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Chest Voice, Mix Voice, and Head Voice - What's the difference? - Tyler Wysong
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- Опубликовано: 14 авг 2018
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3:21 When he starts change his voice ... RIP my headset and my ears :'D
lmaooooooo my airpods started shaking
I had no earbud warning.... ._.
it literally attacked towards us
@@pleasemyytcommentsaredumb.8189 it felt like a plasma beam coming straight at us face first 💀
@@shutdahellup69420 it went like *PEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEW* lmao
me: WOOOOOooooooooo
parents: *contemplating putting me up for adoption*
Absolutely died at this comment 😆
Yes. This is correct. Mixed voice, for most people is difficult to find. A lot of people talk about mixed voice, or balanced voice, but most cannot do it super efficiently. I would say about 80 percent of singers either pull up the chest voice through the bridge, break into falsetto, or let go really lightly into a soft classical head voice. The problem is people get impatient with their mix and complain that it's not full or loud enough so they go back to belting to get volume. If you wait long enough mixed voice can be strong as well.
Yes totally agree!!
max sherritt Beyoncé is the biggest proof of your statement 💯‼️
Ah😍you gave me hope
God bless you 🙏❣️😇
Yeah my mixed voice is slowly (slowly haha) coming along. Thankfully have a vocal coach to watch me because I always want to belt 😅
@@crazycalli1 IKR. My natural voice is high for a male. So I've always been able to pull chest up to D5. But then I started to realize quantity totally doesn't equal quality. So I decided to learn this mixed voice trick. So many singers are so good at mixing (Lambert/Dimash/Mars/) that I wouldn't realize they were not just "Pulling chest " so in order to sing like them I was destroying my voice. After 2 years of practice my mix has improved a lot , I have sooo much flexibility so now I can sing songs like "And I'm telling you " and actually do it quite decent.
At 3:20 when he suddenly transitioned into chest voice and the mic started peaking I died
LMFAO
😂
wifebeater69 yeah, that wasn’t chest voice. It was his head register and he was at a high intensity or “belt”. His terms were very confusing to me.
It was a mix
I bursted out laughing. Ion kno why it was soo funny😭
3:19 rip headphone users.
Jokes aside, what a powerful voice !!
Thats for the warning but I listened to it anyway now my ears is paining...ow
HAHA
🥲
His Thu'um is indeed strong.
Man, I swear I had my volume at only 8% and the power of his voice still blew me away.
Him: ohhh
Him: ahhhhhh(ripping out my ears)
There's a difference
Me: You don't say 😆
HAHAHA
Him: Ahhhhhhhh(destroys your eardrums)
Also him: I wish you could hear how my voice fills the room since the microphone can’t really pic it up
Me: Yeah me too 🤣
@@russeljamesacosta2816 you forgot the !!!!!!!! 🤣
@@deadlegend3427 Shoot
Headphone user (including me):
I have been practicing the closed mouth exercise and holy crap I think I'm starting to get it lol. It's a weird sensation at first and my voice become shakey when I get into it at first. But it feels so much lighter and I'm going to keep at it. Literally no other exercise has helped me get into this coordination and now I feel like I am starting to get there. Thanks man!
Heck yea man! I'm happy to hear that! Keep at it!
Alx DeCarlo after 5 months how is it? Have you improved?
Maybe tell us what that exercise is and how it works..?
Where is that exercise i want to learn it too
I have always had strength with mixed voice and head voice. I have never had a good chest voice.
Im the opposite lol
same
I'm the opposite too, i hardly ever can sing with head voice
Samee, it’s like I’m a soprano when it comes to mixed and head voice but then just an alto when it comes to chest and belting voice
Same
3:20 when he said oo and then OOOOOOOOOOOO i felt that
OMG 3:22 My Ears! He clearly was born with a built in speaker!
The encouragement about "deliberate practice" beginning at 5:50 is just what I needed to hear. Thanks man
OMG 3:21 i did not expect that to come out of you. That transition was INSANE. Where I struggle is coming back down from head to chest.
Him: *does the mixed voice* “sometimes it is hard to capture”
Meanwhile the camera microphone: *DEAD*
Yes sorry about that, took me a while to figure out the best audio situation.
Tyler Wysong
Tyler Wy Song
Tyler *WHY SONG?*
*HE WAS MADE FOR THIS*
Thank you for this brilliant analysis and presentation. There’s nothing quite like a smart instructor to explain matters.
Congratulations Tyler, this is a very smart singing, you know exactly what you are doing. Also you have the ability to clearly explain how the voice works. I hope you would post more videos about mix and head voice, and in particular: how to build that "missing link" between head and mix. Sorry for my bad english! Wish you the best,
cheers from Italy
Thank you very much for the kind words! I have more videos to come! Cheers!
I saw a number of videos on mixed voice and none of them was helpful. But this one is! You're a very good teacher. Thank you.
I appreciate that! Thank you!
3:19, My Speakers just blown out, lol.
Tyler, I can't even explain how much this video meant to me. your "siren" was so clean that it helped me understand what I'm trying to achieve. Your demonstrations and explanations of the head voice/mixed voice and chest voice made a click in the way that I'm approaching my practice. thank you so much. Please keep posting.
So I can tell where the bottom of my head voice is by imitating the 'it's only a game, why you hef to be mad' guy... Incredible.
I really like how you explain this so easily to be understandable. I am watching a lot of videos on mix voice and pharyngeal voice. I sing on the worship team at our church and I don’t have the confidence in my voice that I would like to have. These videos are helping me a lot when I practice at home. I’m starting to build a higher range and a bit more confidence. I will definitely start watching more of your videos because you make it sound much simpler than any others I’ve watched up to this point. Thank you very much for your heart of helping others.
THANK YOU!!!
finally someone taught about it, i was looking for this explanation for months
This is literally a wholesome video. I can't find any like this anywhere else, every other damn video half asses it and then leads it to a shameless self promotion prompting you money but this guy, respect.
To me, the mix is when we're singing higher notes where we could easily sing in head voice (normally thinner vocal folds, higher resonance, more airy, etcetera), but we use more support, more compression, more volume, and end up having more resonance in our lower resonators also than if we only sang in head voice or falsetto. That's why we can avoid a flip because the yielding to the head voice muscles (CT) is gradual as opposed to abrupt and has more balance. There are many combinations of mix.
I no longer think of the CT muscles as head voice muscles. They have more to do with pitch raising than they do with registration. There is overlap between pitch range and registration but they are not the same thing. Also the way I define mix is actually handing off from the first resonance or first Formant to the second resonance (second formant) so it’s actually a higher resonance that we get our main boost of energy from in the spectrum. I ask no one to be my disciple though just good students. If you are happy with how your mix sounds then keep doing what you’re doing.
Wow your mix is amazing.
Btw Your way of describing and teaching this whole topic really made a lot of sense to me. You're a great teacher.
I know for me, whenever I was trying to figure out how to do this slide, I was having trouble gripping my chest voice and it was making my voice too heavy. There were two things that I "felt" once I understood the mechanisms.
1) was the feeling of keeping the sound in the front of my face. Imagine that you have a fencing mask (I would recommend that you Google it cause the shape is important) and the voice is like laser light that's shining from inside the mask. Your voice should be going forward like that laser. You're aiming for the front of that mask. And as you're going up in your range, that laser is tilting upwards, following the curve of that mask. From your chin, through the cheeks and then into my head. Never does the sounds stop at the back of the mouth, it shoots ever forwards.
2) is relaxing and letting your voice do the work. The more you trying to force the switch, the clunkier it's going to be. You have to trust in your voice. The control of letting go and not putting your hands into to meddle with your voice to produce the sound is the key for your sliding seamlessly. Imagine a cloth hanging on a clothes line. The wind is your breath energy that's blowing through the cloth. When the wind blows the cloth, it creates smooth waves because it's natural. But if you take you try to use your hands and try to create the waves in the cloth yourself, you can create waves, but you run the risk of pulling the cloth off of the clothes line (which would symbolize a break in your voice)
Anyways, my analogies are probably more complicated than their worth, but if you made it to the end, I hope it made sense. Describing feelings is hard
I started to get exactly what you mean after having the same chest straining problem and the fencing mask analogy feels perfect lol. Thanks for sharing
@@sen71 I'm happy it was helpful! It's a niche way to explain it and it's hard to describe a feeling that may be different for everyone. Best of luck on your quest to learn how to sing!
Again.. and again.
You've given the right thing that singers needed.
God bless you dude.
great video! thank you
Absolutley!
3:21 sounds like someone trying to take my soul. Mic peaked
Thank you so much Coach! You inspired me so much especially your advice in the last part of the video. I will continue to practice.. ❤️
thank you! i have a school compitition soon so this was helpful
Yay I'm so happy to hear that! Good luck!!
Thank yous SO much for this video! I have seen lessons about improving range and mixed voice and head voice, but none of them have really demonstrated how different they sound. Atleast I have a better idea on what kind of sound I'm aiming for when I want to do a mixed voice as compared to a head voice.
This is the moment when my feelings, my searches and thoughts are absolutely match with what you explain in your videos. And i feel like - damn I was on the right road. But I don't have a good vocal school. I had nothing to check am I right. All what I did and do, this is my own approach to how to sing. And what a pleasant surprise it is when you find a guy on RUclips who went the same way, but went further. My best find so far!
Thank youu so much for the explanation, I will keep practicing both head voice and chest voice and eventually get hold of my mixed voice too💓
~Sending loads of Love from India 🇮🇳
You have a nice voice.
@@saritajoshi1737 have you heard me singing?
Thank you for explaining this in easy simplified terms, no gimmicks or diagrams needed like so many other you-tubers.
Nice video, clearly shows difference between all the registers!
This is the best explanation on mixed voice I've Google so far!
Good Lord, man! I was listening on my headphones. When you took the tone from head voice to mix, I couldn’t believe what I was hearing!
Wow, thanks!
2:34 okay.... You kinda sound like Mickey mouse then 😂😂
Excellent 👍 Mr. Vocal Coach. Thank you so much. ❤️
I’m challenging the terminology in this video because it confuses vocal students.
Head voice is a register and not a vocal intensity or mode. There is chest and head register, that’s it. Within your head register you can say you have for sake of discussion three intensities or modes. These are falsetto (light), mix/middle (medium resonance), and belt (heavy resonance). When you got very loud in this video that that was a very heavy mix or “belt”.
Also falsetto and head voice are not the same thing even though you will see falsetto defined as head voice. That is because many classical singers would only ever use the falsetto intensity in their head register, so they became synonymous. The reality is there are different modalities/coordinations/weights to head register singing and falsetto is simply the lightest. These modes have nothing to do with pitch. You can sing the same head voice pitch in all three intensities-as well as intensities in between.
It always depends on what your terminology allows you to hear and perceive. This is how I teach my students as well as perceive it myself, if it doesn't resonate with you by all means fid something else that does. Cheers.
@@tylerwysong while your content is valuable.
Your only causing further confusion by not properly using the terminologies.
OP is right, what you call mix voice is just a belted head tone.
There is no seperate mix middle voice, this only adds confusions to students who think there exists a 3rd vocal configuration.
@@nightmare4eVerr1 Link me to a video of your "belted head tone" I would love to hear how it sounds.
right a register!
I love this man. I am able to sing bass , baritone, and lower "spinto i guess?" tenor but head voice was actually more difficult for me to do.
So basically My mix and my head voice has the same register.when I go low with my mix I think I’m turning into head voice bc it’s more comfortable. Same thing if I try to sing in chest voice a bit higher it gets into head voice (i think). Anyway it’s changing and I can’t really tell what voice is the one I’m using the most and it’s the most comfortable. Using mix (or what I think is mix) needs tension and more power and it’s not that easy (on lower notes it gets harder), as the voice I think it’s my head voice(??????)
great voice and brilliant explanation
Thank you so much!
Man thank you very much from Russia) you’re great🙏
The difference between his falsetto and head voice depends mainly on these things: 1)twang:that kinda whiny nasal sound, you can get it by imitating a baby cry and opening it up. 2)slightly rounded vowels 3)squeeze sound to make it sound more pop-esque.
You work on that and you basically sound like most pop singers that sing over A4 in modern contemporary music.
Great video! Love the way you explain things
Awesome I'm so happy to hear that. Thank you.
What a powerful voice 3:20 👏😮
4:11 Chest to Head Transition with no break (unlike falsetto)
Holy sh*t, this is the best lesson ever!!! I was yelling those hi notes. My neck started to hate me:/
Thank you so much!! =))
Yay, I'm so happy to hear that!
that was great! happy to see youre still making videos, def following! you have a beautiful timber to your speaking voice as well
Thank you so much!
4:11
Sir Tyler, I have a question. Just yesterday, I discovered your channel and subscribed hehe, and I found this puffy cheek exercise of yours. When I tried it, I reached the A4 and beyond easily, but when I opened my mouth, I still reached those notes, but my voice is shaky. Is that normal for a first-timer? Plus, I am not sure if I am using my head voice or chest voice, because it sounds like, uhmmm, I don't know, like lighter chest voice but also sounds like head voice. Help.
What are the ‘fantastic programmes’ that can purchased you mentioned to help with this?
Tyler I have no idea what Im doin with my singing whether Im belting or what 😂😂😂 maybe you can help lol But anywho just started learning and the terminology in singing and started recording with my phone until I have a a descent set up. Youre right in how a small mic cant seem to capture your voice right :)
Yes sometimes the volume can make it hard to know if you are belting or singing in what I call a mix voice.
Yes thank you Tyler
Ayee..I am subscriber 4,701.
You've got that voice bruv!
Hey you're famous now
Very Very intelligent approach to explain such a complex phenomenon....👌👌👌
One thing I want to note is that different cultures speak using different parts, like I know I used the throat for the most time and only learned chest after watching a lot of stuff online, so I had some trouble trying to learn better singing.
This video really explains it well :)
fluid motion, deliberate practice
I am a male in puberty, I am 17. I like singing but my range is like D2 to E4. I can't sing anything above E4, I can't do it even I do yell. I have heard of mixed voice since last year, I've done lips trills, puffy cheeks, sirens, but I just can't get to ease the break. I love to sing but due to the fact that I am straining to much while singing, I started scare of singing. My vocal coach is a classically trained singer so he always want me to sing in my chest voice, I've train with him 6 month but I feel no improvement. I would like to ask you if I need to learn mixed voice or continue to train my chest voice? Is practicing loud and strong chest voice contradiction with mixed voice?
Nice demonstration. Gotta use some audio compressor for that loud sounds.
Yes totally! I am working on getting a better mic set up!
Nice. Looking forward for more content on your channel
Thanks so much!
Hi can you do a video with slow staccato going through an octave and half and help identify where the mix voice starts
3:26 horror movie
I got scared
You’re really good
This video has changed my voice.
Thank you for the explanation very detailed , can u explain Brendon uries Mix voice? I can't really distinguish if he is using chest or mix on the song "this is gospel"
JB - NAZ he uses chest on his low notes a lot. "Nash ing teeth in and criminal toungues" ex.
He's belting in full resonant chest voice for the whole song
Brendon is using mixes voice for everything starting at about G4
You are a beast!!!! Awesome!! thanks!!
I can never do head voice, at a range my voice always slips into a falsetto. I can control it well and get it very high but it doesn't have the power of head voice. Even going up and down the scale I just go to falsetto even when intentionally trying not too
Great explanation! Thanks so much :)
Dude I have neighbors that’s the issue 😅
Saw what voice does Paul McCartney use on ' The Beatles song- Oh Darling'?
He is in some sort of mix to my ear.
Thank you, I subscribed
AhhhhhhhhhhHHHHHH!!! Idea! 😂 said it like that and got it a bit easier Loooool thanks mate!
How to be a well connected mixed voice? I'm a baritone and my mixed voice is breaking when i'm hit C5 notes. My mixed voice up to A#5, but it is very difficult to sing songs in A#4 to C5, i can't hit C5 notes perfectly. Sorry for my bad english
Isn't baritone mix highest tone is supposed to be around A4? You said yourself that you are a baritone. Tenors can belt a C5 to D5 mix voice, but not baritone. It doesn't matter whether you hit c5 or not. The quality is what important. Baritone's A4 quality is equaly good to Tenor's C5. Just don't be lazy and change the key too low so that the climax is only in F4, it's easier but will have a different quality and sounds lazy (only a Bass can pull F4 climax).
I hope you get what i meant.
If it supposed to be in head voice and you can still sing it in chest, then it's too low for you. And if it's supposed to be in chest but you already have to use your mix or head, then it's too high for you. It's the quality that is matter. So above all it's SO important for you to find the exact right key that matches your range.
Thank you. You're such a good instructor. Liked and subscribed. Waiting for more of useful videos like this :)
Thank you so much!
When i say wooooo im like a wolf here and my family looking at me like im gonna evolve into a monster.
Hi, this is a great video by the way, had some issues understanding the mixed voice but I kinda get it now so thanks, I would also like to ask a question as well, uhm, I just clocked 20 recently, I can produce sounds as low as C2 and as high as B6, Eb7 on a good day but I can't sing on sounds from Eb5 to F#6, I also experience inconsistencies and lack of control in those really high registers, what do I need to do to fix this?, also I'm I a tenor or baritone? As my tessitura or comfort zone is from C3 to F4 in full voice, I switch to head voice I think around A4( thats like my comfortable note to sing on) and that goes all the way up, how do I extend my chest voice into a chesty mix, I get really tensed, squeeze and my throat feels locked when I sing in the 5th octave, how do I fix this.
Thanks.
스포츠 응원할때 내는 후~ 소리를 고음에서 출발해서 저음으로 내려가게 연습해야하고 소리가 변하는걸 무서워하지 말아야하며 굉장히 지루할것이지만 꾸준히 연습해서 소리가 자연스러워진다면 각기 다른 소리를 낼때마다 변속기어를 바꾸듯이 매번 신경 쓸 필요가 없어진다. 마치 하나의 목소리인것처럼. 하룻밤만에 엄청난 변화가 오지는 않지만 노래할때의 가사전달력에 도움이 되는 연습방법 중 하나이다. 이 영상을 통해 체스트,믹스,헤드보이스에 대해서 어느정도 명확하게 정리가 되었다면 좋아요,댓글,구독 부탁한다
중3 이후로 영어 놓고살앗는데 대충 맞나요?ㅋㅋ
THANK you! I never understood this under you explained it so clearly. Subscribed!!
Tyler , thank you for this video it really helped , would you please make a same video by using songs to show the kind of vocal registers chest , mix and head , I feel like not just me but people would be able to understand it better
Man, I like your well informed approach. Here you cite "Deliberate Practice" by Dr. K. Anders Ericsson which is an authority argument in favor of grit and discipline. 👆🏽💯👏🏽👏🏽👏🏽👏🏽
Yes!! It is the only way!
Here’s a big tip no one mentions, all registers are mixed registers. It’s about percentages.
You don’t learn how to blend together 3 voices, you’re just learning how to apply the one voice dynamically.
You don’t have 0 head resonance in chest voice, and you don’t have 0 chest resonance in head voice.
Head resonance is impossible to avoid, the sound comes out of your mouth.
It resonates in your mouth and nasals no matter what.
The larynx is closer to your chest than your nasal passages, it’s impossible to avoid chest resonance.
You head voice is a head mix, your chest voice is a chest mix. The only thing kind of “truly” separated and only kind of still not really is falsetto.
And that’s only because falsetto doesn’t require laryngeal contact.
The air moves through a tiny tiny opening in the larynx thats accompanied by no direct contact if the vocal folds, this results in a sound that I’d say is maybe 75% head resonance rather than 60-70 for normal head voice .
That's not how I define registers, but if you sing well and that's how you think then great!
@@tylerwysong no for sure!
I’m just saying that the physics of sound explains vocal registers and on a clinical level these things have very clear definitions.
They’re certainly not cut off from each other.
I just find some people prefer to know what’s actually happening physically rather than the intuition approach.
Thought it’d be worth mentioning in the comments for people.
@@tylerwysong what you’re explaining specifically is very common on the vocal coaching front.
My mixed voice always been more powerful over my head and chest voice but my chest came in then my head
4:48 that's what I was looking for!🔥
thank you alot worked like magic
i got my head voice now🙃 but it doesn't sound that beautiful with vibrato like yours but it works i need to work on it
because of u i went all the way to D5# with really strong and very clear tone NOT LIKE Falsetto thats HEAD VOICE
thanks man
the tricky part is to make transition
and how to work ur head voice to blend with mix and chest i would appreciate if u make a video on exercices for the passaggio and also mix voice exercices ☮️ bless u 💜
Thank you for this 👏🏿
After this, i know I couldn't be a singer indeed hshs.
this is great Tyler. Very much appreciate these videos.
Glad you like them!
On point dude! ❣️
I think mix voice is the same edge coordination, what do you think about it? Thanks Tyler!
Not exactly sure what you mean?
What you are calling mixed voice is head voice but with compression.
You can call it a head dominant belt.
Unfortunately most pop/rock push chest up higher so this coordination is only usefull on those super high notes , if that song has any
Incorrect
could you plz share some exercises for the said transition btwn registers? this is one helpful vid btw 😊
ruclips.net/video/0fBhy88A3Ac/видео.html
Start with this, it's one of my favorites
Thank you so much ❤️
idk why, but i can go up without getting the break, but going down from there is a lot hardly...😣
Thank you for sharing...
Great explanation
I really like your videos on mix voice but could you do a video on how to develop a good cheast voice in the style of James Arthur maybe ?It would be really cool
Yes I have been wanting to do a chest voice video! That will be coming soon!
I have a very unique problem... I have no problem with bridging chest and head or singing powerfully in my mix... It's just that I sound like shit while singing in the lower parts of my mixed voice. Very twangy and sharp. That's why I can only sing aggressive sings where the timbre doesn't matter much , like Ac Dc or GnR songs. When I perform softer nos like Bryan adams or Ed Sheeran I have to change the scale into a full chest one to remain melodious...
I thought it was a problem with technique before, but after 12 years of daily practice I realized that my voice box is shaped like that... Everyone cannot sing in a mellow voice at any range.