Using Melodic Minor Arpeggios over the ending of Stella by Starlight

Taking a look at how to use arpeggios from the melodic minor scale over that last set of changes of Stella by Starlight.
This is kind of a remake of this video where the quality is pretty bad:
• Melodic Minor Arpeggio...
Cry me a river- lick lesson
• The "Cry Me a River" L...
Stella By Starlight lesson:
• Stella by Starlight (J...
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[@guidop67]

Thanks for these insights and ideas. Splendid

[@eternalrainbow-cj3iu]

To know that the C#=Db enharmonically and when we play altered it is a Db so a b4 was for me revealing and enlightening I learned that actually from you I think...so great information...that has advantages for instance when I play 4ths in > altered scale, otherwise it becomes a mess but knowing what is the 4th is then of relative importance....

[@bob-c702]

Excellent information. There's a lot of work there with these min7b5 arpeggios. One thing I get my students to do to get them under their fingers, is just play them over a 12 bar blues. So obviously in relation to G7 would be a Bm7b 5, So starting on the 3rd of each Dom 7th chord. And I tell them the bonus is.. No roots in these arpeggio's!

[@eternalrainbow-cj3iu]

Hi Mikko, each time you come up with a lesson yu make me glad, enthusiastic, curious for new things etc! I don't know if you're covering this but I like this arpeggio a lot: On Em7b5 D12+5 so BbA F# D BbA - F# D BbA F#D of course the VII th mode of ELocrian #2

[@eternalrainbow-cj3iu]

The GMC I & II arpeggio's (Generic Modality Compression are also nice) Em7b5: DGA>DAG &F#BbC>F#CBb On A7 : F BbEb>FEb Bb & CC#G>CGC#>C etc...

[@Mikkokosmos]

yes that's true. I didn't think of that. I will have to go back to the shed :D

[@WBUSCH49]

@@Mikkokosmos Thank You Mikko, for your Dharma in lessons, You are True Friend!

[@waltermiller6115]

Regards Mikko thanks for your lessons I see that you know what are you talking about in coming lessons would you talk about outsides in melodic develop thanks again

[@Mikkokosmos]

Thank you 😀 hmm not sure what you mean 🤔 like outside playing? It's a difficult topic to talk about but I could try.

[@dxaminal777]

Great info here. Thanks!

[@pleximanic]

The High and the Mighty by Dimitri Tiomkin contains this (EbM7 ,Gm7 Gm7b5/ C7b9, Fm7b5/ Bb7b9) progression.

[@Mikkokosmos]

Thank you

[@eternalrainbow-cj3iu]

when playing over G7alt on piano, as on guitar I like to play BbB EbF BbBBbFEb, to use the half note on the beginning and the ending to burn in the sound as much as possible in my system...

[@eternalrainbow-cj3iu]

or GF# D A GF# > DA GF# AD still over Em7b5 over A7alt: Gmeldoic minor: BbA F# D Bb A and Bbmelo BbA F Db BbA to introduce the more melancholic sound of altered> Dm7b5 C12+5 G7 the same and over F7 diminished scale(although the melody gives a +5 or b13...

[@jansen_music]

Do you know the Luis Bonfa bossa "The Gentle Rain"......cycles down from F#-7b5 great G Benson version on "Blue Horizon".

[@Mikkokosmos]

Yes That's a good example

[@danielhoefer1939]

How about The Gentle Rain by Luiz Bonfa?

[@Mikkokosmos]

Yes!! Someone mentioned it. Good example.

[@eternalrainbow-cj3iu]

Maj7b5 is playing the Root over Em7b5 so on Emb5 I personally would play Gmaj7+5 to Play Rootless and over the dominant I would prefer the opposite so C# F G C so b5 or #11to be politically correct...

[@eternalrainbow-cj3iu]

Maybe it depends on who are wedding?

[@Mikkokosmos]

:D :D

[@ivo4137]

Hi Mikko

[@EllieMcEla]

I think you should work on that thumbnail.....

[@RickDanner]

awesome ! man I would love for you to check out my new nylon string song ! thanks buddy