Analysis: EXPOSITION 00:01 - Theme 1 in the home key (labeled "quasi-trombe") opens the piece. Deceptive and slightly sarcastic. 00:46 - Theme 2 in E Major. More lyrical and tender in nature than Theme 1. Modulates by an interval of a third higher to G# Minor 01:22 - Transition, in Eb Minor 01:34 - Theme 3 in Eb Major, very heroic. Almost instantly shifts back to the parellel minor 01:57 - Tremolo passage, derived from Theme 1 02:24 - Brief Transition, with Theme 1 in the left hand 03:11 - Theme 4 in G# Minor. Chopinesque in nature. 03:54 - Transition back to 04:15 - Theme 1, which continues the runs at 03:54 05:42 - Theme 2 in B Major, which undergoes development and key changes 07:18 - Theme 2 in B Minor, with agitated chords in the left hand 07:50 - Codetta 08:06 - A fiendishly difficult passage, featuring quick leaps, 5-against-2 rhythm, and grace notes. Derived from Theme 1 08:47 - Based on 02:15 09:32 - Climax. Theme 3, now violent. Colossal left hand chords bounce around the low registers 09:44 - Theme 1, with the right hand delayed by a measure, creating some interesting counterpoint 09:55 - Theme 1, inverted in the right hand 10:10 - Theme 1, labeled "Tutti" DEVELOPMENT 10:33 - Theme 5, in G Major. Similar to Theme 4 in texture and atmosphere 11:19 - Excerpt from 8:06, but one semitone lower 11:24 - Modulation to Theme 5 in Ab Major, which modulates a third higher to C Major 12:05 - Whirlwinds of arpeggios transitioning to 12:12 - Theme 1, which switches back and forth between inversion and no inversion 13:01 - Theme 2 in Eb Major, modulating to 13:13 - Theme 2 as alternating triplets, modulating from Abm -> Ebm -> Eb -> G -> Gm 14:00 - Theme 1, inverted again 14:26 - Theme 2 in the right hand, melody from 13:25 in the left hand. Starts in C Minor but shifts to the parellel of C Major 14:53 - Theme 2 in E Major 15:27 - Theme 2, with an enormously long pedal note on G#. 16:41 - Climax. Theme 2, now glorious and magnified. Modulates from Eb to G#m 17:10 - 12:05 17:20 - Transition based on an inverted Theme 1 RECAPITULATION 17:50 - Theme 1, labeled "Tutti" (brief piano passage at 17:59) 18:16 - Theme 4, now in A Major 19:05 - Theme 1, in F# Minor. (Alongside 13:13 and 20:40, my favorite moment in the piece.) 19:36 and 19:47 - Based on Theme 5 20:40 - Echoing rendition of Theme 2, in G# Major 21:50 - 07:18 in C# Minor 22:33 - Small, quiet chorale, with hints of Theme 2 in the right hand. First appearance in E Major, second in G# Minor 23:37 - Codetta CODA 23:57 - Extremely long repeated note passage. Labeled "quasi-tamburo" 24:11 - A majestic Theme 1, with even more glorification at 24:19 25:02 - Theme 1, but stripped from almost all of its notes, with only a threadbare line remaining. Twirls around many registers 25:34 - Theme 2, in Ab Major 26:27 - A creepy Theme 3, with both hands playing at opposite registers of the piano 26:43 - Climax. Theme 3 in Ab Major. All hints of creepiness gone, only glory remaining 26:58 - 17:41 27:06 - Passage based on Theme 3 27:23 - Inverted Theme 1 in the parellel major of Ab 27:43 - One last echo of Theme 2, which descends to rapid octaves that transitions to 27:56 - The end. Theme 1 closes the movement.
This is great! My favourite interpretation of this piece on RUclips. I am addicted to this piece, it's just absolutelly stunning and awesome piece full of joy, beauty, softness, drama, pensiveness and wisdom. And this piece has great form, I (as amateurish composer) really admire Alkan's way to edit, mix and perform themes and mainly in this piece. Every theme, motive, even every note has it's own place and they perfectly simbiosis with each other! Just peak of music!
![[MIDI] Alkan - Concerto for Solo Piano 1st Mvt (Op.39 - No.8)](http://i.ytimg.com/vi/V-j9dmDDlPs/mqdefault.jpg)
![NOSFERATU - Official Trailer [HD] - Only In Theaters December 25](http://i.ytimg.com/vi/nulvWqYUM8k/mqdefault.jpg)
Analysis:
EXPOSITION
00:01 - Theme 1 in the home key (labeled "quasi-trombe") opens the piece. Deceptive and slightly sarcastic.
00:46 - Theme 2 in E Major. More lyrical and tender in nature than Theme 1. Modulates by an interval of a third higher to G# Minor
01:22 - Transition, in Eb Minor
01:34 - Theme 3 in Eb Major, very heroic. Almost instantly shifts back to the parellel minor
01:57 - Tremolo passage, derived from Theme 1
02:24 - Brief Transition, with Theme 1 in the left hand
03:11 - Theme 4 in G# Minor. Chopinesque in nature.
03:54 - Transition back to
04:15 - Theme 1, which continues the runs at 03:54
05:42 - Theme 2 in B Major, which undergoes development and key changes
07:18 - Theme 2 in B Minor, with agitated chords in the left hand
07:50 - Codetta
08:06 - A fiendishly difficult passage, featuring quick leaps, 5-against-2 rhythm, and grace notes. Derived from Theme 1
08:47 - Based on 02:15
09:32 - Climax. Theme 3, now violent. Colossal left hand chords bounce around the low registers
09:44 - Theme 1, with the right hand delayed by a measure, creating some interesting counterpoint
09:55 - Theme 1, inverted in the right hand
10:10 - Theme 1, labeled "Tutti"
DEVELOPMENT
10:33 - Theme 5, in G Major. Similar to Theme 4 in texture and atmosphere
11:19 - Excerpt from 8:06, but one semitone lower
11:24 - Modulation to Theme 5 in Ab Major, which modulates a third higher to C Major
12:05 - Whirlwinds of arpeggios transitioning to
12:12 - Theme 1, which switches back and forth between inversion and no inversion
13:01 - Theme 2 in Eb Major, modulating to
13:13 - Theme 2 as alternating triplets, modulating from Abm -> Ebm -> Eb -> G -> Gm
14:00 - Theme 1, inverted again
14:26 - Theme 2 in the right hand, melody from 13:25 in the left hand. Starts in C Minor but shifts to the parellel of C Major
14:53 - Theme 2 in E Major
15:27 - Theme 2, with an enormously long pedal note on G#.
16:41 - Climax. Theme 2, now glorious and magnified. Modulates from Eb to G#m
17:10 - 12:05
17:20 - Transition based on an inverted Theme 1
RECAPITULATION
17:50 - Theme 1, labeled "Tutti" (brief piano passage at 17:59)
18:16 - Theme 4, now in A Major
19:05 - Theme 1, in F# Minor. (Alongside 13:13 and 20:40, my favorite moment in the piece.)
19:36 and 19:47 - Based on Theme 5
20:40 - Echoing rendition of Theme 2, in G# Major
21:50 - 07:18 in C# Minor
22:33 - Small, quiet chorale, with hints of Theme 2 in the right hand. First appearance in E Major, second in G# Minor
23:37 - Codetta
CODA
23:57 - Extremely long repeated note passage. Labeled "quasi-tamburo"
24:11 - A majestic Theme 1, with even more glorification at 24:19
25:02 - Theme 1, but stripped from almost all of its notes, with only a threadbare line remaining. Twirls around many registers
25:34 - Theme 2, in Ab Major
26:27 - A creepy Theme 3, with both hands playing at opposite registers of the piano
26:43 - Climax. Theme 3 in Ab Major. All hints of creepiness gone, only glory remaining
26:58 - 17:41
27:06 - Passage based on Theme 3
27:23 - Inverted Theme 1 in the parellel major of Ab
27:43 - One last echo of Theme 2, which descends to rapid octaves that transitions to
27:56 - The end. Theme 1 closes the movement.
23:56
내가 진짜 찾던부분 23:56 이거 찾느라 죽을 뻔;;
와.... 2시간 반동안 이걸 하셨다니ㄷㄷ
0:49 부터 감미롭구만 내 스탈이야
25:03~25:34 들을 때마다 감탄하는 파트....
미친 연타 ㅋㅋ
This is great! My favourite interpretation of this piece on RUclips. I am addicted to this piece, it's just absolutelly stunning and awesome piece full of joy, beauty, softness, drama, pensiveness and wisdom. And this piece has great form, I (as amateurish composer) really admire Alkan's way to edit, mix and perform themes and mainly in this piece. Every theme, motive, even every note has it's own place and they perfectly simbiosis with each other! Just peak of music!
3:11
이부분 마치 양탄자 타고 알라딘의 성으로 들어가는 느낌이라 너무 좋습니다
8:04
1:22
3:16
13:14
14:26
18:21
19:06
22:35
저는 개인적으로 1악장의 경우는 오케스트라의 울림을 잘 표현한거 같은 잭 기본스의 실황 연주를 가장 좋아했었는데, 2007년 음반 버젼도 그에 못지 않게 좋네요 :)
영상이 영원히 존속하기를 바라며...
40대도 곧 완성해 드리겠습니다
@@샤를-발랑탱-알캉 😃😃👉
모스크바의 여명 보고 오신 분 ?!?!
못참지~
23:57
nOIce
악보 직접 제작하신 건가요?
아니용