Tatsuro Yamashita says in the song description section of the liner notes for his "FOR YOU" album. “A song like “FUTARI” (Two of Us) would not have been possible without Hiroshi Sato's piano. The crescendo at the end of the interlude has the piano rolling and swaying wildly. It's an amazingly expressive performance by him." TATSURO also said the following in a radio special in remembrance of Hiroshi Sato when he passed away in 2012. “Hiroshi Sato was a great help to me in the mid-1970s, recording my solo albums and many of Mariya Takeuchi's works. I think he is one of the leading keyboard players in postwar Japan. He was one of my most beloved keyboard players.“ Tatsuro expresses his respect for Hiroshi Sato by saying, "I have to say that Hiroshi Sato's keyboards are the best in the world.“ He also said, "I think Hiroshi Sato's keyboard ideas are wonderful, like the sense of piano grease in the middle of LOVESPACE, which you just heard, and the intro with a little pickup, which he suddenly started playing on the recording. In Mariya Takeuchi's "Cheer Up,（GENKI o DASHITE）" he does not play the keyboard for the first four bars. Even after the introduction of live guitar, bass, and drums, his keyboard doesn't appear (laughs). That was completely Sato's idea, and he was full of ideas in that area. He really helped me a lot in the creation of my piece. Without Sato's piano, many of my pieces would not have been born.“ He was so struck by Sato's piano at the first sighting that he wanted him to play it in his own compositions someday. “I first saw Hiroshi Sato play the piano when I was still in ”Sugar Babe“. There was a small live house in “the Shinjuku Pit Inn” neighborhood during a Sugar Babe concert, and that is where I saw him play for the first time. They were a unit called “Original The Dylan” from Osaka, The drummer was Toshiaki Hayashi, the bass player was Akihiro Tanaka, the guitarist was Chosei Ishida, and the keyboardist was “Hiroshi Sato”. The performance of the four rhythms was so good that it was shocking to those of us who had been playing in bands in Tokyo. （I was so shocked that I could not sleep all night.） Especially the keyboardist, Mr. Sato, and the guitarist, Mr. Chosei Ishida, were playing things that we had given up on from the beginning because we thought that Japanese people probably could not do such things (laughs). I was shocked at that. That was an incredible shock to me. Later, he formed a band called “Huckle back” with Shigeru Suzuki, and I was thinking that if I became a solo artist someday, I would definitely ask Sato to play keyboards, and it came true with my second album “SPACY” in 1977. The very first session was on my song “LOVESPACE."
1988 ON AIR Live, Members of the performance Hiroshi Sato : Vocals, Keyboards Jun Aoyama: Drums Koki Ito: electric bass Yuji Toriyama: electric guitar Yoko Kanno: keyboards Masato Honda: saxophone Miho Fujii: chorus Loretta Zoe Haywood: chorus Sakiko Masano: chorus
Hiroshi Sato is a blessing to our ears
Tatsuro Yamashita says in the song description section of the liner notes for his "FOR YOU" album.
“A song like “FUTARI” (Two of Us) would not have been possible without Hiroshi Sato's piano.
The crescendo at the end of the interlude has the piano rolling and swaying wildly.
It's an amazingly expressive performance by him."
TATSURO also said the following in a radio special in remembrance of Hiroshi Sato when he passed away in 2012.
“Hiroshi Sato was a great help to me in the mid-1970s, recording my solo albums and many of Mariya Takeuchi's works. I think he is one of the leading keyboard players in postwar Japan. He was one of my most beloved keyboard players.“
Tatsuro expresses his respect for Hiroshi Sato by saying,
"I have to say that Hiroshi Sato's keyboards are the best in the world.“
He also said, "I think Hiroshi Sato's keyboard ideas are wonderful, like the sense of piano grease in the middle of LOVESPACE, which you just heard, and the intro with a little pickup, which he suddenly started playing on the recording.
In Mariya Takeuchi's "Cheer Up,（GENKI o DASHITE）" he does not play the keyboard for the first four bars. Even after the introduction of live guitar, bass, and drums, his keyboard doesn't appear (laughs). That was completely Sato's idea, and he was full of ideas in that area. He really helped me a lot in the creation of my piece.
Without Sato's piano, many of my pieces would not have been born.“
He was so struck by Sato's piano at the first sighting that he wanted him to play it in his own compositions someday.
“I first saw Hiroshi Sato play the piano when I was still in ”Sugar Babe“.
There was a small live house in “the Shinjuku Pit Inn” neighborhood during a Sugar Babe concert, and that is where I saw him play for the first time.
They were a unit called “Original The Dylan” from Osaka,
The drummer was Toshiaki Hayashi, the bass player was Akihiro Tanaka, the guitarist was Chosei Ishida, and the keyboardist was “Hiroshi Sato”.
The performance of the four rhythms was so good that it was shocking to those of us who had been playing in bands in Tokyo. （I was so shocked that I could not sleep all night.）
Especially the keyboardist, Mr. Sato, and the guitarist, Mr. Chosei Ishida, were playing things that we had given up on from the beginning because we thought that Japanese people probably could not do such things (laughs). I was shocked at that.
That was an incredible shock to me.
Later, he formed a band called “Huckle back” with Shigeru Suzuki, and I was thinking that if I became a solo artist someday, I would definitely ask Sato to play keyboards, and it came true with my second album “SPACY” in 1977.
The very first session was on my song “LOVESPACE."
Thanks for told this interesting history! The piano sound in "FUTARI" is absolutely a masterpiece!
@@vlogbinh
Thank you for your reply
Sato's piano on "Futari" is great.
The live version recorded on "JOY" is especially good!
Me encanta Hiroshi , Awakening es uno de mis discos cabecera genial album!!!
貴重な映像あリがとうございます🎶
時代が早過ぎた感ありますよねー❤
35年前じゃ無かったら世界的にヒットしてたかも
just magic, hearing the master playing with Honda and Toriyama live... and her voice is beautiful.
メンバー、とんでもない方ばかりですね！
貴重な映像、ありがとうございます。
目でも楽しめます。
I’m so glad this video exists!
So happy to see he performing this! He s a genious! Can't help feeling extraordinarily happy every since I listen to his music.
I wish I could hear the I wish I could hear "Blue and moody music" in live
@Purple i wish i could hear say goodbye and me to you
Me too. My favorite song ever
80년대 노래인데 지금들어도 엄청 세련되었네. 노래 좋다 👍
this is incredible that this even exists wow what a nerdy eccentric type this genius should have played say goodbye tho
what a quintessential cool ass man he was
何度聴いても素晴らしいです…！
sweet inspirationは最高ですね。
メンバーがエグい
当時のトップミュージシャンばっかですよね
佐藤博さんの独特の音世界もサイコー
Hey was Hitoshi sato big in Japan?
ねえ、佐藤博は日本で有名だったの？
@@Beazt1101 Not so popular in Japan, but very famous among serious musicians.
what a legend
Wow what a gift. Thanks for uploading this
伊藤広規と青山純が映ってて嬉しかったが、菅野よう子と接点があったなんて全然知らなくて大変驚きました
amazing 🥰
シティポップの塊
何気にメンバー凄くないですか。ご冥福をお祈りいたします。
you can hear the intro to Toshiki Kadomatsu's unreleased song Brown Eyes Lady in the keyboard solo before I Can't Wait.
ハックルバックのlive観られた幸せ🎉皆様早逝な方が多い 自分の番も来るわなぁ
Tシャツ100名様にプレゼントって、さすがこの時代！
懐かしい貴重な映像のupありがとうございます。この少し前まではDr林立夫氏Ba美久月千春氏で六本木PITINNで月一ライブされてましたね～ 至近距離で林氏の太鼓が聴けるのが楽しくてほぼ毎月通ってました。美久月氏が海外逃亡？されてた時に高水氏がトラでBaに入られたライブは今でもよく覚えてます。
1988 ON AIR Live, Members of the performance
Hiroshi Sato : Vocals, Keyboards
Jun Aoyama: Drums
Koki Ito: electric bass
Yuji Toriyama: electric guitar
Yoko Kanno: keyboards
Masato Honda: saxophone
Miho Fujii: chorus
Loretta Zoe Haywood: chorus
Sakiko Masano: chorus
Buena música
Admiro mucho la cultura japonesa ojalá pudiera conocer alguna mujer de ese país!!
Legend
Grande músico ! vá em paz, mestre.
Ele já foi tem quase 10 anos, mas fica eternizado em cada canção e a tendência é cada vez mais gente conhecendo essa lenda.
菅野さんモテただろうな～カワイイもんな～♪
このお方が後に「花は咲く」を作曲した方とは知りませんでした。
너무 좋네! 도대체 이 시기 일본 음악계에 무슨 일이 있었던 거야?
今もこの時代と同じぐらい良いよ！ここ10年ぐらいの邦楽のインディーはほんとに素晴らしい。
彼がＹＭＯを承諾してたら、また違った展開になっていたかも😮
素敵🤍🤞🏼
メンバー すご！
サディスティックミカバンドもそうだけど、メンバーが凄い
Wow. Incredible !
👍👍👍
Doesn’t the instrumental for love is the answer sound like Hatsu koi by Tashiki Kadomatsu ?
Japanese music really is the best music ever made.
Is that Patrice Rushen singing on track 2?
damn you're right, good looking out!
Can we talk about the all star "support band" please? Yoko Kanno??!! Yuji Toriyama?!! lol, ridiculous...
For us, it is a once in a lifetime Japanese All-Star band. But for Hiroshi Sato, it was Tuesday.
とんでもない
Wonder what their saying
You dont speak english?
何も言い様がないメンバー陣
anybody got english sub titles for this?
All I know is the lady Keyboardist is Yoko Kanno.
@@DIEGhostfishfunny that was the only one I picked up on as well 🙂
すごいメンバーなんですが、佐藤さんはフェンダーローズとピアノを弾いていた頃の方が良かった。デジタルを使うようになって個性がなくなった。
tight as fuck
錚々たる顔ぶれだ！