My local music shop only sold the Dynamite for the microphone when I asked if they had a cloudlifter, he could order a cloudlifter for me but it would take weeks and it would cost over 200$ and the Dynamite was 120$. I haven't made a decision yet but this video has helped me a ton! Thank you, I really appreciate it. ^^
Thank you sir!!! Just the video I needed. Been going back and forth and people kept saying “cloud lifter cloud lifter”! I am like there are other options. Thanks for this review. Saved us all money! You’re appreciated.
Thank you for breaking down both products. Had no idea there was another option for besides the Cloudlifter. The DM-1 Dynamite is definitely a much more convenient choice for myself, cost saving is also a plus!
Hello, thank you very much for your videos that have helped me a lot. Following your tutorials I bought the vocaster two for the Shure SM7B. However, sometimes I do notice a bit of hiss. I wonder if, although the vocaster has good preamps, it would gain a cleaner sound with the dm1 dynamite. Thank you so much.
Not to be rude but in your older videos when you had a buzz cut you look like Kevin Wembell Crumb from the movie glass. Like I said this is not to be rude I just think It’s cool 😅
These preamps won't work wtih the NT2A because it's a condenser microphone. If you're wanting an interface, I recommend the Scarlett 2i2 4th Gen, Rode AI-1, or SSL2+
I just picked up a cloud lifter with my goxlr because when I turned the gain up on the goxlr I got alot of hiss this allows me to have more gain without turning it up on the goxlr !
The JFET circuitry is supposed to superior to the FET circuitry. I think the Cloudlifter sounded much fuller and richer compared compared to the DM1. Why did you not mention the circuitry?
Thank you for mentioning this. I was just thinking was I the only one who’s hearing the differences. As you said Cloudlifter sounds more fuller and richer while dm1 losses the body and clarity
you're imagining things. several people have run the DM1 through spectral analysis to see if the EQ changes when its in / out of the circuit. it doesnt change. it adds zero colouration. @stevengrainger9073
you're imagining things. several people have run the DM1 through spectral analysis to see if the EQ changes when its in / out of the circuit. it doesnt change. it adds zero colouration. @ravindrag6121
This is SO helpful, thank you! Burning question: is this type of rig (Shure SM7B, audio interface, XLR cables, preamp) appropriate for just regular Zoom and Teams calls, to provide superior audio input, or is it over-engineering the situation? I have a Blue Yeti direct into a iMac now, and it's better than the 3-mic array on the iMac (so says my colleagues on the other end of the meetings - but is this next step even better? I'm fine with the investment if it improves the situation, but wonder if this rig is only for content creators, and not regular video calls? 2nd question, is it OK to use the DM2 instead of the DM1 preamp, as it is only $25 more and slightly better specs - but is it compatible with this rig and signal path design?
Trust me dude your Blue Yeti mic already does wonders on almost every platform (singing, voice overs, voice acting etc.) This Shure setup is for just taking it up to the next level of things. But, if you can blow the extra cash and it helps with your overall mentality, attitude and efficiency while in the work hours or calls then why not right? Just to share, I personally got the Fifine Ampligame AM8 just to get a taste of what dynamic mics do, plus its a USB TO PC setup, so its very convenient, but it still has the XLR capability so you can still plan to upgrade in the future like this SHURE setup.
Can we use the dynamite reverse? Normal use is audio interface to cable, cable to dynamite then to the mic. But if i were to audio interface to dynamite, then dynamite to cable, then to the mic. Is this possible or no effect at all? thanks in advance...👍
Yes it’s possible. It will work anywhere ‘inline’ that you put it. For best results (only slightly), you should have the dynamite as close to your mic as possible. That being said, it doesn’t really make a difference if you’re running less than 25ft fr your interface.
My story: I made the mistake of buying discount XLR cables, and they introduced a degree of line noise on a 20 foot run. The preamps, when I put them on the control desk next to the computer, amplified that line noise along with the mic signal. The result was ugly and unusable. The problem was solved by switching the position of the preamps (a pair of Cloudlifters) so that they were now just a couple feet away from the mics. Then they were only boosting the desired signal, and the line noise was effectively gone, especially since I could keep the gain low on the receiving end.
You don't need an inline preamp for the AT2020 since it's a condenser mic. In fact, it will make your AT2020 not work. You could use one with an AT2040 though!
I need more volume from my recordings, my Zoom Q8n has plenty preamp but my SM57 just doesn’t produce enough volume. Will this work? I set my gain on my Zoom to -12 as well. I need louder guitar recordings. My software just doesn’t boost enough post editing.
My local music shop only sold the Dynamite for the microphone when I asked if they had a cloudlifter, he could order a cloudlifter for me but it would take weeks and it would cost over 200$ and the Dynamite was 120$. I haven't made a decision yet but this video has helped me a ton! Thank you, I really appreciate it. ^^
Thank you sir!!! Just the video I needed. Been going back and forth and people kept saying “cloud lifter cloud lifter”! I am like there are other options. Thanks for this review. Saved us all money! You’re appreciated.
Thank you for breaking down both products. Had no idea there was another option for besides the Cloudlifter. The DM-1 Dynamite is definitely a much more convenient choice for myself, cost saving is also a plus!
I've gone down the Kettner rabbit hole and you're answering all my questions. Many many thanks
Thanks!
You're very welcome. Thank you for the donation!
Thank you! This is exactly what I was looking for.
Thanks il go with the dinamite
Your reviews are the best as always!
Hello, thank you very much for your videos that have helped me a lot. Following your tutorials I bought the vocaster two for the Shure SM7B. However, sometimes I do notice a bit of hiss. I wonder if, although the vocaster has good preamps, it would gain a cleaner sound with the dm1 dynamite. Thank you so much.
I love the SE Dynamite. It’s awesome
Thank you Sir for another great review!
Amazing video bro!! thanks :)
Loved the sound of the cloudlifter, by specs I was with the dynamite initially though
the fact that the Dynamite clips right into the back of the mic, meaning only 1 XLR cable is needed makes it a no brainer.
Thank you 🎉🎉🎉!!!
Super helpful and just the right amount of information. Also, he sounds almost exactly like Chris Bumstead, haha.
Not to be rude but in your older videos when you had a buzz cut you look like Kevin Wembell Crumb from the movie glass. Like I said this is not to be rude I just think It’s cool 😅
so useful thank you!
🎉🎉🎉thanks you ❤❤❤❤
The Fethead works well
How did you make your boom arm cover? It looks great!
Thank you for this video. I bought a Rode NT2A and the gain is very low. What interface do you recommend?
These preamps won't work wtih the NT2A because it's a condenser microphone. If you're wanting an interface, I recommend the Scarlett 2i2 4th Gen, Rode AI-1, or SSL2+
to be honest, I actually hear the difference. maybe it is gain staging, but the cloud is slightly more open.slightly clearer.
I just picked up a cloud lifter with my goxlr because when I turned the gain up on the goxlr I got alot of hiss this allows me to have more gain without turning it up on the goxlr !
You are very helpful.
The JFET circuitry is supposed to superior to the FET circuitry. I think the Cloudlifter sounded much fuller and richer compared compared to the DM1. Why did you not mention the circuitry?
Thank you for mentioning this. I was just thinking was I the only one who’s hearing the differences. As you said Cloudlifter sounds more fuller and richer while dm1 losses the body and clarity
you're imagining things. several people have run the DM1 through spectral analysis to see if the EQ changes when its in / out of the circuit. it doesnt change. it adds zero colouration. @stevengrainger9073
Can you please tell me which microphone is on the right?
Thanks
Cloud lifter sounded way cleaner than dynamite. Probably JFET circuit did the magic
you're imagining things. several people have run the DM1 through spectral analysis to see if the EQ changes when its in / out of the circuit. it doesnt change. it adds zero colouration. @ravindrag6121
That’s why people still use dynamites in mines exploration
Dynamite vs Fethead?
This is SO helpful, thank you! Burning question: is this type of rig (Shure SM7B, audio interface, XLR cables, preamp) appropriate for just regular Zoom and Teams calls, to provide superior audio input, or is it over-engineering the situation? I have a Blue Yeti direct into a iMac now, and it's better than the 3-mic array on the iMac (so says my colleagues on the other end of the meetings - but is this next step even better? I'm fine with the investment if it improves the situation, but wonder if this rig is only for content creators, and not regular video calls? 2nd question, is it OK to use the DM2 instead of the DM1 preamp, as it is only $25 more and slightly better specs - but is it compatible with this rig and signal path design?
teams compresses your calls anyways, so its diminishing returns
blue yeti is perfect for your use - unless you intend to take a step into the realm of amateur-professional recording for singing or content creation
You can have one step-up the game lol
Try use products like SHURE x2u, which supports XLR microphones with just USB
Trust me dude your Blue Yeti mic already does wonders on almost every platform (singing, voice overs, voice acting etc.) This Shure setup is for just taking it up to the next level of things. But, if you can blow the extra cash and it helps with your overall mentality, attitude and efficiency while in the work hours or calls then why not right? Just to share, I personally got the Fifine Ampligame AM8 just to get a taste of what dynamic mics do, plus its a USB TO PC setup, so its very convenient, but it still has the XLR capability so you can still plan to upgrade in the future like this SHURE setup.
Which would you recommend to run with the universal audio volt 1
So would these pre-amps work for a Aston Spirit?
Thanks for the video! I think I'll buy the sm7b and dynamite for my focusrite
Nice combo!
Can we use the dynamite reverse? Normal use is audio interface to cable, cable to dynamite then to the mic. But if i were to audio interface to dynamite, then dynamite to cable, then to the mic. Is this possible or no effect at all? thanks in advance...👍
Yes it’s possible. It will work anywhere ‘inline’ that you put it. For best results (only slightly), you should have the dynamite as close to your mic as possible.
That being said, it doesn’t really make a difference if you’re running less than 25ft fr your interface.
@@kettnercreative Thanks for the Info...🙏
My story: I made the mistake of buying discount XLR cables, and they introduced a degree of line noise on a 20 foot run. The preamps, when I put them on the control desk next to the computer, amplified that line noise along with the mic signal. The result was ugly and unusable. The problem was solved by switching the position of the preamps (a pair of Cloudlifters) so that they were now just a couple feet away from the mics. Then they were only boosting the desired signal, and the line noise was effectively gone, especially since I could keep the gain low on the receiving end.
Which should I use for my audio technica 2020 XLR?
You don't need an inline preamp for the AT2020 since it's a condenser mic. In fact, it will make your AT2020 not work.
You could use one with an AT2040 though!
First 🎉
Should i buy dynamite for my blue sona?
No, the Blue Sona has one built in already. It wouldn’t be compatible.
Oh okay thank you so much for quick reply is there any way to reach you out personally i need some assistance for mic setup
I need more volume from my recordings, my Zoom Q8n has plenty preamp but my SM57 just doesn’t produce enough volume. Will this work? I set my gain on my Zoom to -12 as well.
I need louder guitar recordings. My software just doesn’t boost enough post editing.