One of the great ewels of Chopin the op.60 .She has complete tonal resources can play any dynamic and get any shading ,color from piano she wants .Problem there i s too much bombast ,violence and sometimes a hint of indulgence.I luv her freedom .It is what classical audiences need to get more people into the concert halls.And she makes the music new for those who have heard this music played a thousands times the same way .She is thrilling and never plays the same way twice. Poet and seer all in one ! I ust hope she doesn't get too lost in the moment and forget important musical proprieties like line , planning of the musical argument , musical sequences ,logic ,detail should never overplay the larger statement .The big moment at 5:08 lost its poignancy and rhythmic shape other less important areas sounded more beautiful than i have ever heard them nd the interlude at 6:40 was not portrayed well .this piece is long and one of the great testaments .I think if I hear her bach,Beeth and Hadyn I will know more about her real ability to stay reserve.Right now a bit like the young Argerich (she is not at all at that level of artistry ,though she is a great communicator :her gift ) she has too much nervosity to play Mozart or even a Hadyn sonata well.Im going to hear her Bach now .I know it will be a surprise.Toosongful and lacking the right Bach style but I must find out what she does in Bach.
incomparably beautiful, innate musicality, elemental forces...force of nature, god-gifted genius, graceful and powerful ad libitum and rubatos, cosmic, improvised spontaneous quality of sound, so enchanting...every cell vibrates...sublime, spellbinding....every sound and note comes from and goes straight to the heart...ethereal...rare passionate perfume...voices of archangels and of a raging ocean...plays and lets you in ecstasy.... incomparable grace...transcendental power...loving....just like chopin.
violets, narcissus, extreme purity and clarity of singing melody... steady falling notes in a bravely way...notes even as a hair...supernatural sound...playing like when you are alone...enchantment...mastery on every note, delightful phrasing, delicate shades, magnetism...vigor, virility, elegance, refined warm touch...jeu perle...naturalness...inspiration...charming simplicity as arts final seal...passion...lost in a dream...she has everything chopin loved.
so charming and loving at the end when she can´t help but smile of pure pleasure while sound still flies beautifully in the air...very musical last two chords in pp as harmonics..wonderful calando...ritardandos, leggieros, polyphony...everything in good taste.... she just plays colors, feelings, not technical mechanics like most...her scales, arpeggios... are musical...old school....amateur in the good sense, as loving music for the sake of it...not for money or fame...after all music is a mystical sacred thing...for her
How could Chopin anticipate the brutal and quasi erotic beauty of Fritz Maisenbacher? Chopin himself was too weak to fathom his own music I now understand, Mahlheur, Brucknör and Wagnör are of confirmed spirituality. Now Chopin comes close to a mystical sacred thing, a ligth at the end of the angular tunnel!
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The fast boat song...You have a very different charm.I enjoyed it.^*^
와 진짜 새롭고 신박하고 획기적이고 짜릿해.....♡ 사랑해요♡
덕분입니다 감사드립니다 사랑합니다 최고십니다 자랑스럽습니다
덕분에 행복합니다
One of the great ewels of Chopin the op.60 .She has complete tonal resources can play any dynamic and get any shading ,color from piano she wants .Problem there i s too much bombast ,violence and sometimes a hint of indulgence.I luv her freedom .It is what classical audiences need to get more people into the concert halls.And she makes the music new for those who have heard this music played a thousands times the same way .She is thrilling and never plays the same way twice. Poet and seer all in one ! I ust hope she doesn't get too lost in the moment and forget important musical proprieties like line , planning of the musical argument , musical sequences ,logic ,detail should never overplay the larger statement .The big moment at 5:08 lost its poignancy and rhythmic shape other less important areas sounded more beautiful than i have ever heard them nd the interlude at 6:40 was not portrayed well .this piece is long and one of the great testaments .I think if I hear her bach,Beeth and Hadyn I will know more about her real ability to stay reserve.Right now a bit like the young Argerich (she is not at all at that level of artistry ,though she is a great communicator :her gift ) she has too much nervosity to play Mozart or even a Hadyn sonata well.Im going to hear her Bach now .I know it will be a surprise.Toosongful and lacking the right Bach style but I must find out what she does in Bach.
임현정 씨 만의 세련되고 로맨틱 넘치는 뱃노래 최고입니다 😍 더욱이 여운을 남기는 엔딩~~ 큰 감동이에요~~^^너무 감사합니다🙏
Superbe partage. Merci.
오직 임현정의 연주만 주구장창 듣는다
현정씨의 음악이 자꾸 나의 무의식 세계를 끌어당기네요.
I wait expectantly next music, update.
Good job!
이거 빠르게 연주한 사람도 없거니와 이런 스타일 자체를 처음 듣는데 은근 매력있다...
아르헤리치 데뷔리사이틀도 꽤 빠른편인데 이게 실황앨범이 맞나 싶을만큼 디테일이 쩔고 음색이나 리듬이 아주 다채로워서 역시 매력적입니다! 개인적으로 원픽입니다!
once, HJ LIM a wonderful artist .....
Wonderful. I fell in love.
oh, i love her so! More please!
빠르고 정확한연주
If a star has a thousand eyes, you're a thousand attractive performers.
incomparably beautiful, innate musicality, elemental forces...force of nature, god-gifted genius, graceful and powerful ad libitum and rubatos, cosmic, improvised spontaneous quality of sound, so enchanting...every cell vibrates...sublime, spellbinding....every sound and note comes from and goes straight to the heart...ethereal...rare passionate perfume...voices of archangels and of a raging ocean...plays and lets you in ecstasy.... incomparable grace...transcendental power...loving....just like chopin.
Transcendant et belle.
전 직접가서 들었었는데 너무나도 훌륭한연주였습니다ㅠㅠ 정말 다이내믹하며 프레이징하며 들어본 여러뱃노래실황,음원중 제일 기가막힌연주였네요. 브라바!!!Brava!!!!!!
HY C 님 안녕하세요. 부럽습니다.
violets, narcissus, extreme purity and clarity of singing melody... steady falling notes in a bravely way...notes even as a hair...supernatural sound...playing like when you are alone...enchantment...mastery on every note, delightful phrasing, delicate shades, magnetism...vigor, virility, elegance, refined warm touch...jeu perle...naturalness...inspiration...charming simplicity as arts final seal...passion...lost in a dream...she has everything chopin loved.
💛💛💛
Hj Lim Barcarolle is the best.
Omg the ending!!!!!!
She knows how to attract the listeners!
나무 관세음보살.
나무 이근 원통.
침묵의 소리🎵🎶🎈....
so charming and loving at the end when she can´t help but smile of pure pleasure while sound still flies beautifully in the air...very musical last two chords in pp as harmonics..wonderful calando...ritardandos, leggieros, polyphony...everything in good taste.... she just plays colors, feelings, not technical mechanics like most...her scales, arpeggios... are musical...old school....amateur in the good sense, as loving music for the sake of it...not for money or fame...after all music is a mystical sacred thing...for her
Javier Serralta San Martin oooooohhhhh
임현정 답다 ㅋㅋ
Seems like HJ Lim :)
2.37.:)..
How could Chopin anticipate the brutal and quasi erotic beauty of Fritz Maisenbacher? Chopin
himself was too weak to fathom his own music I now understand, Mahlheur, Brucknör and Wagnör
are of confirmed spirituality.
Now Chopin comes close to a mystical sacred thing, a ligth at the end of the angular tunnel!
too fast
HJ is absolutely.. maybe.. right