Astrid Varnay as Brünhilde Götterdämmerung Immolation Scene (Joseph Keilberth, conductor)
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- Опубликовано: 12 сен 2024
- Richard Wagner
Götterdämmerung
Bayreuth Festival
Festspielhaus Bayreuth
Astrid Varnay, Brünhilde
1952 Festival
Joseph Keilberth, conductor
A truly heroic,dramatic soprano,this is the sound of. Brunhilde!!!a great dramatic soprano in voice and temperament!!!!! Brava. Varnay!! Brava!! Molto. Brava!!!!!!!!!!!!!
Listening to this glorious performance I understood that Brünnhilde and her sisters were daughters of Erda, the Earth Goddess
Flagstad and Nilsson were GREAT but Varnay was the Greatest Tragedian of ALL...!!!
Totalement d'accord avec vous. Immense Varnay, gigantesque Varnay !
yo estuve en la 13 linea en la opera cuando ella como Isolda edad 64 prostrando canto Isolda despedída nunca voy esquecerlo
She was, indeed!!
Of course one could claim Flagstad and Nilsson as the Wagnerian Quintessensce, but a Trinity would only be possible to be formed accomplishing Varnay at the Walhalla of Wagnerian Singers. What a voice, what an enormous amount of artistry! Artistrid Varnay! Hail!
No es pot fer millor. Chapeau!
Bravissima!!!
POWER VOICE !!!
Thank you for this!
A los 64 anos,ya. Varnay habia cambiaro a la cuerda de mezzo-soprano. El cambio lo hizo en 1969 a los 51 anos.
Nilsson, Varnay, Flagstad, in this order
Varnay first
VARNAY
@@gerardmignon700 Yes, indeed!
Varnay is the best of all!
Silly to compare three superlative artists. Varnay brings warmth and intelligence; Nilsson, power and breath control; and Flagstad, a girlish, romantic roundness to the role. I'm grateful for them all.
Varnay's voice and manner were impressive, but like Flagstad, she was far too hieratic and matronly, like a marble statue. Brünnhilde, like Isolde, is not a middle-aged hausfrau. She is a warmly feminine creation, a personification of Goethe's 'ewig-Weibliche', as is, in a wholly different manner, Kundry. Brünnhilde is not a hectoring virago with cold steely top notes a la Nilsson. Neither is she a placid, phlegmatic vocione with virtually no dramatic profile past that of the most vague and generalised sort; a portrayal with which Mme Flagstad made audiences familiar. The only singer who has fully encompassed the character of Brünnhilde, both musically and dramatically, is Frida Leider.
LOL 😂
J’ai eu la chance de l’entendre plusieurs fois à Bayreuth . La plus grande pour moi ds le crépuscule .
9:41
Autism is a part of the Germanic spirit!