Take private lessons online with me! Trumpet, brass, theory, composition & arranging, improvisation, or whatever musical/life coaching you’d like to work on. More information at www.bradharrison.ca/lessons
This is really good. Humorous and informative. I've been playing piano for ten years and wish I saw this video during my early years of study. You communicate the ideas in a very interesting and engaging way. Keep up the great work! Thanks for efforts.
Brad,the best music teacher ever! I'm watching this vid and the circle of 5ths every day til I can breathe this,really,every day...day 2. Thank you, I am very picky about my teachers,but you Rock!
I've recently retired and have taken to learning the piano (one of the many, many, many items on my retirement bucket list). Found your channel on the web and just love your videos... the manner in which you present music theory is superb and the humour is the absolute icing on the cake!!
You rock dude! Great explanation. Glad to learn it's subjective. I'm learning on my own with the Alfred books which are fantastic but it doesn't explain this and I was worried I wasn't playing at the right volume but this takes a bit of stress off.
00:47 fyi pizza also adds a saucy cheesy texture to the piece. gelato makes it a bit colder, but along the more satisfying feel. both not recommend to play if lactose intolerant
Wasn't expecting an UwU jumpscare like that 😂 I purposefully try and not use UwU, instead using ^w^ or >w< in it's place. Though, UwU is used for low-positive emotion. Like drinking hot cocoa during winter. ^w^ and >w< might be to energetic, showing more of a high-positive emotion. In the end, you probably used UwU as a joke and probably didn't want a ted-talk about it... Too bad >w
@@lilyofluck371 Wasn't expecting an uwu jumpscawe wike thawt 😂 i puwposefuwwy twy awnd nowt use uwu, instead using ^w^ ow >w< in iwt's pwace. Though, uwu iws used fow wow-positive emotion. Wike dwinking hot cocoa duwing wintew. ^w^ awnd >w< might be tuwu enewgetic, showing mowe of a high-positive emotion. in the end, uwu pwobabwy used uwu as a joke awnd pwobabwy didn't wawnt a ted-tawk abouwt iwt... Too bad >w
Thank you so much for making very very useful video tutorials. You are a amazing the way you explain it’s very easy to understand. I am now a regular follower of your channel. Thank you 🙏
2:10 actually in italian you add a "missi" for every p or f, so ppp becomes pianissimissimo and ffff becomes fortissimissimissimo. People don't use these very often when talking though.
Great Video lesson - thanks alot! I have just begun singing for a big Jazz Band. (16pce) Jazz Standards are obviously the mainstay of the repertoire. For the first time I am having to read, understand and express whats on the sheet music. This lesson has helped me get to grips with most of the dynamics I come across.
Most of the time I see fz instead of pf or fp From wikipedia: Accented notes can be notated sforzando, sforzato, forzando or forzato (abbreviated sfz, sf, or fz) ("forcing" or "forced"), or using the sign >, placed above or below the head of the note. Sforzando (or sforzato, forzando, forzato) indicates a forceful accent and is abbreviated as sf, sfz or fz. There is often confusion surrounding these markings and whether or not there is any difference in the degree of accent. However, all of these indicate the same expression, depending on the dynamic level,[11] and the extent of the sforzando is determined purely by the performer.
I'm Brazilian and I remember that when i learned about some of this names i start searching about Portuguese relation with theorical music because it's almost the same names in Portuguese lol
Merci beaucoup for this. Even though you misspelled miner at the end. You probably got the words mixed up since you spend so much time in music education. I worked in a mine and had to learn how to spell since I had to write the paychecks. I usually didn't write the check to any flat miners (when they were hit by falling softs), I'd write to their orphaned kittens. BTW Seymour Bernstein was doing a video about either Chopin or Beethoven and he had a different definition of the crescendo or dimuendo bars. I didn't really understand it, since music isn't really my thing. Flattened softs aren't easy to play.
Isn't dynamics linked with the strength with which a note gets played rather than the volume? Cuz as an example, on an electric piano when a note gets played "forte" (strong), it can still get turned down in loudness, which doesn't change the timbre or tone of the note.
I would call that articulation, or some prefer the word attack. I can play legato, tenuto, staccato, marcato, etc at a variety of volumes. Different instruments have different abilities or weakness but dynamics is really just volume.
I want to ask about crescendo and decrescendo. In the context of crescendo, is there any limit in increasing the volume? or is it just based on our feeling?
Most of the time you’ll see target dynamics (pp < mf, f > p, etc), but yeah some composers will just leave a dim or cresc hanging and you just have to decide what’s appropriate.
That would be a question for a recording engineer. There are problem resources and tips online too but that's generally outside of my experience and training.
I had to groan at the jokes at the end. And as punishment, here are a couple more. "Who are drummers often seen hanging around with?" ... "Musicians". And "What's the difference between a musician and a pizza?" ... "A pizza can feed a family of four."
Fortepiano is a specific execution of a specific dynamic(very strong to very quiet immediately). Sforzando is a very strong accent. You could play a sfz accent and continue along at any dynamic. Also, these types of expression markings are not precise and up to your interpretation as a performing or the requests of your conductor of music director.
@@BradHarrison But, still p/ f does not fall back to normal, because mf or mp is little higher or lower than normal. Anyway, I am a military officer and working as music research officer of Army School of Music, Bangladesh Army. Here I don't find experts in this aspects. I always follow your lessons. But, still I think there is no dynamic to fall back to normal volume from p or f. Many thanks for your kind reply. I hope to keep contact you.
What would you consider “normal”? I always teach that mf is normal volume, with no particular effort to be loud or soft, it’s just the volume that comes out I consider mf to be medium/normal volume. Some people might disagree but dynamics by their nature are not defined. Nobody is using a decibel meter to decide if you’re loud or soft enough. You can do that with tempo and pitch but nobody does it with volume. So you just try to make a musical decision that works in whatever context you’re in. Hope that helps! And thanks very much for the support!! Very cool to be in touch halfway around the world. All the best!
I think if you put a dynamic on each staff it would be clear that you want them to be different. You could also add “R.H.” or “L.H.” to be clearer. But I’m not an expert in piano notation per se. Might be best to ask your teacher or maybe somewhere like a piano forum or subreddit.
@@BradHarrison Thanks for answering. Yeah I thought about putting a dynamic in each staff but the software I'm using (MuseCore) apparently only takes other one in the RH. Maybe if a professional pianist reads it he'll play like I want, but currently I have no way to know since this software is the only tool I have for this
So glad you enjoyed the video but I'm sorry to say that I do not consent to having my videos copied and redubbed. RUclips does have a subtitle feature that may be useful though. All the best!
@@BradHarrison I got it. The thing is that there are no captions and the automatic translation is horrible, they couldn’t understand without me, furthermore, some kids are too young and cant even read so fast neither. I will not do the redubb. Thanks for your answer. Greetings.
Y allí es donde nos hacemos pedazos los vientos ,por que Pf,siempre son notas agudas pero pero han de sonar agradables cuando son agudas y o la embocadura pasa mas trabajo.
I question your meaning for the left and right facing “hair pins”. These two symbols don’t mean crescendo and diminuendo. These refer to “ RUBATO”. The crescendo actually means to slow down and the diminuendo means to speed up. The volumn of the notes covered by the RUBATO are determined by the dynamic before and after the RUBATO is finished. I refer you to a talk by Seymour Bernstein, where he clearly explains the how and the why of the RUBATO symbols. You will see the veracity of this explanation by close examination of scores p, particularly those by Chopin.
I’m sorry but that is not correct. Crescendo and diminuendo refer to volume/dynamics and are commonly notated with what are also commonly referred to as hairpins. Rubato and it’s effects on tempo are unrelated to volume. You can increase or decrease speed/tempo and volume independently. The most common word to indicate speeding up is accelerando and the most common words for slowing down are ritardando and rallentando. I’d be curious to hear what Mr Bernstein was talking about in context if you have a link. He may have been drawing a parallel between dynamics and expression and performance technique. I’d be surprised if he was redefining those markings from common interpretation.
Hey, I actually found the source of this claim. It’s interesting and he makes a strong case. But even he admits he gets into arguments about this with his colleagues, so it’s a pretty contentious position. He also says that most people don’t know this, which means it’s not how the symbols are commonly used and interpreted by most composers and performers. I’d say that it’s very interesting historical context for the performance of romantic piano works, and you can get a cue that a composer is using the symbols that way if they appear redundant(I.e. closing hairpin following by a dim.). Music is a language that evolves over time, and composers often have their own notational quirks, but treating hairpins as rubato seems to be a niche case. And if you try to write music today using the symbols that way, you’ll only confuse people and slow down rehearsal, so I’d recommend sticking with common practices. But it’s an interesting thing to keep in mind for specific cases!
Here we go, finally, after 18 years (4 years in conservatoire) of studying piano I'm trying to get it what's the difference between mp and mf. My teacher says it's all metaphorical 😁 For now I think that mf is you just play in the most natural way, like you're trying to "sing" on the piano, "confidently", but without any extra pressure. Imagine if your teacher asks you a question in a classroom and you answer so he can hear it clearly even from the back of the class. But not deliberately "loud". And mp is also the same, but I guess like you treat more "gently" with your sound, so it sounds softer. Like you're talking on the phone.
I think I’d agree with that. These expression markings are always up for interpretation. I’ve play pretty loud mp and pretty soft mf because the context demanded it. Depends where you’re going, where you’re coming from, and what else is going on in the band.
Take private lessons online with me! Trumpet, brass, theory, composition & arranging, improvisation, or whatever musical/life coaching you’d like to work on. More information at www.bradharrison.ca/lessons
This is really good. Humorous and informative. I've been playing piano for ten years and wish I saw this video during my early years of study. You communicate the ideas in a very interesting and engaging way. Keep up the great work! Thanks for efforts.
When he said "Pianississississississimo" I felt that
Certainly didnt hear it
He really said “fortesisisisisisisisisisisisiissssssisisisismo”
Penis
Excellent presentation! Thanks! I look forward to sharing it with my beginner students!
So glad to hear it!
you are criminally underrated, keep up the content you provide, definitely worth watching.
The amount of information in this video was...voluminous!
Thank you for such a great explanation of what dynamics are. You can understand …as a bagpiper I had no idea! We have only one volume …11.
Ha! As a trumpet player, I feel a kinship with pipers and also spend a lot of time at 11. All the best!
This is nothing short of excellent explanation! Very informative but in a very entertaining way. Keep it up!
Brad,the best music teacher ever! I'm watching this vid and the circle of 5ths every day til I can breathe this,really,every day...day 2. Thank you, I am very picky about my teachers,but you Rock!
Met to put this in "note naming",but all the vids are good!
I got hungry when he mentioned pizza, now I want some ;-;
wanna share😳
So as gelato
Never ate pizza in my life lol
Pizza; now, *
69th like 😳
Really helped my class understand dynamics better!! Thank you!
I've recently retired and have taken to learning the piano (one of the many, many, many items on my retirement bucket list). Found your channel on the web and just love your videos... the manner in which you present music theory is superb and the humour is the absolute icing on the cake!!
Great teacher, this guy! Quite an imagination, creative… funny! Love him!
Love the images and the humour. Great lesson
You rock dude! Great explanation. Glad to learn it's subjective. I'm learning on my own with the Alfred books which are fantastic but it doesn't explain this and I was worried I wasn't playing at the right volume but this takes a bit of stress off.
Good luck...😊
@@sarinamatnoor9058 Thanks 🙏😇
00:47 fyi pizza also adds a saucy cheesy texture to the piece. gelato makes it a bit colder, but along the more satisfying feel. both not recommend to play if lactose intolerant
I love the hummor you put into teaching & how hilariously fun you make learning music UwU Bless your sould good sir
Thanks so much!
Wasn't expecting an UwU jumpscare like that 😂 I purposefully try and not use UwU, instead using ^w^ or >w< in it's place. Though, UwU is used for low-positive emotion. Like drinking hot cocoa during winter. ^w^ and >w< might be to energetic, showing more of a high-positive emotion.
In the end, you probably used UwU as a joke and probably didn't want a ted-talk about it... Too bad >w
@@lilyofluck371 Wasn't expecting an uwu jumpscawe wike thawt 😂 i puwposefuwwy twy awnd nowt use uwu, instead using ^w^ ow >w< in iwt's pwace. Though, uwu iws used fow wow-positive emotion. Wike dwinking hot cocoa duwing wintew. ^w^ awnd >w< might be tuwu enewgetic, showing mowe of a high-positive emotion.
in the end, uwu pwobabwy used uwu as a joke awnd pwobabwy didn't wawnt a ted-tawk abouwt iwt... Too bad >w
Ok thank my son is loving your online lessons and videos we thank you
So glad to hear it! All the best!
Great presentation. LOVE your sense of humor
Thanks for the kind words! So glad you’re enjoying the videos!
Absolutely brilliant explanation of dynamics.
This videos are sooo well done. Thanks!
Thank you so much for making very very useful video tutorials. You are a amazing the way you explain it’s very easy to understand. I am now a regular follower of your channel. Thank you 🙏
As an italian i feel privileged to study this and knowing already every term
God bless you, Allah razı olsun, thank you so much.. I wish all lessons are like this in my school
2:10 actually in italian you add a "missi" for every p or f, so ppp becomes pianissimissimo and ffff becomes fortissimissimissimo.
People don't use these very often when talking though.
Excellent work. This is fun and educational
this is really fun to watch
This was amazing!!
You're a real Professor!
Thanks for taking time into this beautiful video🤙🏼
0:43 Pizza - fuel
I thought it was a legitimate thing and for 30 minutes straight I was trying to look it up LMAOO
Haha. Also, “gelato”.
Thank you very much. Very ilustrative.
I love this content! This guy is awesome! Thank you for explaining these boring theory into laughing memories!😁👍👍👍🙏🙏🙏❤❤
Great Video lesson - thanks alot! I have just begun singing for a big Jazz Band. (16pce) Jazz Standards are obviously the mainstay of the repertoire. For the first time I am having to read, understand and express whats on the sheet music. This lesson has helped me get to grips with most of the dynamics I come across.
Great video, very helpful!
Learn to play piano with my friends at Skoove: www.skoove.com/#a_aid=bradharrisonmusic
I died when he called the saxophone the sharp. But it’s so true!
Most of the time I see fz instead of pf or fp
From wikipedia:
Accented notes can be notated sforzando, sforzato, forzando or forzato (abbreviated sfz, sf, or fz) ("forcing" or "forced"), or using the sign >, placed above or below the head of the note.
Sforzando (or sforzato, forzando, forzato) indicates a forceful accent and is abbreviated as sf, sfz or fz. There is often confusion surrounding these markings and whether or not there is any difference in the degree of accent. However, all of these indicate the same expression, depending on the dynamic level,[11] and the extent of the sforzando is determined purely by the performer.
Fz, sfz, etc are accents. This video is about dynamics.
i was so confused when i saw fp on my music sheet, THANK YOU!!
I love you.. You are a gift! Thank you!
Very helpful, thank you
Gonna start using the "Anyway, here's Wonderwall" for my guitar playing friends when they get to loud
fortissississississississississississiissississississississimo
You remind me of Proko, but for music instead of drawing!
Great video.
Damn, so when we go to the pizzaria we are eating _fuel_
Yep
Good ol' petrol.
Awesome video, would be great if we had some audio examples
I'm Brazilian and I remember that when i learned about some of this names i start searching about Portuguese relation with theorical music because it's almost the same names in Portuguese lol
Ótimo professor. Obrigado.
Thanks you so much. Could you teach modulations and variations
as a violin player 6:00 "can we get an a" was hilarious
5:58 very accurate for saxophone
Me, an italian: **Laughs in Sol**
Me, an brazillian: *laughs in Fá*
Me, a Kurd: Laughs in microtonals
Me, a Cuban: laughs in Re
Well done!!
Great Videos. Do you have one on Time Signatures?
Not yet. But I’m planning on doing one this year.
❤ thanks 👍... perfect
I truly enjoyed your Musical Theory Videos. Do you give On-line lessons. If so what is your cost and Website to sign up. Thank you so much.
Glad to hear it! I do offer online lessons. Check this link for info and send me a note there. www.bradharrison.ca/lessons
Displaying the multiple instruments and only the piano is named after the type of sound it makes and here comes guitar.. Wonderwall
this helped so much!
this is great thank you
Great explanation! 👍
Very good explanation
I don't know why but you are so funny😂
Thanks!
Merci beaucoup for this. Even though you misspelled miner at the end. You probably got the words mixed up since you spend so much time in music education. I worked in a mine and had to learn how to spell since I had to write the paychecks. I usually didn't write the check to any flat miners (when they were hit by falling softs), I'd write to their orphaned kittens.
BTW Seymour Bernstein was doing a video about either Chopin or Beethoven and he had a different definition of the crescendo or dimuendo bars. I didn't really understand it, since music isn't really my thing. Flattened softs aren't easy to play.
Isn't dynamics linked with the strength with which a note gets played rather than the volume? Cuz as an example, on an electric piano when a note gets played "forte" (strong), it can still get turned down in loudness, which doesn't change the timbre or tone of the note.
I would call that articulation, or some prefer the word attack. I can play legato, tenuto, staccato, marcato, etc at a variety of volumes. Different instruments have different abilities or weakness but dynamics is really just volume.
@@BradHarrison Okay, thanks for clarifying your opinion ^^
thanks for the lesson
Great video
The way the title reads: Everything you need to know so u dont fail music class in 7 minutes.
Me: I'll probably fail in 6 minutes honestly 😂
At least you’re not wasting any more time than you need to. ;-)
not me watching all these videos when i have my western music exam tomorrow?😭
Thank you
Good vid!
I want to ask about crescendo and decrescendo. In the context of crescendo, is there any limit in increasing the volume? or is it just based on our feeling?
Most of the time you’ll see target dynamics (pp < mf, f > p, etc), but yeah some composers will just leave a dim or cresc hanging and you just have to decide what’s appropriate.
@@BradHarrison Got it, thanks!
idc if this is 2 years ago we must make a petition to change the name to pianoforte
i needed it last music class oof
What suggestions,problems recording with string instruments and bagpipes?
That would be a question for a recording engineer. There are problem resources and tips online too but that's generally outside of my experience and training.
@@BradHarrison thanks for response, appreciate your posts!
I had to groan at the jokes at the end. And as punishment, here are a couple more. "Who are drummers often seen hanging around with?" ... "Musicians". And "What's the difference between a musician and a pizza?" ... "A pizza can feed a family of four."
This was informative and hilarious all at once. fffffunny
So glad you enjoyed!
Very good Video!
Lol, I’m gonna comment just because the comments are barren...
Great video. by the way, what is the background music that you used for the video? i like it a lot
someone needs to show this to a saxophone/percussionist
Gelatissimo.
The drippy blaster 😂
thanks for also teaching me italian
Is fortepiano the same as sforzando?
Fortepiano is a specific execution of a specific dynamic(very strong to very quiet immediately). Sforzando is a very strong accent. You could play a sfz accent and continue along at any dynamic. Also, these types of expression markings are not precise and up to your interpretation as a performing or the requests of your conductor of music director.
"Uhhhh, how about I just don't play" LOL
How to return from piano/ fourty to normal volume? How do I make my students understand that effect of p/ f is over?
It lasts until you see a new dynamic. F/p would last forever until mf(or whatever) is indicated.
@@BradHarrison
But, still p/ f does not fall back to normal, because mf or mp is little higher or lower than normal. Anyway,
I am a military officer and working as music research officer of Army School of Music, Bangladesh Army. Here I don't find experts in this aspects. I always follow your lessons.
But, still I think there is no dynamic to fall back to normal volume from p or f.
Many thanks for your kind reply. I hope to keep contact you.
What would you consider “normal”? I always teach that mf is normal volume, with no particular effort to be loud or soft, it’s just the volume that comes out I consider mf to be medium/normal volume. Some people might disagree but dynamics by their nature are not defined. Nobody is using a decibel meter to decide if you’re loud or soft enough. You can do that with tempo and pitch but nobody does it with volume. So you just try to make a musical decision that works in whatever context you’re in. Hope that helps! And thanks very much for the support!! Very cool to be in touch halfway around the world. All the best!
6:44 now if anyone asks me what instrument I play, this is the answer 🤣😂
Hi, I've got a question:
Can I indicate a dynamic but ONLY for the right hand?
I think if you put a dynamic on each staff it would be clear that you want them to be different. You could also add “R.H.” or “L.H.” to be clearer. But I’m not an expert in piano notation per se. Might be best to ask your teacher or maybe somewhere like a piano forum or subreddit.
@@BradHarrison Thanks for answering. Yeah I thought about putting a dynamic in each staff but the software I'm using (MuseCore) apparently only takes other one in the RH.
Maybe if a professional pianist reads it he'll play like I want, but currently I have no way to know since this software is the only tool I have for this
Can I make Spanish version audio for my students that do not understand? How can I get authorization to use your video?
So glad you enjoyed the video but I'm sorry to say that I do not consent to having my videos copied and redubbed. RUclips does have a subtitle feature that may be useful though. All the best!
@@BradHarrison I got it. The thing is that there are no captions and the automatic translation is horrible, they couldn’t understand without me, furthermore, some kids are too young and cant even read so fast neither. I will not do the redubb. Thanks for your answer. Greetings.
THE LAST JOKE LOL
I've heard that the way to get a trumpet player to play fortissimo is to ask them to play pianissimo.
Can we have a videi about Ornaments?💙
Wait….”ff” for Forte squared? Or Fortissimo
Immediately knew the background music was IRealPro 💀
nice
This is how much people got sent here by their teachers
|
|
|
1
"Anyway, here's Wonderwall" 💀
Y allí es donde nos hacemos pedazos los vientos ,por que Pf,siempre son notas agudas pero pero han de sonar agradables cuando son agudas y o la embocadura pasa mas trabajo.
I question your meaning for the left and right facing “hair pins”. These two symbols don’t mean crescendo and diminuendo. These refer to “ RUBATO”. The crescendo actually means to slow down and the diminuendo means to speed up. The volumn of the notes covered by the RUBATO are determined by the dynamic before and after the RUBATO is finished. I refer you to a talk by Seymour Bernstein, where he clearly explains the how and the why of the RUBATO symbols. You will see the veracity of this explanation by close examination of scores p, particularly those by Chopin.
I’m sorry but that is not correct. Crescendo and diminuendo refer to volume/dynamics and are commonly notated with what are also commonly referred to as hairpins. Rubato and it’s effects on tempo are unrelated to volume. You can increase or decrease speed/tempo and volume independently. The most common word to indicate speeding up is accelerando and the most common words for slowing down are ritardando and rallentando. I’d be curious to hear what Mr Bernstein was talking about in context if you have a link. He may have been drawing a parallel between dynamics and expression and performance technique. I’d be surprised if he was redefining those markings from common interpretation.
Hey, I actually found the source of this claim. It’s interesting and he makes a strong case. But even he admits he gets into arguments about this with his colleagues, so it’s a pretty contentious position. He also says that most people don’t know this, which means it’s not how the symbols are commonly used and interpreted by most composers and performers. I’d say that it’s very interesting historical context for the performance of romantic piano works, and you can get a cue that a composer is using the symbols that way if they appear redundant(I.e. closing hairpin following by a dim.). Music is a language that evolves over time, and composers often have their own notational quirks, but treating hairpins as rubato seems to be a niche case. And if you try to write music today using the symbols that way, you’ll only confuse people and slow down rehearsal, so I’d recommend sticking with common practices. But it’s an interesting thing to keep in mind for specific cases!
Here we go, finally, after 18 years (4 years in conservatoire) of studying piano I'm trying to get it what's the difference between mp and mf.
My teacher says it's all metaphorical 😁
For now I think that mf is you just play in the most natural way, like you're trying to "sing" on the piano, "confidently", but without any extra pressure. Imagine if your teacher asks you a question in a classroom and you answer so he can hear it clearly even from the back of the class. But not deliberately "loud". And mp is also the same, but I guess like you treat more "gently" with your sound, so it sounds softer. Like you're talking on the phone.
I think I’d agree with that. These expression markings are always up for interpretation. I’ve play pretty loud mp and pretty soft mf because the context demanded it. Depends where you’re going, where you’re coming from, and what else is going on in the band.