Funny, I first heard this in 1993 and haven't listened to it in a while. The other night the dinner party question was "what song is playing in your head when you walk down the street?" Only one person knew what I was talking about. So I went with my alternate ("Sexy Motherf@#$er" by Prince).
Simplemente sublime y extraordinario inicio de este film con ese toque de blues y esos elementos perturbadores de las pistas musicales. Música para escucharla por las noches.
I can believe how major and incredible this whole project was. A film by Cronenberg based on a book by Williams Burroughs (that seems completely not adaptable to screen) and a soundtrack by Coleman, I mean, damn!!!!
Brilliant and unsettling. I doubt this soundtrack would be released today, the sense of menace is all too overpowering. But then again, Ornette was never about easy listening, even when he first started when fellow musicians would pay him NOT to play.
So I was having one of those evenings alone with some Lucy, right ? *Wanted to annihilate my mind a bit, ya know what I'm talkin' about ?* Yeah, so then I'm in the middle of it all, it's the dead of night and then, after "Videodrome" this film starts on auto-play and that whole monologue starts, among the authors, about censorship of thoughts and betrayal of ideas and I am like... "I am in hell and I'm loving it, dear me." "Exterminate all rational thought. That is the conclusion I have come to." *And I was calm again, somehow. Robocop managed to make me snap out of it. Thank you, sir Weller.
William S Burroughs was at the recording session for Midnight Sunrise (Ornette Coleman) in 1973. Everything else Ornette plays on this soundtrack is in response to the DATs that Howard Shore sent him and is unique to this recording.
This could be nothing other than the sound track for a mystery movie or a drama film. It sounds intriguing like so many others. But, what sets it apart from many that I've heard is the intricate weaving of Ornette Coleman's horn into fabric of this piece of a weaving veil of questions and searching. The implications of an islamic setting or a passing through Istanbul leans toward a mysterious eloquence that winds its way to a bright spot where light finds its way to clarification made by the definitive voice of an oboe. The pace of the Philharmonic is just what one would expect from a renowned presence in so many drama on film and stage. LA does no better...hats off
Fun fact: the Howard Shore score has no bar lines or time signature and Ornette Coleman was never in the same studio as the orchestra. ( Or even the same country, if I remember correctly.) And this was when they had to mail DAT recordings back and forth because the Internet wasn't up to speed for digital music at the time as well. Utterly mind blowing.
![Ornette Coleman - The Shape of Jazz to Come (1959) - [Smooth Jazz Sax Recordings]](http://i.ytimg.com/vi/Cpf99MZQhIM/mqdefault.jpg)
Ornette with strings. Brilliant.
When things get weird, this is the music that plays in my head.
exterminate all rational thought
About 1000 years ago I ran a Call of Chtulhu campaign set in the noir-ish 1940s. This was the soundtrack and it was PERFECT.
...:D I know...
la mejor película y banda sonora que existe.
Increíble libro, increíble película, increíble soundtrack
lovely music! perfect to take a walk through the city at night
as long as it is Interzone or Annexia !
Funny, I first heard this in 1993 and haven't listened to it in a while. The other night the dinner party question was "what song is playing in your head when you walk down the street?" Only one person knew what I was talking about.
So I went with my alternate ("Sexy Motherf@#$er" by Prince).
Best music to enjoy bugpowder! :D
Simplemente sublime y extraordinario inicio de este film con ese toque de blues y esos elementos perturbadores de las pistas musicales. Música para escucharla por las noches.
es genial!
The zone takes care of its own.
I can believe how major and incredible this whole project was. A film by Cronenberg based on a book by Williams Burroughs (that seems completely not adaptable to screen) and a soundtrack by Coleman, I mean, damn!!!!
Brilliant and unsettling.
I doubt this soundtrack would be released today, the sense of menace is all too overpowering. But then again, Ornette was never about easy listening, even when
he first started when fellow musicians would pay him NOT to play.
I don't doubt for a second that it would. Cronenberg doesn't seem to me like someone who easily compromises
many thanks for this wonderful upload... love the soundtrack, love the film
What about the book >:v
One of the strangest and most interesting soundtrack ever created
"Exterminate all rational thought"
W.S Burroughs
So I was having one of those evenings alone with some Lucy, right ? *Wanted to annihilate my mind a bit, ya know what I'm talkin' about ?* Yeah, so then I'm in the middle of it all, it's the dead of night and then, after "Videodrome" this film starts on auto-play and that whole monologue starts, among the authors, about censorship of thoughts and betrayal of ideas and I am like... "I am in hell and I'm loving it, dear me."
"Exterminate all rational thought. That is the conclusion I have come to." *And I was calm again, somehow. Robocop managed to make me snap out of it. Thank you, sir Weller.
@@viewtiful1doubleokamihand253 He had a talking anus, you dig?
absolutely incredible
I started the movie without paying attention to the opening credits and I was wondering what could be this weird saxophone, it could only be Coleman 😄
Thank You. I didn't know, that Coleman's music was used in this movie...damn! Btw, Cthulhu fans, rejoyce!
William S Burroughs was at the recording session for Midnight Sunrise (Ornette Coleman) in 1973. Everything else Ornette plays on this soundtrack is in response to the DATs that Howard Shore sent him and is unique to this recording.
@@GoDamnWeird Happy new year, mate....
This could be nothing other than the sound track for a mystery movie or a drama film. It sounds intriguing like so many others. But, what sets it apart from many that I've heard is the intricate weaving of Ornette Coleman's horn into fabric of this piece of a weaving veil of questions and searching. The implications of an islamic setting or a passing through Istanbul leans toward a mysterious eloquence that winds its way to a bright spot where light finds its way to clarification made by the definitive voice of an oboe. The pace of the Philharmonic is just what one would expect from a renowned presence in so many drama on film and stage. LA does no better...hats off
Fun fact: the Howard Shore score has no bar lines or time signature and Ornette Coleman was never in the same studio as the orchestra. ( Or even the same country, if I remember correctly.) And this was when they had to mail DAT recordings back and forth because the Internet wasn't up to speed for digital music at the time as well. Utterly mind blowing.
A william Tell history...
I just adore The Black Meat track so god damn much. The vocalist nails it
I love this type of jazz
Cecil Taylor is another..."free jazz" they call it. Not a great term but it needs a label to promote it eh?
Free jazz
So Amazing
now that's a way to express your inner-genius
Thanks is wordefull the fusion of diferent musics is so beatiful
mugwump:
bill, are you thinking of getting rid of me?
bill lee:
I think an exchange of hostages is in order.
Thank you!
Beautiful music.
Oコールマンのアルトサックスが美しい曲です😁大好きな曲です😁(^_^)vバックの演奏もいいかな😁(^_^)v
Carne sumida a la descomposición.
A mugwump sent me here
is there more jazz music like this, I mean darker and not relaxed and bohemian?
Check out some Maria Schneider.
And (obviously) Ornette Coleman's other work sometimes gestures into this direction.
Bohren and der club of gore
Sorry I did notnnotice you said not relaxed. Still check em out tho
The Lounge Lizards might be of interest
Ça me rappelle quand mon époque 💉 m'avais dit c'est assez tabarnak
#2021
Scanners meets Charlie Parker.
Peter DELAROSA classic!
10/10
best fucked up soundtrack ever^^
10:08 (and all throughout the track called "the black meat") can anyone tell me the name of this mosque call to prayer please ?
I am in the same search
16:41
26:50
I wonder if Burroughs actually did any of this that he talks about, or, did he make it all up? Including being gay, including being a heroin addict.
He shot his wife in the head
i prefer the music to the film Shore's spooky orchestrations Coleman's snaky sax, too much orchestra sometimes too much sax that's the movies.
But then again it's an amazing soundtrack
A domestic problem
💉INTER➖ZONE💉
💀
Smells like a tainted cheese...
21:25
23:35