I saw Dave playing last night with some of his New England Conservatory students- recital. It was free, and GREAT. Thanks for carrying on with the light of your art Dave.
@@tritonesub1 In my opinion A triad works because first chord can be thought like an Eb/F (Fsus9) and A is the tritone of Eb! Other thing, A resolve on Bb7, it's a chromatic passage chord... :)
I've never heard a track slow down so much and swing so hard at the same time! Listen to the tempo at 1:55 compared to even the beginning of Barron's solo
Without the high-frequency tempo assertion of cymbals, if a bass player tries to keep the tempo solid against another musician's laid back phrasing they always sound like they're rushing. In my experience, it sounds better to let the thing slow down rather than wreck the music with constant, non-resolving rhythmic tension.
@@bass27check Agreed. As a bass player who always got yelled at for letting the tempo dip under for exactly these reasons, I learned to find the pocket wherever it ended up. The people who want you playing on top of the beat are usually never the ones who are going to hire you anyway.
And man, it wasn't really until almost 8 minutes in the song where they started getting full-grease on it. Kenny played some stuff that shouldn't be allowed, but he did anyway, haha
Bebop is a strange beast. I love it. But feel there are few who play it well. Both Kenny Wheeler Lee Konitz felt that it simply wasn’t their ideal mode of self-expression. Barron is superb. I think he was the pianist in a Dizzy Qnt (+James Moody, Chris White, Rudy Collins) who performed at Bird’s 10th Memorial at Carnegie. My god they swung.
i think right there he played a fourths things going down in minor thirds and then went into a love supreme type quote that goes up in fourths/ down whole steps
The difference in ability is clear. If this were an anonymous radio broadcast, it would probably be described as a performance between a master and his student.
izziOnBass No, I understand it's very much a standard double bass but with a smaller lower body for travelling purposes. As Holland always plays with amplification, volume from the instrument itself is not essential.
Dave's left hand technique, his thump position, is not very orthodox. It's surprising that he achieves so much speed, it looks like the hand of a bass guitarist that never mastered the transition to the upright. It comes to show that technique for this people is not the ultimate standard, despite appearances.
Yeah, that’s actually one.of the things I love about Kenny Barron. He sounds chill even if he’s playing faster tempos. One has to know precisely where the beat is to lay back like that. Kenny is always in the pocket sounding effortless and never rushed.
I saw Dave playing last night with some of his New England Conservatory students- recital. It was free, and GREAT. Thanks for carrying on with the light of your art Dave.
That bass solo was sickkk, Dave. You are a gift to humanity.
The Gold Standard. They can go anywhere they want in the music. No limitations. The goal for all of us musicians
Two masters locked together perfectly. What taste! What touch! This is heaven!!!!!
Love that little montuno section around 6:20. Such a great duo!
Incredible
Kenny Barron will be be coming to my town with Holland and Blake! Wow! Love them!
Greatest Duo of Piano and Bass for me!
That bass solo was fucking insane
I'm just writing masterthesis about Kenny Barron playing blues and this is my new source :) So many things to analyze!
Like why he’s playing A major triads over F7 and why that works
Is it ready and readable somewhere? I'm interested!
@@tritonesub1 In my opinion A triad works because first chord can be thought like an Eb/F (Fsus9) and A is the tritone of Eb! Other thing, A resolve on Bb7, it's a chromatic passage chord... :)
@@florbo73 I like how his name is tritone sub and you told him that the answer was basically a tritone sub.
@@florbo73 Nah it's just F Major7 with a #5.
I could listen to kenny barron forever and a day. sublime. dave holland ain't bad either :)
Kenny Barron uno de los mas grandes pianistas en el mundo del Jazz!!
I've never heard a track slow down so much and swing so hard at the same time! Listen to the tempo at 1:55 compared to even the beginning of Barron's solo
Without the high-frequency tempo assertion of cymbals, if a bass player tries to keep the tempo solid against another musician's laid back phrasing they always sound like they're rushing. In my experience, it sounds better to let the thing slow down rather than wreck the music with constant, non-resolving rhythmic tension.
@@bass27check Agreed. As a bass player who always got yelled at for letting the tempo dip under for exactly these reasons, I learned to find the pocket wherever it ended up. The people who want you playing on top of the beat are usually never the ones who are going to hire you anyway.
And man, it wasn't really until almost 8 minutes in the song where they started getting full-grease on it. Kenny played some stuff that shouldn't be allowed, but he did anyway, haha
They found the rhythm anyway….
Bravo!
Dave Holland's bass solo is incredible!
Bebop is a strange beast. I love it. But feel there are few who play it well. Both Kenny Wheeler Lee Konitz felt that it simply wasn’t their ideal mode of self-expression. Barron is superb. I think he was the pianist in a Dizzy Qnt (+James Moody, Chris White, Rudy Collins) who performed at Bird’s 10th Memorial at Carnegie. My god they swung.
Barron's swinging licks at 7:13...just demonic
🤪
Thanks for all of these. Shared on fb 4500+ possible
viewers
いつまでも聴いていられる。素晴らしい。
THAT'S how you play da blues!!
Holland has a great sound and style, f*ck yeah!!
古典的スタンダードジャスの表現だけど、スタイルや時代関係無く、良い音楽は心に沁みる！
God men,God muzik
There was a lot of humor in that trade-off, and yet they kept straight faces the whole time!
clearly enjoying themselves...
Wow!
Adoro a Kenny barrón tocando bop uuuuff
Entre los más grandes de hoy en día
genius 4s...two masters imo
Geandissimoooooooo
Omg, Kenny swings so hard in 7:13 , slow down for extra points.
wow, two masters
o yeah , thay are so crazy good . thx !
so good👍👍👍👍👍
Nastyyyyyy!!!
Thank you.
Wonderful
god DAMN dave take it easy man
FEW BUT GOOD !!!
Een goed duo
great!
0:32
0:41
0:54
😃🌱💛🌸
Kenny sick!!!
thats fucking why dave holland is a GOD
0:27
love it!!
💛🌱🌾🙄
Quelle pulls !
I feel like I've heard the riff at 4:00 before, just can't put my finger on it. Anyone know what he's quoting there?
+YelloBat It kind of sounds like he's playing over Coltrane Changes actually, I might be wrong but it could be a motif Coltrane played once.
i think right there he played a fourths things going down in minor thirds and then went into a love supreme type quote that goes up in fourths/ down whole steps
It's an augmented triad
triad pairs
A love supreme
The difference in ability is clear. If this were an anonymous radio broadcast, it would probably be described as a performance between a master and his student.
💜💜💜
Whenever I hear Kenny Barron play this I think of a mouse
Monk sighting @ 7:40
GOD Bless you!Masters!.....and about those 28..poor idiots.
fucking awesome....
Kenny!!!!!!!!!??
wowowowoow
DH!!
03:03
What else?
6.25 ha
Is that a real Viol-a-gamba bass?
Czech-Ease Bass made by David Gage NYC
izziOnBass No, I understand it's very much a standard double bass but with a smaller lower body for travelling purposes. As Holland always plays with amplification, volume from the instrument itself is not essential.
Dave's left hand technique, his thump position, is not very orthodox. It's surprising that he achieves so much speed, it looks like the hand of a bass guitarist that never mastered the transition to the upright. It comes to show that technique for this people is not the ultimate standard, despite appearances.
And remarkable clarity and intonation
Interesting performance. Kenny is great, but he plays a little too far on the back end of the beat for my taste. Makes me anxious!
Kasiemba Okeyo ahaha agreed, it takes a certain musician to swing that hard ;)
Smack dab on the beat and happy: ruclips.net/video/WyjE57MEAL8/видео.html
Its called swing my g
Yeah, that’s actually one.of the things I love about Kenny Barron. He sounds chill even if he’s playing faster tempos. One has to know precisely where the beat is to lay back like that. Kenny is always in the pocket sounding effortless and never rushed.
🤣
:-)
infredibile
👍 ❣️
0:55
1:14
0:41
0:55