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Bach Fugue 2 in C min., BWV 847
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- Опубликовано: 12 июл 2024
- The fugue which follows this powerful Prelude in C min. shows the character of the key from quite another side. The minor character, intensified by the 3 flats, naturally infuses into the mood a certain earnestness, which, however, in combination with the graceful rhythm and the somewhat obstinate repetition of the c in the melody, gives to the
music the character of sober-mindedness rather than of energetic will. The articulation, of itself presenting an alternation between the legato of the melodic intervals and the staccato of the harmonic breaks, increases this
impression of perseverance, of quiet diligence (without any haste; Allegro quasi Allegretto). The simple metrical nature of the theme, which occupies 4 measures without elision or insertion of any kind, is favorable to symmetrical
construction of periods.
This countersubject never abandons the theme, and is combined with the same, whether as Dux or Comes, excepting where the theme appears as coda over the closing bass note (in the last entry but one of the theme,
the 'countersubject is freely divided between the soprano and the middle voice).
The fugue is written h tre\ in order therefore to make the end of the first development with the Dux in the bass the end also of a second period,
Bach precedes the bass entry by an episode of four measures (in which are worked the opening motives of theme and countersubject), and thus obtains a natural return to the principal key. It should not be overlooked that the decisive close of the Comes in the key of the minor upper-dominant is a cause of the few theme entries (in all - Dux and Comes - only eight).
The (modulating) middle section of the fugue begins with an episode of four measures, in which the opening motive of the theme is thrown to and from by the upper voices, while the bass spins out the opening motive of the countersubject into a running semiquaver passage the period then concludes with the theme given out in the parallel key (E flat) which had been reached at the fourth measure.
The close consists of one period, but extended, first by repetition of the second group (pause on the dominant), and then by an improved cadence by means of a repetition of the closing group. It has already been mentioned that the Dux, given out once again in the soprano (with free additional voices to strengthen the harmonic effect), is appended by way of coda. Both prelude and fugue close in the major.
Playlist Bach Well-tempered clavier: • The Well-Tempered Clav...
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Played on Yamaha P125 piano stage, Spoleto House. Video Recording Samsung galaxy A54.
VST: Hamburg Steinway D Pianoteq Stage 8.2
Editing: Wondershare Filmora
#music #bach #piano #fugue #wohltemperierteklavier #pianoteq
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Interpretazione, come sempre, attenta, efficace e gradevolissima!
@@organworks9126 La ringrazio molto Maestro per il suo commento edbil suo sostegno.
A beautiful and great recording! Very well played! I like it very much! Thanks for uploading! Greetings from Germany!
@@carstenkling2566 Thank you so mich for your comment and your support Castern !!! Greetings from Italy !
Bravo signore! Bach non e facile suonare.. Hai fatto bene!
Grazie mille Joel. Non è stato facile ma mi è piaciuto molto suonare questa fuga di Bach. Se ti piacciono i miei video considera di iscriverti al mio Canale youtube. Grazie
As usual, impeccable and consistent performance, Carmelo. I liked everything about your interpretation of this Fugue: tempo, articulation and sound. It's always good to see you playing, especially Bach, which you master so well. Many greetings and all the best.
Thank you so so much for your comment and support André!
Well done
I love this piece.
@@moy9022 Thank you so much for your comment !!!
Bella!
@@PlanetmusicFmax Grazie mille per il tuo commento max !
Very well played! Glad i found your work from Reddit
Thank you so much Mr Stannes for your comment and your support !
Beautiful interpretation Carmelo- keep up the good work! The third fugue is gunna rock!
@@DohcHama Thank you so much for your comment and your support DohcHama.
Beautiful playing
@@AndyChesterton Thanks !
Nice! Thank you for sharing.
Thank you so much Rmpdude for your comment and support !
Well done! Congratulations!
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Nice 🎉
@@pianowingman Thank you so much for your comment!
Great job!
@@MrGooberman23 Thank you so much for your comment and your support MrGooberman !!!
beautiful❤
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Very nice! Just subscribed
@@luana-oe3rp Thank you so much for your comment and your support Luana!
engineers rock! or at least they ba-rock. thanks for encouragement and inspiration.
Thank you so much for your comment !!!
Great job mate!
Love it🙌
Thank you so much alborzpiano for your comment ! If you liked my video please consider to subscribe my youtube channel
@@ing.carmelopaolucci332I’ve been subscribed to you for a few months now, love your work❤️
@@alborzpiano Thank you so much for your support !
Bravo! You brought out the voices very beautifully and clearly, which is the principle focus of fugal pieces! Lovely work dear Carmelo!❤
@@shivarahimipiano Thank you so much for your comment and your support shivaraimpiano !
👋👋👋👋👋👋👋👋👋👋
Yay!!! You’re conquering the fugues! Do you find them harder than Sinfonias?
Thank you so much for your comment and support Lorraine! Yes, the fugues of the well-tempered klavier are more difficult than the symphonies. WtC I is a real training ground for pianists' polyphonic studies. The former in C Major is much more difficult than the latter.
Awesome! Is it more or less difficult than fugue in C Major?
@@matisata8978 Thank you so much for your comment Mati! In my opinion is much easier than fugue C Major. I think fugue in C Major is one of the hardest to play in WTC1.