ProRes RAW Workflow with the Z CAM E2-S6
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- Опубликовано: 12 сен 2024
- Go behind the scenes on our team’s latest video production as they try out the Z CAM E2-S6 with the Atomos Ninja V. Doug shows you his ProRes Raw workflow for both filming and color grading, and he also compares the E2-S6 to the ZCAM E2. Have you used either cinema camera on a film production?
Order the Z CAM E2 Professional 4K Cinema Camera at B&H: bhpho.to/3lUicsE
Order the Z CAM E2-S6 Super 35 6K Cinema Camera at B&H: bhpho.to/2OPiiXC
Other gear used in this filming setup:
- Atomos Ninja V 5" 4K HDMI Recording Monitor: bhpho.to/34hImP5
- DZOFilm Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle: bhpho.to/3qAzyys
- Angelbird AtomX SSDmini: bhpho.to/2QBuMPg
Filmmaking tips you might enjoy
- 10 Beginner Premiere Pro Tips to Edit Faster: bhpho.to/37GdSIJ
- Camera Monitor Tools: bhpho.to/39L2gXw
- How to Remove Noise From Video: bhpho.to/39XZ0b8
- Camera Movement Techniques for Beginners: bhpho.to/2PuXMJp
- How to Light a Scene on a Budget: bhpho.to/3ov5Qcn
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What are your thoughts on the Z CAM E2 or E2-S6?
Can this camera use the ProGrade CFExpress 2.0 Cobalt card?
grading in premiere makes me want to vomit....
get over it DaVinci boy
@13:49, BT709 is the incorrect color space-- that is the color space premiere auto selects for clips. it is NOT the correct zlog2/z gamut color space for the raw footage captured by the ninja v using the z cams sensor.
Color space for я cam Prores Raw-z-log2??? Is this verified information?
I think it’s important to note, especially to potential buyers) that there is significant hdmi lag when recording with the ninja V (in prores raw only). I own a z cam s6 and love it, but I don’t use pro res raw for that reason. In my opinion if you are shooting prores raw on this camera, it’s best to have a 1st AC who is pulling off witness marks and not the monitor.
Using an iPad with the z cam app gives excellent results for pulling focus, around 150ms lag. Good big antenna is a must.
E2S6 has 2 frames of lag itself and 1 frame of additional lag because of HDMI cable. SO 3 frames of is not that bad :)
@@lukaspictures not to be brash, but 3 frames of latency while outputting PRR can not be correct. ZCam has acknowledged the lag on the Facebook group where tests show that show HDMI out has 4-6 frames latency without the use of ninja V. Outputting a raw signal exacerbates the problem. I don't own the ninja anymore, but from memory the lag was significantly more than the regular HDMI feed. I'd say at least 10 frames, and that's being kind. This starts to get into unusable territory for me for anything with lots of movement as it adds almost a half second of lag. I currently use a hardwired iPad which as the user above commented has very little latency.
@@michaelmorales309 Do you use an iPad Mini? And how did you hardwire it? I.e. what cable do you use? Thank you! :-D
@@KalleTheodor iPad Pro with wireless, but any cable that fits should work fine for you!
Thanks for helping me to knowing Z Can cameras 🎥
How about ProRes RAW Workflow with the Z CAM E2-S6 in DaVinci Resolve?
I love my e2 s6, but you are not completely correct when you state that there is no cropping in any resolutions or frame rates. Once you go over 60p there is indeed a crop, depending on the frame rate and codec, with the exception of HD. It's not a big deal, and honestly still way over what competitors are offering at this price point.
How can I know the crop though, I considering this camera and is the F6 not have that? For example If I shoot 100fps is it as if the sensor is m4/3? the sensor is s35, but I need to know what the crop factor is for higher speeds since it's sort of a potential deal breaker especially since I'd presume performance takes a big hit as it's not using the whole sensor anymore
I do not work 6K, ON THE INPUT OF THE HDMI ATOMOS. ONLY 4K AND C4K. What can this be related to?
Please e-mail us details of this issue with screenshots of your displays: askbh@bandh.com >Mark
Make sure to upgrade your hdmi cable to handle 6k
Pretty cool
Is there any chance you could provide the original RAW footage for us to test with?
Do you need the monitor to record RAW or can you record directly to the camera?
The Z CAM E2-S6 Super 35 6K Cinema Camera supports recording formats MOV and MP4 using ProRes raw for 12-bit recording and H.265 for 10-bit recording (H.264 supports 8-bit recording) when using the latest firmware update that allows the camera to record in both ZRAW and ProRes formats. The HDMI 2.0 port supports 4K60, 10-bit 4:2:0 video output. Audio is recorded in 24-bit 48 kHz using AAC or PCM (PCM for MOV format only) through its 3.5mm stereo jack or via a separately available XLR connector using its 5-pin LEMO port. >Mark
@@BandH i see. thanks. good to know.
Nice colours
Please tell me how to work with Prores RAW (recorded via z-came 2 s 6+ atomos ninja 5) in the Premiere Pro program? Which Lut Should I Use? for Final Cut, you have it on your site, but not for premier.
Please e-mail us: askbh@bandh.com >Mark
@@BandH I wrote you an email
so nice person
thanks alot!
Nice & Thanks :)
My e2s6 can not trigger the ninja v. I must start/stop recoding via the touchscreen. I tried using several highspeed HDMI 2.0/2.1 cables nothing works. I also have the official LANC cable, still doesnt work. Hope that you can help, thanks in advance!🙏
Please e-mail us: askbh@bandh.com >Mark
I have ZCAM E2 F6 FULL FRAME and i want to know why I cant choose prores or zraw as a recording option? I can only chose h264 and h265... any help?
Please e-mail us: askbh@bandh.com >Mark
@@BandH thank you, i’ve sent an email
Nice and useful review and quite nice presenter. But just one thing ... That Lens is incorrectly placed!!!
I have a source-hdmi-4k25 maximum on atomos. What could be the reason?
Please e-mail us: askbh@bandh.com >Mark
Which Lut should I use for for ProRes RAW in Premier Pro?
Please e-mail us: askbh@bandh.comm >Mark
will Convergent O7Q record ZCAM raw output?
Convergent Design's Odyssey7Q Raw OLED Monitor & Recorder is an advanced follow-up to Convergent's Gemini 4:4:4 Raw monitor/recorder. The Odyssey7Q features a 7.7" 1280 x 800 OLED display with a 3400:1 contrast ratio and is equipped with advanced image analysis tools, including Waveform and RGB Parade. It includes the Apple ProRes 422 HQ codec (up to 1080p30) and supports several high-speed Raw and HD recorder options, sold separately.
Recorder Options:
Recorder options sold separately:
High-speed (240fps) 2K/HD Raw recording
2K/HD Raw support for WeissCam, LMP, IndieCam, IO Industries
Sony FS700 2K Raw 12-bit up to 240fps and 4K Raw 12-bit up to 60fps, both in CinemaDNG format
HD/2K uncompressed RGB 444 up to 60fps
HD/2K Raw up to 120 fps
ARRIRAW (16:9) up to 60fps, (4:3) up to 48fps
Canon Raw QHD/4K up to 60fps
Convergent Design Design, Manufacturing and Customer Support Center
Telephone: (720) 221-3861
E-mail: cdsupport@convergent-design.com
what tripod is that
LIBEC, this particular model I HATE IT.. its just for basic purposes.
The leaves at 14:40 are still blown out. I think that this prores RAW thing is a bit overrated...