Lamban-Sandia

Diese Aufnahme wurde im Dezember 2010 in Bamako, Mali gemacht. Es spielen v.l.n.r. Madu Diakite (Dundun), Drissa Kone (Djembe Solo), Sedu Balo (Djembe Begleitung) und Fasiriman Keita (Konkoni).
www.mandenkono.ch

[@ganjalfelverde1910]

Drissa Kone is the djembefola i look upon to. I have the feeling of hearing something ancient when i listen to him. His musicalship and knowledge are so inspirational!

[@fargothlepalouf7719]

Thanks for sharing this video, I think it's the only one that clearly helps to understand the full sandia in traditional khassonke style.
The base for the second part (if I have correctly analysed it) (since 2: 20) is on the right side (konkoni): padam pampam...padam pampam.
The man in white goes with the konkoni : tada toudou ta... tada toudou ta... The two first slaps (tada) go with the padam of the konkoni.
The main djembefola after the padam of konkoni sounds with this accompagnement : taga tougou taga... Pou taga tougou taga...
Now the khassonke dundun : when the konkoni has done "padam pampam... padam... " (1 and half of a cycle) dun kha enters " Bim... ton.. toton....... Bim... toto toton.... Bim" etc (bim is the closed strike on the skin).
How to start ?
Main djembefola (Drissa Kone) :
Call : Pra tro tro tro tro
Accompagnement (starts with the tones): tougou daga...Pou Taga dougou taga...Pou taga dougou taga...
The konkoni enters after the first tougou daga of the main djembe : pampam... Padam pampam...
Wich means that the second djembe starts with the konkoni like this : toudou ta... tada toudou ta...
Voilà (correct me if I'm wrong)

[@ganjalfelverde1910]

Waw, onomatopeic language!

[@fargothlepalouf7719]

@@ganjalfelverde1910 yeah !

[@yvonnelouise9577]

Magnifique, je taime!!!!!!!

[@noesinuhe]

fantastic

[@SoufianeAzzi]

the best

[@bozakrizman8507]

yeahhhh

[@Axacqk]

4:18 "Och, cwaniaki przy bębnach!" 🤣

[@unibongo2009]

0:00 Sandia lent (ternario)
2:20 Sandia (binario)

[@ganjalfelverde1910]

Ése cambio de ternario a binario me dejó todo loco cuando lo descubrí por primera vez, y desde entonces me lo aprendí, y he intentado de mil maneras convencer a amigos para intentarlo, y nadie se anima... ¡Saludos!

[@AlanTauber-DrumConnection]

Thanks for that!

[@komadich]

so many good shares. thanks, man! why did you make all of these videos? just learning or making a documentary or somehitng?

[@mandenkonoschweiz9652]

Because I'm a fan and I was learning from these guys. We payed money to get them playing for video recordings. And since I profited myself a lot from other good shares on youtube, I decided to share as well.

[@yerodins]

They are awesome. As far as the label though, Lamban doesn't start till 2:20

[@johnmalcolm9980]

+TheTrapperjaw You can say that again!

[@AfroEire]

+yerodins That's what I learnt as Sanja. Where as others say lamba/sanja/djelidon are same thing

[@TonythekillaB]

As it was explained to me Sandia is the rhythm. The instrumentation is what gives it the name Lamban

[@MrJamjestteo]

how can I get in touch with them to arrange a visit to learn?

[@mandenkonoschweiz9652]

I'm sorry, I don't have any contact to Drissa Kone anymore. Would be glad, if somebody else would post any news from Drissa here ...

[@theCalabash]

Contact Jeremy at Djembe hotel in Bamako. He probably can connect you

[@ariataraba]

again

[@denistihomirov4517]

whats the time signature of this??

[@MrJazzFails]

Starts in 12/8 time, then after around 2:20 it transitions into 4/4 time

[@joseboucinha7675]

.fados