Love the introduction 'til 1:23 but then not sure I'm gonna listen. I'd like a 1h video JUST DEVELOPING THE THOUGHTS of the intro. In order to get a clear table with flowcharts within scenarios that first have to be weighed out. THAT I would be VERRY greatful someone leads me to such a 'tutorial' !
Hi, What would you set the black point to if you wanted a higher brightness? For example 130. You used the example of dividing 100 by 0.4 which gives you 250. If you wanted brightness of 130, would you divide it by what gets you closest to 250? For example 130 divided by 0.5 is 260. Thank you
3 года назад+1
Perfect tutorial for my old CG241W. Calibrate to ColorNavigator 6.
thanks Nina. just wondering if there is big difference between 0.4 vs 0.5 black level? Rocco in his video uses 0.5 black level. just wondering. thanks in adv. i cant wait for the arrival of my new 2700S:-)
Hi there, just saw your question from a month ago, sorry for the late reply. As you may know, 5000 is the accurate setting as per ISO12646, and we would recommend this for iso compliant printers using softproofing. On the other hand, we recorded this video for photographers sending their files to the lab for printing, and 5000k doesn't give us a good match to a photographic print as it's too warm/yellow. While theoretically, 5000 should deliver the better screen-print match, in reality, 5800 tends to deliver a closer match because (a) our eyes get so thrown off when the paper white represented in Adobe software is so yellow and (b) 5000k reflective (print) looks a lot less 'yellow' than 5000k transmissive (monitor).
Thanks Nina, that's an elegant, simple tutorial
Thank you Nina, terrific detailed tutorial. Appreciated.
Yes you said it correctly! "AY-ZO" is the correct pronunciation as heard from EIZO's own corporate video.
Love the introduction 'til 1:23 but then not sure I'm gonna listen.
I'd like a 1h video JUST DEVELOPING THE THOUGHTS of the intro. In order to get a clear table with flowcharts within scenarios that first have to be weighed out.
THAT I would be VERRY greatful someone leads me to such a 'tutorial' !
Hi, What would you set the black point to if you wanted a higher brightness? For example 130. You used the example of dividing 100 by 0.4 which gives you 250. If you wanted brightness of 130, would you divide it by what gets you closest to 250? For example 130 divided by 0.5 is 260. Thank you
Perfect tutorial for my old CG241W.
Calibrate to ColorNavigator 6.
thanks Nina. just wondering if there is big difference between 0.4 vs 0.5 black level? Rocco in his video uses 0.5 black level. just wondering. thanks in adv. i cant wait for the arrival of my new 2700S:-)
Thank you Nina
at 7:05 .
Hello
Why choose 5800K when the illuminant in the printer ICC profiles is still at 5000K ?
Thanks for this video 🙂
Hi there, just saw your question from a month ago, sorry for the late reply. As you may know, 5000 is the accurate setting as per ISO12646, and we would recommend this for iso compliant printers using softproofing. On the other hand, we recorded this video for photographers sending their files to the lab for printing, and 5000k doesn't give us a good match to a photographic print as it's too warm/yellow. While theoretically, 5000 should deliver the better screen-print match, in reality, 5800 tends to deliver a closer match because (a) our eyes get so thrown off when the paper white represented in Adobe software is so yellow and (b) 5000k reflective (print) looks a lot less 'yellow' than 5000k transmissive (monitor).
@@eizo_apac Thank you for your answer. Would it come from the fact that the labs often use papers with OBA that will cool the rendering ?
Great tutorial. Do you have the link for the video at the end of your main video. I could only find Eizo global, not local. Thanks. Dan
Hi Dante, the link for all of our other content is: www.eizo-apac.com/support-service/tech-library/photography
Thank you
I like her oz accent