The variety and range of intensity of feelings stirred by Jarrett ... so distinct from all the music I hear nowadays. Now each song makes you feel something basic the whole way through it, but here there is sentiment that walks through spring, rejected dates, conversational breakthroughs, quiet mornings to think why you are here, gentle but awkward sweetnesses, and a sense that you never get tired of someone if you’re open to allowing them to arouse feeling in you.
The intro is about 60 seconds of sheer beauty. The theme that follows seems to be an extension of a magical statement that has already been created. It feels like the intro could last forever, literally. As I've written in an another video, Keith Jarrett's lyricism is transcendental, there is something absolutely sublime about his melodic lines.
@@michaelcorenzwit6860 yes, that's how he describes his creative process. But we know that any creative process that involves such degree of complexity and balance demands lots of decisions and an absolute control over the material. That comes from the brain, from the thought process. I just think that what he means is that he is not analyzing the material "per se". The music just flows, as you wrote. But he is constantly thinking as his is generating his melodies, his harmonies; he is constantly shaping his decisions. That constant filtering of very refined ideas is what he is, and that's what makes him create such marvelous music.
@@andradas9688 I was a jazz musician and I felt my improvising was best when my brain was allowing my music to flow freely. Of course the brain is involved in all aspects of our lives but conscious thoughts are not the source of inspiration for improvisation. You need to consciously develop the ability to improvise by hours and hours of practice before you have the ability to allow the music to spontaneously flow through you and your instrument.
@@michaelcorenzwit6860 Melodic and harmonic choices that are not just clichés (the redundant melodic lines taken from other players, the same scales, same voicings, etc, which unfortunately happens A LOT in jazz) require extreme concentration and an acute mind. Concentration does not mean a "barrier" to the "flow" of the creative process, much on the contrary. If hours and hours of practice involve conscious thoughts and you simply take that baggage to the performance itself, you cannot argue that improvisation is spontaneously created. That itself denies KJ's initial statement. As an addendum, for some reason people tend to suggest the existence of an external entity that somehow uses you and your instrument as a vehicle. That's called fantasy (other form of creativity), which is an important part of people's lives, but it is just that. The brain is extremely powerful and even if you think you are creating spontaneously, we know you are basically expressing ideas "trained" and "filtered" beforehand. That's why KJ's statement is a contradiction, which is fine. That doesn't make him less wonderful.
@@andradas9688 I have known and conversed with many great jazz musicians. They universally agree that the music that they play comes from something other than conscious thought. I am in no way implying that there is an external entity involved. Let’s agree that Keith plays wonderfully and is a transcendent genius of creativity.
So many great jazz pianists. However, no one plays as beautifully at both ends of the "way out" to "beautiful ballad" spectrum, as Keith.....see "Sorcery" and "Then I'll be tired of you", or any other American Songbook number. Defines "sensuous"!
I have to agree. At a certain point, this is all subjective. There is a directness to his playing that I can't get enough of. I judge by who I listen to more of. I do listen to Bill, and I got to see Michael Petrucciani. I keep coming back to Keith.
Torticollis is a problem involving the muscles of the neck that causes the head to tilt down. The term comes from two Latin words: tortus, which means twisted, and collum, which means neck. Sometimes it's called “wryneck.” 3:03 [WebMD]
Il re delle ballate, semplicemente celestiale e sensibilissimo. I tempi sono scanditi con maestria e genialità. Gira intorno al tema interpretandolo come mai fatto da nessun pianista jazz. Il piano è l'estensione del suo corpo e della sua mente. È un unicum con lo strumento. Non ho mai ascoltato simili interpretazioni. Una pietra miliare della storia del jazz. Questo pianista è un po' l' evoluzione di Bill Evans.
That piano is unique. The 2nd / 3rd octaves are alive [They define a piano to me]. No junk notes on that thing. Oh to have such an instrument. I play at home and get angry at the sound. Then I stroll into a hall with one of these creatures and realize I can do it. This guy showes us how to do it dosen't he. What he does is achievable but needs credit for defining this breadth of sound from a single person and one instrument. Will always be credited as this unique man.
When Keith Jarret stands up is not because he has got nessecarely to the toilet or something, but to Salute heaven, and be a little closer, Where he gets his inspiration from...(the Stars of course, They'll Love him Too! )
There is none other like Keith. Listen to that left hand maintaining its rhythm while the right hand solos. Masterful! Thank you, Keith. You are truly loved and missed.
One can only speculate on what inspired the remarkable set of ballads in this concert, and inspired they are. I feel like Salieri, given only enough talent to recognize a gift that utterly eclipses my own. One wish: Go back to 1987 and see this in person.
I always admired Keith since the 70s. I always noticed like he never looks at the piano keys, its like the piano is a part of his katra and he plays his heart and soul thru his fingers, other keyboardist plays their song pretty much the same like it was played off of a music sheet.. while Keith has no sheet but he just improvise as he plays and it seems no song is played the same the next time he plays it. I have yet to see another Keith Jarrett, now there are alot of awesome pianist out there but nothing like Keith Jarrett.
I'll be tired of you When stars are tired of gleaming When I am tired of dreaming Then I'll be tired of you This I know is true When winds are tired of blowing When grass is tired of growing Then I'll be tired of you Beyond the years till day is night Till wrong is right, till birds refuse to sing Beyond the years the echo of my only love Will still be whispering, whispering If my throbbing heart Should ever start repeating That it is tired of beating Then I'll be tired of you You see now?
Swing band you're out of touch. I don't know where you get your information from but every version I've heard from the early thirties and I own some were played at a slow tempo.
Swing Band Heaven then go somewhere else, you idiot! This is the Mozart of jazz of our time. Your shallow ignorance should be embarrassing for you, but you don’t have enough sensitive for that!
@@rmac1042 slow down. everyone got their own taste. he explained his arguments decently, I don't know why would you get mad at someone for sum like this..
Видеоклипы
![J.P., NLE Choppa - Bad Bitty (Remix) [Official Music Video]](http://i.ytimg.com/vi/rBDa6BCvw10/mqdefault.jpg)
Happy 79th birthday Keith - you are so beloved.
What a beautiful piece. I can't believe this was uploaded 14 yrs ago and just heard it today.
This is incomparable.
The variety and range of intensity of feelings stirred by Jarrett ... so distinct from all the music I hear nowadays. Now each song makes you feel something basic the whole way through it, but here there is sentiment that walks through spring, rejected dates, conversational breakthroughs, quiet mornings to think why you are here, gentle but awkward sweetnesses, and a sense that you never get tired of someone if you’re open to allowing them to arouse feeling in you.
Not for me...beautifully said.
yeah, french cuisine or Japanese kaiseki is totally different from a bag of potato chips.
🙏👍❤
The intro is about 60 seconds of sheer beauty. The theme that follows seems to be an extension of a magical statement that has already been created. It feels like the intro could last forever, literally. As I've written in an another video, Keith Jarrett's lyricism is transcendental, there is something absolutely sublime about his melodic lines.
Keith has said that the music just flows through him without thought.
@@michaelcorenzwit6860 yes, that's how he describes his creative process. But we know that any creative process that involves such degree of complexity and balance demands lots of decisions and an absolute control over the material. That comes from the brain, from the thought process. I just think that what he means is that he is not analyzing the material "per se". The music just flows, as you wrote. But he is constantly thinking as his is generating his melodies, his harmonies; he is constantly shaping his decisions. That constant filtering of very refined ideas is what he is, and that's what makes him create such marvelous music.
@@andradas9688 I was a jazz musician and I felt my improvising was best when my brain was allowing my music to flow freely. Of course the brain is involved in all aspects of our lives but conscious thoughts are not the source of inspiration for improvisation. You need to consciously develop the ability to improvise by hours and hours of practice before you have the ability to allow the music to spontaneously flow through you and your instrument.
@@michaelcorenzwit6860 Melodic and harmonic choices that are not just clichés (the redundant melodic lines taken from other players, the same scales, same voicings, etc, which unfortunately happens A LOT in jazz) require extreme concentration and an acute mind. Concentration does not mean a "barrier" to the "flow" of the creative process, much on the contrary. If hours and hours of practice involve conscious thoughts and you simply take that baggage to the performance itself, you cannot argue that improvisation is spontaneously created. That itself denies KJ's initial statement.
As an addendum, for some reason people tend to suggest the existence of an external entity that somehow uses you and your instrument as a vehicle. That's called fantasy (other form of creativity), which is an important part of people's lives, but it is just that. The brain is extremely powerful and even if you think you are creating spontaneously, we know you are basically expressing ideas "trained" and "filtered" beforehand. That's why KJ's statement is a contradiction, which is fine. That doesn't make him less wonderful.
@@andradas9688 I have known and conversed with many great jazz musicians. They universally agree that the music that they play comes from something other than conscious thought. I am in no way implying that there is an external entity involved. Let’s agree that Keith plays wonderfully and is a transcendent genius of creativity.
So many great jazz pianists. However, no one plays as beautifully at both ends of the "way out" to "beautiful ballad" spectrum, as Keith.....see "Sorcery" and "Then I'll be tired of you", or any other American Songbook number. Defines "sensuous"!
No other jazz pianist produces a sound this beautiful. Nobody comes close.
michael petrucciani ?
ruclips.net/video/lUxQLU_eqfU/видео.html
Are you aware of Bill Evans?
Yes, of course. Wonderful, but not close.
I have to agree. At a certain point, this is all subjective. There is a directness to his playing that I can't get enough of. I judge by who I listen to more of. I do listen to Bill, and I got to see Michael Petrucciani. I keep coming back to Keith.
@@edwardsah3 Yep. A big part of it is how he's able to get the melody to float on top of everything else. Hard to do.
No mere human can do this. This ... the very spirit of music. And love itself.
Keith Jarrett's genius lies in the apotheosis of musical transcendence.
Torticollis is a problem involving the muscles of the neck that causes the head to tilt down. The term comes from two Latin words: tortus, which means twisted, and collum, which means neck. Sometimes it's called “wryneck.” 3:03 [WebMD]
Spectacular performance! 3:45
We can repeat if you think it's convenient. 5:43 We don't think it's inconvenient.
Unbelievable! 8:05
Amazing. Never get tired of listening to this gem. Jarrett's singing tone...no one like him.
Hear, hear.
Sensational.
A beautiful rendition of a gorgeous ballad.
As an aside, the late great Peggy Lee does a tearjerking vocal interpretation.
Il re delle ballate, semplicemente celestiale e sensibilissimo. I tempi sono scanditi con maestria e genialità. Gira intorno al tema interpretandolo come mai fatto da nessun pianista jazz. Il piano è l'estensione del suo corpo e della sua mente. È un unicum con lo strumento. Non ho mai ascoltato simili interpretazioni. Una pietra miliare della storia del jazz. Questo pianista è un po' l' evoluzione di Bill Evans.
In this piece you can clearly hear Keith controlling every tonal plane, every note literally, no words of admiration ...
That piano is unique. The 2nd / 3rd octaves are alive [They define a piano to me]. No junk notes on that thing. Oh to have such an instrument. I play at home and get angry at the sound. Then I stroll into a hall with one of these creatures and realize I can do it. This guy showes us how to do it dosen't he.
What he does is achievable but needs credit for defining this breadth of sound from a single person and one instrument. Will always be credited as this unique man.
I have seen Keith Jarrett many times live. You know when your in the presence of a musical genius.
William Griffiths....amen...never grow tired of this man and his playing.
William, could not agree more.
Only saw him once, Munich 2016. I knew it would be a CD.
The greatest rendition and performance of a gorgeous love song!
When Keith Jarret stands up is not because he has got nessecarely to the toilet or something, but to Salute heaven, and be a little closer, Where he gets his inspiration from...(the Stars of course, They'll Love him Too! )
RARE GENIUS
There is none other like Keith. Listen to that left hand maintaining its rhythm while the right hand solos. Masterful! Thank you, Keith. You are truly loved and missed.
The only other pianist that comes close to the beautiful music that flows through Keith, is Bill Evans.
One can only speculate on what inspired the remarkable set of ballads in this concert, and inspired they are. I feel like Salieri, given only enough talent to recognize a gift that utterly eclipses my own. One wish: Go back to 1987 and see this in person.
I always admired Keith since the 70s. I always noticed like he never looks at the piano keys, its like the piano is a part of his katra and he plays his heart and soul thru his fingers, other keyboardist plays their song pretty much the same like it was played off of a music sheet.. while Keith has no sheet but he just improvise as he plays and it seems no song is played the same the next time he plays it. I have yet to see another Keith Jarrett, now there are alot of awesome pianist out there but nothing like Keith Jarrett.
...but I willnever be tired of HIM! Love his playing forever and ever!
Comme d'habitude. Totalement transpercé !!!
I love you Mr. Jarret 🌷🌷🌷💖
Mamma mia, che bravo... 😱😱😱
How does he make the piano sound like that, with those chord combinations... it's so beautiful, magical and romantic... ❤️
Unbelievable beauty.
❤MAGIC JAZZRRETT!❤
Just the best in every respect.
I'd never be tired of you, Keith beloved. thrilling, always.
Fantastic! Thank you.
Jarrett is one of one.
IMO Jarrett is definitive.
Meraviglioso! Grazie Jarrett.
I LOVE YOU KEITH
아름다운 선율의 재즈
amazing
Fantastic!
ტიპმა სამყარო დაალაგა... წარმოუდგენელი სრულყოფილებაა.
Awsomeness...!!
sublime.......
Fantastico , celestial ,un genio de la improvisación, su música e interpretaciones son mágicas.....
You are so blessed!
argenpiano. Maravilloso , su música es celestial, un genio del piano, creo que es el más grande pianista de jazz de la actualidad
Unbelievable.
genial... only!
The only time I have been brought to tears at a concert.
la sensibilité à son top
Absolutely heart wrenching. This stirs so many different emotions in me. Jesus. So beautiful.
so moody rn 🥺
also beautifully covered by Coltrane.
K I N G !
What kind of music do the people like who gave this 14 thumbs-down?
Poesia musical que alimenta al espìritu.
obnoxious but brilliant!!!! Thanks Keith
The piano sniffer
me, sad highlight
you make my being expand into endlessness and infinity of love
without soul music ... nothing more ...
without brain and soul comment.
What do u mean by "I'll be tired of you"?
I'll be tired of you
When stars are tired of gleaming
When I am tired of dreaming
Then I'll be tired of you
This I know is true
When winds are tired of blowing
When grass is tired of growing
Then I'll be tired of you
Beyond the years till day is night
Till wrong is right, till birds refuse to sing
Beyond the years the echo of my only love
Will still be whispering, whispering
If my throbbing heart
Should ever start repeating
That it is tired of beating
Then I'll be tired of you
You see now?
Swing band you're out of touch. I don't know where you get your information from but every version I've heard from the early thirties and I own some were played at a slow tempo.
Hey, Swing Band, it’s lyrical,” so you’re wrong. Use your brain. Listen to Bill Evans!
I much prefer to listen to Bill Evans than to listen to Keith Jarrett - I always have - I always will
Ça vaut pas damso
the fck is he doing in the end there`???
+ichabe dichlieb
He's asking for more light on his back (and on the piano) and less in his eyes .
Phony
Too sensative by far for this tune, it was originally a very peppy 1930's dance tune this is far too mushy for my liking
oh booooo hooo mummy!!
Rick Simpson!!!!
Swing Band Heaven then go somewhere else, you idiot! This is the Mozart of jazz of our time. Your shallow ignorance should be embarrassing for you, but you don’t have enough sensitive for that!
@@rmac1042 slow down. everyone got their own taste. he explained his arguments decently, I don't know why would you get mad at someone for sum like this..
Would a dictionary help you?
Not particularly interesting, really!!!