Carl Verheyen Guitarist Teaches How to Use Melodic Minor Over Chords

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  • Опубликовано: 10 сен 2024
  • Carl shows you how to apply the melodic minor scale. For TABs to this lesson and for hundreds more lessons, visit the CV Academy at Truefire! truefire.com/h...
    Carl Verheyen | Guitarist | Electric Guitar | Acoustic Guitar | Educator I Solo Artist | Supertramp
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Комментарии • 10

  • @joshellyson
    @joshellyson 3 года назад +5

    Mr Carl, besides being always amazed at depth of our musical vocabulary, what you are offering here serves to deepen my thirst for learning and understanding music. There is an endless universe of possibilities isn't there? Thanks for all you offer.

  • @tonya5468
    @tonya5468 Год назад

    Way over my head but I love listening to and seeing the brilliance...thank you!

  • @BubbleTsunami
    @BubbleTsunami 3 года назад +2

    Hip as Hell!. 👊🏽🕊

  • @viktorverh1
    @viktorverh1 3 года назад +2

    Спасибо!

  • @seltzer5334
    @seltzer5334 2 года назад +3

    I use this approach over dominant chords that aren’t resolving. I think of it as melodic minor up a fifth. Cool ideas here Carl. Thanks.

    • @claytonhiggins9115
      @claytonhiggins9115 11 месяцев назад

      My brain sorts things out in exactly the same way.

  • @JoelVitu123
    @JoelVitu123 3 года назад +1

    Thx 🤗

  • @alessandrograsso8570
    @alessandrograsso8570 Год назад

    Lydian Dominant b7(i see on the neck the melodic minor on 5h degree into dominant chord)Is very latin...and for me(i'm a Neapolitan)Is very usable in a mediterranean blues contest or something like that!
    A good exemple could be Al di Meola(but also PHRYGIAN DOMINANT)
    In a rock station or blues rock station(or into anglo-american tradition and musical culture) i prefer mixolidyan b6 !

  • @bombardboxing
    @bombardboxing Год назад

    It's like the french augmented 6th classical composer would use. Check out some of their lines. Good stuff. Much obliged, sir.

  • @joerectifier
    @joerectifier Год назад

    Aside from the actual notes and intervals, I enjoyed the phrasing and rhythm of the lines….we’re not in Kansas anymore, are we?