@Ember Eyes: He was talking about soloing the track, that is "isolating it from the rest of the mix, so that the effects that are being added, is only to that track. You can then listen to it "isolated" while you tweak the effects. So he added it back to the mix, to listen to it with all the other instruments, instead of "listening to it in isolation".
I am so grateful to have found your channel. Before I didn't enjoy DAW stuff and always found it dry. With you, for the first time, it's just fun and I learn so much in a short time from you!
In Cubase, you don't need to duplicate and delete to have separate drum tracks (3:30). Just dissolve the part (MIDI > Dissolve Part) and it will give you a separate track for each note.
I just LOVE Guy! He teaches in a fun way making sure you understand and stay glued. I certainly don't get some of the terminologies, but I'll search them out. Thanks, Guy for this video.
Every single video of yours I learn such wonderful things. Not just technique and tools - but ear, heart, and philosophy lessons as well. Thanks for everything you give us Guy.
Thank you! I used to make music on pirated DAWs almost all of my childhood and teen years, and only just a few months back purchased my first Cubase license and some essential VSTs and am trying to dive deeper into it. You are really helping me along the way.
Guy, you are an absolute joy to listen to. I'm a singer looking for someone that is you to give me and my songs the direction they need. Oh, if you only lived close by. 😕
I just love watching you work. You're so inspiring and I wish you would finish this tune and make it official. I could see myself on the boardwalk going out for a stroll. Lovely tune. I love your spirit. Thank you for just being you. You're a gift of God to us all.
Thank you so much for this and for all the videos. I’m so glad I found ThinkSpace years ago and became a student. After taking CO, MFTM and composers blueprint I’ve become a better composer and arranger. Thank you Guy and everyone at Thinkspace for all the help. Stay safe everyone
Many thanks for posting this Guy - you helped de"mix"ify the whole mixing experience. Very helpful! My brain was making this overly complicated so this is a great simple way to look at it. Can't wait to apply this to non-"stinky" tracks (hopefully).
Sometimes (just occasionally!) those “mistakes” you spot when listening to tracks in solo are actually cool quirky details when put in context with the other parts, so it’s worth checking them both ways. Maybe that F# actually works against the F...
Thanks for the unic and useful video!! I had many doubts about mixing. They're solved. Please keep on doing this magic. I really. Really like your timing and irreverence. Aways look like an informal friendly conversation! Hugs from Brasil!!
When it comes to EQ/compression ordering, personally i'll use an EQ first to cut away anything that's completely unnecessary to the sound, which is usually the very lows and sometimes hissy highs. This means the compressor isn't affected by unnecessary things. I'll do the compression second and then use another EQ in the third slot. This third EQ is the main one used to shape the sound as I like. The reason i do this after the compression is because i'm more likely to change the EQ further down the line, and if the EQ has come before the compression then any changes made to it will affect how the compressor is working, likely meaning i'll need to also re-adjust the compressor.
Check if your compressor has low pass and high pass filters for this purpose. This will save you an EQ instance in your chain. I am using Reaper and the supplied ReaComp has hp/lp filters for this purpose. You can also narrow it down so it responds to a specific frequency in the signal and ignores everything else.
Not enuogh views... not enough likes! I hope you know how valuable this kind of thing is to people like me trying to get our heads around this stuff! Thanks so much!
Nice intro. My mind didn't went there, so I smiled. I picked up a few character EQ / channel strips. I got why those are... Useful from the Sie-Q which I got with Soundtoys 5, modeled after a Siemens EQ from the 60's: The W295b. Maybe not so useful for orchestral use, but in general music making it's nice to have plugins that have the same quirks, controls and specific frequencies of famous used EQ's / channel strips. And yes, I've used 'character' compressors before, like the Waves CLA-2A, which came with my Waves bundle. That one I picked up because I've seen it used in famous studios tbh. I still like these intro videos. Reminders, et al.
It is genuinely a nice track! It's been facinating to see what you've done and to learn about somthing new. Thanks for posting this vidio and loving your enthusiasm!
Great video, gotta love it! And it's nice to see Guy seems to be just as lazy as me when it comes to dusting! I think a good going over is in order! 😄👍 Thank you for the video, it is exactly what I need on a relaxed Friday afternoon! Stay safe out there! 🙂
Guy, I think you have your channels reversed somewhere in your audio chain. Watching you edit the mix, you have the snare and HH panned to the left, but in the audio track in the video, they are actually panned to the right.
Precious as usual. And how so effective this little tune is... Great!. Thank you, Guy...and that “dance” at the end of the video is everything 😀...is it part of the mixing process? 🧐
We're still Thinkspace Education of course but a number of people had said it would be easier to find if the channel had my name. www.thinkspaceeducation.com
Whilst trying to techno-babble a client who has just shovelled some crap audio to be mixed 'n' fixed, in your direction. You may use the following sentence, "ahh, I can see this material conforms to the international SISO standard". (SISO - Shit In Shit Out)
This is fantastic, as usual. (I find it's a good idea, given the benefits of constantly saving, to give the file a second name and work on that - especially if you're going to be deleting some info such as midi parts. That way you can easily get the original thing back if you have to.)
Hi Guy, thank you for your great videos. Is there a specific reason why you bounce tracks like the kick track stereo? Is there any advantages opposed to rendering it mono? Thanks Take care
As it's been mentioned, a full and complicated orchestral composition would be helpful. A handful of typical tracks is one thing but a large track count score is a beast to wrangle in. As a composition goes along being built I find that by the end the track count can be large. Each instrument had a reason for being there but by the end there can be redundancy problems with instruments and frequency ranges. Thin out the instruments? Make them all work together? Quite a puzzle of instruments and frequencies to juggle. It's this that needs to be covered.
Hello Guy, another excellent video, but I couldn't follow the render step. How do you get that dialog box up? This is something that's so often missing from these tutorials (not yours, usually!) - what does one have to click on? In this case, with Cubase Pro 11, I had to go to the manual to find out - select a track, go to Edit>Render in Place>Render Settings. But it doesn't show up in the same way as here - is that a change in Cubase? Amazingly, it even rendered a midi track rewired to Reason! Worth the video for that alone!
I really appreciate your (and your team's of course) great efforts, thanks for all informative and also funny videos :) Could you please make a video for mastering, too? I know it's usually someone elses work to do but it would be helpful for us to learn the basic principles. Thank you!
Hi Guy, thanks for the video. What about mixing orchestral music? And are you sure about the compression on the piano? Sounds weird imo... anymway, thanks a lot, tchin tchin!
would you ever do a start to finish series? from making the track 2 mins long pop song style ish, through to mixing and mastering? over 7/8 videos maybe???
wow!!great tutorial.I am ammature in mixing.This video give me an overall idea about orchestral mixing.But my doubt is whether gain staging is needed before these process?anyone please answer my question
This is splendid. Thank Guy! Could you maybe do a video on how to find the best used BPM? I am struggling so hard with this. More than with anything else. :(
Guy, if you try to combine recordings with VST sounds, how do you approach Reverb? Is it better to try to have the sound as dry as possible and then reverbing the final Stereo out to have it sound as in same room? Or do you actually prefer to have each instrument to have own sounds/reverbs?
You want to first clean your tracks, then level your tracks, then automate the volume for each track, then add the shiny bits. No need to add reverb to a track you won't hear much of in the song.
What do you want the various instrument levels to be? Are you trying to have each instrument the relative level it would be in an acoustic listening environment? Or do you just want to make the levels about even, instrument to instrument, so each instrument can be heard easily?
Thanks for your videos and your inspiration! There are two problems I am currently dealing with: 1. Everytime I'm doing Automation (dynamics and axpression), then save and close it, the whole Automation is gone when I reopen the project. I'm currently using Spitfire Audio Originals in Maschine which is my 2nd Problem. I'm still not sure if Maschine is the software to go with if I will focus on orchestral music. Do you have any advice for this? Maybe you could do a video about this topic, I would appreciate it a lot!
sir, how imp is subwoofer in mix? i have genelecs 8030 which only go to 55hz. Now for below that i don't have any reference. Do you think investing in a woofer can be a game changer?
I forgot to ask you this on the video game rescore video you did but ether way, would you like to try and compose an 90's 16-bit-alike video game cue with vintage sampling and all? I already know how to work with something like that but i'm just curious if you'd think that sounds like a fun video idea.
“No point in listening to it in isolation” sadly I have no option but to listen to this in isolation. Great tutorial Guy
@Ember Eyes: He was talking about soloing the track, that is "isolating it from the rest of the mix, so that the effects that are being added, is only to that track. You can then listen to it "isolated" while you tweak the effects. So he added it back to the mix, to listen to it with all the other instruments, instead of "listening to it in isolation".
@@tedrowland7800 lol
I am so grateful to have found your channel. Before I didn't enjoy DAW stuff and always found it dry. With you, for the first time, it's just fun and I learn so much in a short time from you!
I can hear that song being used in our YT videos. Good piece.
You are that kind of friend everybody need...❤️
Absolutely Correct my friend. Arrangment is 80% mixing your music . If the sound don't blend in they will not blend in mixing. AGREED .... Thanks
You've just got to love Guy Michelmore for his sense of humor and the way he makes things easy to understand.
Tq, Man. For a newbie like me it's important practice ,,,🙏🙏🙏
In Cubase, you don't need to duplicate and delete to have separate drum tracks (3:30). Just dissolve the part (MIDI > Dissolve Part) and it will give you a separate track for each note.
I just LOVE Guy! He teaches in a fun way making sure you understand and stay glued. I certainly don't get some of the terminologies, but I'll search them out. Thanks, Guy for this video.
Every single video of yours I learn such wonderful things. Not just technique and tools - but ear, heart, and philosophy lessons as well. Thanks for everything you give us Guy.
This is just what I need right now, legend!!
Thank you! I used to make music on pirated DAWs almost all of my childhood and teen years, and only just a few months back purchased my first Cubase license and some essential VSTs and am trying to dive deeper into it. You are really helping me along the way.
i would love to see your Cocktail Recipe Guy. Hope you and everyone important to you is safe and healthy
He just flexed on all of us in the intro
Guy, you are an absolute joy to listen to. I'm a singer looking for someone that is you to give me and my songs the direction they need. Oh, if you only lived close by. 😕
27:43 that strings part is beautiful... great video as usual Guy! Thanks for all the tips and tricks you share with us!
I just love watching you work. You're so inspiring and I wish you would finish this tune and make it official. I could see myself on the boardwalk going out for a stroll. Lovely tune. I love your spirit. Thank you for just being you. You're a gift of God to us all.
Thank you for this excellent intro to mixing!
I am so glad you focused on mixing. This clarified a number of factors for me signal processing, attenuation, & balance of instruments.
Thank you so much for this and for all the videos. I’m so glad I found ThinkSpace years ago and became a student. After taking CO, MFTM and composers blueprint I’ve become a better composer and arranger. Thank you Guy and everyone at Thinkspace for all the help. Stay safe everyone
Many thanks for posting this Guy - you helped de"mix"ify the whole mixing experience. Very helpful! My brain was making this overly complicated so this is a great simple way to look at it. Can't wait to apply this to non-"stinky" tracks (hopefully).
This is very useful for pop tracks, but I would love to see your thoughts on this in an orchestral context.
More mixing videos Guy! Great content ;-)
Yes we will do
Great video Guy - is there a video where you created the initial piece?
ruclips.net/video/ycg2AQ9DMA4/видео.html
This has been the best example of mixing.
I would love to watch you make a rap instrumental.
Lin Manuel watch out.......
Sometimes (just occasionally!) those “mistakes” you spot when listening to tracks in solo are actually cool quirky details when put in context with the other parts, so it’s worth checking them both ways. Maybe that F# actually works against the F...
Hello Guy !!
Un petit coucou de la France où tes vidéos extraordinaires m'accompagnes tous les jours durant le confinement...
merci, merci merci !!
Wow, really clear helpful tutorial and in 30 mins. Many thanks.
Thanks so much, really made me smile today.....and also learnt a few tricks to...Happy Easter!
Thank you so much for this! Also, enchanting dance at 20:46
Thanks for the unic and useful video!!
I had many doubts about mixing. They're solved. Please keep on doing this magic.
I really. Really like your timing and irreverence.
Aways look like an informal friendly conversation! Hugs from Brasil!!
When it comes to EQ/compression ordering, personally i'll use an EQ first to cut away anything that's completely unnecessary to the sound, which is usually the very lows and sometimes hissy highs. This means the compressor isn't affected by unnecessary things. I'll do the compression second and then use another EQ in the third slot. This third EQ is the main one used to shape the sound as I like. The reason i do this after the compression is because i'm more likely to change the EQ further down the line, and if the EQ has come before the compression then any changes made to it will affect how the compressor is working, likely meaning i'll need to also re-adjust the compressor.
Check if your compressor has low pass and high pass filters for this purpose. This will save you an EQ instance in your chain. I am using Reaper and the supplied ReaComp has hp/lp filters for this purpose. You can also narrow it down so it responds to a specific frequency in the signal and ignores everything else.
Excellent Guy thanks for sharing 🙌
Guy, you're such a legend ! =D Thanks for everything you do !!
most excellent work there Guy. jolly good stuff
Thank you for share ! Beautiful Music!
Not enuogh views... not enough likes! I hope you know how valuable this kind of thing is to people like me trying to get our heads around this stuff! Thanks so much!
What a fantastic tutorial! Thank you so much Guy😎
I love this song, simple but moving. Thanks, Guy, for teaching mixing!
Best user-friendly example of mixing I've seen. Thanks Guy. Btw..what is the headphone mic you are using? Great quality
Nice intro. My mind didn't went there, so I smiled. I picked up a few character EQ / channel strips. I got why those are... Useful from the Sie-Q which I got with Soundtoys 5, modeled after a Siemens EQ from the 60's: The W295b. Maybe not so useful for orchestral use, but in general music making it's nice to have plugins that have the same quirks, controls and specific frequencies of famous used EQ's / channel strips. And yes, I've used 'character' compressors before, like the Waves CLA-2A, which came with my Waves bundle. That one I picked up because I've seen it used in famous studios tbh. I still like these intro videos. Reminders, et al.
Really great info. enjoyed. 💯 🤠🎧🙏❤️
Thank you for the great tutorial
Wow! I cannot thank you enough. Perfect. ❤️
It is genuinely a nice track! It's been facinating to see what you've done and to learn about somthing new. Thanks for posting this vidio and loving your enthusiasm!
Guy, you make me laugh so much lol. Love it!
Great video, gotta love it! And it's nice to see Guy seems to be just as lazy as me when it comes to dusting! I think a good going over is in order! 😄👍
Thank you for the video, it is exactly what I need on a relaxed Friday afternoon! Stay safe out there! 🙂
Hi Guy! Maybe a video about the best woodwinds and brass library as you already done the strings one? Thanks a lot for your videos!
Yup not a bad thought
Thanks Guy stay safe.
That's the first time I've seen that eq trick. Love it!
Very instructive for me, thanks a lot for the video
Lovely, what adds a lot IMO is the panning, Bravo Guy, one of my weak spots
Guy, I think you have your channels reversed somewhere in your audio chain. Watching you edit the mix, you have the snare and HH panned to the left, but in the audio track in the video, they are actually panned to the right.
Thanks sharing your knowledge with us
Precious as usual. And how so effective this little tune is... Great!. Thank you, Guy...and that “dance” at the end of the video is everything 😀...is it part of the mixing process? 🧐
Vital....
Think Space Education turned into Guy Michelmore
☺️☺️☺️☺️
We're still Thinkspace Education of course but a number of people had said it would be easier to find if the channel had my name. www.thinkspaceeducation.com
The very first thing I was taught on my BTEC audio production course was: "If you put sh!t in, you'll get sh!t out".
Yep, you can't polish a turd.
GIGO .. Garbage In, Garbage Out
Whilst trying to techno-babble a client who has just shovelled some crap audio to be mixed 'n' fixed, in your direction. You may use the following sentence, "ahh, I can see this material conforms to the international SISO standard". (SISO - Shit In Shit Out)
This is fantastic, as usual. (I find it's a good idea, given the benefits of constantly saving, to give the file a second name and work on that - especially if you're going to be deleting some info such as midi parts. That way you can easily get the original thing back if you have to.)
Hi Guy, thank you for your great videos. Is there a specific reason why you bounce tracks like the kick track stereo? Is there any advantages opposed to rendering it mono? Thanks Take care
learned something yet again :)
Was hoping to see this after yesterdays video!
As it's been mentioned, a full and complicated orchestral composition would be helpful. A handful of typical tracks is one thing but a large track count score is a beast to wrangle in. As a composition goes along being built I find that by the end the track count can be large. Each instrument had a reason for being there but by the end there can be redundancy problems with instruments and frequency ranges. Thin out the instruments? Make them all work together? Quite a puzzle of instruments and frequencies to juggle. It's this that needs to be covered.
It really is which is why we did this course with the3 legendary Jake Jackson! thinkspaceeducation.com/om/
Guy, yer a gem, thanks a mill.
Yes this is exactly what i needed ! Thank you Guy.
Great work!
So useful! And we all can enjoy ourselves with a gentle laugh or two! .... a really nice Big Mac! LOL!
lots of love from India
12:46 *Phil Collins has entered the chat*
Thanks for making this video.I find it really useful!
I love these videos!!
Also thank you the TSE Mixing document. I will mix that one :) great job
Try Convolution Reverb Pro! You'll Love it!
Thank you for this!
I love this man. No homo.
Hello Guy, another excellent video, but I couldn't follow the render step. How do you get that dialog box up? This is something that's so often missing from these tutorials (not yours, usually!) - what does one have to click on? In this case, with Cubase Pro 11, I had to go to the manual to find out - select a track, go to Edit>Render in Place>Render Settings. But it doesn't show up in the same way as here - is that a change in Cubase? Amazingly, it even rendered a midi track rewired to Reason! Worth the video for that alone!
I really appreciate your (and your team's of course) great efforts, thanks for all informative and also funny videos :) Could you please make a video for mastering, too? I know it's usually someone elses work to do but it would be helpful for us to learn the basic principles. Thank you!
Than you for a good explanation
Mixing cocktails sounds good 👍
Hi Guy, thanks for the video. What about mixing orchestral music? And are you sure about the compression on the piano? Sounds weird imo... anymway, thanks a lot, tchin tchin!
would you ever do a start to finish series? from making the track 2 mins long pop song style ish, through to mixing and mastering? over 7/8 videos maybe???
Thanks, Guy. How did you decide what to put right and what to put left in the stereo field?
wow!!great tutorial.I am ammature in mixing.This video give me an overall idea about orchestral mixing.But my doubt is whether gain staging is needed before these process?anyone please answer my question
This is splendid. Thank Guy! Could you maybe do a video on how to find the best used BPM? I am struggling so hard with this. More than with anything else. :(
Very useful, thank you. I love the result and of course your final dancing! :-)
Guy, if you try to combine recordings with VST sounds, how do you approach Reverb? Is it better to try to have the sound as dry as possible and then reverbing the final Stereo out to have it sound as in same room? Or do you actually prefer to have each instrument to have own sounds/reverbs?
Thank you so much... If you have multiple Hihats (or claps or snare ecc ecc), did you render in place every single chanel (sound) or the whole group?
Really helpful thank you.
You want to first clean your tracks, then level your tracks, then automate the volume for each track, then add the shiny bits. No need to add reverb to a track you won't hear much of in the song.
This intro xD incredible xDD
which library specifically are you using here Guy? I love that piano and the strings
a tip for improving your videos: let us Like them more than once because I really want to do that!!
Would have started with a static mix then gain staging before going on to the work that you showed in the video?
What do you want the various instrument levels to be? Are you trying to have each instrument the relative level it would be in an acoustic listening environment? Or do you just want to make the levels about even, instrument to instrument, so each instrument can be heard easily?
I personally work out where the focus needs to be, in this case the piano, and build the mix around that
@@ThinkSpaceEducation Thank you! That's very helpful! :-)
I would really like to know your favorite cocktails though
Ha! I also saw your channel too, nice tips !
SO not cocktail mixing? Can I request a video for that :) ?
Absolutely (hic)
Thanks for your videos and your inspiration!
There are two problems I am currently dealing with:
1. Everytime I'm doing Automation (dynamics and axpression), then save and close it, the whole Automation is gone when I reopen the project.
I'm currently using Spitfire Audio Originals in Maschine which is my 2nd Problem.
I'm still not sure if Maschine is the software to go with if I will focus on orchestral music. Do you have any advice for this?
Maybe you could do a video about this topic, I would appreciate it a lot!
What open back headphones do you like to use?
sir, how imp is subwoofer in mix? i have genelecs 8030 which only go to 55hz. Now for below that i don't have any reference. Do you think investing in a woofer can be a game changer?
I forgot to ask you this on the video game rescore video you did but ether way, would you like to try and compose an 90's 16-bit-alike video game cue with vintage sampling and all? I already know how to work with something like that but i'm just curious if you'd think that sounds like a fun video idea.