So good. Had only heard Mallkarjun Mansur and Rajshekhar Mansur sing this raag, this very bandish, and then recently from one of Rajshekhar Mansur's students, Mithun Chakravarty, at a tribute concert for Rajshekharji, though the lyrics seemed a bit different and off, which in any case is a standard issue with the music of the Mansurs, brilliant though it is, and all the more reason for us to know what is being sung. This is what I could transcribe from what you sing here, but please do correct for mistakes and confusions: कैसे कर आऊं रे मीत [?] पिहरवा तोरे बिना [?] मोरी सास ननदिया रिसाये दोरानी जेठानी मोरी बैरन अहमद [?] प्यारी प्यारी बातियाँ सुनाये
A version Called Baradi is very much prevalent in Odissi classical music.. many forms are there such as Desha Baradi Panchama Baradi Purnanga Baradi And Many more
Just remembered Pt.Jasrajji's Shudha barari bandish...kunj bihari.... One rag...two bandishs.... different colours....wah Manjiriji ...truly said by you ...enjoy the shades..Medha Kulkarni ❤️
I am interested to know about the ragas sung in ancient india.Iconsulted sanskrit literatures.I got a few names like barari,meghmalar,basant,ramkiri.if you have information please inform me.
This raag along with Devsakh are even mentioned in Charyapada which is the oldest scripture of bengali literature till date, around 1100 years old. I wonder how these ragas are sustained through several ages. I am really curious to know that long before the evolution of modern khayal, how were the compositions sung in these ragas? In dhrupad format or as folk music?
So good. Had only heard Mallkarjun Mansur and Rajshekhar Mansur sing this raag, this very bandish, and then recently from one of Rajshekhar Mansur's students, Mithun Chakravarty, at a tribute concert for Rajshekharji, though the lyrics seemed a bit different and off, which in any case is a standard issue with the music of the Mansurs, brilliant though it is, and all the more reason for us to know what is being sung.
This is what I could transcribe from what you sing here, but please do correct for mistakes and confusions:
कैसे कर आऊं रे
मीत [?] पिहरवा
तोरे बिना [?] मोरी
सास ननदिया रिसाये
दोरानी जेठानी मोरी बैरन
अहमद [?]
प्यारी प्यारी बातियाँ सुनाये
I wish Tai’s singing would never end. Loved the explanations! Khoop anandit zhalo.
A version Called Baradi is very much prevalent in Odissi classical music.. many forms are there such as Desha Baradi Panchama Baradi Purnanga Baradi And Many more
Just remembered Pt.Jasrajji's Shudha barari bandish...kunj bihari....
One rag...two bandishs.... different colours....wah Manjiriji ...truly said by you ...enjoy the shades..Medha Kulkarni ❤️
विलक्षण जानकारी के लिये अतयंत साधुवाद
Resly rare Raga this
Barari in olden Gujarati
Katha Kirtan Gayak usee
Another rare raag beautifully explained. Thank you. 🙏🏼
Dhanyawaad 🙏🏽
This series is a treasure tai!! Amazing😊❤️🙏
I am interested to know about the ragas sung in ancient india.Iconsulted sanskrit literatures.I got a few names like barari,meghmalar,basant,ramkiri.if you have information please inform me.
So nicely explained.. thanks a lo
Tai, can you explain Raag Khem kalyan in one of the future videos in this series?
Seconded. Excellent request. Would be nice to know how Tai sees/has learned Khem Kalyan.
I heard the name rag barati in the book of gaurio Bengali kirtan.so i believe in the media vel period barari rag was composed.
This raag along with Devsakh are even mentioned in Charyapada which is the oldest scripture of bengali literature till date, around 1100 years old. I wonder how these ragas are sustained through several ages. I am really curious to know that long before the evolution of modern khayal, how were the compositions sung in these ragas? In dhrupad format or as folk music?
धन्यवाद ताई🙏🏻🙏🏻🌹
Khup chan
As Varadi
Thank you Tai.