@@Robin6000 Hey Robin - sort of. Gray and I share a great deal of our sensibilities regarding cinema and filmmaking - we also studied film together and live together - so we figured we might as well build on the in depth brand and have my channel represent the animation/story wing.
FINALLY someone picking up the long-standing void left by the Every Frame a Painting team retiring. And with a terrific balance of the art vs the technical analysis that EFaP didn't really bother with. Thank you for your great contribution to the YT filmmaking community!
It's impressive that you're getting so much attention in the early stages of your channel, but it's not even a surprise seeing how good these videos are. They're really informative and help aspiring cinematographers, like me, understand where to get their foot in the ground. Keep it up!
this channel is mesmerizing. I used to watch with a great pleasure Every Frame a Painting (which unfortunately is not alive anymore). This one is a great complement.
Every time I watch another one of you cinematography style videos I find a new way to approach shooting a scene on set. I am always hungry for the next time I get to light a space and frame a shot. Thank you so much!
These are great videos about cinematography. I never really studied DP's as I'm a director usually, but watching some of these really helps inform what I do as a director and how to work with cinematographers.
I’ve just found your channel today. Am spending my day binging your cinematography breakdown videos. Truly comparable to masterclasses. Wonderful job! You definitely deserve more traffic. Subbed
I wouldn't say underrated actually, he's only had this channel for 5 months and he already has 70k subscribers. It's awesome he's getting this attention.
Awesome work as always! I would love to see you explore Dean Cudney’s cinematography. I feel like he’s over looked for some crazy reason, when he basically DP’ed all of our childhoods!
Thanks for another very nice video, as usual serious and very interesting. A DP that will fit very well into your series about significant photographers is Tonino Delli Colli - Known for his work for, among others, Pasolini and Federico Fellini. But perhaps best known as the DP on Once Upon a Time in the West by Sergio Leone.
Thank you for your work, it's exactly what was missing in my youtube subscriptions. I am so glad you made an episode on Christopher Doyle, I would be very interested if you could consider one on Dante Spinotti (or Dan Laustsen...or Luciano Tovoli...can't wait for any other video you have in mind in fact, as long as you enjoy doing it and share your passion).
Would you be interested in talking about the visuals in Tarsim’s work, it’s been a while since he’s made something good but the cell and the fall always leaves an impression on me
No idea how you research these so well! Would you consider analysing the work of Yutaka Yamazaki, frequent collaborator of Hirokazu Kore-eda? I love his images but he doesn't seem to be a well known DoP. Would love to see more Eastern Cinematographers covered on this channel. Thank you for the informative videos regardless!!
Maybe complete a scene for the next video. I'd personally love to see a great scene broken down from start to finish plus the start of the next one continuity (movement, colors) wise. Great analysis btw.
Uhm... Extracting 2.4:1 from a spherically shot 4 perf has basically the same grain magnification as shooting on 2 perf. The biggest difference is that you cannot adjust the final frame vertically in post when doing 2 perf. And apart from saving half the film stock with 2 perf it's also slightly quiter as the camera doesn't need to pull through as much film for each frame.
Hi there, if I may ask, could you breakdown Chung-Hoon Chung’s cinematography . He’s famous for his works like most of Park Chan-Wook’s film that includes Oldboy and the Handmaiden and also Me, Earl and the Dying Girl
Even if I forgot most of the story in "The Place Beyond The Pines", the look of this Film stick with me. And I really really love the look of this movie.
I would love to see some of the more stylized visual DPs like Larry Fong if you have the chance. Thank you for this incredible, quality content during these times. Thank you for allowing me to enjoy cinema that much more, cheers
Many directors starting out shoot themselves in the beginning. Some directors are even able to do cinematography at higher budget levels. Without some level of direction though a film will just be a pretty collection of images without substance/a coherent vision. Generally, movies will be stronger if they have a dedicated DP responsible for sculpting the images and a director who leads with a creative vision for the project.
@@InDepthCine Thank you for the response! This Channel is like a free Film School, looking forward to another upload :-) Can you do an indie film review, budget, camera, style etc. Please!
![Noob To Max With DRAGON REWORK In Blox Fruits [FULL MOVIE]](http://i.ytimg.com/vi/LnBMOinoOvA/mqdefault.jpg)
Another super insightful video Gray! I love the connection you made between Bobbitt and Caravaggio. Very interesting!
Oh, are you guys expanding the In Depth line of youtube channels?
@@Robin6000 Hey Robin - sort of. Gray and I share a great deal of our sensibilities regarding cinema and filmmaking - we also studied film together and live together - so we figured we might as well build on the in depth brand and have my channel represent the animation/story wing.
FINALLY someone picking up the long-standing void left by the Every Frame a Painting team retiring. And with a terrific balance of the art vs the technical analysis that EFaP didn't really bother with. Thank you for your great contribution to the YT filmmaking community!
This channel is a gift, really looking forward for every upload!
Amen
It's impressive that you're getting so much attention in the early stages of your channel, but it's not even a surprise seeing how good these videos are. They're really informative and help aspiring cinematographers, like me, understand where to get their foot in the ground. Keep it up!
You are absolutely right
This is without a doubt the most concise, informative, and insightful cinematography video I have ever seen. Subscribed.
Thanks Bryan! Glad you enjoyed the video.
this channel is mesmerizing.
I used to watch with a great pleasure Every Frame a Painting (which unfortunately is not alive anymore). This one is a great complement.
Every time I watch another one of you cinematography style videos I find a new way to approach shooting a scene on set. I am always hungry for the next time I get to light a space and frame a shot. Thank you so much!
that opening shot in the place beyond the pines... it just does something
These are great videos about cinematography. I never really studied DP's as I'm a director usually, but watching some of these really helps inform what I do as a director and how to work with cinematographers.
I just can't get enough of his work on Judas and The Black Messiah. It's his best since Widows.
one of the best cinematography channels here on ytb
I loved this one! Thank you for covering Bobbitt, a place beyond the pines is one of my favourite films of all time I've seen!
Pines is such a beautiful movie and now i know why. thanks
4:36 that's not Kodak that's Fuji Eterna and it's discontinued.
Absolutely love these videos!
I’ve just found your channel today. Am spending my day binging your cinematography breakdown videos. Truly comparable to masterclasses. Wonderful job! You definitely deserve more traffic. Subbed
Love the cinematography style series.
Hope you will do one on Mikhail Krichman and his collaboration with Andrey Zvyaginstev in the future.
THIS CHANNEL IS SO UNDERRATED. I love you videos. As a upcoming Film Student this is so helpfull. Keep it up man ❤️
I wouldn't say underrated actually, he's only had this channel for 5 months and he already has 70k subscribers. It's awesome he's getting this attention.
Bobbitt's definitely one of my biggest inspirations! Now if you could only do a CS on Dante Spinotti...
Awesome work as always! I would love to see you explore Dean Cudney’s cinematography. I feel like he’s over looked for some crazy reason, when he basically DP’ed all of our childhoods!
Ohhh so close to 100k subs let’s gooooooo! Also loved the vid as always man, I’ve admired his style for a while haha
Fantastic video! Well done!
Another exceptional video. Thanks!
Thanks for another very nice video, as usual serious and very interesting.
A DP that will fit very well into your series about significant photographers is Tonino Delli Colli - Known for his work for, among others, Pasolini and Federico Fellini. But perhaps best known as the DP on Once Upon a Time in the West by Sergio Leone.
Thanks for your work, friend
Been really looking forward to this one 😎
Great work as always! Will be exploring more of Bobbitt's work now!
Your videos are like visual 🍭 candy 🍬. They've got a certain therapeutic quality to them
Best channel on RUclips
I was lucky to watch him work on the set of Judas last November/December. Love his work.
These videos are brilliant!!
Awesome video!! Could I make a request for a video about Łukasz Żal? His movies blow my mind.
So much great info and inspiration here! I’m definitely watching this one a few times over.
Your videos are really informative and well edited, keep up the great work man
Great visuals!
Thanks! I learnt a lot
For an aspiring filmmaker as myself this is such great content, great channel! You should do one of Linus Sandgren.
Thank you for your amazingly put together and informative videos! Learning more every time. Please keep them coming!
Beautiful work ... thank you
Learned so much! Thanks u 🙏
Could talk about Larry Fong, please? Love his work with Zack Snyder. It's a style I would like to know the secrets of.
Thank you for your work, it's exactly what was missing in my youtube subscriptions. I am so glad you made an episode on Christopher Doyle, I would be very interested if you could consider one on Dante Spinotti (or Dan Laustsen...or Luciano Tovoli...can't wait for any other video you have in mind in fact, as long as you enjoy doing it and share your passion).
Fantastic video. Thank you
awesome video - inspired by your channel - thankyou mate
Would you be interested in talking about the visuals in Tarsim’s work, it’s been a while since he’s made something good but the cell and the fall always leaves an impression on me
Beautiful, what an amazing video
Great video!!!
Thanks!
No idea how you research these so well! Would you consider analysing the work of Yutaka Yamazaki, frequent collaborator of Hirokazu Kore-eda? I love his images but he doesn't seem to be a well known DoP. Would love to see more Eastern Cinematographers covered on this channel. Thank you for the informative videos regardless!!
Inspiring stuff. Thank you!
Really really good videos bro
Gracias.
Maybe complete a scene for the next video. I'd personally love to see a great scene broken down from start to finish plus the start of the next one continuity (movement, colors) wise. Great analysis btw.
Uhm... Extracting 2.4:1 from a spherically shot 4 perf has basically the same grain magnification as shooting on 2 perf. The biggest difference is that you cannot adjust the final frame vertically in post when doing 2 perf. And apart from saving half the film stock with 2 perf it's also slightly quiter as the camera doesn't need to pull through as much film for each frame.
Hi there, if I may ask, could you breakdown Chung-Hoon Chung’s cinematography . He’s famous for his works like most of Park Chan-Wook’s film that includes Oldboy and the Handmaiden and also Me, Earl and the Dying Girl
Hey could you do an analysis on Tony Scott’s work?
Wow!
Even though the new OLDBOY was expected to fail
I found Sean Bobbitt's cinematography a major highlight
Even if I forgot most of the story in "The Place Beyond The Pines", the look of this Film stick with me. And I really really love the look of this movie.
Beyond the pines is pure genius
Great video
Hey, can you do one on Darius Khondji please
in depth
Can you make a video about Newton Thomas Sigel?
What is the film at 3:06?
Great ! Can you add subtitles for the next time please ?
I enjoyed the video.
Very nice :D
can someone please give me more references from cinematography/ films that incorporate Caravaggio's style of light?
No wonder I love Beyond the Pines.
Can you do a cinematography style : Santhosh Sivan plz ❤️ from india 🇮🇳
I wonder how many times somebody has sneezed or coughed during one of Sean’s 8-minute shots.
Is hunger good?
I would love to see some of the more stylized visual DPs like Larry Fong if you have the chance. Thank you for this incredible, quality content during these times. Thank you for allowing me to enjoy cinema that much more, cheers
👑👑👑👑👑👑
Could you do a video on ROBERT RICHARDSON !
(HUGO, the aviator, H8tful, once upon a time in Hollywood)
Thanks
ruclips.net/video/oMS9ifGPV2g/видео.html
@@InDepthCine 👌
I like it's
Sad that his work in The Marvels didn't have anything familiar of his shot philosophies.
Long live Kodak film!
1:59: But that's the reason so many bad adaptations exist. The filmmakers don't respect the source enough.
I feel like i don’t need a director if I’m a cinematographer! Enlighten me please.
THEN YOU WILL MAKE A FILM WITH PORNO LEVEL ACTING WITH NO NARRITVE...... MAYBE YOU COULD WORK FOR NETFLIX!
@@blooddisorder hahaha! I can do both! Director and Cinematographer!
Many directors starting out shoot themselves in the beginning. Some directors are even able to do cinematography at higher budget levels. Without some level of direction though a film will just be a pretty collection of images without substance/a coherent vision.
Generally, movies will be stronger if they have a dedicated DP responsible for sculpting the images and a director who leads with a creative vision for the project.
@@InDepthCine Thank you for the response! This Channel is like a free Film School, looking forward to another upload :-)
Can you do an indie film review, budget, camera, style etc. Please!
Does an 8min video really need so many adverts 🤷
Bro you have too many adds.
And all of that style will be taken away by Captain Marvel 2