille and Lady Macbeth countless times for years didn't destroy her, it won't be some Turandots that will do it. I also think she is overhyped, she was actually much better 10 years ago, but even then she had some serious problems, now she is at best serviceable. But that doesn't negate the fact that Turandot is a role that is *not* totally unfit for her type of voice. That's all.
Прекрасна,наша ґордість
Where is she now? Gone with the wind?
Still very much around! She's singing Turandot at the Metropolitan opera this spring.
Хороша!!! Брава!
Сейчас Монастырская лучшая
Coincido en que debería mantener los roles dramáticos de Verdi si desea conservar su voz. ..
Чото оркестровка плотнее стало - и уже не получается музыки
Поет широковато и очень большое вибрато.
🇺🇦🕊🕊🕊
Gobble, Gobble, Wobble, Wobble. (And she also gets half a bar behind at the beginning.)
I hope she stops singing this role, it can only hurt her voice.
She actually does avoid this role now. She told in the latest interview that this part was not good for her voice.
@@TheLalangue That's interesting. I wonder why she's taken it on at the Bolshoi and the Met.
@@Hans-sg5rg Sometimes singers have different opinions about their own voices. If she fills comfortable in this - good for her. It’s up to her to decide.
@@TheLalangue Yes. And sometimes it has to do with the house they are singing in (size, acoustics, etc.). Some theaters are easier to sing in than others.
Se continua a cantare Turandot tra 2 giorni non avrà più voce
Смотря у кого....
Смотря у кого нет, у нее, я думаю, всё будет и через 2 дня.
У нас обычно подряд идут репетиции и все в полный голос поют. А потом спектакли.
Елена Косолапова ? Don’t understand sorry.
Nei nostri teatri ( Russia, Rostov-on-Don, Mosca, Piter) le cantante possono cantare le parte difficile, Batterfly, Katerina Ismailova, Tosca, ...ogni giorno, 1, 2, 3...Penso, che la parte di Turandot-anche