@@MurderedHer0es Nana was angry at Junna for leaving her dream behind and going to a normal university (what Junna's parents wished for her and the future she originally rejected) instead of acting (What junna repeatedly mentions is what she really wanted to do). In this revue Nana basically took Junna for dead because of it, and tried to kill her symbolically to leave her behind, here Nana was as heartbroken as Junna.
@@MurderedHer0es because she has spent so much time with Junna in the timeloop that she loves to see her perform, but now that the timeloop has ended Junna is deciding to go to a school not for acting, which from Nana's perspective is Junna giving up on her dreams. Nana always admired how hard Junna worked to be the best, even though she lacked talent, and as such she saw Junna giving up everything Nana liked about her, enraging her. She had simmilar feelings towards the rest of the cast on the train. Where did their starlight go? why are they comfortable with just moving on? How dare they? seems to have figured it out in this Revue so i mean thats good
@@MurderedHer0es there was a scene where Nana was looking at her doll/stagegirl where she straight up said she would be acting her part. What Junna needed isn't Nana her closest friend but a hard push and it's something only she could do for them all. The revue of annihilation was to show them the reality that to be a stage girl they need to always be ready to be on stage of which only Maya understood, Meanwhile the revue of hunting was to force Junna to be decisive, whether she quit being a stage girl or not, what was important was she'd make a choice rather then constantly saying someday it'll happen. her role in starlight is to embody the goddess of love and affection, and this movie really shows her tough love.
Revue of hunting:
Junna hunts down the star she wanted
Nana hunts down the star she always admired, the real Junna
"Just try and see if you can kill me, Daiba Nana!"
5:48 this is the only part they sync. Gotta love junnana
SUCH a good revue. I love how Junna literally took what Nana gave her destroy herself, and forged her own path instead. Defang that tiger cub!
Not even mentioning how good the song is, Nana looks so darn cool on that costume
Prolly the most painful revue to watch. Nana saying all those stuffs to Junna in past tense just broke my heart.
LITERALLY Nana is SO MEAN in this movie and I for the love of God CANNOT figure out why
@@MurderedHer0es Nana was angry at Junna for leaving her dream behind and going to a normal university (what Junna's parents wished for her and the future she originally rejected) instead of acting (What junna repeatedly mentions is what she really wanted to do). In this revue Nana basically took Junna for dead because of it, and tried to kill her symbolically to leave her behind, here Nana was as heartbroken as Junna.
@@MurderedHer0es because she has spent so much time with Junna in the timeloop that she loves to see her perform, but now that the timeloop has ended Junna is deciding to go to a school not for acting, which from Nana's perspective is Junna giving up on her dreams.
Nana always admired how hard Junna worked to be the best, even though she lacked talent, and as such she saw Junna giving up everything Nana liked about her, enraging her.
She had simmilar feelings towards the rest of the cast on the train. Where did their starlight go? why are they comfortable with just moving on? How dare they?
seems to have figured it out in this Revue so i mean thats good
@@MurderedHer0es there was a scene where Nana was looking at her doll/stagegirl where she straight up said she would be acting her part. What Junna needed isn't Nana her closest friend but a hard push and it's something only she could do for them all. The revue of annihilation was to show them the reality that to be a stage girl they need to always be ready to be on stage of which only Maya understood, Meanwhile the revue of hunting was to force Junna to be decisive, whether she quit being a stage girl or not, what was important was she'd make a choice rather then constantly saying someday it'll happen.
her role in starlight is to embody the goddess of love and affection, and this movie really shows her tough love.
@@kavinh10 what did Junna choose at the end? I still haven't watched the movie yet.
Nana's VA is really good.
not me crying every time i watch this revue smh my fellow JunNana enjoyers stay strong out there
enjoyer lmao. simp
@@eavyeavy2864 I will go down with them 😤
Everytime i rewatch this revue i listen to polestar and rose poems as a form of therapy afterwards
Roar
1:42
Gao button
it appears to be broken
there be no gao
@@AaronTheSkyWing gao in revue but not in the song
@@hsiang-yulee3869 indeed
GAOOOOOOO
Junna Oh Junna ~
6:01 is my fav part
WE'RE DEFANGING NANA WITH THIS ONE 🔥🔥🔥🔥!!!!
Gaw >:) and thx for the traducion
G A O
love loses
банана🥰🥰🥰
We can just say.... Nana is a yandere
this banana’s gone bad