That scene where Michael devises the plan to shoot Solozzo and McCluskey is pure movie magic. Pacino's performance coupled with the slow zoom into his face is perfect cinematography.
Nice intelligent reaction to a great movie. no jokes or talking over the dialogue. excellent job well done and your editing as well. hope you watch part 2 when you get a chance.
Agreed. You know a person is paying attention to a film when they are not talking and their facial expressions appropriately match what is actually happening in the film.
Actually she s got no culture, she could not notice that the movie is about family, respect and honour, she just talked about nowadays bullshits such as feminism and globalism, and she always tries to sllve everything with the presence of the state.
I love how this movie makes you root for Michael and then at the very end he lies to Kay's face and suddenly you see yourself in her shoes and you realize what a monster he has become. It's brilliant.
Great reaction, I enjoyed this quite a bit. On the subject of Enzo, the audience is supposed to trust Enzo the Baker's Apprentice because in the opening scene you see Vito do a favor for the Baker and arraigned for Enzo to be able to stay in the country and marry the Baker's daughter.
What an elegant, magnificent, blood-soaked masterpiece. And after all the bloodshed, plotting and double-crossing, something about that final lie to Kay and shutting her out just lands the hardest...Michael has truly gained the world and lost his soul.
What's great is that whole process starts when Michael gets the news about his father's shooting. He goes into the phone booth and Kay is shut outside, looking in. I love how beautiful the cinematography is, and how many of the scenes are shrouded in darkness.
You summed it up perfectly: understated. For me, the reserved and grounded tone of The Godfather might be it’s greatest asset. Getting your take on it was a total hoot.
Like Michael G said, very intelligent reaction to such a classic gem of a movie. With no annoying and unnecessary talking over the dialogue and with great editing. Love the way you said it didn't move too fast, meaning it took its time to really develop the characters and the story. A character study as you put it - really getting deep into the characters so you really get to know them and empathise or despise them. Fantastic video, keep up the good work xx
Michael trusts Enzo the baker because he's a civilian, probably Sicilian and beholden to the Corleones because they used their influence to prevent his deportation. Enzo is still a favorite of the Corleones decades later as shown in Godfather III. Even the nurse who helped at the hospital was rewarded by the Family.
Neither age nor length nor subject matter keep you from your masterclass of '70s and '80s filmmaking, Madison. Fantastic video. Instead of waiting to make a joke, it's clear you're watching the movie and taking it all in. It's a lot of fun going on this ride with you. One of the things that nearly got Francis Coppola fired on _The Godfather_ is that he spent a lot of time casting the extras. Maybe you didn't notice. I'm not sure I ever have. But in 1970 it was common to see the same sorts of New York actor faces in the background. Coppola wanted an authentic look. To Paramount, extras were extras. They thought Coppola didn't understand how to make a movie. In fact, he was changing how movies would be made.
Johnny Fontaine was based on Frank Sinatra. The movie he wanted to be in was From Here to Eternity for which he received an Academy Award as Best Supporting Actor and helped to revive his singing career after a time where he lost his voice. After his comeback was some of his best work at Capitol Records in the 50’s and 60’s.
Madison, in terms of Michael's character arc, his initial hesitation, but smooth transition into brutality, it's helpful to realize that at the wedding party, Michael has just recently returned home from WWII. As a Marine, he would have fought in the Pacific Theater-a much different and more shocking landscape and enemy than (the mostly) Army soldiers in the European/Mediterranean Theaters experienced. He's also (though a bit clumsily by either Puzo or the wardrobe supervisor) highly decorated, displaying, among others, a Silver Star ribbon along with the Navy and Marine Corps Medal and a Purple Heart. Dude's seen some shit, acted with valor, and isn't too happy to return to violence, but when the stakes change, he's able to do what needs to be done with a minimum of fuss. Can't wait to see you do Part II!
We have a theater here that used to run a Classic Movie night every month, which unfortunately hasn't picked back up since it ended during the pandemic. I was able to see a number of really great films that were released before I was born in 87, one of which was The Godfather. I definitely agree, the theatrical experience is a whole other level of awesomeness.
Sonny had to "pay the toll" for his life of violence, so he died violently at the toll booth. this film is sooo damn good. the opening is thematically (almost literally) the Undertaker (Grim Reaper) requesting a favor from the Lord of the Underworld (the Devil). Chef's kiss.
So many lines that have become so well known since I first saw this back in the 70's - I'll make him an offer he can't refuse / Luca Brazzi sleeps with the fishes / Leave the gun, take the cannoli and many more. Certainly one of the greatest films ever made, if not the best. That said, the sequel is another masterpiece and has DeNiro and Pacino in it!
I think at the end, Kay asks Michael if it's true because to that point she has complete faith in him. So whatever he says, she'll accept as the truth. Then he lies and she believes him. But when she's looking back at him through the door she sees his people literally kissing up to him. I think in that moment she realizes it was true, which means he lied. Her whole life just unraveled. I think Luca was killed due to a miscalculation of his boss. When Sonny spoke up in the meeting in favor of the drug deal, it told Sollozzo that if he got rid of Vito he could make a deal with Sonny. One problem Sollozzo would have to overcome is Luca's support of Vito Corleone. But Vito sent him to spy, which put Luca in reach of S0llozzo and his partners. So they took advantage of the opportunity and killed him.
Sending Luca was a miscalculation on two level - the tataglias knew that Luca would have been very dangerous if Vito were killed. But also, they knew Luca was very loyal to the Don and was faking dissatisfaction with the Corleone family.
This was awesome, Madison!! It's impossible for me to pick a favorite movie, but I always say that if somebody put a gun to my head and forced me to choose one, it would probably be "The Godfather". I think the reason is that, while most great movies are more specialized (meaning that they can be described as "an exhilarating action film", "a tense and involving drama", "a very scary movie"), I've always felt that "The Godfather" has something for almost everyone: great relatable themes (family and loyalty), drama, suspense, action, violence, tragedy, a little comedy, and even some romance in the section set in Italy, and, finally, fantastic creative elements (writing, directing, music, cinematography, set design, acting, editing, wardrobe, etc.). It is a more comprehensive experience in addition to being a very specific and atmospheric one with a strong "personality" as a creative work. You absolutely have to watch Part 2, which is it's equal in my opinion, and is even considered superior by some people. The truth is, as some others have expressed here, part 1 and 2 are a package deal. Part 2 could not exist or be as good as it is without part 1. It is not a "disconnected" sequel. Part 3 isn't as good but should be watched as well, I think. Can't wait for more of your reactions!!
Love your reaction and your thoughtful processing of this film; having seen it back in 1972, the anticipation for this movie was palatable. You could have heard a pin drop when that door shut and the credits started rolling. You do need to see part two which probably is even more riveting, in my opinion. It jumps around a ton and you do not want to get distracted when viewing it or you could miss out on some other storyline. From my understanding,actual mobsters at that time said this is the way it was, and seemed to really be enamored by its authenticity along with the superb acting.
Oh wow. That's interesting. Would you consider yourself to be a good person? Try the test: How many lies have you told, and what do you call someone who lies? Have you ever stolen something (even when you were small. Even from your parents. Even a sweet), and what do you call someone who steals? Have you ever taken God’s name in vain (very serious; in Old Testament times, the Jews wouldn’t even say the name of God for fear of blasphemy) - even ‘OMG’? Jesus said whoever looks at a woman to lust after her has already committed adultery in his heart; have you ever looked with lust? One more: Ever disrespected your parents? Well I’m not judging you - but if you’ve done these things then you’re a liar, thief, blasphemer, adulterer-at-heart and rebel, so you're not good enough to go to heaven; that’s how seriously God takes sin. He is Holy (perfectly good/righteous and separate from sin) which means that He is perfect in justice; that means that just like a just judge sentences criminals to pay for the wrong they caused, so does God sentence the payment of all sins. If a judge was in front of a guilty criminal and just said "I forgive you. Your crimes don't need to be paid for" that judge would be considered unjust. Justice means all wrong is punished - and if God were to judge you by the moral law (we’ve already looked at 5 commandments) would you be innocent or guilty? Heaven or Hell? The answer is hell - the wrath of God upon you for your sin. Is that concerning? But fortunately, God’s will is not that you perish. He wants all men everywhere to be saved. But all sin must be paid for, because he us just. So do you know what He did for us guilty sinners? In self-giving mercy, He sent His Son Jesus Christ to take the punishment for our sins (and here is why - - ->). He lived the perfect life that we should have lived - tempted at all points and yet He NEVER sinned. Through His life, being in very nature God, He revealed God to men; but we in our hatred condemned Him to death. On that cross as Jesus suffered, He took on the sin of the world and was judged in our place; receiving God’s wrath. You and I broke God’s law, but Jesus paid the fine. God can justly forgive us. On that cross He died, then He was buried, but 3 days later He was raised from the dead - conquering death and Hell and ushering in The Kingdom of God. He then ascended to the right hand of God the Father (where He came from) now Lord of the living and the dead. God has fixed a date when He will judge the world in righteousness. What you need to do is repent (In humility, acknowledge your sin before God and turn to a relationship with Him) and trust ALONE in Jesus Christ and His work on the cross; and God will grant you the gift of the Holy Spirit. Then be baptised. Jesus' perfect righteousness will be accredited to you and you can stand in a relationship with the God of the Universe, a Father. If you repent and believe the gospel. ROMANS 10:9 - If you confess with your mouth Jesus as Lord and believe in your heart that God raised Him from the dead, you will be saved
To be fair, it was loosely based on Frank Sinatra. His Godfather was Anthony (Guarino) Moretti aka Willie Moore and Moretti apparently did influence famed bandleader Tommy Dorsey to sell him Sinatra's contract for one dollar. But the horse's head business and all that never happened. Frank recovered his singing voice after throat surgery and his career both in films and records continued for decades after. Sinatra recorded "Something Stupid" with his daughter, Nancy, in 1967 and he died on May 14, 1998, at the age of 82. Nancy at age 81 is still with us and reminding us that, unlike Connie Corleone, her boots are made for walking 😎 As for Frank's godfather, he was shot to death on October 4, 1951
@@CassandrashadowcassMorrison Well, Sinatra's career did subsequently fade as the 40's & early 50's went on, (he was the early Justin Bieber-type teenage heartthrob of the 40's, until tastes changed & he grew out of being a cute teen idol) He eventually found himself without a recording contract and did indeed throw everything into getting the (non-singing) part in Here To Eternity as a desperate, last-ditch chance to change his image and be thought of as a serious, adult performer. (And it worked, he won a best-supporting Oscar and his subsequent contract with Capitol records made him bigger than ever & led to the legendary Sinatra we remember today, with his early teen-idol years a barely remembered footnote.) And while there were inevitably rumors that the mob did have a more subtle role in persuading the Powers-that-be into giving Sinatra the part, it's never been universally accepted and (unlike the Dorsey-contract thing) most serious Mob historians don't buy it.
YOU TOTALLY GET THIS FILM!!!!!!! You understand what Coppola wanted you to see, I totally appreciate how you get the jist of this film and the score and cinematography!!!!!!! I am now definitely a subscriber!!!
What happened to Apollonia was just sickening to me. This innocent, young girl who was just starting her life got blown to smithereens over some nonsense that she had nothing to do with. Easily, one of the most tragic deaths in the entire trilogy.
Agreed. I haven't read the book, but the movies give me the impression that Apollonia was Michael's true love. His heart truly died with her, at least that's how I view it when I watch these movies.
@@rhaenyralikesyoutube6289 well if it helps, in the book they tracked down the bodyguard that betrayed Michael and he got revenge. He moved to the U.S. thinking Michael died in the blast.
"That's my family, Kay. It's not me." "I'm with you now, Pop." "Fredo, you're my older brother, and I love you, but don't ever takes sides with anyone against the family again....ever." "Don't ask me about my business, Kay." Michael, it IS you. You are a Corleone. This is who and what you are.
The less Kay knows about the family business the safer she is. Michael is shielding her from the other gangsters that would use her to get to him. Thank you for the perceptive and intelligent reaction of this film. Your observations are thoughtful and entertaining. I would mention that you provide a connection between generations when we share and appreciate these great works of art together.
As a composer, I appreciated hearing your thoughts on the movie's score. Two points I'd like to emphasize, if I may: (1) there's so much suspense in the restaurant scene, Will Michael find the gun in the bathroom? Why didn't he come out shooting like he was supposed to? Is he going to NOT do it? There's no music, but SO much suspense. Then, as Michael runs out of the restaurant, there's a triumphant (or tragic?) brass fanfare, literally underscoring the significance of what just happened. It's really a glorious soundtrack moment. And (2) the second use of music I will point out is the climax of the movie, where Michael is becoming godfather in a Catholic church. There's much religious iconography seen and thick organ music heard, all whilst his enemies are being gunned down on his orders. It is literally a mix of the sacred and the profane. This soundtrack trick became quite the movie cliche, used by many directors: bloody violence played against a cascade of beautiful music. It is a device that seems quite inspired, and yet is often accused of romanticizing violence, of glorifying it. Yes Part II, if anything, is an even stronger movie than this one. But truly, you almost have to think of it as one movie, much as Lord of the Rings might be split up into 3 parts, but it's truly one very long movie. Lastly, I'll say that both movies, especially Part II, reward repeated viewings. There are characters with ulterior motives, people betray one another (with life and death on the line) and the movie doesn't always draw a straight line for you about who's who and what's what. The movie counts on you being smart and paying attention.
In the film 'Immortal Beloved,' Beethoven describes how music is hypnotic and that the listener has no choice but to be drawn into its emotion! Great post movie commentary!
Aaaah the 70's, when movies took their time and attention spans were patient and grateful of any media as good as this. So glad the younger generation are so appreciative
Best summary of The Godfather I ever heard: "Never has violence looked so beautiful." Love the editing in this film. . .By the way, there was a major flaw in the story that I caught when reading the novel. The killing of Sunny occurs on the Robert Moses Causeway, but that road wasn't even built until about ten years later (something only an old New Yorker would know). Looking for a suggestion? Check out The Freshman, where Brando recreates his role from this one in a wonderfully comedic way.
So many great shocking moments and you reacted to each perfectly Madison. Hard to believe right now but Part 2 is even better. Hopefully, you will get to it soon. Thanks for this one, loved your reaction 💜
U really got it right, what a story about a family. That just happeneds to be a mafia. So glad u watched this. One of those movies everyone should watch
Madison, your reactions are the most interesting and insightful bits of commentary. I am so happy to have stumbled upon your channel. I look forward to this journey into cinema with you. BTW, your hair looks lovely this evening. 🌸
Yeah, she's a great reactor. And she doesnt do the annoying "oh I know HIM!" or "oh, she was in ______...." to every other actor who appears in a scene. That is so distracting when other people do that.
The greatest film ever made. Period. Oh yeah, except possibly the sequel. Loved your reaction too. Intelligent, thoughtful, respectful. A pleasure to watch.
Never forget the iconic dialogue. “Leave the gun, take the canollis” I heard was off script. Also recognize that so many of the director’s family was included in this stellar cast.
I loved your honest first reaction. I was amazed that none of the classic scenes were familiar to you. The horse's head, make him an offer he can't refuse, even "Leave the gun, take the cannoli" have all been quoted or parodied numerous times. In other reactions I've seen there's been a light bulb moment, where the say, "Oh, this is where that's from".
Love what you said about the understatement, you are totally right. Beautiful reaction (and edit). A real privilege sharing the experience with you. But wait......two years later came the greatest sequel of all time: The Godfather Part II! Or is it a prequel?! You'll see! I'd watch that as soon as you're ready while this one is fresh in your head. It's definitely as good/almost as good/better than the original. (It's basically a set, you can't have one without the other!). (The third is mediocre, made twenty years later as a studio cash-in. Not essential at all. HOWEVER: in 1990 a great comedy came out, "The Freshman" where Marlon Brando recreates and parodies his Godfather character. A big hit that no one has done yet! That's the REAL Godfather Part 3, lol. (Also: Goodfellas and Casino, those are the other masterpiece mafia movies; those take place in the 60s, 70s and 80s)
Nice reaction video! At 16:05 you ask "why do we trust this baker (Enzo)?'. At the wedding, there is the older baker whose daughter wants to marry an Italian man who is having visa problems getting into America. Enzo is that man. I love The Godfather, and Godfather II is my favorite movie of all time; I would say it is a must-see.
All of your post-movie remarks are so spot on, I can't say that enough, great analysis of the story, of the characters.....really enjoyed it. I'd say that a vote to watch Godfather is a vote to watch both Godfather 1 and 2, they both won Best Picture and swept the Oscars if that stuff adds some spangle to it......The 70s (and late 60s-early 80s) had a slew of incredible films like this (well-acted, beautifully photographed, brilliantly written masterpieces): Dog Day Afternoon, One Flew Over The Cuckoo's Nest, Network, Chinatown....even horror movies like Carrie, Rosemary's Baby or The Exorcist are masterpieces of acting and cinematography. One of a kind period-pieces like "Paper Moon" or "American Graffiti". Or "Barry Lyndon" for that matter. Mindblowing sci-fi like "Close Encounters Of The Third Kind" or "2001: A Space Odyssey". Fantastic adventure movies like "The Man Who Would Be King" or "Deliverance". Or "The Three Musketeers". Gaaaa, I could go on and on. "All That Jazz". "Carnal Knowledge" Back when they made movies for grown-ups! lol. "Midnight Cowboy", "The Deer Hunter", etc.
When you say Parts 1 and 2 "swept the Oscars," you're forgetting one crucial exception. For Part 1, Pacino, Caan, and Duvall were ALL nominated for Best Supporting Actor, and all three lost to Joel Grey in "Cabaret"
@@adamellis6785 I didn't mean they literally swept the Oscars as in, say, "It Happened One Night". But both movies won a slew of Oscars, and even more nominations. And there were even more great performances that weren't nominated, or are even discussed now, like Al Leteiri as Solozzo. ( "Cabaret" is a great movie, also, not as good as "Godfather, though! But Joel Grey was great, nobody got robbed.)
Madison!!! Such an intelligent, Genuine, an entertaining review!! You are an absolute gem and you have a phenomenal speaking voice as well! It is so great seeing this movie again which is also one of my favorites for the eyes of someone who’s never seen it before. You are just incredible and the world is a better place because you’re in it!
It's different for women at that time in Italy/Sicily. The women didn't ask questions about t h e husband's business dealings. Kay, being an independent American woman, and not of Italian descent, felt free to inquire about such things. This started the breakdown of her relationship with Michael. It is true, Appolonia was Michael's true love. Kay was more of a marriage of convenience.
and yes, that was a real severed horse's head and the response from the actor was authentic. Backstory: the director thought the dummy horse head used in rehearsals looked too fake, and he had some staff go to a nearby dog food factory (yes, they used horse parts back in the day for dog food) and brought them a real head and placed that under the sheets to shoot the scene, and did not tell the actor beforehand. needless to say, there was only one take. "Take the cannoli" was improvised by the actor, Richard Castellano, who was only supposed to say, "Just leave the gun." And technically, Michael did not kill Carlo. He ordered it, but in his mind, he can argue that he did not personally kill him. But once Kay saw the others kiss his hand--her expression showed she realized all her fears and suspicions were true.
Fun facts for Star Wars fans -- George Lucas was the editor of the "going to the mattresses" montage sequence (using real period crime scene photos in addition to fake newspaper headlines), and was the person who suggested the use of stills of the empty hallways in the hospital to help add tension to that scene.
The person that played Luca Brazi was a real enforcer for the Colombo family which had to approve of the script so they stayed on set. The actor that was supposed to play Luca was unable to due to illness. Francis Ford Coppola saw Lenny and decided to use him. Lenny was so nervous appearing before Brando that he kept practicing his lines and fumbling them. Coppola filmed Lenny practicing and used that in the film. When Lenny appears in the film delivering his lines he is truly nervous and fumbles them. Coppola kept the fumbled lines in the movie. It was Lenny's first acting job.😊
I remember seeing these huge parties, weddings in Philly as a child. Big black cars everywhere ;) these families were always very generous to us children in the area :)
A pulp novel turned into an unqualified masterpiece. I first saw it when I was 10 in the theater when it was first released. My mom was a real movie fan and figured I could handle "good" movies regardless of some silly rating. It's nice to see somebody have that experience again so many years later.
In the restaurant when Michael was about to kill Sollozzo and McKlusky, and they were speaking Italian, a rough translation is: "I want you to know that what happened with your father was just business, not personal. I have great respect for your father, but his way of thinking is old fashioned. I did what I had to do. He was standing in the way of my business. The other families agree with me. What happened was inevitable. If your father were in better health and your brother not in charge, we would not be fighting now. But now I want a truce. We will stop fighting until your father is well, and we can resume negotiations. I want peace, but he must stop interfering."
I tripped onto your channel tonight. I've never really cared for REACTION vids or channels, but when I realized it was "The Godfather" I thought I'd give it a try. And it was a very cool experience watching your reactions to certain scenes AND your summary at the end. I've probably seen this film 50 times. I have enjoyed over the years turning friends, family, dates onto classic, great films. But it's no fun doing that with anyone that 'doesn't get it'...you know, a little slow on the uptake. And that's not you, and it was marvelous to see the emotions crossing your face. You do need to watch "The Godfather II" asap. It's not been often that I've watched #1 without watching #2 immediately after. They are bookends...2 halves of a Masterpiece. And you will find #2 just as brilliant, too! So watch it asap while it's still washing over your soul. Peace
Appolonia knew what Michael was. To them he was a catch -- an important man. In the novel, a maid asks Michael "Is it true what they sat about you? That you're some kind of godfather?""
"leave the gun, take the cannoli" was an ad-lib line added by the actor and was kept. "He hasn't told her a thing about his family business" Apolonia is a Sicilian girl from Corleone; she knows his family are Mafia.
Happy 50th anniversary to "The Godfather" and I'm glad that you finally were able to see a piece of cinema history. First and foremost, "The Godfather" is not about crime and murder, It's about family. This theme is seen in all 3 of these films. It's what Francis Ford Coppola envisioned. The sequel is much better than the first. Looking forward to your next reaction.
I think the first two are equally great on their own merits. I give the first more love because it had to set up the characters - especially Michael. The 3rd gets a bit too much hate in my opinion. Compared to most movies now it is still riveting (give or take a certain performance if you know who I mean lol)
@@kevink9764 I agree, Godfather III is full of intrigue and character engagement - more so than today's SFX extravaganzas. OK, Sofia Coppola as Mary Corleone, Michael's daughter. left us wishing for more method in her acting.
This is the source of a lot of sayings that have come into the American zeitgeist: - An offer he couldn't refuse - leave the gun, take the cannollis - sleeps with the fishes - wake up with a horse's head - go to the mattresses - like Sonny Corleone at a toll booth in Jersey - Moe Green Special
It makes me wonder if Sofia needed to be baptized twice because it was a full formal baptism with all the Latin rites, and she was baptized as a boy. 😂😁
IDK if Madison ever reads her comments, but I'd never seen one of these videos before. I've always enjoyed exposing folks to films they've never seen, and the looks on their faces while they're seeing it the first time. Now she knows how we felt when we saw it in the theaters 50 years ago.
Good one, Madison. I look forward to your reaction to Part 2, which many consider to be the best of the trilogy, including myself. Part 2 is also one of my top 10 favorite films.
I am happy to see someone besides myself acknowledge how much music plays a part in films, and how without it the movie is much more powerful. I stopped putting score music as oppose to source music in my projects and I don't miss it for one second. In many ways I think adding score music is cheating because it covers up for what may be a totally bland scene by adding nice music to distract from the bland. Roger Deakins is another believer that avoids adding distracting and artificial thongs in movies, like lens flares etc. Lots of movie that are liked wouldn't be as liked without the score, which to me tells us the underlying films isn't as good, and they had to put "sugar" on top for it to "taste" better.
Michael was a decorated US Marine, he knows what killing is all about. He did it before. When his brother then his wife were killed, part of his humanity died and he moved from one war (Pacific theater) to the next (Mafia wars.) Stellar interpretation by Al Pacino (he happens to be of Sicilian ascent).
Two of the most memorable lines/moments from this iconic film are improvised. The actor who played Clemenza added the "..take the cannoli" line and the actor who played Luca Brasi was so bad and kept flubbing his lines (actually seen in the real scene when the kids runs in) so Francis Ford Coppola had the idea to make him nervous to be in the presence of the Godfather. The next day, they shot the scene of Luca Brasi practicing his lines on the bench when Kay asks Michael who he is.
Two sequences which have been preserved in outtakes are Genco Abbandando's deathbed scene, and, from the second movie's time period (late 1950s), the Corleones' revenge on Fabrizio, the Sicilian bodyguard who betrayed Michael, years later.
The cinematographer was Gordon Willis. The movies he worked on include some of the most splendid shots you'll ever see: The Godfather Parts I and II, All the President's Men, Annie Hall, Manhattan, and many others.
Winner of 3 Oscars including Best Picture! Martin Ritt, Sergio Leone, Peter Yates, Richard Brooks, Arthur Penn, Costa Gavras and Otto Preminger were considered for directing till Francis Ford Coppola was picked. Warren Beatty, Robert DeNiro, Ryan O'Neal, Dustin Hoffman, Martin Sheen, Jack Nicholson, James Caan, and Burt Reynolds were considered for Michael Corleone before Pacino was cast. Laurence Olivier, Kirk Douglas, George C Scott, Ernest Borgnine, Orson Welles and Anthony Quinn were almost cast as Vito Corleone.
Regarding Michael's leadership, remember his uniform at the wedding & how he was described as a war hero? A Marine Captain in WWII? That means the island-hopping campaign in the Pacific against the Japanese as a junior officer directly leading troops in jungle fighting. Solazzo and McCluskey were almost certainly not the first men he killed at bad-breath distance. He'd had a master-class in ruthless brutality before he got dragged into the Family business.
That was a great reaction. In my Pantheon of Mob films, The Godfather and The Godfather Pt. II are top of the list. Followed by Martin Scorsese’s Goodfellas ( 1990 ) and Casino ( 1995 ) are excellent with amazing casts and his style of film making which I think you’ll love. Finally Miller’s Crossing ( 1990 ) by the Coen Bros is also an amazing film with a great cast. Hope you dig in to the genre a little more.
What are your favorite scenes? Mine are Michael and Enzo pretending to be bodyguards outside the hospital, and Michael's shooting scene in the Italian restaurant. Both built the tension to an incredible level., without music, especially in the restaurant with the subway noise subbing for music.
It’s the restaurant scene for me. Al Pacino’s performance and the train noise amplifying Michael’s internal struggle / working up the nerve to shoot was top notch.
Fun fact:John Cazale who played Fredo had been in only five movies and all of them were nominated for the Best Picture Oscar. Also was Meryl Streep's boyfriend at the time of his passing.
A "nice guy" who is a warrior {Micheal was a war hero}, who has war declared on "him"{ his father, his brother, his wife} once again becomes a warrior. No holds barred!
You always do such a great job. This one really tests your limits... I think your going to love 2. It will help take you thru the whole process of the Corleone family. Look forward to watching the next chapter in your company. Getting ready to watch now. Just getting caught up myself. Thanks again.
That scene where Michael devises the plan to shoot Solozzo and McCluskey is pure movie magic. Pacino's performance coupled with the slow zoom into his face is perfect cinematography.
It showed who the next Don really was. Even Sonny was speechless for a second, until Clemenza's laugh broke him of the trance.
Nice intelligent reaction to a great movie. no jokes or talking over the dialogue. excellent job well done and your editing as well. hope you watch part 2 when you get a chance.
Yes. I love that about this reaction. Don't upstage a classic
Did anyone recognize the meaning of the scenes, with the oranges?
Well said and spot on.
Agreed. You know a person is paying attention to a film when they are not talking and their facial expressions appropriately match what is actually happening in the film.
Actually she s got no culture, she could not notice that the movie is about family, respect and honour, she just talked about nowadays bullshits such as feminism and globalism, and she always tries to sllve everything with the presence of the state.
I love how this movie makes you root for Michael and then at the very end he lies to Kay's face and suddenly you see yourself in her shoes and you realize what a monster he has become. It's brilliant.
“Leave the gun, take the cannolis”. One of the greatest lines is cinematic history! Love your channel and reactions 😊
Kay's look on her face in that final moment... she knew.
"But thank you for lying to me, Michael."
Great reaction, I enjoyed this quite a bit. On the subject of Enzo, the audience is supposed to trust Enzo the Baker's Apprentice because in the opening scene you see Vito do a favor for the Baker and arraigned for Enzo to be able to stay in the country and marry the Baker's daughter.
What an elegant, magnificent, blood-soaked masterpiece. And after all the bloodshed, plotting and double-crossing, something about that final lie to Kay and shutting her out just lands the hardest...Michael has truly gained the world and lost his soul.
What's great is that whole process starts when Michael gets the news about his father's shooting. He goes into the phone booth and Kay is shut outside, looking in. I love how beautiful the cinematography is, and how many of the scenes are shrouded in darkness.
@@markvarley2962 I was thinking of its effectiveness from its judicious use rather than volume. Then again, Woltz's horse...
You summed it up perfectly: understated. For me, the reserved and grounded tone of The Godfather might be it’s greatest asset. Getting your take on it was a total hoot.
Like Michael G said, very intelligent reaction to such a classic gem of a movie. With no annoying and unnecessary talking over the dialogue and with great editing. Love the way you said it didn't move too fast, meaning it took its time to really develop the characters and the story. A character study as you put it - really getting deep into the characters so you really get to know them and empathise or despise them. Fantastic video, keep up the good work xx
Michael trusts Enzo the baker because he's a civilian, probably Sicilian and beholden to the Corleones because they used their influence to prevent his deportation. Enzo is still a favorite of the Corleones decades later as shown in Godfather III. Even the nurse who helped at the hospital was rewarded by the Family.
"Leave the gun ... take the cannoli's" Great line! I seem to remember reading an article that stated this line was ad-libbed.
Neither age nor length nor subject matter keep you from your masterclass of '70s and '80s filmmaking, Madison. Fantastic video. Instead of waiting to make a joke, it's clear you're watching the movie and taking it all in. It's a lot of fun going on this ride with you.
One of the things that nearly got Francis Coppola fired on _The Godfather_ is that he spent a lot of time casting the extras. Maybe you didn't notice. I'm not sure I ever have. But in 1970 it was common to see the same sorts of New York actor faces in the background. Coppola wanted an authentic look. To Paramount, extras were extras. They thought Coppola didn't understand how to make a movie. In fact, he was changing how movies would be made.
"Instead of waiting to make a joke..." is why Madison is one of the best, most genuine movie reactors around.
@@bobdroll6381 Dude, she keeps smiling when she should be reacting with at least a bit of horror. DBI.
@@neilgriffiths6427 I think she's allowed to react any way she wants to react, man.
How'd you use italics? 🤔
@@joevaldez6457 Doesn't sound like you'd like it if she reacted with jokes though... so I don't think you're being very honest.
Johnny Fontaine was based on Frank Sinatra. The movie he wanted to be in was From Here to Eternity for which he received an Academy Award as Best Supporting Actor and helped to revive his singing career after a time where he lost his voice. After his comeback was some of his best work at Capitol Records in the 50’s and 60’s.
You're gonna love part II, I believe it clocks in around 3hr 20min, and is often hailed as even better than the first.
Coppola purposely not translating before Michael shoots Sallazzo & McCluskey is pure brilliance!
Madison, in terms of Michael's character arc, his initial hesitation, but smooth transition into brutality, it's helpful to realize that at the wedding party, Michael has just recently returned home from WWII. As a Marine, he would have fought in the Pacific Theater-a much different and more shocking landscape and enemy than (the mostly) Army soldiers in the European/Mediterranean Theaters experienced. He's also (though a bit clumsily by either Puzo or the wardrobe supervisor) highly decorated, displaying, among others, a Silver Star ribbon along with the Navy and Marine Corps Medal and a Purple Heart. Dude's seen some shit, acted with valor, and isn't too happy to return to violence, but when the stakes change, he's able to do what needs to be done with a minimum of fuss. Can't wait to see you do Part II!
saw this in the theater last month for the 50th anniversary. It was even more amazing on the big screen.
We have a theater here that used to run a Classic Movie night every month, which unfortunately hasn't picked back up since it ended during the pandemic. I was able to see a number of really great films that were released before I was born in 87, one of which was The Godfather. I definitely agree, the theatrical experience is a whole other level of awesomeness.
Sonny had to "pay the toll" for his life of violence, so he died violently at the toll booth. this film is sooo damn good. the opening is thematically (almost literally) the Undertaker (Grim Reaper) requesting a favor from the Lord of the Underworld (the Devil). Chef's kiss.
??????
So many lines that have become so well known since I first saw this back in the 70's - I'll make him an offer he can't refuse / Luca Brazzi sleeps with the fishes / Leave the gun, take the cannoli and many more. Certainly one of the greatest films ever made, if not the best. That said, the sequel is another masterpiece and has DeNiro and Pacino in it!
I think at the end, Kay asks Michael if it's true because to that point she has complete faith in him. So whatever he says, she'll accept as the truth. Then he lies and she believes him. But when she's looking back at him through the door she sees his people literally kissing up to him. I think in that moment she realizes it was true, which means he lied. Her whole life just unraveled. I think Luca was killed due to a miscalculation of his boss. When Sonny spoke up in the meeting in favor of the drug deal, it told Sollozzo that if he got rid of Vito he could make a deal with Sonny. One problem Sollozzo would have to overcome is Luca's support of Vito Corleone. But Vito sent him to spy, which put Luca in reach of S0llozzo and his partners. So they took advantage of the opportunity and killed him.
Sending Luca was a miscalculation on two level - the tataglias knew that Luca would have been very dangerous if Vito were killed. But also, they knew Luca was very loyal to the Don and was faking dissatisfaction with the Corleone family.
I noticed when Waltz was yelling at Tom, then Tom started eating faster. He knew he was going to get thrown out. lol
"The Godfather" is the greatest American film ever made.
I was trying to argue. But I can’t.
It really is.
No argument from me.
amen
Agreed.
This was awesome, Madison!! It's impossible for me to pick a favorite movie, but I always say that if somebody put a gun to my head and forced me to choose one, it would probably be "The Godfather". I think the reason is that, while most great movies are more specialized (meaning that they can be described as "an exhilarating action film", "a tense and involving drama", "a very scary movie"), I've always felt that "The Godfather" has something for almost everyone: great relatable themes (family and loyalty), drama, suspense, action, violence, tragedy, a little comedy, and even some romance in the section set in Italy, and, finally, fantastic creative elements (writing, directing, music, cinematography, set design, acting, editing, wardrobe, etc.). It is a more comprehensive experience in addition to being a very specific and atmospheric one with a strong "personality" as a creative work. You absolutely have to watch Part 2, which is it's equal in my opinion, and is even considered superior by some people. The truth is, as some others have expressed here, part 1 and 2 are a package deal. Part 2 could not exist or be as good as it is without part 1. It is not a "disconnected" sequel. Part 3 isn't as good but should be watched as well, I think. Can't wait for more of your reactions!!
Love your reaction and your thoughtful processing of this film; having seen it back in 1972, the anticipation for this movie was palatable. You could have heard a pin drop when that door shut and the credits started rolling. You do need to see part two which probably is even more riveting, in my opinion. It jumps around a ton and you do not want to get distracted when viewing it or you could miss out on some other storyline. From my understanding,actual mobsters at that time said this is the way it was, and seemed to really be enamored by its authenticity along with the superb acting.
The singer Johnny Fontaine was based on Frank Sinatra and the movie part he was trying for was "From here to Eternity "
Oh wow. That's interesting.
Would you consider yourself to be a good person?
Try the test: How many lies have you told, and what do you call someone who lies? Have you ever stolen something (even when you were small. Even from your parents. Even a sweet), and what do you call someone who steals? Have you ever taken God’s name in vain (very serious; in Old Testament times, the Jews wouldn’t even say the name of God for fear of blasphemy) - even ‘OMG’? Jesus said whoever looks at a woman to lust after her has already committed adultery in his heart; have you ever looked with lust? One more: Ever disrespected your parents?
Well I’m not judging you - but if you’ve done these things then you’re a liar, thief, blasphemer, adulterer-at-heart and rebel, so you're not good enough to go to heaven; that’s how seriously God takes sin. He is Holy (perfectly good/righteous and separate from sin) which means that He is perfect in justice; that means that just like a just judge sentences criminals to pay for the wrong they caused, so does God sentence the payment of all sins. If a judge was in front of a guilty criminal and just said "I forgive you. Your crimes don't need to be paid for" that judge would be considered unjust. Justice means all wrong is punished - and if God were to judge you by the moral law (we’ve already looked at 5 commandments) would you be innocent or guilty? Heaven or Hell? The answer is hell - the wrath of God upon you for your sin. Is that concerning?
But fortunately, God’s will is not that you perish. He wants all men everywhere to be saved. But all sin must be paid for, because he us just. So do you know what He did for us guilty sinners? In self-giving mercy, He sent His Son Jesus Christ to take the punishment for our sins (and here is why - - ->). He lived the perfect life that we should have lived - tempted at all points and yet He NEVER sinned. Through His life, being in very nature God, He revealed God to men; but we in our hatred condemned Him to death. On that cross as Jesus suffered, He took on the sin of the world and was judged in our place; receiving God’s wrath. You and I broke God’s law, but Jesus paid the fine. God can justly forgive us.
On that cross He died, then He was buried, but 3 days later He was raised from the dead - conquering death and Hell and ushering in The Kingdom of God. He then ascended to the right hand of God the Father (where He came from) now Lord of the living and the dead. God has fixed a date when He will judge the world in righteousness. What you need to do is repent (In humility, acknowledge your sin before God and turn to a relationship with Him) and trust ALONE in Jesus Christ and His work on the cross; and God will grant you the gift of the Holy Spirit. Then be baptised. Jesus' perfect righteousness will be accredited to you and you can stand in a relationship with the God of the Universe, a Father. If you repent and believe the gospel.
ROMANS 10:9 - If you confess with your mouth Jesus as Lord and believe in your heart that God raised Him from the dead, you will be saved
Was the horse head story true?
To be fair, it was loosely based on Frank Sinatra. His Godfather was Anthony (Guarino) Moretti aka Willie Moore and Moretti apparently did influence famed bandleader Tommy Dorsey to sell him Sinatra's contract for one dollar.
But the horse's head business and all that never happened. Frank recovered his singing voice after throat surgery and his career both in films and records continued for decades after.
Sinatra recorded "Something Stupid" with his daughter, Nancy, in 1967 and he died on May 14, 1998, at the age of 82.
Nancy at age 81 is still with us and reminding us that, unlike Connie Corleone, her boots are made for walking 😎
As for Frank's godfather, he was shot to death on October 4, 1951
@@orangewarm1 No.
@@CassandrashadowcassMorrison Well, Sinatra's career did subsequently fade as the 40's & early 50's went on, (he was the early Justin Bieber-type teenage heartthrob of the 40's, until tastes changed & he grew out of being a cute teen idol) He eventually found himself without a recording contract and did indeed throw everything into getting the (non-singing) part in Here To Eternity as a desperate, last-ditch chance to change his image and be thought of as a serious, adult performer. (And it worked, he won a best-supporting Oscar and his subsequent contract with Capitol records made him bigger than ever & led to the legendary Sinatra we remember today, with his early teen-idol years a barely remembered footnote.) And while there were inevitably rumors that the mob did have a more subtle role in persuading the Powers-that-be into giving Sinatra the part, it's never been universally accepted and (unlike the Dorsey-contract thing) most serious Mob historians don't buy it.
YOU TOTALLY GET THIS FILM!!!!!!! You understand what Coppola wanted you to see, I totally appreciate how you get the jist of this film and the score and cinematography!!!!!!! I am now definitely a subscriber!!!
What happened to Apollonia was just sickening to me. This innocent, young girl who was just starting her life got blown to smithereens over some nonsense that she had nothing to do with. Easily, one of the most tragic deaths in the entire trilogy.
Agreed, I hate watching her die every time. Also, I’m not a fan of Kay. Michael needed a Sicilian.
@@lewstone5430 Agree, Kay has always been another tragic figure, knowing but in denial, going along to get along.
Agreed. I haven't read the book, but the movies give me the impression that Apollonia was Michael's true love. His heart truly died with her, at least that's how I view it when I watch these movies.
@@rhaenyralikesyoutube6289 well if it helps, in the book they tracked down the bodyguard that betrayed Michael and he got revenge. He moved to the U.S. thinking Michael died in the blast.
She's small potatoes
"That's my family, Kay. It's not me."
"I'm with you now, Pop."
"Fredo, you're my older brother, and I love you, but don't ever takes sides with anyone against the family again....ever."
"Don't ask me about my business, Kay."
Michael, it IS you. You are a Corleone. This is who and what you are.
Loved your reaction. It really is a special, magical movie.
"Leave The Gun. Take The Cannoli." Glad You Got One Of The Many Iconic Lines From This Film.
Part 2 Is Almost As Well Done
Unscripted line.
Liked lots of Clemenza lines. "That'll scare away any pain in the ass innocent bystanders" and "Hello, Carlo."
The less Kay knows about the family business the safer she is. Michael is shielding her from the other gangsters that would use her to get to him.
Thank you for the perceptive and intelligent reaction of this film. Your observations are thoughtful and entertaining. I would mention that you provide a connection between generations when we share and appreciate these great works of art together.
As a composer, I appreciated hearing your thoughts on the movie's score. Two points I'd like to emphasize, if I may: (1) there's so much suspense in the restaurant scene, Will Michael find the gun in the bathroom? Why didn't he come out shooting like he was supposed to? Is he going to NOT do it? There's no music, but SO much suspense. Then, as Michael runs out of the restaurant, there's a triumphant (or tragic?) brass fanfare, literally underscoring the significance of what just happened. It's really a glorious soundtrack moment. And (2) the second use of music I will point out is the climax of the movie, where Michael is becoming godfather in a Catholic church. There's much religious iconography seen and thick organ music heard, all whilst his enemies are being gunned down on his orders. It is literally a mix of the sacred and the profane. This soundtrack trick became quite the movie cliche, used by many directors: bloody violence played against a cascade of beautiful music. It is a device that seems quite inspired, and yet is often accused of romanticizing violence, of glorifying it.
Yes Part II, if anything, is an even stronger movie than this one. But truly, you almost have to think of it as one movie, much as Lord of the Rings might be split up into 3 parts, but it's truly one very long movie. Lastly, I'll say that both movies, especially Part II, reward repeated viewings. There are characters with ulterior motives, people betray one another (with life and death on the line) and the movie doesn't always draw a straight line for you about who's who and what's what. The movie counts on you being smart and paying attention.
I appreciate your insight. Want to add for the baptism scene, what added to it was the priest speaking Latin instead of English.
"Christmas lights have never been so ominous." That is a keen observation and a great line.
15:25 - I appreciate the "Friends" reference haha!
In the film 'Immortal Beloved,' Beethoven describes how music is hypnotic and that the listener has no choice but to be drawn into its emotion! Great post movie commentary!
Aaaah the 70's, when movies took their time and attention spans were patient and grateful of any media as good as this. So glad the younger generation are so appreciative
Best summary of The Godfather I ever heard: "Never has violence looked so beautiful." Love the editing in this film. . .By the way, there was a major flaw in the story that I caught when reading the novel. The killing of Sunny occurs on the Robert Moses Causeway, but that road wasn't even built until about ten years later (something only an old New Yorker would know).
Looking for a suggestion? Check out The Freshman, where Brando recreates his role from this one in a wonderfully comedic way.
So many great shocking moments and you reacted to each perfectly Madison.
Hard to believe right now but Part 2 is even better.
Hopefully, you will get to it soon. Thanks for this one, loved your reaction 💜
U really got it right, what a story about a family. That just happeneds to be a mafia. So glad u watched this. One of those movies everyone should watch
Great reaction! It's such an immortal film. Make sure to watch Godfather 2, that's fantastic as well.
Can’t thumbs up this enough.
And stop there. 1 and 2 are perfect.
Madison, your reactions are the most interesting and insightful bits of commentary. I am so happy to have stumbled upon your channel. I look forward to this journey into cinema with you. BTW, your hair looks lovely this evening. 🌸
Yeah, she's a great reactor. And she doesnt do the annoying "oh I know HIM!" or "oh, she was in ______...." to every other actor who appears in a scene. That is so distracting when other people do that.
The greatest film ever made. Period.
Oh yeah, except possibly the sequel.
Loved your reaction too. Intelligent, thoughtful, respectful. A pleasure to watch.
"A Streetcar Named Desire" is another fantastic Marlon Brando movie.
Yeah it really bugs me that no one does reactions to Streetcar which is an iconic film with two iconic performances.
On The Waterfront❤❤❤❤
Never forget the iconic dialogue. “Leave the gun, take the canollis” I heard was off script. Also recognize that so many of the director’s family was included in this stellar cast.
*Cannoli. It's already plural.
I loved your honest first reaction. I was amazed that none of the classic scenes were familiar to you. The horse's head, make him an offer he can't refuse, even "Leave the gun, take the cannoli" have all been quoted or parodied numerous times. In other reactions I've seen there's been a light bulb moment, where the say, "Oh, this is where that's from".
Love what you said about the understatement, you are totally right. Beautiful reaction (and edit). A real privilege sharing the experience with you. But wait......two years later came the greatest sequel of all time: The Godfather Part II! Or is it a prequel?! You'll see! I'd watch that as soon as you're ready while this one is fresh in your head. It's definitely as good/almost as good/better than the original. (It's basically a set, you can't have one without the other!). (The third is mediocre, made twenty years later as a studio cash-in. Not essential at all. HOWEVER: in 1990 a great comedy came out, "The Freshman" where Marlon Brando recreates and parodies his Godfather character. A big hit that no one has done yet! That's the REAL Godfather Part 3, lol. (Also: Goodfellas and Casino, those are the other masterpiece mafia movies; those take place in the 60s, 70s and 80s)
Nice reaction video! At 16:05 you ask "why do we trust this baker (Enzo)?'. At the wedding, there is the older baker whose daughter wants to marry an Italian man who is having visa problems getting into America. Enzo is that man. I love The Godfather, and Godfather II is my favorite movie of all time; I would say it is a must-see.
All of your post-movie remarks are so spot on, I can't say that enough, great analysis of the story, of the characters.....really enjoyed it. I'd say that a vote to watch Godfather is a vote to watch both Godfather 1 and 2, they both won Best Picture and swept the Oscars if that stuff adds some spangle to it......The 70s (and late 60s-early 80s) had a slew of incredible films like this (well-acted, beautifully photographed, brilliantly written masterpieces): Dog Day Afternoon, One Flew Over The Cuckoo's Nest, Network, Chinatown....even horror movies like Carrie, Rosemary's Baby or The Exorcist are masterpieces of acting and cinematography. One of a kind period-pieces like "Paper Moon" or "American Graffiti". Or "Barry Lyndon" for that matter. Mindblowing sci-fi like "Close Encounters Of The Third Kind" or "2001: A Space Odyssey". Fantastic adventure movies like "The Man Who Would Be King" or "Deliverance". Or "The Three Musketeers". Gaaaa, I could go on and on. "All That Jazz". "Carnal Knowledge" Back when they made movies for grown-ups! lol. "Midnight Cowboy", "The Deer Hunter", etc.
When you say Parts 1 and 2 "swept the Oscars," you're forgetting one crucial exception. For Part 1, Pacino, Caan, and Duvall were ALL nominated for Best Supporting Actor, and all three lost to Joel Grey in "Cabaret"
@@adamellis6785 I didn't mean they literally swept the Oscars as in, say, "It Happened One Night". But both movies won a slew of Oscars, and even more nominations. And there were even more great performances that weren't nominated, or are even discussed now, like Al Leteiri as Solozzo. ( "Cabaret" is a great movie, also, not as good as "Godfather, though! But Joel Grey was great, nobody got robbed.)
Madison!!! Such an intelligent, Genuine, an entertaining review!! You are an absolute gem and you have a phenomenal speaking voice as well! It is so great seeing this movie again which is also one of my favorites for the eyes of someone who’s never seen it before. You are just incredible and the world is a better place because you’re in it!
It's different for women at that time in Italy/Sicily. The women didn't ask questions about t h e husband's business dealings. Kay, being an independent American woman, and not of Italian descent, felt free to inquire about such things. This started the breakdown of her relationship with Michael. It is true, Appolonia was Michael's true love. Kay was more of a marriage of convenience.
and yes, that was a real severed horse's head and the response from the actor was authentic. Backstory: the director thought the dummy horse head used in rehearsals looked too fake, and he had some staff go to a nearby dog food factory (yes, they used horse parts back in the day for dog food) and brought them a real head and placed that under the sheets to shoot the scene, and did not tell the actor beforehand. needless to say, there was only one take. "Take the cannoli" was improvised by the actor, Richard Castellano, who was only supposed to say, "Just leave the gun." And technically, Michael did not kill Carlo. He ordered it, but in his mind, he can argue that he did not personally kill him. But once Kay saw the others kiss his hand--her expression showed she realized all her fears and suspicions were true.
I absolutely loved your reaction to one of the greatest, if not THE greatest films of all time. Please, please do Parts II and III.
It’s not about loyalty to other families, it’s about avoiding self-destructive war.
Fun facts for Star Wars fans -- George Lucas was the editor of the "going to the mattresses" montage sequence (using real period crime scene photos in addition to fake newspaper headlines), and was the person who suggested the use of stills of the empty hallways in the hospital to help add tension to that scene.
The person that played Luca Brazi was a real enforcer for the Colombo family which had to approve of the script so they stayed on set. The actor that was supposed to play Luca was unable to due to illness. Francis Ford Coppola saw Lenny and decided to use him. Lenny was so nervous appearing before Brando that he kept practicing his lines and fumbling them. Coppola filmed Lenny practicing and used that in the film. When Lenny appears in the film delivering his lines he is truly nervous and fumbles them. Coppola kept the fumbled lines in the movie. It was Lenny's first acting job.😊
A surprising fact is that very long films (which many people resist watching because of the run-time) are among the greatest ever made.
I remember seeing these huge parties, weddings in Philly as a child. Big black cars everywhere ;) these families were always very generous to us children in the area :)
A pulp novel turned into an unqualified masterpiece. I first saw it when I was 10 in the theater when it was first released. My mom was a real movie fan and figured I could handle "good" movies regardless of some silly rating. It's nice to see somebody have that experience again so many years later.
In the restaurant when Michael was about to kill Sollozzo and McKlusky, and they were speaking Italian, a rough translation is:
"I want you to know that what happened with your father was just business, not personal. I have great respect for your father, but his way of thinking is old fashioned. I did what I had to do. He was standing in the way of my business. The other families agree with me. What happened was inevitable. If your father were in better health and your brother not in charge, we would not be fighting now. But now I want a truce. We will stop fighting until your father is well, and we can resume negotiations. I want peace, but he must stop interfering."
I tripped onto your channel tonight. I've never really cared for REACTION vids or channels, but when I realized it was "The Godfather" I thought I'd give it a try. And it was a very cool experience watching your reactions to certain scenes AND your summary at the end. I've probably seen this film 50 times. I have enjoyed over the years turning friends, family, dates onto classic, great films. But it's no fun doing that with anyone that 'doesn't get it'...you know, a little slow on the uptake. And that's not you, and it was marvelous to see the emotions crossing your face. You do need to watch "The Godfather II" asap. It's not been often that I've watched #1 without watching #2 immediately after. They are bookends...2 halves of a Masterpiece. And you will find #2 just as brilliant, too! So watch it asap while it's still washing over your soul. Peace
Appolonia knew what Michael was. To them he was a catch -- an important man. In the novel, a maid asks Michael "Is it true what they sat about you? That you're some kind of godfather?""
16:05 Enzo the baker is a true and trusted friend of the Corleone family that even returns in the Godfather Part 3.
"leave the gun, take the cannoli" was an ad-lib line added by the actor and was kept. "He hasn't told her a thing about his family business" Apolonia is a Sicilian girl from Corleone; she knows his family are Mafia.
Happy 50th anniversary to "The Godfather" and I'm glad that you finally were able to see a piece of cinema history. First and foremost, "The Godfather" is not about crime and murder, It's about family. This theme is seen in all 3 of these films. It's what Francis Ford Coppola envisioned. The sequel is much better than the first. Looking forward to your next reaction.
I think the first two are equally great on their own merits. I give the first more love because it had to set up the characters - especially Michael. The 3rd gets a bit too much hate in my opinion. Compared to most movies now it is still riveting (give or take a certain performance if you know who I mean lol)
@@kevink9764 I agree, Godfather III is full of intrigue and character engagement - more so than today's SFX extravaganzas. OK, Sofia Coppola as Mary Corleone, Michael's daughter. left us wishing for more method in her acting.
@@joannerichards1750 Winona Ryder almost played the role - could you imagine? I bet she would have been nominated for an Oscar like Andy Garcia
A great intelligent reaction to this masterpiece. You've earned another subscriber.
This is the source of a lot of sayings that have come into the American zeitgeist:
- An offer he couldn't refuse
- leave the gun, take the cannollis
- sleeps with the fishes
- wake up with a horse's head
- go to the mattresses
- like Sonny Corleone at a toll booth in Jersey
- Moe Green Special
The baby at the baptism was film maker Sofia Coppola, now 50 years old.
It makes me wonder if Sofia needed to be baptized twice because it was a full formal baptism with all the Latin rites, and she was baptized as a boy. 😂😁
Last shot is EPIC.
.: Is it true?
.: NO.
Then people kissing the Godfather’s hand to destroy the ‘NO’ he said a moment ago.
Thoughtful analysis. Your appreciation for film and knowledge of story-telling really shows.
that's why Michael wanted to marry an Italian woman because she would never question him.
IDK if Madison ever reads her comments, but I'd never seen one of these videos before. I've always enjoyed exposing folks to films they've never seen, and the looks on their faces while they're seeing it the first time.
Now she knows how we felt when we saw it in the theaters 50 years ago.
You make some very thoughtful observations. This is the first reaction of yours I've seen, and I'm impressed.
Good one, Madison. I look forward to your reaction to Part 2, which many consider to be the best of the trilogy, including myself. Part 2 is also one of my top 10 favorite films.
Love that roll top desk behind her. Oh, and her commentary--both excellent.
I am happy to see someone besides myself acknowledge how much music plays a part in films, and how without it the movie is much more powerful. I stopped putting score music as oppose to source music in my projects and I don't miss it for one second. In many ways I think adding score music is cheating because it covers up for what may be a totally bland scene by adding nice music to distract from the bland. Roger Deakins is another believer that avoids adding distracting and artificial thongs in movies, like lens flares etc. Lots of movie that are liked wouldn't be as liked without the score, which to me tells us the underlying films isn't as good, and they had to put "sugar" on top for it to "taste" better.
A intelligent commentary to a masterclass movie. Congratulations.
My favorite movie of all time! Great re-action!! Part 2 is a must. Even Part 3 has grown on me. Thanks.
What a character arc, one of the best in cinema. And that final shot, masterful.
The script called for Clemenza to say, "Leave the gun." "Take the cannoli" was an ad lib.
Michael was a decorated US Marine, he knows what killing is all about. He did it before. When his brother then his wife were killed, part of his humanity died and he moved from one war (Pacific theater) to the next (Mafia wars.)
Stellar interpretation by Al Pacino (he happens to be of Sicilian ascent).
I like Madison's expression during the famous horse's head scene. Her eyes get as big as saucers. It was a real horse's head that was used.
Two of the most memorable lines/moments from this iconic film are improvised. The actor who played Clemenza added the "..take the cannoli" line and the actor who played Luca Brasi was so bad and kept flubbing his lines (actually seen in the real scene when the kids runs in) so Francis Ford Coppola had the idea to make him nervous to be in the presence of the Godfather. The next day, they shot the scene of Luca Brasi practicing his lines on the bench when Kay asks Michael who he is.
great analysis Madison....maybe the best I've seen for any movie....Bravo
Two sequences which have been preserved in outtakes are Genco Abbandando's deathbed scene, and, from the second movie's time period (late 1950s), the Corleones' revenge on Fabrizio, the Sicilian bodyguard who betrayed Michael, years later.
It’s fun watching your reactions to films like this. Well done.
Thank you! Glad you enjoyed.
The cinematographer was Gordon Willis. The movies he worked on include some of the most splendid shots you'll ever see: The Godfather Parts I and II, All the President's Men, Annie Hall, Manhattan, and many others.
"Are you kidding me, oh my gosh" lol love it, watching more tomorrow. UK time here.
The movie took place during a 5 year span, late 45 right after ww2, to 1950. Mike spent nearly 3 years in sicily. According to the book.
During the time of the book The Sicilian. Yes, I liked that movie,
Winner of 3 Oscars including Best Picture!
Martin Ritt, Sergio Leone, Peter Yates, Richard Brooks, Arthur Penn, Costa Gavras and Otto Preminger were considered for directing till Francis Ford Coppola was picked.
Warren Beatty, Robert DeNiro, Ryan O'Neal, Dustin Hoffman, Martin Sheen, Jack Nicholson, James Caan, and Burt Reynolds were considered for Michael Corleone before Pacino was cast.
Laurence Olivier, Kirk Douglas, George C Scott, Ernest Borgnine, Orson Welles and Anthony Quinn were almost cast as Vito Corleone.
DeNiro was never considered for Michael. He auditioned for Sonny.
One of the most famous lines in movie history"leave the gun take the cannolis".
Regarding Michael's leadership, remember his uniform at the wedding & how he was described as a war hero? A Marine Captain in WWII? That means the island-hopping campaign in the Pacific against the Japanese as a junior officer directly leading troops in jungle fighting. Solazzo and McCluskey were almost certainly not the first men he killed at bad-breath distance. He'd had a master-class in ruthless brutality before he got dragged into the Family business.
That was a great reaction. In my Pantheon of Mob films, The Godfather and The Godfather Pt. II are top of the list. Followed by Martin Scorsese’s Goodfellas ( 1990 ) and Casino ( 1995 ) are excellent with amazing casts and his style of film making which I think you’ll love. Finally Miller’s Crossing ( 1990 ) by the Coen Bros is also an amazing film with a great cast.
Hope you dig in to the genre a little more.
What are your favorite scenes? Mine are Michael and Enzo pretending to be bodyguards outside the hospital, and Michael's shooting scene in the Italian restaurant. Both built the tension to an incredible level., without music, especially in the restaurant with the subway noise subbing for music.
It’s the restaurant scene for me. Al Pacino’s performance and the train noise amplifying Michael’s internal struggle / working up the nerve to shoot was top notch.
"That's my family, Kay; that's not me." But it is, and that is the entire film, in a nutshell.
Fun fact:John Cazale who played Fredo had been in only five movies and all of them were nominated for the Best Picture Oscar. Also was Meryl Streep's boyfriend at the time of his passing.
A "nice guy" who is a warrior {Micheal was a war hero}, who has war declared on "him"{ his father, his brother, his wife} once again becomes a warrior. No holds barred!
this movie still relevant to this day
'Take the canoli.' was actually an ad lib the director decided to keep in.
6:58-it's not the father to be worried about, it's the BROTHER.
You always do such a great job. This one really tests your limits... I think your going to love 2. It will help take you thru the whole process of the Corleone family. Look forward to watching the next chapter in your company. Getting ready to watch now. Just getting caught up myself. Thanks again.