Der Rosenkavalier: "Mir ist die Ehre widerfahren" (Graham, Schäfer)
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- Опубликовано: 16 июл 2014
- Presentation of the Silver Rose from Act II of Strauss's "Der Rosenkavalier." Susan Graham (Octavian), Christine Schäfer (Sophie). Production: Nathaniel Merrill. Conductor: Edo de Waart. Taken from the 2010 Live in HD transmission.
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Beautiful duet. Gorgeous production.
Diese Oper, immer wieder großartig! In meiner Jugend habe ich `"Also sprach Zarathustra" gehört. Heute ist es der Rosenkavalier! Wie wundervoll! This opera, every time wonderful!
In my youth I listend to "Also sprach Zaratutstra" today it is "The Rosenkavalier".
Absolutely beautiful!!Thank you very much for this marvellous stage!The Met is really gorgeous and very famous for original stages!Sensationell good!Bravissimo!
As I boarded an Emirates Airline flight en route to Dubai, I had the pleasure of listening to a captivating classical and opera piece that held me spellbound for the entire 9-hour journey. The music cast a spell on me, invoking a whirlwind of emotions and sparking a journey of the heart. It was as if this enchanting composition served as the muse for the four-legged adventure that awaited me. Such was its magic that I found myself yearning to witness it performed live, a testament to the timeless brilliance of Strauss and the indelible impact of classical and opera music. These genres possess a unique power to transport us to a realm of deep emotional appreciation, leaving an indelible mark on our souls. In the world of music, Strauss truly shines as one of the brightest stars, guiding us on a mesmerizing voyage through the landscapes of our own sentiments.
arguably one of the most lovely scenes in opera. Incredible portrayal of early love....smitten before all the complications of relationships....one of Strauss' finest moments.
Absolutely beautiful!
Zwei meiner Lieblingssängerinnen, auch wunderbare Darstellerinnen....
Y’all haters gotta seriously chill. Is this 110% heavenly perfection without a single blemish? Perhaps not. But is this still extremely beautiful and affecting singing? Absolutely. Singing well is not easy. And these two sing beautifully.
Those haters even read a score. Or sing anything.
Großartig!
Although the acting is questionable (probably due to the annoying editing of the opera footage), the voices are amaaaaaaaaaaaaaaaaaaazing!!!
I like the music, the singers and staging and probably have a tin ear but I know what I like.
A m a z i n g 🙏🏻
Schäfer= Grossartig !!
The best Sophie ever was Anneliese Rothenberger !!!
Ich glaube, neben vielen herausragenden Sängerinnen dieser Rolle ragt jedoch Maria Cebotari noch einmal besonders heraus. Eine gottbegnadete Künstlerin (!!!), die leider viel zu früh verstarb.
One of the messiest Sophie performances on record. Really mine engaged acting as well.I really wish they would’ve broadcast with Miah.
Just absolutely horrendous indeed. Bonney from Solti is the gold standard of modern renditions as well as Battle. Morley does it well
@@smurf902
Are you a singer, voice coach, professional.? Or just another RUclips know it all.
Damn, most of the "experts" here that commented most of them even know singing, never they've taken a music class, or paid a ticket but they're here to be first to spread the hate.
Unfortunately, you find these comments on almost every opera excerpt. They are just armchair experts, few having any professional connection to the arts. But if you dare to criticize a burp emitted by Callas, you incur their wrath, just like the Trumpists who can't bear any criticism of their holy one.
@@wotan10950 This is a pure mess, that's a FACT and if you don't hear it, it's better if you don't talk about music.
@@fan2jnrc
You don’t know what your talking about.
HORRENDE PARTITUR
Aber schön !!!!!!!!!!!!!!!!!!!!!!!!!
Para ser el metropolitan se ve muy de cartón, y la interpretación horrible
RUclips troll.
This is terrible. Graham's vibrato is a wobble. Schäfer is belaboring every phrase, sings sharp, and actually screaming the higher notes. Both look middle-aged, not like teenagers trembling with sexual possibility. There's no magic here, vocally or visually.
CS is a little heavy in phrasing at the time of this performance. There was a glottal cluck at the beginning. But she was in total Straussian style throughout. Sophie can be approached by soubrettes, light lyrics and coloratura sopranos. When it becomes a lyric soprano it takes on a heavier and yes labored phrasing comparatively to the lighter sopranos. Graham was warm and placid as usual. As far as looks go in the theatre they would have been fine. The close up shots always betray things but really the voices matter more. CS gave a lyric soprano version. I heard her in early 2000 sing this same role when her voice was lighter and it was more of a boyish soprano sound with some shimmer. Here she is closer to the Marschallin.
@@orion8835 Closer to the Marschallin? Due to her heavy technical issues here or just her bland soubretty voice? Very funny!
I'm surprised with Graham. At the beginning very wobbly.
You tube trolls