Rachmaninoff : Symphony No.2 by the Orchestre national de France

James Feddeck conducts the Orchestre national de France in the Symphony No. 2 of Rachmaninoff. Live recording on january 25th 2018 in the auditorium of Radio France, in Paris.
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[@Dylonely42]

Une grande et passionnante symphonie, bien que nécessitant un minimum de discernement, dont le troisième mouvement peut toucher au plus profond de l’âme et le quatrième atteint l’apogée avant de se clore sur un final resplendissant.

[@notaire2]

Wunderschöne Aufführung dieser spätromantischen und großartigen Sinfonie mit gut harmonisierten und perfekt vereinigten Tönen aller Instrumente. Die Virtuosität aller Einzelspieler ist echt bewundernswert. Der geniale Maestro dirigiert das ausgezeichnete Orchester im gut phrasierten Tempo und mit angenehmer Dynamik. Echt hörenswert!

[@pascalbergerault4405]

1. Largo. Allegro moderato - 00:30
2. Scherzo (allegro molto) - 20:21
3. Adagio - 30:43
4. Allegro vivace - 45:47

[@katherineelgizoli2585]

Wonderful performance of one of my favourite symphonies. Thank you to the special orchestra and maestro 😄💟

[@nnthadani1]

Stupendous performance of all 4movements of this great symphony. James Feddeck equates with Kurt Sanderling, Andre Previn & Seymon Bykov in interpreting the emotions of this symphony.
To rate this symphony one must rate the Adagio & to rate the Adagio one must rate the conduction of the solo melody performance of the clarinet. James Feddick excels in all. He will go far...

[@NicolasEjzenberg]

Grandiose

[@franpenedo7615]

Esta sinfonia é simplesmente espetacular.

[@user-ov2xj2uw6b]

❤❤❤❤❤

[@taieberic2547]

Interpretation originale qui tranche avec les
orchestres russo phones plus vigoureuses et apporte une couleur particulièrement intéressante

[@yihshiuanlin614]

Bravo

[@franciscluster]

Les spectateurs présents à la maison de la radio sont si incultes que ça pour ne pas savoir qu'on doit garder le silence et la concentration entre les 4 mouvements ?

[@sebastiendamarey6673]

Je me suis fais la même réflexion, lu publique américain à la maison blanche réagit de la même façon, je ne sais pas ce qu'il faut en penser ?

[@benjamincuevaseninde]

-- Épique. --

[@alvarito45]

Who is the Best XX century composer? O have no doubt Gn. Sergei Rachmaninov!

[@notaire2]

If you mean who is the best composer that was born in the 20th century, it would definitely be Dmitri Shostakovich.

[@stevelarry154]

@@notaire2 another Soviet guy lol

[@notaire2]

@@stevelarry154 Soviet Union was a kind of musical wonder in the 20th century, if not an economic wonder.

[@stevelarry154]

@@notaire2 it sure is, kinda like Britain was for more modern pop music

[@notaire2]

@@stevelarry154 The only thing I feel sorry about Soviet Union was that they didn't have The Beatles.

[@Gabinree]

38:35

[@user-ru3ys2hd6y]

Lauren Decker 素晴らしい！

[@andresemb8049]

Don't you think the tempo it's a bit too fast? Still it's beautiful,,,,

[@calebkernaghan2369]

This is one of the slowest versions I've ever seen lol
like a full 5 minutes longer than what I'm used to with this piece...

[@NicolasEjzenberg]

Nope I like it very much this way !

[@Mezzotenor]

To my taste, there are far too many places where the tempo grinds to a halt. Some conductors seem to think that doing this as often as possible will establish them as expressive and communicative conductors. This is the kind of thing that can kill classical music - "Let's all agree that slowing down is the way to find the most meaningful interpretation, and we'll pooh-pooh anyone who likes to keep things moving."

[@ClaudiaRrey]

42 violin exeprt

[@samshiu932]

30:44