I mentioned an example I didn't have time for. Here are the links to the same recording from the Futur featuring Chris Do and Jule Kim. One is the video that is on RUclips, and the other is the podcast. Which one sounds better to you? The Futur Podcast (Ep 282): *start at 3:42*: lnns.co/M-6oNDRl7uC The Futur RUclips: ruclips.net/video/x6z8-ZAXfHE/видео.htmlsi=kd3EL_uqLFnuOfC4&t=243
Where podcasts are conversational, why wouldn't the goal be to keep it conversational? So I have this mental picture ... friends come for a visit and one of them breaks out a megaphone. Soon everyone has a megaphone to keep up with the guy who started it. Just like that it's no longer a friendly and pleasant conversation, but a blast session. Where compression helps me - like many speakers, I tend to trail off at the end of phrases. Compression just evens things out without crushing the audio. On a similar note - I've been releasing a few of my original songs as BONUS material but before doing so, they get re-mastered from the original tracks - with little to no compression. I'm liking the new mixes better as I've always regretted crushing them when mastering for CD. About crushing the audio? The program I used back then is called Voxengo Elephant.
It's pretty normal for people to sort of trail off as they run out of breath towards the end of longer thoughts. Compression is one method to address this, though it's not my favorite. I feel that upward expansion or some sort of leveler can work better and more transparently in those situations. I use the leveler built into Sonible'ss mart:Comp for this. It's not 100%, but works most of the time to level out the audio so we don't have to compress as heavily. It's a two-pronged approach which I think helps avoid over compression and does so with more transparency. When it comes to music, I prefer more dynamic music and have heard a number of "demos" which actually sound better than the mastered releases. By demos, I mean finished mixes that haven't been sent out for mastering yet. They generally sound more open to me and maybe a little more 3d, whatever that means.
I mentioned an example I didn't have time for. Here are the links to the same recording from the Futur featuring Chris Do and Jule Kim. One is the video that is on RUclips, and the other is the podcast. Which one sounds better to you?
The Futur Podcast (Ep 282): *start at 3:42*: lnns.co/M-6oNDRl7uC
The Futur RUclips: ruclips.net/video/x6z8-ZAXfHE/видео.htmlsi=kd3EL_uqLFnuOfC4&t=243
Where podcasts are conversational, why wouldn't the goal be to keep it conversational? So I have this mental picture ... friends come for a visit and one of them breaks out a megaphone. Soon everyone has a megaphone to keep up with the guy who started it. Just like that it's no longer a friendly and pleasant conversation, but a blast session. Where compression helps me - like many speakers, I tend to trail off at the end of phrases. Compression just evens things out without crushing the audio. On a similar note - I've been releasing a few of my original songs as BONUS material but before doing so, they get re-mastered from the original tracks - with little to no compression. I'm liking the new mixes better as I've always regretted crushing them when mastering for CD. About crushing the audio? The program I used back then is called Voxengo Elephant.
It's pretty normal for people to sort of trail off as they run out of breath towards the end of longer thoughts. Compression is one method to address this, though it's not my favorite. I feel that upward expansion or some sort of leveler can work better and more transparently in those situations.
I use the leveler built into Sonible'ss mart:Comp for this. It's not 100%, but works most of the time to level out the audio so we don't have to compress as heavily. It's a two-pronged approach which I think helps avoid over compression and does so with more transparency.
When it comes to music, I prefer more dynamic music and have heard a number of "demos" which actually sound better than the mastered releases. By demos, I mean finished mixes that haven't been sent out for mastering yet. They generally sound more open to me and maybe a little more 3d, whatever that means.
Здравия! вышло обновление у dxRevive Pro ! 1.2.2 Планируешь ли сделать обзор работы новых алгоритмов?
I do plan on doing a video about dxRevive 1.23.