Super amazing, I was at work at was screaming no to go full karaoke. But what you did was map and arrange complicated sounds to the keyboard, making into a tape player as per Alan Wilders description, but it was step away from the keyboard as an actual instrument with a lead, backup, bass, a setup from the vince Clarke era, before he got access to studio equipment, which Martin and Fletch tried to carry on before Alan started to evolve that sound, but it meant more mapping the studio sound onto the keys….
Yes. The sounds were mapped from the rockband multitracks, but I did the custom layout, taught myself to play it that way and arranged all of the backing tracks on my ipad. DM fan since 1984.
All sounds were copied to the K2000 via floppy emulator. This synth allows you to create custom keymaps from imported samples. It took a little bit to get all of the different sounds in. Once they are onboard i save the custom setup to the hard drive so i can load it back in afterwards.
@@jamesharrison342 Thx for the response. Are you mapping sounds to keys that are the wrong note on purpose because of key limitation. For example in the bass line you’re playing a G G F when it should be F F Eb?
@@KnickTran that is correct. I did intentionally map those notes so that i would have enough keys to pkay it through logically. There are other examples such as the low C being played on a b-flat. When i went to apply the octave stops in the last pre chorus I had to map several low octave keys onto strange alternate transpositions. I got the idea to do this from the Alan Wilder keymaps. Several of those maps have keys transposed by a fifth so that keymaps fit onto 61 notes without overlaps.
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I was singing on top this! Awesome
super cool to see this performed live and in real time
Thank you. It was to learn
That was REALLY cool! A lot of work went into this. Great job.
Thanks mate. Miss playing with you. We need to jam.
Woww, you nailed it! The tone tho'. Keep up the good work and sending much respect from here.
Excellent job!! I have a K2000 & never used it like this. Very inspirational. Thanks.
Thank you. This was a fun one because of all the sample layering. This was also a bit of an experiment to see if the synth could handle it.
Very nice job! Particularly liked drum section and some cymbals details
Thank you.
Outstanding!! 👏👏
Thank you.
Super amazing, I was at work at was screaming no to go full karaoke.
But what you did was map and arrange complicated sounds to the keyboard, making into a tape player as per Alan Wilders description, but it was step away from the keyboard as an actual instrument with a lead, backup, bass, a setup from the vince Clarke era, before he got access to studio equipment, which Martin and Fletch tried to carry on before Alan started to evolve that sound, but it meant more mapping the studio sound onto the keys….
Yes. The sounds were mapped from the rockband multitracks, but I did the custom layout, taught myself to play it that way and arranged all of the backing tracks on my ipad. DM fan since 1984.
Bravo!!!!!
Complimenti
Superb 👌👌👌
Intense,man! Great cover. You got it all right
Thank you.
Brilliant....
Really Great 😊😊😊
Super!!!
hey pal, i think you forgot to turn on that korg...it looks like it's off and or your LCD display is not working...
Kurzweil display needs replacing. Its very dim.
The power led is on
@@alexfinns6162 yes, i did notice that...not saying that he's faking it but that LCD is really dim....
Noob question, how/what are you using to map the different sounds on different parts of the keyboard?
All sounds were copied to the K2000 via floppy emulator. This synth allows you to create custom keymaps from imported samples. It took a little bit to get all of the different sounds in. Once they are onboard i save the custom setup to the hard drive so i can load it back in afterwards.
@@jamesharrison342 Thx for the response. Are you mapping sounds to keys that are the wrong note on purpose because of key limitation. For example in the bass line you’re playing a G G F when it should be F F Eb?
@@KnickTran that is correct. I did intentionally map those notes so that i would have enough keys to pkay it through logically. There are other examples such as the low C being played on a b-flat. When i went to apply the octave stops in the last pre chorus I had to map several low octave keys onto strange alternate transpositions. I got the idea to do this from the Alan Wilder keymaps. Several of those maps have keys transposed by a fifth so that keymaps fit onto 61 notes without overlaps.