Four Arpeggio Shapes YOU NEED To Improvise Over Any Song

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Комментарии • 8

  • @markmorrell3494
    @markmorrell3494 9 месяцев назад +1

    What an incredible, information filled lesson expressed so focused and expressive . You have a great gift as a teacher. Thank you!

  • @jonasgrieder9761
    @jonasgrieder9761 11 месяцев назад +1

    This is so helpful! As a jazz noob, this is exactly the stuff i need to better navigate the fretboard. Thanks a bunch!!

    • @ZarekSilberschmidt
      @ZarekSilberschmidt  11 месяцев назад

      Thanks so much Jonas, So happy to know it's helpful! Happy playing!

  • @fralemieux
    @fralemieux 11 месяцев назад +1

    thanks!

    • @ZarekSilberschmidt
      @ZarekSilberschmidt  11 месяцев назад

      Glad you like it! Thank you for commenting! It helps out the channel! ☺️

  • @anthonymumford4277
    @anthonymumford4277 11 месяцев назад

    In jazz music, we have major 7, minor 7, dominant 7 and half diminished.
    These 4 arpeggio shapes cover most songs.
    This is because if we take the key of C and do a scale of chords, starting with C major 7, next D minor 7, E minor 7, F major 7, G dominant 7, A minor 7 and finally B half diminished.
    If we were on the piano, all of these chords in the key of C comprise white notes, and the intervals are universally spaced 1, 3, 5, 7.
    When you start on B you get the half diminished shape, also known as B minor flat 5.
    Not quite the same as what you are saying in this video.
    Obviously the arpeggios will vary again for different keys.
    I don't know of anything called a major arpeggio, because it has 4 notes and is thus a major 7 arpeggio, though there is a major triad with just 3 notes.

    • @GrandpaJean
      @GrandpaJean 11 месяцев назад

      I am slowly figuring this out and appreciate your clarification here...