The weirdest thing is that this is the second time I've seen a content creator put their own ads on their RUclips channel. I wonder if they get money from this.
Even though I knew the vast majority of these, I watched the whole video. I really admired how smoothly you put it together, and how clear and concise your explanations were. And I did end up learning a few new terms like "simile," "anacrusis," and "rallentando." Amazing video.
I suppose given that David didn't differentiate between them, that "rallentando" and "ritardando" are only subtly different and not in a hard and fast way.
A mazing. In two words. I'm trying to build up my music knowledge especially since I started piano when I turned 65. I was the kid that the choir teachers told to move my lips and not make a sound. I joked that I had two left ears. There is another famous music channel that talks music theory, but he has a difficult time explaining things simply, without assuming that you have intimate knowledge of advanced ideas. To talk at a basic level is a gift, and you are a gifted person. Merci beaucoup.
Back in the pre-internet stone age, it took me years and a couple of books and sheet music explanations to get to know most of these, and still there were a couple that I've heard of for the first time time. It's a must see for all music lovers/amateur musicians to save valuable time. Hats off, David, for this gem!
I’m 2 minutes in and I’m learning so much. I thought I would have known most of the stuff in the first half and I was wrong… thanks for making me learn more!
Little kids guitar teacher here. I always stress the importance to them of learning the fundamentals of music theory, even if just to make my life easier explaining things to them as a teacher. Most of them are probably a little bit too young to grasp everything in this video but I'm going to show it to one of my students tomorrow. This is fantastic information, very well presented. Great video. Thank you.
Now Rick Beato is off interviewing all the big music stars, David is becoming genuinely one of the best music educators on RUclips. Congrats on your growth, David. Well-deserved.
When you talked about Dynamics, it wasn't enough developped: You only mentionned piano and forte, but there's also: ppp: pianississimo = extremely soft pp: pianissimo = very soft mp: mezzopiano = moderatively soft mf: mezzoforte = moderatively loud ff: fortissimo = very loud fff: fortississimo = extremely loud cresc. ( or >): crescendo = louder and louder dim. (or
I agree. Also something else ( nothing to do with dynamics or tempo) is pizzicato , a violin technique where you pinch (I thnik it's like that in English) the string as you would do on a guitar, giving a particular sound
These were the best 30 minutes I have ever spent learning music theory. That video is so informative and so well explained, but what makes it special are the transitions that are so smooth that it all feels genuinely connected and logical - so much that I have watch it all at once. THANK YOU!
It’s really good. I feel like there was a more missing in dynamics. What about mezo piano/forte? What about pianissimo/fortissimo? What about crescendos and decrescendos? What about sforzando?
the way I've heard so many of these terms before but never understood the technical reasoning behind their names - like diminished chords - is wild. I'm so appreciative of your videos, they really are absolutely brilliant. you explain things in such a simple, concise way without ever making me feel silly for not knowing those things. I've been watching your videos for maybe a year now and I've learned more from them about music theory than I ever did in high school choir or band. thank you
Even though I know most of this already, kudos from my side for the work you put into this video. Just adding the list of 50+ chapters to make things easier to find is already a lot of work.
Excellent flow through the terms! Missed most Italian words for tempo, coda, segno, capo, rests, leger lines, double bar lines, dotted bar, brace, crescendo, and diminuendo from the top of my head. Awesome work though - bring on the sequel!
Fabulous summary! Very impressive to pack so much into a short video yet maintain your usual clarity. How about counterpoint, fugue, chromatic mediant, suspension, register, measure, quantized, unquantized, in the pocket, groove, feel, saturation, waveforms as possible terms for the next 101 terms video?
11:51 - Being a Microtonality nerd, it’s worth pointing out that in other tunings - some older and some (arguably) futuristic - tunings F# and Gb are different pitches.
It's always been fascinating to me on just how people manage to describe sounds and music through literally terms. How exactly do you frame a melody with 24 characters? Of course I know the basic sheet music terms, but this video was extremely informative to a deeper understanding, so thanks!
Great video as always. Gave you a like. Follow up? The multitude of directions (usually in Italian), like: Allegro, Presto, Del Capo, Alto, and such. The Del Segno (which I find needs to be drawn a lot bigger to find it), Cresendo, Decresendo, Coda, 8va, 15va, 8vb, 15vb, Volta Clefs, Slur vs. Tie vs. Phrase, Volta Brackets, the C Clef and its various positions on the Stave. Clef Braces, Score Brackets. Bars mark a Measure, Repeat Bars (begin and end), Measure Numbers, Fingering Numbers, End Bar, Ledger Lines. Auxilliary Note, Courtesy Accidental. You may need 3 videos to cover it all... just add on as you go. I forget what they are called: The sharps and flats we use to indicate a Key... I call them "Incidentals", but that is not their proper name.
Hey I'm just know trying to learn the Piano n read music....but this is the first time I heard about the " Blue Note " Now I see why they was called " Harold Melvin and the Blue Notes " also I can see in my head how the BLUES started..the Brothers waaaay deep South..in those cotton fields was stretching the cords to 4 keys.. instead of 3. Bc of the PAIN!!!! n the SUFFERING..that they was accustom to..made every day dark .. dusty.. bluish looking surrounding..hence..I got the blues..so that note is called Blue Note bc the person who kept playing that extra note i.e. Muddy Waters..yeah I'm Black n born n raised in the ghetto of city Boston..60 years old n I had many on many days that was very blueish looking. So now I can see it CLEARLY...ty.
I've never felt as invested in a music theory video and I'm really trying to learn. Your video really got me hooked. That was so well-presented thank you so much !!
Great video. I already knew most of these terms, but I still managed to learn new things. That said, I can think of several term that deserve to be in a follow-up video: Counter-melody Modes Letimotif Duet, trio, etc. Pentatonic (You only mentioned heptatonic scales, but pentatonic scales are also important) 7th chords (and 9th, 11th, etc) Alto and tenor clefs (why the viola hate, man? jk) German, English and French 6t chords (These are so underrated in my opinion and deserve more love) Tempo markings, like adagio and allegro.
Bro where was this video when I had to do the AP test?? I mean got a 3 on the test but still! I knew more terms rn then when I had AP Music Theory last year. Beautifully well done video man 💙
Very nicely put together, and was a good rehearsal of a few that I forgot about.... Your explanations are always very good, using the correct terminology and words to clarify.
A couple more that came to mind. Alto & Bass Clef, did you say Tonic,supertonic, mediant, subdominant, dominant, submediant and leading note? 22 basic tempo markers + 22 additional western, 9 French and 7 German . I (Ionian) Don't (Dorian) Particularly (Phrygian) Like (Lydian) Modes (Mixolydian) A (Aeolian) Lot (Lorcrian) dbl sharp
Great summary video! The vast majority of these terms I already knew (since I’ve taken Common-Practice Music Theory), but a few of the more jazz-oriented terms I did not know. So, thanks! 7:25 - minor nitpick: Strictly-speaking, a modulation (in that sense of the term) is a change of _tonal-center_ , not necessarily a change of key or of key signature. So, a change from C-major to C-minor _is_ a key change (no sharps nor flats to three flats), but not a modulation, because C is still the tonal center. It’s just a modal exchange from major to minor. C-major to A-minor _is_ a modulation, even though the key (or at least the key signature) does not change.
I watched the video even though I fully expected to already know all these terms (I have a music degree), but surprisingly I had never heard the terms “conjunct” or “disjunct” before for some reason. Good video as usual! I wish it had existed when I was starting to learn theory, I bet it will be very helpful for people who are new to this
I don't believe crescendos or decrescendos were mentioned (Edit: There are more specific notations that would make the video significantly longer if they were explained, which is probably why they weren't. For instance; if something like "prestissimo" is written in music, it means to play at a really high tempo. Latin words are commonly used in music notation like this, so if you are good with latin it should be easy to pick apart what they mean. Some pieces use obscure notation in the form of words like this. For instance, at the beginning of Rush E, there is text in the sheet music that says "Lento, poco a poco accel". "Lento" means slow, "poco a poco" means little by little, and "accel" means fast. This would translate to "Slow, little by little fast". In other words, you slowly speed up over time. I'd recommend either looking it up or asking somebody who can translate latin if you see text like that and don't know how to read it.)
Very well done video, comprehensive insight. Allow a few additions though. To clarify and round up the topic of inversion, it should be mentioned that a triad chord has two inversions. In the example at 7:03, the 1st inversion of the C chord (c-e-g) was C/E (e-g-c) is exemplified. Now, the 2nd inversion would be C/G (g-c-e). -- In the section about chromatic notes, accidentals and enharmonic notes, in particular 11:52-12:10, may I add that by convention, we usually write a flat (b) accidental when the melody goes down, and a sharp (#) when it goes up, which spares a subsequent natural sign which would be needed otherwise. Generally, it might be worth noting that it is not arbitrary which one of enharmonic notes are used. E.g., there is no c# in a Bb minor chord (bb-db-f), and no Eb in a B major chord (b-d#-f#). Btw, the word "chromatic" comes from the greek "chroma" which means "colour", so one could say that a chromatic tone gives colour to a melody, which would be a nice mnemonic clue. - To help remembering which note is where in a stave, one may remember that the treble clef at 17:15 is an ornamentic version of the letter "g", and also encircles the note "g". In a follow-up video, you might consider introducing the bass clef, and how it marks the „f“. - As to grace notes from 19:43, it might be worth mentioning that an appoggiatura (long grace) is always played on the beat of the main note while an acciaccatura (short grace) may be played on the beat or slighly before the beat of the main note, depending on style or epoch. E.g. in the clarinet intro to Rhapsody in Blue which is shown at 27:02, the double grace note is played ahead of the main beat. -- Also worth noting is that an upper mordent (see from 21:30) is known to the language of music only since the 19th century. Before, it was called a pralltriller or schneller (in German, it is still a Pralltriller while a Mordent is still reserved for a lower mordent). -- The part about homophony and polyphony seems to be debatable. Polyphony means that every voice is independent and stands on ist own. This is not the case in the Happy Birthday example at 26:21 which has still a predominant melody while the other voices are purely accompanying. IMHO, some arabesque ornamentation does not qualify for polyphony as it only plays around a harmony note or transits tot he following. The example at 26:32 seems to refer to a subset of homophony, namely melody-dominated homophony. Homophony in its purest form also is also homorhythmic, i.e., each melody note (or almost each) is backed by a harmony note played or sung by the other voices at the same time respectively (vertical harmony). - Please feel free to respond where I may have failed.
My favorite term is 'stretto' . Also the connection of the 2 treble and bass clefs (@26:24) is called a 'system'. You can have 2 or more 'systems' on one page and need to identify which needs attention. TV is broadcasting The Sound of Music tonight. What if they changed Do Ray Mi, to 'Do Ray Ma'? riots everywhere.
A few technique terms on guitar playing: Hammer on Pull off Bend Slide up Slide down Dead note Palm mute Tapping Harmonic Pick harmonic AKA Pinch harmonic Shredding
There's a couple more articulations you could go over: the tenudo (especially contrasting it with the slur, and explaining the difference between them and legato), the marcato, and then all the combinations (staccato/tenudo + accent/marcato/slur)
I still can’t figure out the difference between legato-staccato and staccato-tenuto, I just play them both the same where I half each note duration. Silly ozymorons
I was taught that rubato was something more specific, taking extra time to slow down a beat or two, and then catching up by speeding up following beats so that the overall time is maintained. I wondered what the difference was between tremolo and vibrato. Thanks for clarifying.
I have a friend who majored in music theory to learn all this. He spent years in college. I spent 30 minutes on RUclips. I'm the one who actually wants to implement this creatively. College nearly killed his love of music. Life is funny.
This is a great video. I would only make one addition: When you were going over staccato, accents etc, you should have covered the bar over a note. The opposite of staccato, the tenuto tells the player to make sure he plays the note to its full length, even extending it slightly longer than indicated. You could have added the mercato, which is an even stronger accent than the > symbol, but now I'm picking nits. Otherwise, this was a great piece, and should be required watching for any music player.
Wow! As a beginner I was surprised I knew quite a few! I liked the grace notes though, acciaccatura I heard in music and now I know what it’s called 😊👍
A perfect cadence isn't exactly the same thing as an authentic cadence, but rather a subdivision: you can have an imperfect authentic cadence, which is formed with the sequence V-I with one or both chords inverted, but "perfect" refers to an authentic cadence where both chords are in fundamental position (degree 1) exclusively. Both in the US and the UK and everywhere.
The guitar part in Reggae that lands on the 2nd and 4th beat of each bar is called a “chop”. It is NEVER played with an upstroke. The term “skank” refers to a similar part in Ska.
As a (Suzuki Method) violin teacher I'll be sending this to my students, especially those who are taking their GCSE music. I do teach theory in my lessons, but it's great to have a resource of terms I can direct them to. Could you also add some orchestral shorthand - like the different ways of doubling or tremolando? But pretty please with sugar on it can you add harmonics? Both natural and 'forced' with the little diamond noteheads and how to play them - I STILL have my own problems with those!
I apologize on behalf all guitarists for Leo Fender messing up tremolo (he called his vibrato setup on the Stratocaster a "tremolo") and vibrato (he called the tremolo effect on his amps "vibrato"). Radio repairmen should not name musical items.
I got an ad before the video and you already started talking, I was confused until I noticed you did an ad for RUclips xD
😂❤
The weirdest thing is that this is the second time I've seen a content creator put their own ads on their RUclips channel. I wonder if they get money from this.
@@lumpstergash2380 Keep making ads and it’s a real infinite money glitch!
Same 😂
Same
Even though I knew the vast majority of these, I watched the whole video. I really admired how smoothly you put it together, and how clear and concise your explanations were. And I did end up learning a few new terms like "simile," "anacrusis," and "rallentando." Amazing video.
Out of these three, I did know only the rallentando.
@@majman446 i’m the opposite of you lol i knew simile and anacrusis
I suppose given that David didn't differentiate between them, that "rallentando" and "ritardando" are only subtly different and not in a hard and fast way.
@@markchapman6800there's also "ritenuto" and the abbreviation "rit.", which may mean ritadando or ritenuto, depending on who wrote it.
surprised someone who knows about tritone substitution doesnt even know simile, anacrusis or rallentando
A mazing. In two words.
I'm trying to build up my music knowledge especially since I started piano when I turned 65. I was the kid that the choir teachers told to move my lips and not make a sound. I joked that I had two left ears.
There is another famous music channel that talks music theory, but he has a difficult time explaining things simply, without assuming that you have intimate knowledge of advanced ideas. To talk at a basic level is a gift, and you are a gifted person.
Merci beaucoup.
😊😊😊😊
Back in the pre-internet stone age, it took me years and a couple of books and sheet music explanations to get to know most of these, and still there were a couple that I've heard of for the first time time.
It's a must see for all music lovers/amateur musicians to save valuable time.
Hats off, David, for this gem!
I’m 2 minutes in and I’m learning so much. I thought I would have known most of the stuff in the first half and I was wrong… thanks for making me learn more!
Little kids guitar teacher here. I always stress the importance to them of learning the fundamentals of music theory, even if just to make my life easier explaining things to them as a teacher.
Most of them are probably a little bit too young to grasp everything in this video but I'm going to show it to one of my students tomorrow. This is fantastic information, very well presented. Great video. Thank you.
Now Rick Beato is off interviewing all the big music stars, David is becoming genuinely one of the best music educators on RUclips. Congrats on your growth, David. Well-deserved.
Beato is more difficult to figure out than David, and David is the better teacher.
Tons of work. So well-presented, my man!
Thank you so much for explaining some of the strange symbols i’ve seen in sheet music. It’s sometimes hard to google them
The flow of this video is very impressive. This is a real gem.
Incredibly formative, as always! Little Italian tip: "Acciaccatura" should be pronounced as "ah-tchak-atoora" 😉
I believe the second word you are looking for is "informative. "😁
It could be both.
@@josh0011-z4w Why? Formative means educational.
22:32 : i've been looking for this words for so long *cries in relief*
Thank you for posting this after I failed my music theory class it really helps 😢👍
I feel proud that i knew the majority of these, but tonicization was fascinating!
Excellent 😃
When you talked about Dynamics, it wasn't enough developped: You only mentionned piano and forte, but there's also:
ppp: pianississimo = extremely soft
pp: pianissimo = very soft
mp: mezzopiano = moderatively soft
mf: mezzoforte = moderatively loud
ff: fortissimo = very loud
fff: fortississimo = extremely loud
cresc. ( or >): crescendo = louder and louder
dim. (or
I agree. Also something else ( nothing to do with dynamics or tempo) is pizzicato , a violin technique where you pinch (I thnik it's like that in English) the string as you would do on a guitar, giving a particular sound
You forgot ffff, fffff, ffffff, pppp, ppppp, pppppp, sf, sff, sfz, sffz, sfp, spf, fp, and pf
Excellent! Now, if I could only remember all of these. Thanks to you David, I am slowly improving.
I’m a bit of a music theory geek, and I still learned stuff from this video. Thanks David
A few that could be added: Polyrhythm, Cadence, Voice, Retrograde, Chord stacking, Tension, Tuning, Interval function
A good list, but I think David did include cadence here.
These were the best 30 minutes I have ever spent learning music theory.
That video is so informative and so well explained, but what makes it special are the transitions that are so smooth that it all feels genuinely connected and logical - so much that I have watch it all at once.
THANK YOU!
I play piano by ear, so am learning about most of these terms for the first time. Thanks for sharing 🙏
It’s really good. I feel like there was a more missing in dynamics. What about mezo piano/forte? What about pianissimo/fortissimo? What about crescendos and decrescendos? What about sforzando?
well that would make it more than 101 now wouldnt it
i forgot the name of it, but there's also a symbol that makes a note higher in octave.
Love this video, particularly the bits about articulation and ornamentation, thankyou! One thing I’d add to A Capella though is the concept of Organum
the way I've heard so many of these terms before but never understood the technical reasoning behind their names - like diminished chords - is wild. I'm so appreciative of your videos, they really are absolutely brilliant. you explain things in such a simple, concise way without ever making me feel silly for not knowing those things. I've been watching your videos for maybe a year now and I've learned more from them about music theory than I ever did in high school choir or band. thank you
Absolutely wonderful. I can now understand my classical music friends!
Fake and reported
hmm
Even though I know most of this already, kudos from my side for the work you put into this video.
Just adding the list of 50+ chapters to make things easier to find is already a lot of work.
The goosebumps when Maiden Voyage sprouts up out of the blue, in the Quartal Harmony section...
I think my ears are getting better. When you played the tritone, I heard the little tune from the Vsause channel 😅
As someone taking Music Theory, I appreciate this :)
i come from a classical background and ended up learning a lot of jazz terms, very well put together!
u just saved my music gcse thank u
Excellent flow through the terms! Missed most Italian words for tempo, coda, segno, capo, rests, leger lines, double bar lines, dotted bar, brace, crescendo, and diminuendo from the top of my head. Awesome work though - bring on the sequel!
Fabulous summary! Very impressive to pack so much into a short video yet maintain your usual clarity. How about counterpoint, fugue, chromatic mediant, suspension, register, measure, quantized, unquantized, in the pocket, groove, feel, saturation, waveforms as possible terms for the next 101 terms video?
11:51 - Being a Microtonality nerd, it’s worth pointing out that in other tunings - some older and some (arguably) futuristic - tunings F# and Gb are different pitches.
The fact that listening to this video helps me understand theory more is so nice
Seriously impressed with the time and effort put into it! 👍
I think it's important that tremolo can also mean the rapid repetition or rapid switching between notes (but notated differently from trills)
that's what I thought, like when a pianist is twisting their hand to bounce between a note with their thumb and a note with their pinky
One term which I think was omitted was Modes. But those seven terms could be their own video and lesson. Great stuff as always!
He made a whole video on modes including their differences and emotions they evoke
As an Italian, I am glad to see so many Italian words. It makes it a bit easier for me.
...or "più semplice", as we might see on a music score :)
The pronunciation of "acciaccatura" made me smile 😁
It's always been fascinating to me on just how people manage to describe sounds and music through literally terms. How exactly do you frame a melody with 24 characters? Of course I know the basic sheet music terms, but this video was extremely informative to a deeper understanding, so thanks!
Friggin love the way you deliver this! I will likely watch this 3, 4, or 5 times! Very useful! Thank you!
Great video as always. Gave you a like.
Follow up?
The multitude of directions (usually in Italian), like: Allegro, Presto, Del Capo, Alto, and such. The Del Segno (which I find needs to be drawn a lot bigger to find it), Cresendo, Decresendo, Coda, 8va, 15va, 8vb, 15vb, Volta Clefs, Slur vs. Tie vs. Phrase, Volta Brackets, the C Clef and its various positions on the Stave. Clef Braces, Score Brackets. Bars mark a Measure, Repeat Bars (begin and end), Measure Numbers, Fingering Numbers, End Bar, Ledger Lines. Auxilliary Note, Courtesy Accidental. You may need 3 videos to cover it all... just add on as you go.
I forget what they are called: The sharps and flats we use to indicate a Key... I call them "Incidentals", but that is not their proper name.
Hey I'm just know trying to learn the Piano n read music....but this is the first time I heard about the " Blue Note " Now I see why they was called " Harold Melvin and the Blue Notes " also I can see in my head how the BLUES started..the Brothers waaaay deep South..in those cotton fields was stretching the cords to 4 keys.. instead of 3. Bc of the PAIN!!!! n the SUFFERING..that they was accustom to..made every day dark .. dusty.. bluish looking surrounding..hence..I got the blues..so that note is called Blue Note bc the person who kept playing that extra note i.e. Muddy Waters..yeah I'm Black n born n raised in the ghetto of city Boston..60 years old n I had many on many days that was very blueish looking. So now I can see it CLEARLY...ty.
I've never felt as invested in a music theory video and I'm really trying to learn. Your video really got me hooked. That was so well-presented thank you so much !!
That’s great to hear!! 😊
Great video. I already knew most of these terms, but I still managed to learn new things. That said, I can think of several term that deserve to be in a follow-up video:
Counter-melody
Modes
Letimotif
Duet, trio, etc.
Pentatonic (You only mentioned heptatonic scales, but pentatonic scales are also important)
7th chords (and 9th, 11th, etc)
Alto and tenor clefs (why the viola hate, man? jk)
German, English and French 6t chords (These are so underrated in my opinion and deserve more love)
Tempo markings, like adagio and allegro.
This is one of the most useful videos I've ever stumbled upon. I love knowing more about music so I really need this. Thank you for this video.
Bro where was this video when I had to do the AP test??
I mean got a 3 on the test but still! I knew more terms rn then when I had AP Music Theory last year. Beautifully well done video man 💙
Very useful little video...has cleared up a few misconceptions I had, thank you David ☺️
Thank you 😊😊😊
Glad to see the Push in it, I have seen many terms used for this but this one seems the most agreed upon , happy to finally know it
As soon as you played the tritone, I instantly thought of the Vsauce theme.
Very nicely put together, and was a good rehearsal of a few that I forgot about.... Your explanations are always very good, using the correct terminology and words to clarify.
A couple more that came to mind.
Alto & Bass Clef,
did you say Tonic,supertonic, mediant, subdominant, dominant, submediant and leading note?
22 basic tempo markers + 22 additional western, 9 French and 7 German .
I (Ionian)
Don't (Dorian)
Particularly (Phrygian)
Like (Lydian)
Modes (Mixolydian)
A (Aeolian)
Lot (Lorcrian)
dbl sharp
Bravo, David. I have so much respect for the work you put into all your excellent videos!
This was such a good review and showed me how much I've forgotten but still have locked away inside 💜
I have always loved music my whole life and I have always wondered about this stuff. This video helped me so much! Thank you!!
Great summary video! The vast majority of these terms I already knew (since I’ve taken Common-Practice Music Theory), but a few of the more jazz-oriented terms I did not know. So, thanks!
7:25 - minor nitpick: Strictly-speaking, a modulation (in that sense of the term) is a change of _tonal-center_ , not necessarily a change of key or of key signature.
So, a change from C-major to C-minor _is_ a key change (no sharps nor flats to three flats), but not a modulation, because C is still the tonal center. It’s just a modal exchange from major to minor. C-major to A-minor _is_ a modulation, even though the key (or at least the key signature) does not change.
So much information packed into one video, thank you for taking the time to make it! I'm bookmarking it to review later too
I used this as a little quiz to test my knowledge on music and I still have a lot to learn.
I watched the video even though I fully expected to already know all these terms (I have a music degree), but surprisingly I had never heard the terms “conjunct” or “disjunct” before for some reason. Good video as usual! I wish it had existed when I was starting to learn theory, I bet it will be very helpful for people who are new to this
Quality video! You might want to follow up with impoartant notation markings like crescendo, 8va, repetition, da capo al fine etc.
This is a FANTASTIC video, holy shit. Well done David!!! Defo gonna be referencing video for a while.
thanks for this video! It helped me a lot plus congratsfor almost 1 million subs!
Thanks!
I don't believe crescendos or decrescendos were mentioned
(Edit: There are more specific notations that would make the video significantly longer if they were explained, which is probably why they weren't. For instance; if something like "prestissimo" is written in music, it means to play at a really high tempo. Latin words are commonly used in music notation like this, so if you are good with latin it should be easy to pick apart what they mean. Some pieces use obscure notation in the form of words like this. For instance, at the beginning of Rush E, there is text in the sheet music that says "Lento, poco a poco accel". "Lento" means slow, "poco a poco" means little by little, and "accel" means fast. This would translate to "Slow, little by little fast". In other words, you slowly speed up over time. I'd recommend either looking it up or asking somebody who can translate latin if you see text like that and don't know how to read it.)
It's Italian not Latin lol
Very well done video, comprehensive insight. Allow a few additions though. To clarify and round up the topic of inversion, it should be mentioned that a triad chord has two inversions. In the example at 7:03, the 1st inversion of the C chord (c-e-g) was C/E (e-g-c) is exemplified. Now, the 2nd inversion would be C/G (g-c-e). -- In the section about chromatic notes, accidentals and enharmonic notes, in particular 11:52-12:10, may I add that by convention, we usually write a flat (b) accidental when the melody goes down, and a sharp (#) when it goes up, which spares a subsequent natural sign which would be needed otherwise. Generally, it might be worth noting that it is not arbitrary which one of enharmonic notes are used. E.g., there is no c# in a Bb minor chord (bb-db-f), and no Eb in a B major chord (b-d#-f#). Btw, the word "chromatic" comes from the greek "chroma" which means "colour", so one could say that a chromatic tone gives colour to a melody, which would be a nice mnemonic clue. - To help remembering which note is where in a stave, one may remember that the treble clef at 17:15 is an ornamentic version of the letter "g", and also encircles the note "g". In a follow-up video, you might consider introducing the bass clef, and how it marks the „f“. - As to grace notes from 19:43, it might be worth mentioning that an appoggiatura (long grace) is always played on the beat of the main note while an acciaccatura (short grace) may be played on the beat or slighly before the beat of the main note, depending on style or epoch. E.g. in the clarinet intro to Rhapsody in Blue which is shown at 27:02, the double grace note is played ahead of the main beat. -- Also worth noting is that an upper mordent (see from 21:30) is known to the language of music only since the 19th century. Before, it was called a pralltriller or schneller (in German, it is still a Pralltriller while a Mordent is still reserved for a lower mordent). -- The part about homophony and polyphony seems to be debatable. Polyphony means that every voice is independent and stands on ist own. This is not the case in the Happy Birthday example at 26:21 which has still a predominant melody while the other voices are purely accompanying. IMHO, some arabesque ornamentation does not qualify for polyphony as it only plays around a harmony note or transits tot he following. The example at 26:32 seems to refer to a subset of homophony, namely melody-dominated homophony. Homophony in its purest form also is also homorhythmic, i.e., each melody note (or almost each) is backed by a harmony note played or sung by the other voices at the same time respectively (vertical harmony). - Please feel free to respond where I may have failed.
Always a pleasure to learn Piano (music theory) and English with your videos!
The best way to get better at speaking a language is by conversing regularly with people who speak the language. This video is a good start.
14:13 14:41 17:40 18:11 18:40
19:02 19:44 20:40 21:30
22:12 22:32 23:35
24:42
25:22
26:54
My favorite term is 'stretto' . Also the connection of the 2 treble and bass clefs (@26:24) is called a 'system'. You can have 2 or more 'systems' on one page and need to identify which needs attention. TV is broadcasting The Sound of Music tonight. What if they changed Do Ray Mi, to 'Do Ray Ma'? riots everywhere.
Good to hear the words 'tone' and 'semitone', rather than 'step' and 'half-step'.
A few technique terms on guitar playing:
Hammer on
Pull off
Bend
Slide up
Slide down
Dead note
Palm mute
Tapping
Harmonic
Pick harmonic AKA Pinch harmonic
Shredding
Shredding is a technique? Thought it was just slang for " playing really fast"
Very comprehensive music theory. So grateful Sir. Ben.
Great video! I have music theory up to grade 7 but still earned loads
Absolutely superb stuff! The flow of this video was amazing!
This video is golden, the most useful video on RUclips for Music Theory
There's a couple more articulations you could go over: the tenudo (especially contrasting it with the slur, and explaining the difference between them and legato), the marcato, and then all the combinations (staccato/tenudo + accent/marcato/slur)
I still can’t figure out the difference between legato-staccato and staccato-tenuto, I just play them both the same where I half each note duration. Silly ozymorons
I need to play catch-up with the new lexicon of music. A video on that could be interesting. Terms such as riser, drop, ratchet, wobble, hit, etc.
I was taught that rubato was something more specific, taking extra time to slow down a beat or two, and then catching up by speeding up following beats so that the overall time is maintained.
I wondered what the difference was between tremolo and vibrato. Thanks for clarifying.
Hello, amazing video and explanation. Just wanted to say that the term "comp" also is used a lot in folkmusic😊😁
Sharp/flat/natural, Major/Minor, sforzando, solo/soli, structure (e.g., AABA, Suite, Movement).
I think a good one to add would be a sezura
Oh, man!! You are the best! What a great video, as always!
This is excellent! Thank you for being so clear and interesting. Great for revision.
Glad it was helpful!
This video was great! I have been playing the piano for 6 years but I did not know even half of these! Thank you! Very helpful!
0:36 Nice swing melody
Looks like star spangled banner
Ro-ckets red glare, the bombs bur-sting in air, g-ave proof and I said to the manager
wait, I made a mistake
Thank you for this great video.
Really, Really enjoyed this !!!
😉😉😉
Absolutely practical and highly recommended to whoever is interested in music;✨🎶
Some of these things I never even knew there were terms for, like push or flam.
This is so usefull for me because I know a lot of the words but in Spanish. Now I know the translation of a lot of terms I didn't hear of.
thank you, my fav music teacher
I have a friend who majored in music theory to learn all this. He spent years in college. I spent 30 minutes on RUclips. I'm the one who actually wants to implement this creatively. College nearly killed his love of music. Life is funny.
what's 21? for part 2 you can add portato, da capo, coda and frullato. Also maybe some musical forms like rondo, minuet, symphony etc.
also pedal note/tone, tutti, melisma, picardy 3rd
This is a great video. I would only make one addition: When you were going over staccato, accents etc, you should have covered the bar over a note. The opposite of staccato, the tenuto tells the player to make sure he plays the note to its full length, even extending it slightly longer than indicated. You could have added the mercato, which is an even stronger accent than the > symbol, but now I'm picking nits.
Otherwise, this was a great piece, and should be required watching for any music player.
Commenting for the algorithm.
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Wow! Great stuff! Great review! I love the illustrations and musical examples...very well done!
Wow! As a beginner I was surprised I knew quite a few! I liked the grace notes though, acciaccatura I heard in music and now I know what it’s called 😊👍
2:17 : Hey Vsauce, Michael here
I can hear it now...
A perfect cadence isn't exactly the same thing as an authentic cadence, but rather a subdivision: you can have an imperfect authentic cadence, which is formed with the sequence V-I with one or both chords inverted, but "perfect" refers to an authentic cadence where both chords are in fundamental position (degree 1) exclusively. Both in the US and the UK and everywhere.
The guitar part in Reggae that lands on the 2nd and 4th beat of each bar is called a “chop”. It is NEVER played with an upstroke. The term “skank” refers to a similar part in Ska.
As a (Suzuki Method) violin teacher I'll be sending this to my students, especially those who are taking their GCSE music. I do teach theory in my lessons, but it's great to have a resource of terms I can direct them to.
Could you also add some orchestral shorthand - like the different ways of doubling or tremolando? But pretty please with sugar on it can you add harmonics? Both natural and 'forced' with the little diamond noteheads and how to play them - I STILL have my own problems with those!
I apologize on behalf all guitarists for Leo Fender messing up tremolo (he called his vibrato setup on the Stratocaster a "tremolo") and vibrato (he called the tremolo effect on his amps "vibrato"). Radio repairmen should not name musical items.
I kind of like diminishing my songs to give it that felling I want. It works great for pirate like songs.