So many lessons just present a guitar "secret" or approach or a specific technique. A tidbit of knowledge. Your lessons tend to give me something to do, not just abstract food for thought.
Here we are again. I'm binging today. This is just such great content. Wonderful stuff. And your playing is quite sublime. So tasteful and beautifully executed. Many thanks.
Hi Mikko I am just studying ornothologt usimg mainly Maj7 b5 arpeggio s the same as you with out knowing some else knew also about this nice trick( of course in saxophoneland and piano land)
mikko i remember listening to you at humber. i have been loving the straightforward nature of your videos over the last couple of months and have been benefitting from reminders like this lesson. it is a maj7b5 to me, for what it is worth. keep up your good work :)
Hi Mikko I would recommend to play those arpeggio's also as scales: if you use two fingers on each string we get the vertical equivalent...of this " arpeggio" Chick Corea as we know was expert in this technique(Tetratonic) that he based upon the 5 tones(Pentatonic) of McCoy Tyner may R.I.P.the moment we play it as a scale suddenly we will see also the scale as part of enclosures, so other enclosure possibiltie's will present them selves, and it will start to sound more like lines then arpeggio's...so to expand this idea.
I hav learned my arpeggios and when you said flat 5 i immediately knew what you meant. Had you called is a major 7 sharp 11, I would have been confused! LOL
@@Mikkokosmos Put an e, b, d, f#, a, and c on top makes a 15th - funny how nature works. In this case it is: 11+. Thanx for the post on a usable tool for minor tunes. Enjoyed & woodshedded. you made the arps look easy-Not! Hard on guitar but orchestra is easy.
So many lessons just present a guitar "secret" or approach or a specific technique. A tidbit of knowledge. Your lessons tend to give me something to do, not just abstract food for thought.
Thank you! That's exactly what I'm trying to do. I'm avoiding "click-bait" content such as "the secret of Jazz" or whatever.
This is a great exercise, I've been practicing this for a week now.
I'm glad you like it 😀👍
Super lesson Mikko! Very informative and practical. A pleasure for my ears 👂. Thad a lot 👏🏼
Here we are again. I'm binging today. This is just such great content. Wonderful stuff. And your playing is quite sublime. So tasteful and beautifully executed. Many thanks.
Excellent, great lesson. Beautiful chord cadence. Thank you very much maestro.
Thanks, perfect for me as I’m at this stage in my lessons. Plus you play a Guild!
The "magic chord". Well done - nice examples. Also, that last inversion was pretty hip!
Yes..very Bill Frisell 😎👍
Wow, very interesting and modern sounding, thanks!!
Glad you like it :)
Excellent lesson Mikko.
very nice challenge!! but u did it so great. thanks
God bless you mikko
Hi Mikko I am just studying ornothologt usimg mainly Maj7 b5 arpeggio s the same as you with out knowing some else knew also about this nice trick( of course in saxophoneland and piano land)
mikko i remember listening to you at humber. i have been loving the straightforward nature of your videos over the last couple of months and have been benefitting from reminders like this lesson. it is a maj7b5 to me, for what it is worth. keep up your good work :)
Thank you 🤠
So cool!! Really enjoying your lessons, Mikko!
Good tone on the guitar
Hi Mikko I would recommend to play those arpeggio's also as scales: if you use two fingers on each string we get the vertical equivalent...of this " arpeggio" Chick Corea as we know was expert in this technique(Tetratonic) that he based upon the 5 tones(Pentatonic) of McCoy Tyner may R.I.P.the moment we play it as a scale suddenly we will see also the scale as part of enclosures, so other enclosure possibiltie's will present them selves, and it will start to sound more like lines then arpeggio's...so to expand this idea.
⭐️⭐️⭐️⭐️⭐️14:31 Great Gem, Mikko!
It’s fairly rare that I don’t recognize a voicing, thanks!
And your life is difficult! I love it!!
Such an amazing discovery this is ! Thanks a lot Mikko.
great lesson Mikko
What a great lesson! Really fresh ideas! Thank you so much!
This lesson is Just the best!! modal approach...
Very good. Thank you
Great idea! Great sounds! Gota explore this! Thank you!
Cool study. Can’t wait to use it.
Glad you like it 🙂
Great video, maaaan ! Thanks from Brazil
An amazing lesson, thanks for sharing.
I hav learned my arpeggios and when you said flat 5 i immediately knew what you meant. Had you called is a major 7 sharp 11, I would have been confused! LOL
I'm glad you're not confused 😀
@@Mikkokosmos Put an e, b, d, f#, a, and c on top makes a 15th - funny how nature works. In this case it is: 11+. Thanx for the post on a usable tool for minor tunes. Enjoyed & woodshedded. you made the arps look easy-Not! Hard on guitar but orchestra is easy.
This is so cool TY again so MUCH
Love the sounds!
Thank you 🙂
Interesting stuff Mikko.
Interesting!!! Great lesson thanks
Thanks very much, that was great!
fantastic work, only one thing...in teh chord Ab7, for me the same Gb maj7 b5 with Ab in the bass....a sugestion. Thanks for the fantastic work
Nice guitar !
Superb ！！
Soo..cool..! 😎🎸👌🏽
Mikko ? My Mentor ha, If I used some of these voicings In a jazz jam situation. Would people look at me funny or would they work ?
Cool
Is it cold In your home? :D
And, the tuniing, Verdi's A? Sounds, not. Oh yeah, nice lesson.
This sounds great! even though it is a different chord, it reminds me of the cry me a river lick used here: ruclips.net/video/nA0kzCKuyzU/видео.html