Black and White and Reproduction on Paper | Symposium: Avant-Garde Art on Paper in Europe, 1905-1950

Sarah Eycken | Monochrome Harmony: Black-and-White Compositions on Paper in Belgian Constructivist Art
Anne Reimers | “I am in favour of a black-and-white print that does not correspond to the original” (Otto Dix): Weimar Germany’s Print Media Culture and Oil Painting in Reproduction
The symposium “Avant-Garde Art on Paper in Europe, 1905-1950" was organised as part of the four-year research project BePAPER, from 23-25 March 2022. The project is to provide the first overview of the field of Belgian avant-garde works on paper within an international context between 1918 and 1950: that is up and until the dawn of CoBrA and the rise of the neo-avant-gardes. One of the project’s main aims is to contribute to a better definition of the collection of modern works on paper of the Royal Museum of Fine Arts of Belgium (RMFAB).
BePAPER is funded by the Belgian Science Policy Office (Belspo). More information about the project: www.bepaper.be
Download the conference folder: bepaper.be/wp-...
Recordings by GSP2
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