Geweldig om ook dit te zien. Als exzangeres weet ik dat coaching er zo toe doet en deze zanger is gezegend met een geweldige coach. Comimenten voor beide.
If you find him ridiculous tjen you should go away and look for other art forms. Its not for you. You will never be able to aporeciate it. Just heard him sang Verdi's Requiem with three others. Suoerb and divine. He could not have done it without a prior toigh training.
Segno che non devi essere un insegnante odioso e maleducato come lo furono alcuni grandi cantanti ma cattivi insegnanti; ad esempio Mirella Freni, Schwarzkopf, cappuccilli, ecc.
Not sure if you really mean coaching or vocal tuition. If the latter, then he has been learning with David Jones, who is the best there is. But it takes time to grow a bass voice. If you hear him live, he is already amazing and it will only improve with age.
Not personal, but opera singers in general sounds ridiculous, as in this typical case. After a while many of them even starts talking in the same manner they bark and it becomes even more comical.
Opera singers sound ridiculous cause true or correct operatic technique has been lost. Due to a bunch of modern trends from singers, directors, etc. changes were made since the 50s, and now half of operatic bases sound like they have a frog in their throat. If you listen to people like Maria Callas, Renata Tebaldi, Maria Di Hidalgo, Jerry Hadley, George London, Luisa Tetrazzini, Rosa Ponselle, and Claudio Muzio (I know it's a long list, you definitely don't have to listen to all of them to get the idea), you'll hear they sound much more natural
@@yonboi6644 Yes, when you say it I hear it clearly. He actually is trying to imitate a frog sound instead of using his natural free voice. Who am I to know, but maybe there are some roles where the frog sound is required by the composer, then he can travel around the world, on state cost, and doing these roles for a living.
He’s a young singer and has a superb voice. I think your comment is rather ugly in context: this young man was willing to expose himself in a masterclass for someone like you to heap derision.
Fantastic Rosemary Joshua and Sam Carl....congratulations. I am in the same task: preparing to soon interpret "la vendetta"
Me too
Not my ideal role : I am a baritone moving higher into dramatic tenor territory but a friend needed a bass-baritone so here we are.
Geweldig om ook dit te zien. Als exzangeres weet ik dat coaching er zo toe doet en deze zanger is gezegend met een geweldige coach.
Comimenten voor beide.
Avec une professeur aussi belle ...on ne peut ! Que faire des progrès ! 👍👏
Bella donna che dà ottimi consigli tecnici sul canto
If you find him ridiculous tjen you should go away and look for other art forms. Its not for you. You will never be able to aporeciate it. Just heard him sang Verdi's Requiem with three others. Suoerb and divine. He could not have done it without a prior toigh training.
Thank you
Segno che non devi essere un insegnante odioso e maleducato come lo furono alcuni grandi cantanti ma cattivi insegnanti; ad esempio Mirella Freni, Schwarzkopf, cappuccilli, ecc.
Quei grandi cantanti ma terribili insegnanti riuscivano solo a deprimere il cantante e a metterlo in imbarazzo in pubblico.
Good guy, but need a coach
Not sure if you really mean coaching or vocal tuition. If the latter, then he has been learning with David Jones, who is the best there is. But it takes time to grow a bass voice. If you hear him live, he is already amazing and it will only improve with age.
NO
Not personal, but opera singers in general sounds ridiculous, as in this typical case. After a while many of them even starts talking in the same manner they bark and it becomes even more comical.
Opera singers sound ridiculous cause true or correct operatic technique has been lost. Due to a bunch of modern trends from singers, directors, etc. changes were made since the 50s, and now half of operatic bases sound like they have a frog in their throat. If you listen to people like Maria Callas, Renata Tebaldi, Maria Di Hidalgo, Jerry Hadley, George London, Luisa Tetrazzini, Rosa Ponselle, and Claudio Muzio (I know it's a long list, you definitely don't have to listen to all of them to get the idea), you'll hear they sound much more natural
@@yonboi6644 Yes, when you say it I hear it clearly. He actually is trying to imitate a frog sound instead of using his natural free voice. Who am I to know, but maybe there are some roles where the frog sound is required by the composer, then he can travel around the world, on state cost, and doing these roles for a living.
@@yonboi6644 Agree 100%🙏 Mostly they are singing for their own ears!
@@pekkarissanen4926 Not sure if you have tried any singing, but a good deal of the learning is precisely to do with *not* listening to your own voice.
He’s a young singer and has a superb voice. I think your comment is rather ugly in context: this young man was willing to expose himself in a masterclass for someone like you to heap derision.