I’m really digging you studio guys from Nashville. All the guys I follow from there (Jack Ruch. Brett Papa, Tom Bukovac, Guthrie Trapp) and now Nicky V seem down to earth with no ego. I support all these guys in one way or another from subscribing to their RUclips channel as well as Patreon and purchasing lessons. I just found your channel today so I’m sure I’ll be contributing to your cause for the work you put in contributing to my cause which is learning guitar. I’m thankful for you guys and the knowledge you share with us all.
Man you are too kind. Those cats you mentioned are the gold standard…doing my best to work towards that here on my end. Truly appreciate your kindness and thanks for checking the video out!
I played guitar for a dude who was really good on keyboards. He went to Nashville and came back humbled. The guys and gals out there are cream of the cream. But the best guitarist I ever saw was Scotty Anderson from Kentucky. I don’t think he ever even tried Nashville, but dude is a monster.
@@NickyV Scotty plays like Chet Atkins jamming with Jerry Reed and Brent Mason, but every lick is double/triple stops and perfectly harmonized. ruclips.net/video/3aN5VsFiviY/видео.html go to the 5:00 mark. he's incredible at that jazzy country style. makes it look super easy. cheers.
Very few musicians possess the talent that you have. You are one of the best guitarists I've ever heard. It's a major honour to have your epic guitar on our album. No Serial Killer.
This is extremely helpful. I am a new artist who moved from LA to Seattle to pursue a music career but there really isn’t a scene here. I’m flying to Nashville this weekend to check it out. It would be cool to meet up for coffee if you’re free.
I'm not a musician or writer, but I've always been fascinated by the behind-the-scenes part of the business from the musician's perspective. I'm not your target audience, but I really appreciate the content. Thanks!
I'm in love with this channel. Thanks Nicky for YOUR time in these videos. Nicky 's videos are like having a positive and knowledgeable "coach". It's perfect for those of us who are" on the outside looking in "at the music industry. You are a blessing, Nicky!
What a humble guy you. are and a good presenter too! As far as instruments in demand, I play accordion-- acoustic and digital. What is the current demand for accordion players in Nashville? I play jazz, rock, blues and big band. No cajun -- but a great version of Floyd Cramer's Last. Date and Always on My Mind. I can also sing with about a three and a half octave range. Alan, Baltimore
Man I’m honestly not sure on the accordion demand. I know Rory Hoffman plays one downtown and kills it. Good acoustic guitar is usually pretty in demand if you sing backup. Really appreciate the kind words and thank you for checking the video out!
I love this channel and check it every day for new content, even though I will probably never get to Nashville- it's incredibly interesting. Keep it up!
Dude absolutely dig your videos man. Gives us normal people an inside look at what its like once inside the players realm there. So cool man!! Keep up the good work man. Your guitar playing is beautiful man.
@@NickyV I'm an Ironton guy. "Elephant Rocks" "Johnson Shut Ins". I visit your way some. I have some friends down there that you would probably know. I'm a retired teacher, and now a weekend warrior musician haha. I enjoy the approach of studio musicians. From Wreckin Crew, A Team, Swampers, the Steely Dan/Toto tree, and Funk Brothers etc. So entertaining to listen to. To make a short story long. haha I enjoy your material. Perhaps someday we will meet. I do play the harmonica if you ever get into a pinch, and the locals you use are busy. I can give you some references if needed. Thanks for sharing. I may have some tone questions for you some time.
Great tips! I'm in NE Oklahoma, and a lot of these things still apply here as well. And I don't think you talk too fast on RUclips. You're one of few people I don't feel the need to watch on 1.5x speed. haha
Great video, I’m always impressed with the level of dedication and hard work that these working musos have. People don’t realise talent only gets you so far, you need to put in the hours and work to make it full time.
Have we ever paid Apple for using their WiFi? I guess we did through all their stuff we bought over the years. Thanks for the nice memory and the shoutout! Your video gives hope to everyone who wants to work. Now, who are the other two bass players?? Huh? ;-)
For in town work, singers are responsible for usually getting the gigs and getting “in” with a circuit. Then that management schedules them at different venues downtown. I think that’s how it works but not 100% on it. I’m not sure on the competitiveness of it but I have friends that are artist here and seem to have plenty of work.
The answer to the question is "yes." But it also totally depends on your aspirations. If you're content doing open mics and playing Broadway for door money, then cool. But if your dream is to get "discovered" as an artist, break into the studios, and play the main venues, then its a major gamble. Nashville has some of the best musicians in the world, and they've been there longer than you have and aren't going anywhere any time soon. Unless you're a bass player or drummer, its likely to be a struggle. Fortunately for this creator, he had a contact to vouch for him early on. Few have that right away.
Great video Nicky! I know lots of people in Nashville and everyone seems to love it there. Not in the cards for me specifically, but your insight is great and will help many I’m sure !
Thanks for the kind words. I know you have taught me and two of my buddies here…so your knowledge is being slung around sonically daily hahaha. Thanks for checking the channel out
I think regardless it’s what you consider “making it”. Some may think playing every weekend playing covers is making it- some may think playing on a major recording label is making it. Also I know many good players but can’t stand being around them more than an hour - compatibility and dependability is key.
Some guys play a style that isn't straight rock, country, jazz, bluegrass, soul, RnB. But is all of that at once. Guys like RJ Ronquillo, Guthrie Trapp , Tom bukovac. There's several others but these are truly my favs. All of them are Very unique and at the same time have this Nashville vibe . Without RUclips I think maybe I would never discovered them. there's a cristal clear identity in the sound. What is happening right now in Nashville it's cultural movement . And this sound is becoming a music style/genre in itself. And it's a really unique and beautiful music .
Another great video, as always! Jason Webb played on a project I produced in 2007. The guy is INCREDIBLE. The artist was "hearing a horn section" for one of her songs, which for a 10 song/10K project at the time, just wasn't going to happen. Jason broke out an arpeggios on his red Virus and absolutely KILLED it. She completely forgot about a horn section.
Hahaha that sounds about right. I’ve only got to work with him a few times…but done a decent amount of overdubs on the back end that he’s been on. Absolutely amazing player!
I wish I could find the old video someone got of Jason goofing around between songs. He was using a saxophone patch and PURPOSELY sounding awful, like a really terrible beginner. Everyone was just losing it. I personally laughed until I cried and was aching.
Just recently discovered your channel-it’s great ! I sure wish a guy like you were around when i was trying to build a career - I really enjoy listening to how things work in pro circles these days-and i find i can use a lot of your advice, even being a older player ! Thanks !
Great video. As a frequent concert goer, I have often wondered about the logistics of some of these "Weekend gig" type tours. For example, if a legacy band based in California comes in for a one off opening act show in Ohio on a Saturday, how is that scheduled and paid out? How is any money being made at all if you are playing a one off in a parking lot opening for Winger or whatever? I love these bands, but I'm curious.
Usually the band has a set fee and then the band is bought for a show by a buyer. The buyer pays for the band with sponsorships so anything that comes in the door is profit for the buyer. That’s one business model and there are other ways of going about it and splitting sales up differently but that’s what I see the most.
Damn Nicky, you knocked it out of the park again! Such a breath of fresh air, luv your insights into the behind-the-scenes of the industry. Keep it up!!! 🎸
There is a reason that gig-pay is so low, and that so many session players need to have youtube channels. There are far more guitarists who want jobs than available jobs. That drives down wages. It's a fact of economics.
I know I can play, but I think I could be happy just having a job as a backline/cartage/gear tech to get by and jam with some good players. If I get in a session or two once in a while, even if the tunes don't chart - it's better than sitting in a cube lying to people and ripping them off all day.
Construction is supposed to be starting on a huge production, practice, facility like Soundcheck but even more enormous. Supposed to be over on the East bank somewhere. I only mention because it will only attract more bands to base operations in Nashville. Could be some nice jobs too for people in that field.
Im a experienced country guitarist from Texas in my 30s, if i was to move to Nashville soon, what it be really difficult to get hired for gigs not knowing all the broadway songs, let alone they nashville way of doing them?
Two things, 1-If you are a solid player, you can get through most songs on your instincts then the more time you spend learning the standards you would naturally soak them up and be in good shape. 2-The seems to be just as much if not more money on the live side of things in Texas. But if you are wanting to get into the studio scene or another aspect of the industry (publishing, writing, etc) I could see Nashville being advantageous. Most Nashville bands play a lot in Texas because the economy supports the travel and you guys love and appreciate music down there.
Are there gear expectations from individuals who call for players? I guess this goes back to the struggle between Amps or Helix? And do certain bands provide any type of gear that they require for their shows? I love this channel! lol it’s finally answering all the age old mysteries! And I guess another question is, how’s the guitar tech scene for all this ?
Some acts run all Kempers and as players change in and out the kempers stay. Some run Helix. Some run amps. That’s for touring acts. For local shows it’s usually influenced by the venue. Some venues don’t allow amps. Some are cool either way.
Love the info ! What’s the market like for fiddle down there ?? On the mainstream stuff it seems like it is a dying art form, but every time I’ve been down there I see a lot of them playing on Broadway although it’s been quite a few years since I have. How difficult is it to get into the Broadway scene? I played fiddle in a country cover band up here in Indiana, but they retired a few years ago …. I definitely don’t have the skill set for a touring gig or studio, but in bars and clubs yes and really would only want to do occasional Broadway stuff even during the day if somebody needed a fill-in here and there etc
Hey man, appreciate you asking and checking the video out. I’m not saying this to sound sarcastic but the real issue seems like there are players with great intonation and ones that don’t. Some from both sides of the coin have showmanship. The ones that can play really in tune and have a bit of showmanship seem to stay really busy. The ones that play in tune without showmanship seem to stay pretty busy. And the ones that have intonation issues I don’t see working a whole lot. The Broadway thing happens quick for some and longer for others. I don’t have a ton of experience on the Broadway scene so don’t want to speak out of place. Check out Tim Avens channel….he has some great videos on Broadway
@@NickyV well it definitely makes sense …… to a musician they are able to listen to a band and say “man they are awesome but that fiddle player is off”……. But to a patron / audience member they just know “something is off they suck”
@@NickyV If you could get one of the guys, it would be cool. I know a lot of them as passed away though. thoughen.wikipedia.org/wiki/The_Nashville_A-Team#External_links
I love your channel dude. This might be my first RUclips comment haha but what you’re bringing is so refreshing and interesting I lived in Nashville for ten years and wish I had this advice when I first moved there! I hope you keep posting more music content too I loved the substitution video! Some of the best players I have seen downtown always used delay in a way that was very mysterious to me. I’d love to see a video where you breakdown some pedal settings to nail those slapback clean tones!
This is very kind of you to say. Really appreciate you checking the channel out and digging the content. I’m going to start circling back to the lessons sometime soon and also do some recording videos as well. Might have to do one on delay settings.
How about pedal steel players? Is that more seldom than keyboard? I know they’re two different vibes and people probably have only one or the other (or fiddle)..would love to hear your thoughts about that. Loving the channel!
Anytime I’ve been on the road and a steel player was needed, it was very hard to find one. Not sure what the market is in town…I would think that a solid steel player would be able to find work but I just don’t have a ton of experience with it.
The meat and potatoes instruments (guitar, drums, bass, and keys) are usually the first thing to get called just because sonically they cover a lot of ground given a budget. On the studio side of things it’s the same and the drummer will do a bit of percussion if needed but occasionally they will bring in a percussionist if there is a budget for it and room to accommodate it at that studio.
It must be, because the last time I shipped an amp that went through Nashville it was "lost" in the shipping service's warehouse. No doubt a guitarist who worked there misplaced it in his trunk.
Great video. I am from Sydney Australia so your free wifi from the Apple store really made me laugh. If you are in Sydney again here's a tip, go the McDonalds next door, you can pick up the Apple wifi from there sometimes! ;) I am a keyboardist/pianist, unfortunately not coming to Nashville. But I've been asked to play for a country artist here, can you recommend any keyboardists I should listen to to help with that modern country style? (Ive already noted Jason Webb!)
I’m not a big mode guy but they are great to know. Major scales all over the neck is a key to building a solid foundation and knowing your instrument for sure.
Hey Nick, I'm David, singer song writer, St Petersburg Florida, writing about the burg, people and place, Nashville vibe, home town feel, would you read some of my lyrics, WTF 727 great videos thanks
Some have commented that you don't show any ego. As far as I can tell, that has always been part of making it the music business. I weighed that option 30 years ago. I had enough talent but decided to go another way working a regular job and playing part time. Some of the guys I worked with at the time decided to give the music business a go. The ones who made a living at it had great talent, and little ego. I enjoy hearing that it hasn't changed that much.
Thank you for sharing that and checking the video out man. When you are making a living at it, it feels like you are getting away with something haha. Appreciate you
Good stuff - thank you for posting....I know probably being younger is better to try and make the move but what age may someone be too old. For example, could a 40 - 45 year old move out there and have a decent chance, especially if they have the skills and most important, a great personality?
Nashville is definitely more age forgiving than the other major music capitols but I’m honestly not sure on the age thing. There are some pretty old cats still doing it. A lot of it also has to do with appearance as well I bet…some dudes in their 50s look young and have a young spirit as goofy as that sounds.
There seems to be a steel player shortage…we’ve had to grab guys out of Texas in the past for tours. Seems to be a handful of guys in the studio circle that do most of that work but live it’s definitely needed if you have chops and intonation.
@@NickyV thanks for comment…….I’m way too old to get back in game…….being just good is not enough for this unforgiving instrument where fringe playing won’t cut it!
Thanks Nicky, for another great video!! Keep em coming. Your content is filling a void, I wish there were videos like these when I first came to town! How much of an advantage did your previous professional music experience give you when you first moved to town? When I moved to Nashville, I had 0 professional experience even though I had played music for nearly 20 years. I’m happy with the wins I’ve had so far, but I feel like I’ve had a slower start because I’m still trying to build my confidence. I would love to hear your thoughts on healthy expectations for guys in my situation, thanks bro!
Man thank you so much for being open as well. The biggest advantage I had moving to town was having experience as a bandleader. Just being able to put teams together, chart, and manage details put me in a spot where artist trusted me. On session, leaders also get double scale and live usually get a little kickback. The other advantage was versatility when I got here. Advice I would have is to try to network with people that are not too far ahead of you but a few steps up…figure out what they are doing that you aren’t then take actionable steps to acquire those skills. Usually those steps aren’t fun things to address or work on which is why people don’t do it and get stagnant. Just my thoughts on all of it, don’t know how good that advice is but all I got haha. Appreciate you man
Hi Nicky! I really enjoy your channel. I know this may be off topic but, I thought you might enjoy this video; 5-Year-Old Chrisyius Whitehead Is A Drumming SAVANT! | Auditions | AGT 2024. This little boy I believe is going places. Have a great day!
I haven’t heard of any but there is some book going around that everybody references. I just can’t remember the name of it. I might do a video on it later :)
Great video as always Nicky, I was curious on how old is to old to dive into this for a career? And how do you get a job driving the bus? This may be good questions for video content. Thanks as always God Bless.
The bus driver gig is the highest paid seat on most buses. I’d reach out to a coach company here in Nashville and ask them how the process works. Anybody that tells you age doesn’t matter is lying to you but Nashville and Texas are far more forgiving than most music capitals when it comes to age. That’s good news because everybody’s day is coming haha. I honestly don’t know what the horn market is like. Wish I had more insight for you on that one
Hi Nicky, Dan Neave here from Australia, hope you’re well mate. Do you think fiver would work well for my pedal steel and harmonica services or is there other platform I should look at? Also any tips on recording my 2 instruments for artists remotely that come to mind? I am a part of the CMAA in Australia and keen to start doing more online recording for artists. Regards, Dan
Hey Dan! Fiverr has been great for me but I think sound better and airgigs are a bit more pro regarding the type of client and quality of projects that come across the board. Best tip I have is being an incredible communicator in as few words as possible so you can set and expectation for the client then exceed that expectation. Customer service, tone, pocket, feel, and the right part.
There’s a lot of artist here trying to make a go of it. I know a bunch that are doing well and there is a ton of venues here in town…like a ton. Not sure how much you would have to scrap to get those gigs. Might be better off looking at some other channels artist have posted about moving to town.
Was just talking about this today with my family in town visiting. It’s definitely a factor and it’s going to get in-distinguishable. Anybody that says otherwise is delusional. The good thing is that most people making albums aren’t hiring me just to play guitar. They are hiring me and my colleagues for the experience of making an album and how that process makes them feel. I don’t think that will ever change.
The number of guitar players that can play like Jimi Hendrix is high. The number that can write like Jimi Hendrix is very low. Even SRV stated he couldn't do it. Right now there are a lack of talented writers and there is even a smaller number of people that can write well, play well and sing well at the same time. The number of those trifectas is so small and in such high demand that they end up hanging with the top people in the industry fairly quickly. They become the artist other artists listen to.
Not trying to talk down about nashville at i love this city and it's home. Just want to provide a prospective from a guy who doesn't work in country music anymore. I don't if it's oversaturated but I do believe it's overrated and it's not necessary to live in any of the 3 big cities to play at a really high level with a list artist, especially if you're not wanting to work in country music. Country music does the weekend warrior where you only do shows 3 or 4 days in a row and come home for a few days. Because of that you need to be in nashville which is great if you don't want to be on the road for a few weeks/months at a time. Most acts that tour outside of nashville don't really care where you're based as long as you can get to an airport. All the acts i work with with the exception of one have band and crew all over the country and even in other countries. Not to say at all that one way is better than the other. Just depends on what you want. I also don't agree that most artist gigs leave out of nashville. I think it just seems that way when you live in nashville and work in the country world. The internet has made it possible to be anywhere. I also believe theirs a lot of good touring musicians nashville misses out on because they lean on the weekend warrior thing so hard.
This was definitely geared towards the country world regarding the touring situation. I just know that on every artist gig I’ve been on there is usually one or two guys that live out of state and it’s absolute hell for them. Outside of country there are longer tours that make the back and forth less of a big deal and my friends that are on legacy acts that fly everywhere definitely live all over the map. Thanks for watching
I’m really digging you studio guys from Nashville. All the guys I follow from there (Jack Ruch. Brett Papa, Tom Bukovac, Guthrie Trapp) and now Nicky V seem down to earth with no ego.
I support all these guys in one way or another from subscribing to their RUclips channel as well as Patreon and purchasing lessons.
I just found your channel today so I’m sure I’ll be contributing to your cause for the work you put in contributing to my cause which is learning guitar.
I’m thankful for you guys and the knowledge you share with us all.
Man you are too kind. Those cats you mentioned are the gold standard…doing my best to work towards that here on my end.
Truly appreciate your kindness and thanks for checking the video out!
I played guitar for a dude who was really good on keyboards. He went to Nashville and came back humbled. The guys and gals out there are cream of the cream. But the best guitarist I ever saw was Scotty Anderson from Kentucky. I don’t think he ever even tried Nashville, but dude is a monster.
Im humbled every time I leave my house here hahaha. I’m not familiar with Scotty
@@NickyV Scotty plays like Chet Atkins jamming with Jerry Reed and Brent Mason, but every lick is double/triple stops and perfectly harmonized. ruclips.net/video/3aN5VsFiviY/видео.html go to the 5:00 mark. he's incredible at that jazzy country style. makes it look super easy. cheers.
Thank you for the insider baseball on the Nashville scene. Thirty four years teaching and gigging here in Chicago full time. It can be done.
That’s great man. Thanks for watching!
Very few musicians possess the talent that you have. You are one of the best guitarists I've ever heard. It's a major honour to have your epic guitar on our album. No Serial Killer.
You are too kind. Really appreciate the good word. Was a pleasure working on it
That last bit of advise is true and you should take his advise regardless of what business your in
That victomhood comment was one of the smartest suggestions I’ve ever heard one of you young guys say, awesome
Appreciate the kind words and thanks for checking the video out man!
I have heard that from more than one source. The kiss of death was being described as a good guy!.
This is extremely helpful. I am a new artist who moved from LA to Seattle to pursue a music career but there really isn’t a scene here. I’m flying to Nashville this weekend to check it out. It would be cool to meet up for coffee if you’re free.
Man I’m out of town with my wife this weekend but hope you have a fantastic trip!
I'm not a musician or writer, but I've always been fascinated by the behind-the-scenes part of the business from the musician's perspective. I'm not your target audience, but I really appreciate the content. Thanks!
That’s fantastic. Appreciate the kind words and glad you enjoy it :)
we listen to you because you have interesting "insider" information to share, and your audio/video quality is solid.
I’ve been working on the video, thank you for saying that. Appreciate it
I'm in love with this channel. Thanks Nicky for YOUR time in these videos. Nicky 's videos are like having a positive and knowledgeable "coach". It's perfect for those of us who are" on the outside looking in "at the music industry. You are a blessing, Nicky!
Sometimes comments can make your day. You made mine. Appreciate you, very kind
What a humble guy you.
are and a good presenter too! As far as instruments in demand, I play accordion-- acoustic and digital. What is the current demand for accordion players in Nashville? I play jazz, rock, blues and big band. No cajun -- but a great version of Floyd Cramer's Last. Date and Always on My Mind. I can also sing with about a three and a half octave range. Alan, Baltimore
Man I’m honestly not sure on the accordion demand. I know Rory Hoffman plays one downtown and kills it.
Good acoustic guitar is usually pretty in demand if you sing backup. Really appreciate the kind words and thank you for checking the video out!
I love this channel and check it every day for new content, even though I will probably never get to Nashville- it's incredibly interesting. Keep it up!
That makes my day. So glad you enjoy it and thank you for the support
Small world. I played several gigs with Martin Motnik during the pandemic. He bailed me out on covering bass more than a few times.
He is the solidest individual musically and personally that I know.
Great video Nicky! You da man! Oh and you always need Bass! You guys look pretty, but we make you dance!🎸🎸🎸🤘🤘🤘
Hahaha yes!
Dude absolutely dig your videos man. Gives us normal people an inside look at what its like once inside the players realm there. So cool man!! Keep up the good work man. Your guitar playing is beautiful man.
Thank you for the kind words boss. Appreciate you!
Here are two keyboard players. You may know them. Ray Whitlock, and Brandon Bates (fairly new in the area). Super fine people, also good vocalists.
Brandon is from my hometown. Great cat and got in the mix quick. Haven’t met Ray yet but hope to cross paths
@@NickyV "The Bluff"?
@@ericthompson1487 Down the road...I'm a Cape Girardeau guy.
@@NickyV I'm an Ironton guy. "Elephant Rocks" "Johnson Shut Ins". I visit your way some. I have some friends down there that you would probably know. I'm a retired teacher, and now a weekend warrior musician haha. I enjoy the approach of studio musicians. From Wreckin Crew, A Team, Swampers, the Steely Dan/Toto tree, and Funk Brothers etc. So entertaining to listen to. To make a short story long. haha I enjoy your material. Perhaps someday we will meet. I do play the harmonica if you ever get into a pinch, and the locals you use are busy. I can give you some references if needed. Thanks for sharing. I may have some tone questions for you some time.
@@ericthompson1487 Killer man! Spent a handful of summer days with the fam at Elephant Rock. Good to know about the harmonica as well!
Just found your channel today. Thank you for the info! Much appreciated 🙏🙏🙏
Glad you enjoyed it, man! Thanks for stopping by.
Great tips! I'm in NE Oklahoma, and a lot of these things still apply here as well. And I don't think you talk too fast on RUclips. You're one of few people I don't feel the need to watch on 1.5x speed. haha
Hahaha right on! Appreciate the kind words
Great video, I’m always impressed with the level of dedication and hard work that these working musos have. People don’t realise talent only gets you so far, you need to put in the hours and work to make it full time.
You are dead on man. Thank you for watching the video!
You have so much vital information to share and so little time to get it out. We need to listen faster .
Hahaha appreciate it man. Thank you for watching
Love your channel you get straight to the point with useful and relevant information no BS and you’re a killer player to top it off keep it up bro💪
Thanks Jamie! Really appreciate the kind words and so glad you enjoyed
Have we ever paid Apple for using their WiFi? I guess we did through all their stuff we bought over the years. Thanks for the nice memory and the shoutout! Your video gives hope to everyone who wants to work. Now, who are the other two bass players?? Huh? ;-)
Blahahaha indeed. You and James Cook
You don’t talk too fast, people listen to slow. Great channel!
Hahaha thanks Rick. Appreciate the kind words man!
If I'm not in your phone, it's time :) drums, tracks, MD, bgvs and bass.
Shot you a message on Insta!
Awesome share Nicky V! You hit the musician front really well- any additional thoughts re vocalists and volume of work?
For in town work, singers are responsible for usually getting the gigs and getting “in” with a circuit. Then that management schedules them at different venues downtown. I think that’s how it works but not 100% on it. I’m not sure on the competitiveness of it but I have friends that are artist here and seem to have plenty of work.
I would do some other looking around on RUclips for more singer/artist moving to town experiences. I might not be the best to offer advice on that one
@@NickyV Thanks so much man- will do.
The answer to the question is "yes." But it also totally depends on your aspirations. If you're content doing open mics and playing Broadway for door money, then cool. But if your dream is to get "discovered" as an artist, break into the studios, and play the main venues, then its a major gamble. Nashville has some of the best musicians in the world, and they've been there longer than you have and aren't going anywhere any time soon. Unless you're a bass player or drummer, its likely to be a struggle. Fortunately for this creator, he had a contact to vouch for him early on. Few have that right away.
I like learning about stuff that I know nothing about, and life and work in Nashville is one of them.
Nice! Glad you are enjoying it
chords with exponents, Yeah!
Haha stole that from a producer friend of mine.
Do you have Brent Mason and Bryan Beller in your phone?!! Those guys are great.
I’ve worked on tracks remotely with Brent but haven’t worked with Bryan yet.
Great video Nicky! I know lots of people in Nashville and everyone seems to love it there. Not in the cards for me specifically, but your insight is great and will help many I’m sure !
Thanks for the kind words. I know you have taught me and two of my buddies here…so your knowledge is being slung around sonically daily hahaha. Thanks for checking the channel out
Great insights here!
Thanks man! Appreciate you watching
👍🎸
Thanks for watching!
I think regardless it’s what you consider “making it”. Some may think playing every weekend playing covers is making it- some may think playing on a major recording label is making it. Also I know many good players but can’t stand being around them more than an hour - compatibility and dependability is key.
Spot on man
Appreciate you checking the video out
'The hang' is an important part of your attitude essential for making a gig or session not suck.
Probably the best You Tube video on this subject I've seen. Great job !!
You are too kind. Appreciate you checking it out
Always Great to hear from ya!!
Some guys play a style that isn't straight rock, country, jazz, bluegrass, soul, RnB. But is all of that at once. Guys like RJ Ronquillo, Guthrie Trapp , Tom bukovac. There's several others but these are truly my favs. All of them are Very unique and at the same time have this Nashville vibe . Without RUclips I think maybe I would never discovered them. there's a cristal clear identity in the sound. What is happening right now in Nashville it's cultural movement . And this sound is becoming a music style/genre in itself. And it's a really unique and beautiful music .
Love that you shared this. I think you are spot on. There’s definitely a sound here. Thank you for checking out the video!
Another great video, as always!
Jason Webb played on a project I produced in 2007. The guy is INCREDIBLE. The artist was "hearing a horn section" for one of her songs, which for a 10 song/10K project at the time, just wasn't going to happen. Jason broke out an arpeggios on his red Virus and absolutely KILLED it. She completely forgot about a horn section.
Hahaha that sounds about right. I’ve only got to work with him a few times…but done a decent amount of overdubs on the back end that he’s been on. Absolutely amazing player!
I wish I could find the old video someone got of Jason goofing around between songs. He was using a saxophone patch and PURPOSELY sounding awful, like a really terrible beginner. Everyone was just losing it. I personally laughed until I cried and was aching.
That intro was beautifully played. You sir are a true pro!
Thank you! Appreciate the kind words
Love this channel and the content! Keep it up 🙌🏼
You got it :)
Just recently discovered your channel-it’s great ! I sure wish a guy like you were around when i was trying to build a career - I really enjoy listening to how things work in pro circles these days-and i find i can use a lot of your advice, even being a older player ! Thanks !
Barry, you are more than welcome and I’m so glad you find it helpful and interesting. Appreciate you man
Great video. As a frequent concert goer, I have often wondered about the logistics of some of these "Weekend gig" type tours. For example, if a legacy band based in California comes in for a one off opening act show in Ohio on a Saturday, how is that scheduled and paid out? How is any money being made at all if you are playing a one off in a parking lot opening for Winger or whatever? I love these bands, but I'm curious.
Usually the band has a set fee and then the band is bought for a show by a buyer. The buyer pays for the band with sponsorships so anything that comes in the door is profit for the buyer. That’s one business model and there are other ways of going about it and splitting sales up differently but that’s what I see the most.
All very well said.
Thanks man!
Very informative, I love gathering all of the information that you give out.
Killer! So glad you are getting something out of it!
Damn Nicky, you knocked it out of the park again! Such a breath of fresh air, luv your insights into the behind-the-scenes of the industry. Keep it up!!! 🎸
There is a reason that gig-pay is so low, and that so many session players need to have youtube channels. There are far more guitarists who want jobs than available jobs. That drives down wages. It's a fact of economics.
Appreciate the kind words man. So glad you enjoyed it and thanks for watching!
Your abject honesty is easy to see. AND, you can play!
Appreciate the kind words. Thanks for checking the video out!
I know I can play, but I think I could be happy just having a job as a backline/cartage/gear tech to get by and jam with some good players.
If I get in a session or two once in a while, even if the tunes don't chart - it's better than sitting in a cube lying to people and ripping them off all day.
Amen to that man. Thanks for watching!
I love that you share the “really really”.
Straight up!
hey man i'm glad you talked about this! reminded me, are you acquainted with Bucky Barret?
Don’t think our paths have crossed yet
Construction is supposed to be starting on a huge production, practice, facility like Soundcheck but even more enormous. Supposed to be over on the East bank somewhere. I only mention because it will only attract more bands to base operations in Nashville. Could be some nice jobs too for people in that field.
That’s great info! Thank you for sharing!
What a great video!
Thanks man! Glad you enjoyed it!
All great info. If you are serious you got to go where the game is played.
Spot on
Im a experienced country guitarist from Texas in my 30s, if i was to move to Nashville soon, what it be really difficult to get hired for gigs not knowing all the broadway songs, let alone they nashville way of doing them?
Two things,
1-If you are a solid player, you can get through most songs on your instincts then the more time you spend learning the standards you would naturally soak them up and be in good shape.
2-The seems to be just as much if not more money on the live side of things in Texas. But if you are wanting to get into the studio scene or another aspect of the industry (publishing, writing, etc) I could see Nashville being advantageous. Most Nashville bands play a lot in Texas because the economy supports the travel and you guys love and appreciate music down there.
Pretty new to the channel so not sure if you talked have talked about it. But a video on the do’s and don’t’s of Networking would be killer!
That’s a fantastic idea! Little bit of that on my “how to get an artist gig” video but need to go more in depth
Are there gear expectations from individuals who call for players? I guess this goes back to the struggle between Amps or Helix? And do certain bands provide any type of gear that they require for their shows? I love this channel! lol it’s finally answering all the age old mysteries! And I guess another question is, how’s the guitar tech scene for all this ?
Some acts run all Kempers and as players change in and out the kempers stay. Some run Helix. Some run amps. That’s for touring acts.
For local shows it’s usually influenced by the venue. Some venues don’t allow amps. Some are cool either way.
Great video. The more I see the business dry up here in a small market, the more I'm considering a move. Thanks for the insight. Best.
Absolutely! Appreciate you checking the video out!
Is my brother Griffin one of the 7 keyboardists in your phone? If not he should be 😂 he’s at Robert’s every other Sunday. Tell him I say hi!
Nice! Don’t think we’ve worked together yet
Love the info ! What’s the market like for fiddle down there ?? On the mainstream stuff it seems like it is a dying art form, but every time I’ve been down there I see a lot of them playing on Broadway although it’s been quite a few years since I have. How difficult is it to get into the Broadway scene? I played fiddle in a country cover band up here in Indiana, but they retired a few years ago …. I definitely don’t have the skill set for a touring gig or studio, but in bars and clubs yes and really would only want to do occasional Broadway stuff even during the day if somebody needed a fill-in here and there etc
Hey man, appreciate you asking and checking the video out. I’m not saying this to sound sarcastic but the real issue seems like there are players with great intonation and ones that don’t. Some from both sides of the coin have showmanship.
The ones that can play really in tune and have a bit of showmanship seem to stay really busy. The ones that play in tune without showmanship seem to stay pretty busy. And the ones that have intonation issues I don’t see working a whole lot.
The Broadway thing happens quick for some and longer for others. I don’t have a ton of experience on the Broadway scene so don’t want to speak out of place. Check out Tim Avens channel….he has some great videos on Broadway
@@NickyV awesome thank you ! So the take away from that is above anything make sure intonation is spot on , and showmanship is the cherry on top haha
@@firedude911 spot on…I’m not an expert by any means when it comes to fiddle market haha but that’s my thoughts on it
@@NickyV well it definitely makes sense …… to a musician they are able to listen to a band and say “man they are awesome but that fiddle player is off”……. But to a patron / audience member they just know “something is off they suck”
You are kicking a$$ with these types of videos! I would like to see a video about how they recorded a record in the 60s and 70s versus today?
That’s a fantastic idea! Possibly pull somebody in to interview from back then as well
@@NickyV If you could get one of the guys, it would be cool. I know a lot of them as passed away though. thoughen.wikipedia.org/wiki/The_Nashville_A-Team#External_links
I love your channel dude. This might be my first RUclips comment haha but what you’re bringing is so refreshing and interesting
I lived in Nashville for ten years and wish I had this advice when I first moved there! I hope you keep posting more music content too I loved the substitution video!
Some of the best players I have seen downtown always used delay in a way that was very mysterious to me. I’d love to see a video where you breakdown some pedal settings to nail those slapback clean tones!
This is very kind of you to say. Really appreciate you checking the channel out and digging the content. I’m going to start circling back to the lessons sometime soon and also do some recording videos as well. Might have to do one on delay settings.
How about pedal steel players? Is that more seldom than keyboard? I know they’re two different vibes and people probably have only one or the other (or fiddle)..would love to hear your thoughts about that. Loving the channel!
Anytime I’ve been on the road and a steel player was needed, it was very hard to find one. Not sure what the market is in town…I would think that a solid steel player would be able to find work but I just don’t have a ton of experience with it.
Hey Nicky, thank you for the information, just wondering about gigs for other instruments such as a multi-percussionist?
The meat and potatoes instruments (guitar, drums, bass, and keys) are usually the first thing to get called just because sonically they cover a lot of ground given a budget.
On the studio side of things it’s the same and the drummer will do a bit of percussion if needed but occasionally they will bring in a percussionist if there is a budget for it and room to accommodate it at that studio.
Another very interesting video ----
Appreciate you! Thanks for watching
Great video!
Thank you!
I do not think you talk too fast..... because you pronounce words very clearly and are articulate and have a good tone.
Just read this to my wife blahahaha. Seriously though, thank you for the kind words.
It must be, because the last time I shipped an amp that went through Nashville it was "lost" in the shipping service's warehouse. No doubt a guitarist who worked there misplaced it in his trunk.
Hahaha sounds about right
Great Information
Thanks
Bass here
Right on man! Thanks for watching
Great video. I am from Sydney Australia so your free wifi from the Apple store really made me laugh. If you are in Sydney again here's a tip, go the McDonalds next door, you can pick up the Apple wifi from there sometimes! ;) I am a keyboardist/pianist, unfortunately not coming to Nashville. But I've been asked to play for a country artist here, can you recommend any keyboardists I should listen to to help with that modern country style? (Ive already noted Jason Webb!)
Hahaha love that! I’ve probably been to that McDonald’s. Thank you for the kind words. Jason Webb, Tim McDonald, Gordon Mote are all top shelf.
Love your videos Nicky. Would you say learning the major scales and modes is a necessity to be advanced on guitar?
I’m not a big mode guy but they are great to know. Major scales all over the neck is a key to building a solid foundation and knowing your instrument for sure.
Hey Nick, I'm David, singer song writer, St Petersburg Florida, writing about the burg, people and place, Nashville vibe, home town feel, would you read some of my lyrics, WTF 727 great videos thanks
I live in Nashville. It seems to me like if you can become base-level proficient playing pedal steel you will get work. Am I correct?
If you can play the part and play it in tune…that seems to be the case haha
Some have commented that you don't show any ego. As far as I can tell, that has always been part of making it the music business. I weighed that option 30 years ago. I had enough talent but decided to go another way working a regular job and playing part time. Some of the guys I worked with at the time decided to give the music business a go. The ones who made a living at it had great talent, and little ego. I enjoy hearing that it hasn't changed that much.
Thank you for sharing that and checking the video out man. When you are making a living at it, it feels like you are getting away with something haha. Appreciate you
Have ou checked out Justin Ostrander's channel? Seems like he is a session guitarist that is pretty busy. He has played on several hits.
Absolutely love his channel. Amazing player and seems like a cool cat!
100000000% yes.
Good stuff - thank you for posting....I know probably being younger is better to try and make the move but what age may someone be too old. For example, could a 40 - 45 year old move out there and have a decent chance, especially if they have the skills and most important, a great personality?
Nashville is definitely more age forgiving than the other major music capitols but I’m honestly not sure on the age thing. There are some pretty old cats still doing it. A lot of it also has to do with appearance as well I bet…some dudes in their 50s look young and have a young spirit as goofy as that sounds.
Guess steel players is a specialized area? Are there many new Steelers entering market?
There seems to be a steel player shortage…we’ve had to grab guys out of Texas in the past for tours. Seems to be a handful of guys in the studio circle that do most of that work but live it’s definitely needed if you have chops and intonation.
@@NickyV thanks for comment…….I’m way too old to get back in game…….being just good is not enough for this unforgiving instrument where fringe playing won’t cut it!
Perty tele! Favorite
Thanks man it’s a forever Tele for sure
I play keys and pedal steel!
Haha then you are golden
Thanks Nicky, for another great video!! Keep em coming. Your content is filling a void, I wish there were videos like these when I first came to town!
How much of an advantage did your previous professional music experience give you when you first moved to town?
When I moved to Nashville, I had 0 professional experience even though I had played music for nearly 20 years. I’m happy with the wins I’ve had so far, but I feel like I’ve had a slower start because I’m still trying to build my confidence.
I would love to hear your thoughts on healthy expectations for guys in my situation, thanks bro!
Man thank you so much for being open as well. The biggest advantage I had moving to town was having experience as a bandleader. Just being able to put teams together, chart, and manage details put me in a spot where artist trusted me. On session, leaders also get double scale and live usually get a little kickback. The other advantage was versatility when I got here.
Advice I would have is to try to network with people that are not too far ahead of you but a few steps up…figure out what they are doing that you aren’t then take actionable steps to acquire those skills. Usually those steps aren’t fun things to address or work on which is why people don’t do it and get stagnant.
Just my thoughts on all of it, don’t know how good that advice is but all I got haha.
Appreciate you man
Hi Nicky! I really enjoy your channel. I know this may be off topic but, I thought you might enjoy this video; 5-Year-Old Chrisyius Whitehead Is A Drumming SAVANT! | Auditions | AGT 2024. This little boy I believe is going places. Have a great day!
As always, awesome info. Thanks!!
Thanks Jimmy, appreciate it man
Yep about ten years ago
“Nashville Cats” by John Sebastian comes to mind.
Nicky V!! Cheers from Davey B...Great vid.
Yes sir! Thanks for watching
Are there any websites you'd recommend for learning the Nashville number system ?
I haven’t heard of any but there is some book going around that everybody references. I just can’t remember the name of it. I might do a video on it later :)
Good stuff Nicky! Cheers!!
Thank you! Appreciate you watching
So as a drummer I have a question...do most venues have house kits or is the drummer responsible for bringing a kit + hardware?
They bring cymbals and sticks…some bring a thrown
OK Thanks Nikki
Great video as always Nicky, I was curious on how old is to old to dive into this for a career? And how do you get a job driving the bus? This may be good questions for video content. Thanks as always God Bless.
The bus driver gig is the highest paid seat on most buses. I’d reach out to a coach company here in Nashville and ask them how the process works. Anybody that tells you age doesn’t matter is lying to you but Nashville and Texas are far more forgiving than most music capitals when it comes to age. That’s good news because everybody’s day is coming haha. I honestly don’t know what the horn market is like. Wish I had more insight for you on that one
Hi Nicky,
Dan Neave here from Australia, hope you’re well mate.
Do you think fiver would work well for my pedal steel and harmonica services or is there other platform I should look at? Also any tips on recording my 2 instruments for artists remotely that come to mind?
I am a part of the CMAA in Australia and keen to start doing more online recording for artists.
Regards,
Dan
Hey Dan! Fiverr has been great for me but I think sound better and airgigs are a bit more pro regarding the type of client and quality of projects that come across the board.
Best tip I have is being an incredible communicator in as few words as possible so you can set and expectation for the client then exceed that expectation. Customer service, tone, pocket, feel, and the right part.
what about the saturation of singers???
There’s a lot of artist here trying to make a go of it. I know a bunch that are doing well and there is a ton of venues here in town…like a ton. Not sure how much you would have to scrap to get those gigs. Might be better off looking at some other channels artist have posted about moving to town.
Very interesting 👏👏
Glad you enjoyed it!
Good stuff bro 👏🏼
Thanks man!
How do you feel the market is for fiddle players in Nashville? Similar to keyboardists?
There’s a decent number of fiddle players. A handful of players with stage presence and great intonation…that handful works a lot
@@NickyV Appreciate the input!
Im a keyboardist!:)))
Thats great news haha!
wish there was a serious jazz scene there...
I wanted to be a Nashville musician but the market is to much competition so I went to Asheville instead and it’s a lot better and similar.
That’s great. Glad you found your spot
❤
How is AI affecting the industry, especially people like you? That would make an interesting video.
Was just talking about this today with my family in town visiting. It’s definitely a factor and it’s going to get in-distinguishable. Anybody that says otherwise is delusional. The good thing is that most people making albums aren’t hiring me just to play guitar. They are hiring me and my colleagues for the experience of making an album and how that process makes them feel. I don’t think that will ever change.
@@NickyV - That's good to know. I have a song on my RUclips page called "AI Need Not Apply". 😀 ruclips.net/video/nkqxomkXTqQ/видео.htmlfeature=shared
The number of guitar players that can play like Jimi Hendrix is high. The number that can write like Jimi Hendrix is very low. Even SRV stated he couldn't do it. Right now there are a lack of talented writers and there is even a smaller number of people that can write well, play well and sing well at the same time. The number of those trifectas is so small and in such high demand that they end up hanging with the top people in the industry fairly quickly. They become the artist other artists listen to.
It does seem like there are less people becoming household names with the trifecta. Jimi was definitely an anomaly
Not trying to talk down about nashville at i love this city and it's home. Just want to provide a prospective from a guy who doesn't work in country music anymore. I don't if it's oversaturated but I do believe it's overrated and it's not necessary to live in any of the 3 big cities to play at a really high level with a list artist, especially if you're not wanting to work in country music. Country music does the weekend warrior where you only do shows 3 or 4 days in a row and come home for a few days. Because of that you need to be in nashville which is great if you don't want to be on the road for a few weeks/months at a time. Most acts that tour outside of nashville don't really care where you're based as long as you can get to an airport. All the acts i work with with the exception of one have band and crew all over the country and even in other countries. Not to say at all that one way is better than the other. Just depends on what you want. I also don't agree that most artist gigs leave out of nashville. I think it just seems that way when you live in nashville and work in the country world. The internet has made it possible to be anywhere. I also believe theirs a lot of good touring musicians nashville misses out on because they lean on the weekend warrior thing so hard.
This was definitely geared towards the country world regarding the touring situation. I just know that on every artist gig I’ve been on there is usually one or two guys that live out of state and it’s absolute hell for them. Outside of country there are longer tours that make the back and forth less of a big deal and my friends that are on legacy acts that fly everywhere definitely live all over the map. Thanks for watching
Maybe in another lifetime 😢.