このステッキを銃、タップ音を銃声というアイデアは、アステアが朝4時頃に起きていて思いついたそうです。 1930年のジークフェルドのシヨー『スマイルズ』（興行的には失敗だったらしい）の「Young Man of Manhattan」というナンバーで使ったのが最初らしいです。 このアイデアをアステアから聞いて、アービング・バーリンが書いた曲がこの「Top Hat White Tie and Tails」です。
This antiquated yet celebrated,enchanted,and sophisticated musical sequence of the magnificent Fred Astaire in his 1935 Top Hat can be utterly hailed as one of his most spectacular and finest solo dance numbers ever performed. Bonking,gliding,swerving,and thumping on the stage floor with the embellishment of Irving Berlin's wonderful music - Fred Astaire had brandished his dancing skill in his usual jaunty and swanky mood.Moreover it's definitely noteworthy to recognize his accuracy and proficiency in conducting his cane in the musical scene and to acknowledge Hermes Pan for his well-choreographed and well-rehearsed dance number.It's truly topnotch through and through. `
1935 was the peak year for toppers and tails. Fred never liked dancing in formal wear, but it was de rigueur for Broadway first nights, so he compromised by assassinating a gang of guys thus attired. Over at RKO his only female peer, Eleanor Powell, was lording it over a similarly clad troupe of men in 'Broadway Melody of 1936', wearing a spangly feminine adaptation of the Main Stem uniform. Fred donned what was becoming an archaic outfit for his intended goodbye number, the epic 'Puttin' on the Ritz', in 'Blue Skies' (1946l. And in his actual last number of all at Metro, 'The Ritz Roll and Rock' from 'Silk Stockings', he bosses the guys as he does here, symbolically smashing the top hat flat at the end as he lies on the floor. Hail and farewell.
「Let's Face the Music and Dance」の場面については、ジンジャー・ロジャースの演技力が負うところが大でしょう。 ところで、「Top Hat White Tie and Tails」では、30歳代のアステアの才能を十分に示していると思います。 アドリブのパントマイム部分の前での、ステッキとタップの音を聞くだけでも、アステアの天才が感じられます。
朝４時のインスピレーションが形になって嬉しかったとアステアは自伝に書いています。 この「Top Hat White Tie and Tails」の撮影時は、ジェームス・キャグニーが来ていて、アステアはとても緊張したそうです。 ちなみに、照明が暗くなってパントマイム的な動きをする部分はアドリブで撮影したそうです。 すべてを決めて何度もリハーサルをして、納得できるダンスを完成させるアステアには珍しいことですね。
The gentlemen in the box were rich people that his associated (Edward Everett Horton) wants to invest in future stage shows. It was like saying "We haunt them".
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はじめて観たとき色々と完璧で雨宿りのシーンで気付いたら泣いてた
I love Fred Astaire. Mom used to let me stay up late to watch him. See you in heaven Mr Astaire ♥
このステッキを銃、タップ音を銃声というアイデアは、アステアが朝4時頃に起きていて思いついたそうです。
1930年のジークフェルドのシヨー『スマイルズ』（興行的には失敗だったらしい）の「Young Man of Manhattan」というナンバーで使ったのが最初らしいです。
このアイデアをアステアから聞いて、アービング・バーリンが書いた曲がこの「Top Hat White Tie and Tails」です。
平沢進から
わいも
LARK わたひも
エデンに先立つカンブリアへ
なお上にはマーズ
行けサンシャインの形は
2:11
2D 2D or not 2D…(幻聴)
エデンに先立つカンブリアじゃないか
天井～にムーンなお上にはマーズ
燕尾服にトップハットと言えばアステア‼️
マイケルジャクソンが色々と真似をしてますね🎵
いつ観ても素敵です✨
This antiquated yet celebrated,enchanted,and sophisticated musical sequence of the magnificent Fred Astaire in his 1935 Top Hat can be utterly hailed as one of his most spectacular and finest solo dance numbers ever performed. Bonking,gliding,swerving,and thumping on the stage floor with the embellishment of Irving Berlin's wonderful music - Fred Astaire had brandished his dancing skill in his usual jaunty and swanky mood.Moreover it's definitely noteworthy to recognize his accuracy and proficiency in conducting his cane in the musical scene and to acknowledge Hermes Pan for his well-choreographed and well-rehearsed dance number.It's truly topnotch through and through. `
Fred choreographed this sequence
Brilliant talent.
1935 was the peak year for toppers and tails. Fred never liked dancing in formal wear, but it was de rigueur for Broadway first nights, so he compromised by assassinating a gang of guys thus attired. Over at RKO his only female peer, Eleanor Powell, was lording it over a similarly clad troupe of men in 'Broadway Melody of 1936', wearing a spangly feminine adaptation of the Main Stem uniform.
Fred donned what was becoming an archaic outfit for his intended goodbye number, the epic 'Puttin' on the Ritz', in 'Blue Skies' (1946l. And in his actual last number of all at Metro, 'The Ritz Roll and Rock' from 'Silk Stockings', he bosses the guys as he does here, symbolically smashing the top hat flat at the end as he lies on the floor. Hail and farewell.
「Let's Face the Music and Dance」の場面については、ジンジャー・ロジャースの演技力が負うところが大でしょう。
ところで、「Top Hat White Tie and Tails」では、30歳代のアステアの才能を十分に示していると思います。
アドリブのパントマイム部分の前での、ステッキとタップの音を聞くだけでも、アステアの天才が感じられます。
何だこの動き……(驚愕)
Nobody does it better than Fred and Ginger!
Fred and Rita Hayworth, Fred and Eleanor Powell do it better.
"Astaire... appears demure, dresses up dapper, then guns everyone down, with debonair."
視聴回数の半数は馬の骨説
朝４時のインスピレーションが形になって嬉しかったとアステアは自伝に書いています。
この「Top Hat White Tie and Tails」の撮影時は、ジェームス・キャグニーが来ていて、アステアはとても緊張したそうです。
ちなみに、照明が暗くなってパントマイム的な動きをする部分はアドリブで撮影したそうです。
すべてを決めて何度もリハーサルをして、納得できるダンスを完成させるアステアには珍しいことですね。
なるほど
ツェペリ男爵
What was the ending bit about with the shooting dint get it.??????????????????????
Umm, America
The gentlemen in the box were rich people that his associated (Edward Everett Horton) wants to invest in future stage shows. It was like saying "We haunt them".
平沢進から。
タップダンススゴくね？
平沢進から。
タップダンススゴくね？
え、どうして平沢進さんから？😳
@@vaxmu5991 2d or not 2dのmvの背景でトップハットの踊りが写ってるんですよ