Great lesson! Have been looking for something like this for sometime. I would suggest calling the five note pattern: per-di-do-di-da. You can scat it with the samen accenting
I bought this book like a week ago and this showed up in my recommended lol. still waiting for it to arrive though, Guess i'll save this video until then
@@martinclowse8121Straight, No Chaser is such a good example, because we have 4+ ta Dutadeta 3+ tadeta Duta(deta) 2+ ta Dutade- 1+ tadeta Du(tadeta-) We've got them all (plus some long tails!)
Great lesson, Jeremy! I love how you break things down so thoroughly in manageable chunks of information. I shared your video with three of my students who have expressed an interest in jazz. Keep them coming!
The content is always great in all your lessons, but there have been problems at times with the volume. Whatever set-up you used to record this, there was a big improvement on the volume. Just trying to give you the positive feed-back that you deserve. Thanks.
jeremy i got a question. If I transcribe a Solo and I take a little Snippet, smiliar to your 3-Note Perido Rhythm, i could do the very same thing as you did with the Perdido Rhytm( placement, phrasing? , couldn't I? That's the main aspect of transcription isn't it?
Totally! I don't know if that's the *main* aspect of transcription - there are lots of benefits of transcribing, but that's definitely something great to do!
Hi Jeremy .. great video... but what is your reason of not accenting the downbeat in a rhythmic phrase and giving less weight to on-beats? It doesn't make sense to me and the whole phrase sounds less grounded if I don't emphasize the downbeat....
More rhythmic content please!!! I feel my musicality improving waaaay faster when I practice rhythms!
Great note! I love it! Yes - rhythms are at the center of everything, right? Notes are sooo overrated. 😉
A concept that's as important to beginners as advanced players, explained lucidly and eloquently. It cannot be overemphasized!
Agreed! Notes without rhythm ain’t much, right, Ed?
Great demonstration of rhythmic displacement; just the ticket for any improviser feeling stuck in a rhythmic rut.
Thanks so much, Brad! I think it’s an under-discussed topic!
@@JeremySiskind ...and a hard one to teach than say, note choices.
Another "Great" video very clear and to the point on this topic . . . doo vah doo vah dit 🎼
Sooooo good more on rythme please it's amazing 😊
I'm a guitarist and I love this channel, so clear in your teaching.
Thanks so much, David. Even guitarists are accepted here, believe it or not!
Yes dry but absolutely important, needed lesson for me!
Nice! I'm glad you found it at the right time!
Im up for Anything Bebop improv 👏🏽👏🏽👏🏽👏🏽
Thanks Jeremy, such an important topic that in itself adds so much to playing jazz solos.
Agreed! This is a hard and under-recognized element of learning jazz!
A Part 2 would be great, Thanks.
Good suggestion. Thanks!
Thank you so much for your thorough lesson. It made me improve a lot!
Great lesson! Have been looking for something like this for sometime. I would suggest calling the five note pattern: per-di-do-di-da. You can scat it with the samen accenting
I bought this book like a week ago and this showed up in my recommended lol. still waiting for it to arrive though, Guess i'll save this video until then
Lol, I guess the algorithm’s doing its job! Thanks for buying the book! I hope you like it!
Thanks, Jeremy! Well conceived and presented!
I'd call that second (five note grouping) the "Tricrotism" Rhythm (after the first phrase in Oscar Pettiford's tune). Great content, Jeremy. Thanks!
Or maybe the "Straight, No Chaser" Rhythm!
Nice, I love both ideas!
@@martinclowse8121Straight, No Chaser is such a good example, because we have
4+ ta Dutadeta
3+ tadeta Duta(deta)
2+ ta Dutade-
1+ tadeta Du(tadeta-)
We've got them all (plus some long tails!)
Best leason ever! Thank you so much!!👏👏
Wow, thats so nice! Thank you!
Very useful and important. Thanks for the lesson.
Thanks so much, Sharad! I'm glad it was helpful for you!
I really like your videos, your good humour and well structured presentations - good for all jazz musicians not just pianists
This is gold. Thanks Jeremy.
I'm glad you dig it, Don!
Really interesting video to increase solo jazz
Great! I'm glad you liked it!
great video, you're a hell of a teacher
Great lesson, Jeremy! I love how you break things down so thoroughly in manageable chunks of information. I shared your video with three of my students who have expressed an interest in jazz. Keep them coming!
Awesome! Thanks, Carolyn!
Another great lesson on an important topic. Thanks!
Thanks so much, JJ!
Thanks for this!
You’re so welcome!
This is great Jeremy, thank you!!!
Thanks
You’re so welcome! Thanks for checking out the content!
Very useful thanks
Nice! I’m so glad you found it useful!
Great lesson Jeremy. Will definitely check out your book! Thanks.
Awesome! Enjoy, Damien!
Very good tutorial, thank you. You can name the 2nd rhythm pattern 'Straight, no Chaser' after Monk
Ooh, I love it! Thank you!
very good material
Thanks so much!!!
Nice gonna but the book 📕!
I'm a guitarplayer but like this video, would like to see more on how to swing jazz lines
Cool! Sounds good. I don’t know if you’ve checked out my video called “3 articulations for better jazz feel” but that’s a great place to start.
@@JeremySiskind no I haven’t but will … ty
9:22 Cruella de Vil 😊
Haha it wasn’t intentional!
The content is always great in all your lessons, but there have been problems at times with the volume. Whatever set-up you used to record this, there was a big improvement on the volume. Just trying to give you the positive feed-back that you deserve. Thanks.
That’s great to hear! Thanks for positive feedback. It’s very appreciated!
Hi Jeremy, for the 2d rythm, what about calling it the « straight no chaser » rythm?
Yes, thank you! I think some other folks actually suggested that in the comments as well...so I think you're on to something!
jeremy i got a question. If I transcribe a Solo and I take a little Snippet, smiliar to your 3-Note Perido Rhythm, i could do the very same thing as you did with the Perdido Rhytm( placement, phrasing? , couldn't I? That's the main aspect of transcription isn't it?
Totally! I don't know if that's the *main* aspect of transcription - there are lots of benefits of transcribing, but that's definitely something great to do!
Hi Jeremy .. great video... but what is your reason of not accenting the downbeat in a rhythmic phrase and giving less weight to on-beats? It doesn't make sense to me and the whole phrase sounds less grounded if I don't emphasize the downbeat....
Perdido-dido
Yep - like a Paradiddle-diddle
Extended Perdido?
That definitely works, Martin! Thanks!
the second phrase is 'Cruella de Vil'
Lol, you caught me!
Totally sexy topic, Maestro 😎🔥🔥🔥🌹
Lol, the sexiest!
The five note form of perdido should be called “muy perdido”
Lol, love it, David!