Making Classic Trance With Hardware - Tranceportal In The Studio With Enigma State #19
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- Опубликовано: 8 окт 2024
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Ever wonder where the magic of early trance comes from? In this very special extended episode of Tranceportal ITSW we join Enigma State in his time-capsule of a music studio, as he runs us through the nuts and bolts of his hardware based workflow.
TR-909 drums, Roland JP Supersaws, and tonnes of classic hardware combine to perfectly capture one of the most iconic eras of the genre we love.
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Tranceportal is the new home of all things trance. From Tech Trance to Uplifting Trance, Vocal Trance, Progressive Trance- this is the channel that will bring you the hottest beats from the artists like Simon Patterson, Will Atkinson, Solarstone, John Askew, Greg Downey and others that are pioneering and pushing the scene forwards.
The tracks you've heard at A State Of Trance (ASOT) / Luminosity Beach Festival / Dreamstate So Cal / Transmission and others of our favorite festivals.
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havent been this excited for classic sounding so fresh. Many nights I have dreamt of that feeling I used to get in the 90s and I thank you from the bottom of my heart for giving that feeling back to me
You know that 90s trance is back on the floors though, don't you?
@@landwirtschaft2116 yes indeed its been a great year
This literally sounds like a long lost Gatecrasher track from 1999/2000. It's that good and that true to the genre.
Very well done mate!!
The drom boss. :)
Great time mate! It has more power than 95% of musici nowadays.
Ironically this felt really out of the box. Thanks for taking the time Nath!
Absolutely fantastic track, and I'm glad to have been given a demonstration of how true classic trance is and could be made today. Goes to show you that making good classic trance is/was far more complicated than we sometimes even realize! Nathan aka Enigma State, I couldn't be happier that someone is bringing back the Golden Age sound in its entirety! Greetings from frigid Minneapolis, Minnesota here in the US!
Thanks Matthew! 😊
Someone had to save the essence of pure trance, and Enigma State has arrived to do it. Greetings from Mexico 🇲🇽.
A brilliant insight into a great old skool Trance track!
Huge respect from Georgia @Voidi Records!!
Thanks 🙏
I Love How he used Just 2 layers on The main riff
This sounds like 1999 all over again. Amazing
Cheers Nath. Great insight and looking forward to the vinyl!
Brilliant stuff, well done hope there is more to come
Getting some Transa vibes with this one. Superb work on this!!!!!
Looooving this!!!!!!
Dude, congratulations on your recent successes! Here's to more good tunes!
Congrats mate, this is perfect.
Nathan this is great man great video nicely put together great work
I just saw that you are @Luminosity line-up for 2024! ❤ See you there! Hope you play this masterpiece! 😎🙏
You legends! Thank you
my favorite is SYLENTH 1 ♥
Great episode!
Great music and tutorial! I plan to use such a workload for a long time ... Than ks a lot for sharing your experience 🙂
Amazing artist
Wooow, that's nice!!! 🙌🙌👏👏
Superb Mate 👌
This is fantastic although software is brilliant, hardware just has the soul of the older trance sound that is hard to match or beat
Pretty Damn Great Work! 👍😁
What JP8080 plug-in is that?
This isn't so much like making with trance hardware but recording hardware into a daw and effecting it with vst processing software. Where are the outboard fx, compressor, gate, limiter, mixing desk etc? Plus what really bugs me with vids like this (2 for a penny on youtube) is they/you never give away the real secrets, I geuss we have to pay you for that! What we really want to know is how you use reverb properly to give the best settings for the elements creating depth in a trance track? It's always a case of "now lets add a bit of delay and reverb" tweak-tweak... really! Thats it, no more info... really hepful, thanks! I won't be back!
In an honest answer to your question, there is no secret. There is no "best setting". There's no one size fits all. Its just a case of what works. There is no "pay for that" answer, and what one person does can be different to another.
For this track (and most of my work) adding reverb and delays literally just a case of "tweak-tweak" and thats it unless i want a particular effect on a sound.
But, I dont follow conventional "modern" productions techniques.
On this track most of the delay and reverb was per channel, but I could have just created delay and reverb send and sent all the channels to that.
The best answer you can find on the internet/RUclips and its free is : if it works, it works. If it sounds good, it sounds good.
Like with anything, surely it's the end result that matters?. He's captured the spirit of the "classic" sound regardless of using some modern techniques using a modern DAW