@@matthalfremmbertohydrate1672 Thank you! I’m glad you liked it. I just enjoy mixing in the room mic-it feels more natural and three-dimensional to me. I’ve tried different approaches, mics, and amps, but each time I found myself missing the acoustic pluck and the overall airiness that the room mic captures.
@@LBorowicki I hear you. A room mic on electric guitar (amp) is absolutely essential for that warm and intimate feel. Yet, a mic on nails hitting the pickguard just did my left a little dirty. (coming from a place of love here btw) May I ask what amp you are using? Or is it post processed DI signal?
@@matthalfremmbertohydrate1672 Sure, I get it-thanks for pointing that out. I know it’s an uncommon approach, and I really appreciate hearing different opinions about it. The sound here is mainly a processed DI mixed with the room mic placed in front of the guitar, similar to how you’d record an acoustic guitar. There’s also an amp (Nux Stageman 80) in the room playing at low volume, but it’s not mic’d-it’s just serving as a monitor.
@@teoplaysguitar Thanks! I usually rely on my musical intuition, moving from one chord to the next. Sometimes, I think 3-4 chords ahead, but I try not to overthink it. I want the process to feel as natural and intuitive as possible.
Thanks for listening! I recommend exploring the spread voicing of triads and their inversions. Additionally, focus on scales and chord notes in positions that align with those voicings. From there, it’s about experimenting and finding tasteful ways to combine them-trial and error is key. Personally, I try not to practice in a purely technical way, as I’ve found it can make my playing sound robotic. My advice is to practice in a way that mirrors how you want to sound in real musical situations. Another important aspect is touch and feel. I like to think of my left hand as controlling the note from start to finish, almost like playing a violin-that’s where all the vibrato comes in. Right-hand dynamics are equally essential to avoid monotonous articulation. I hope that makes sense. Best of luck!
@LBorowicki thank you so very much. It does help a lot. I have a lot of catching up to do, but im motivated. Your videos are inspiring. Have a nice day!
@@Matthew-n8i Thanks for listening! I’d say my style is a blend of everything I’ve learned and played over the years. I started as a jazz guitarist, played also pop/rock, and later hymns in church on a classical guitar. That last experience might have influenced my harmonic language quite a bit.
@@riverjennings7454 Thanks! The recorded sound comes from two sources: a direct signal (no amp) with slightly dampened highs, and a microphone capturing the acoustic resonance of the strings and body.
@@SergioAureo Thank you! So, the short answer is: none. The longer answer is: the sound is a combination of the direct signal with slightly dampened highs and a microphone capturing all the acoustic Tele goodness. However, there’s a little amp in the room-a Nux Stageman 80-serving more as a monitor for me, so I don’t need to wear headphones. It’s not mic’d, but it does bleed into the guitar mic to some degree.
You put your thing on that guitar, I liked it!
you Casper Hejlesen, Teis Semey, Ohad Niceberg and Liam Rosenthal are my fave underground guitarists!!
@@Yeahyeahyeah-o1m I’m happy to hear that! Thanks.
woah you deserve way more recognition this is fantastic man!
@matthewmillerguitar Thanks!
Oh man, I felt that! Great choice of chords, great sound, great playing!
@@hannesporombka7282 Thank you. I’m glad you liked it!
Jezu ale piękne, moje marzenie to kiedyś tak grać i improwizować
Beautiful playing, what strings are you using? The movements from 1:16 till the end are truly lovely
@@will088 Thank you! I’m using Ernie Ball 11-48.
Piękna improwizacja!
@@Cthlx Dziękuję za komentarz!
Beautiful!!
@@globestudio Thanks!
Wow I subscribed this channel right after the first three notes. Phenomenal!
@@seongchaelee694 Thank you. I appreciate it!
Very nice tone :)
Wow this is amazing
@@BigNate-FlounderFinatic Thanks!
beautiful
Stellar improv and playing, but might I ask; why the room mic? Keep it up tough! This was a treat!
@@matthalfremmbertohydrate1672 Thank you! I’m glad you liked it. I just enjoy mixing in the room mic-it feels more natural and three-dimensional to me. I’ve tried different approaches, mics, and amps, but each time I found myself missing the acoustic pluck and the overall airiness that the room mic captures.
@@LBorowicki I hear you. A room mic on electric guitar (amp) is absolutely essential for that warm and intimate feel. Yet, a mic on nails hitting the pickguard just did my left a little dirty. (coming from a place of love here btw) May I ask what amp you are using? Or is it post processed DI signal?
@@matthalfremmbertohydrate1672 Sure, I get it-thanks for pointing that out. I know it’s an uncommon approach, and I really appreciate hearing different opinions about it. The sound here is mainly a processed DI mixed with the room mic placed in front of the guitar, similar to how you’d record an acoustic guitar. There’s also an amp (Nux Stageman 80) in the room playing at low volume, but it’s not mic’d-it’s just serving as a monitor.
Gorgeous
This kind of beatifull youtube channel is deserves more.
Thank you. I appreciate it.
Sounds amazing brother. Beautiful
Thanks! I’m glad you like it.
Beautiful piece Lukasz
@@superthijsss Thank you!
Beautiful. Krása!
@@petrtelensky6828 Dakujem!
Sounds beautiful! Do you have a specific progression in mind when you play this? Or just go from chord to chord on the spot?
@@teoplaysguitar Thanks! I usually rely on my musical intuition, moving from one chord to the next. Sometimes, I think 3-4 chords ahead, but I try not to overthink it. I want the process to feel as natural and intuitive as possible.
Sounds pretty 🙏🥰
Thanks!
would you mind telling us what kind of exercises you do in order to play like this?
Thanks for listening!
I recommend exploring the spread voicing of triads and their inversions. Additionally, focus on scales and chord notes in positions that align with those voicings. From there, it’s about experimenting and finding tasteful ways to combine them-trial and error is key.
Personally, I try not to practice in a purely technical way, as I’ve found it can make my playing sound robotic. My advice is to practice in a way that mirrors how you want to sound in real musical situations.
Another important aspect is touch and feel. I like to think of my left hand as controlling the note from start to finish, almost like playing a violin-that’s where all the vibrato comes in. Right-hand dynamics are equally essential to avoid monotonous articulation.
I hope that makes sense. Best of luck!
@LBorowicki thank you so very much. It does help a lot. I have a lot of catching up to do, but im motivated. Your videos are inspiring. Have a nice day!
Love your playing! May I know how did you learn this kind of style of playing?
@@Matthew-n8i Thanks for listening!
I’d say my style is a blend of everything I’ve learned and played over the years. I started as a jazz guitarist, played also pop/rock, and later hymns in church on a classical guitar. That last experience might have influenced my harmonic language quite a bit.
Beautiful! How do you record your guitar?
@@riverjennings7454 Thanks! The recorded sound comes from two sources: a direct signal (no amp) with slightly dampened highs, and a microphone capturing the acoustic resonance of the strings and body.
wow so beatiful sound ! May I ask the name of the guitar model?
Its an fender telecaster.
@@hikmetirfansahinthank you, neck pick up p90?
@@yong_jin90 Yeah it is Its have a kind of a fat clean characteristic sound nice for jazz and blues
@@yong_jin90 Thanks! It’s Fender Telecaster American Special from ca 2016 with a p90 type neck pickup from Harmonic Design (Z90).
Lovely… beautiful playing and tone. Just out of curiosity: which amp are you using?
@@SergioAureo Thank you! So, the short answer is: none. The longer answer is: the sound is a combination of the direct signal with slightly dampened highs and a microphone capturing all the acoustic Tele goodness. However, there’s a little amp in the room-a Nux Stageman 80-serving more as a monitor for me, so I don’t need to wear headphones. It’s not mic’d, but it does bleed into the guitar mic to some degree.
@ very cool!
Do you like Ted Grene?
@@кошеминка Yes! He was a true pioneer. Beautiful stuff.
Blow this channel up guys!
Subbed😂
@Music_enthusiast838 😀