Scales That Work On ‘All Of Me’ - 🎸 Gypsy Jazz Guitar Soloing 🎸

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Scales That Work On ‘All Of Me’ - 🎸Gypsy Jazz Guitar Soloing🎸
This is a great lesson to help you get started with gypsy jazz soloing!
Inside the Gypsy Jazz Transfusion Club I coach students every day to help them reach their guitar playing goals.
This is a video response I made for Club Member Lluís Rost who asked:
"What scales can I play over the chords of 'All Of Me'?"
I made this video response for Lluís inside The Club to get him started with some basic scales he can use in his solo. I also made a backing track for 'All Of Me' which is handy for practicing over.
Main Points In This Lesson Are:
1. For C major use the C major scale. Learn it all over the neck!
2. For E7 use the Am harmonic scale (also the Bm melodic scale)
3. For A7 use the Dm harmonic scale
4. For Dm use any Dm scale
5. For D7 use the Gm harmonic scale
There are many more scales and ways of approaching soloing over 'All Of Me' but this is a good place to start.
I'm happy to say that this video response helped Lluís and he is making progress inside The Club
"Thanks Robin this helped!"
- Lluís
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[@zampano00]

Great stuff! Makin’ it easy...

[@GypsyJazzSecrets]

zampano00 right on man always trying to simplify! Robin

[@bill7016]

You've got some great gifts Robin, one is your sublime playing and the other your generous spirit. Thanks, I'm digging this and running. up and down the scales deliriously as we speak.

[@GypsyJazzSecrets]

Bill Haskett thanks Bill I’m really glad it helps! Robin

[@letsplayharmonica]

Hi! The whole of tumb instead of learn a lot of different scales is to play the chord arpeggio four notes (1° , 3° , 5° and 7°) and complete the chord scale with the notes of the tonality. For example: E7 chord arpeggio notes are E, G#, B and D. The other missing three notes to complete the E7 scale are F, A and C. The same notes of the tonality and the same notes of Am harmonic scale. The second example is D7 scale, which chord arpeggio notes are D, F#, A and C (1°, 3°, 5° and 7°). The missing three notes to complete D7 scale are the same of CMajor tonality: E, G and B. The same unaltered notes of the tonality. Lastly, there is the A7 chord arpeggio, which notes are A, C#, E and G (1°, 3°, 5° and 7°). Instead of think in Dm harmonic scale, we can only complete the scale with the three notes that is missing to complete the A7 scale, that are B, D and F. So, we have the same notes of D harmonic minor scale. Only completing the missing notes with the same ones of the tonality.

[@GypsyJazzSecrets]

This is great thanks for this insightful and helpful comment José!

[@adriansantana3493]

Thanks a Lot my friend!

[@GypsyJazzSecrets]

Adrian Santana welcome Adrian! Robin

[@Tonysmithmusic]

great feature of youtube is to slow down playback on backing tracks, so usefull.

[@GypsyJazzSecrets]

Tony Smith yes very handy Tony! Robin

[@lusilva7295]

Oh man thank you very much I just found this, don’t know if it was directly for me but I will take it! Thanks for the courses I am so stocked and learning a lot more now, stay safe Robin.

[@GypsyJazzSecrets]

perfect Luis stay inspired mate! Robin

[@polegar14]

Great video that was exactly the content I needed, I learnt so much in only 7 minutes !

[@GypsyJazzSecrets]

glad it helps mate! Robin

[@johnnycoldweather1541]

Hi Robyn this really helped me unlock the mystery of improv in this song. I can also apply it to other secondary dominant progressions. Thanks ,

[@douglinaker2368]

This is a useful pattern I'm now experimenting with - Thanks Robin!

[@GypsyJazzSecrets]

Doug Linaker glad it helps mate! Robin

[@sambot4154]

Merci buddy!

[@GypsyJazzSecrets]

welcome Sam! Robin

[@GustavoStrauss]

nice teaching style 👌🏽👌🏽👌🏽

[@GypsyJazzSecrets]

Gustavo Strauss thanks Gustavo! All the best 🎸❤️Robin

[@tharvey2]

done

[@GypsyJazzSecrets]

cool Thierry, Robin

[@mishiknezevic5102]

❤