It is a chromatic harmonization for transition of „the melody“ between the diatonic chords Em7 an Dm7. Melody meaning the top note of the chords here. You can more or less go from any diatonic chord to any other diatonic chord via inserting such a chromatic approach. Try cmaj7…dbm7-> dm7, or cmaj7… emaj7->Fmaj7 for instance.
I soooo very much love this masterpiece thank you for sharing your brilliance 🎉
All day long , 🤠 awesome 🎸🎸🥴
Thanks for sharing 👍
Top marks ⭐️⭐️⭐️⭐️⭐️
amazing bro
Nice to have something without a weird bridge. Great job!
Nice track ! Keep them coming , we need more of you out there !
came by 4 a listen ...........👍👍really niCe........like 265 4 17 22............
beautiful
very , very , very useful ! ( f.i. to play over 7 modes ) 👍
can anyone explain where the EBm7 comes from ? like music theory wise ? it is out of key but fits so perfectly
It is a chromatic harmonization for transition of „the melody“ between the diatonic chords Em7 an Dm7. Melody meaning the top note of the chords here. You can more or less go from any diatonic chord to any other diatonic chord via inserting such a chromatic approach. Try cmaj7…dbm7-> dm7, or cmaj7… emaj7->Fmaj7 for instance.
Wish I knew what you were talking about 😃 ,
Just stumbled onto you guys tracks. Really superb. Thank you. I'll spread the word.
Let's hear more.....