Super cool to hear Tigran's phrasing and melodic ideas in this context! It does display how his regular rhythm section players have picked up on the nuances of his improv, and how much that complements his playing compared to this jam setting.
Man, it’s almost like Tigran’s soloing over the soloist, but mentally and without playing it! 😮💨 I wonder if this is a close knit approach to comping…
Like to see how this modulation drill never cease to end up in a musical fail even when played by the most gifted musicians.of the generation to begin with Trane himself.
Disappointing. I'm glad to hear this though because it show how someone can be a virtuoso in one style ( Tigran's master of polyrhythmic cycles) but something lacking here in the flow of the swing. It reminded my of Brad Mehldau somewhat or Keith Jarrett but falling short. I would rather hear Tigran do rearrange the who song into his style with the complex rhythms, maybe letting some of the chords repeat for a while and then going into a new rhythmic / modal feel and then going back and forth into the full changes. He could work on improving this somewhat traditional way of playing it but why do that when a million people have. I would rather hear his take on it . I'm glad he looks like he enjoyed playing this though
Why is that disappointing but you're also simultaneously glad he's having fun? I agree that his comping was sub par, looked like he was remembering the changes, but his solo did exactly what you described he shouldve done
@@dyllanusher1379 , if people listen to this blind they won't be able to tell it's him. What I was talking about is if he rearranged the song so the whole group should play all the changes but then linger on one or a few chords like a loop for a long time like a minute or more and this being done polyrhythmically, then go back to all changes of the head and then to another loop. So it would be an arrangement that would have the complete head but on some of the improve maybe a bar or two of the complete changes accompaniment but then as if sampled, one section of just one or few chords looped. The bass player and everybody doing this. It has to be the whole group
@@sat1241 make your dreams a reality my friend! Based on the start of the song, I think this was more of a hey tigran do you know giant steps and he's like errh yeah sure let's run it
I strongly disagree, the thing is tigran has many rhythmic and harmonic approaches that the bassist and drummer simply can't follow, but hey it's just a jam session after all
His solo F’in Hits! Giants Steps. Wow! The world needed this. That audience so lucky! Great clip!
Tigran is for sure is taking giant steps in dem' boots.
Super cool to hear Tigran's phrasing and melodic ideas in this context! It does display how his regular rhythm section players have picked up on the nuances of his improv, and how much that complements his playing compared to this jam setting.
Seems like some people aren't feeling this, but I'm loving it! Neat to see Tigran in a straight ahead jazz context.
You can check up ari hoening's Ny standard for more, Tigran on the piano :)
What a cool and different way to hear Tigran. All the band is going at it good; this was quite a surprise for me to hear. Thanks!
Alto have a good sound but that's it, Great Music Tigran, God Bless !!
Dat rhythm section tho🔥
F yeah! What are the names of the rhythm section cats?
Man, it’s almost like Tigran’s soloing over the soloist, but mentally and without playing it! 😮💨 I wonder if this is a close knit approach to comping…
Like to see how this modulation drill never cease to end up in a musical fail even when played by the most gifted musicians.of the generation to begin with Trane himself.
That lick at 6:20 is 🔥🔥🔥
my mate says nice
The sax is lost in outer space
⭐⭐⭐⭐⭐
А где Giant Steps??
Lol
😐
what about it
Saxophonist name?
Amir Lee
Too green@@brandonxue2126
Armir Lee
Disappointing. I'm glad to hear this though because it show how someone can be a virtuoso in one style ( Tigran's master of polyrhythmic cycles) but something lacking here in the flow of the swing. It reminded my of Brad Mehldau somewhat or Keith Jarrett but falling short. I would rather hear Tigran do rearrange the who song into his style with the complex rhythms, maybe letting some of the chords repeat for a while and then going into a new rhythmic / modal feel and then going back and forth into the full changes.
He could work on improving this somewhat traditional way of playing it but why do that when a million people have. I would rather hear his take on it . I'm glad he looks like he enjoyed playing this though
Why is that disappointing but you're also simultaneously glad he's having fun? I agree that his comping was sub par, looked like he was remembering the changes, but his solo did exactly what you described he shouldve done
@@dyllanusher1379 , if people listen to this blind they won't be able to tell it's him. What I was talking about is if he rearranged the song so the whole group should play all the changes but then linger on one or a few chords like a loop for a long time like a minute or more and this being done polyrhythmically, then go back to all changes of the head and then to another loop. So it would be an arrangement that would have the complete head but on some of the improve maybe a bar or two of the complete changes accompaniment but then as if sampled, one section of just one or few chords looped. The bass player and everybody doing this. It has to be the whole group
@@sat1241 make your dreams a reality my friend! Based on the start of the song, I think this was more of a hey tigran do you know giant steps and he's like errh yeah sure let's run it
I strongly disagree, the thing is tigran has many rhythmic and harmonic approaches that the bassist and drummer simply can't follow, but hey it's just a jam session after all
could be!@@PierreLouisVarnier