Clarification for everyone... im not clear in the video that i dont mean you shouldnt use titanium white, my point is avoid dipping right into pure titanium white to brighten colors, you can make your own warm white like i demonstrate at the start of the lesson, you can use a radiant high tinting strength color that has white in it or what I actually use now is Michael Harding Lemon yellow as my modifier to brighten colors or bright red from winsor. So I apologize if people felt misled that wasnt my intention.
Also all these lessons are actually several years old from my patreon. So periodically I will post part of these old lessons on RUclips. There are many more you can access now of course on patreon but I dont expect most people will want to pay so no pressure
I can’t believe how perfect the timing of stumbling across this video, I was noticing this….. your explanation helped set it in now will be part of my mixing paint. Plus the warm & cool 😮🎉
@@rentiacoetzee3621 since you are signed up on the patreon.. the best place to ask questions is through the email you have. I dont always see the comments here especially as the channel grows. When you signed up for patreon you got sent a video right away called "materials" and it goes over all that but in case you missed it, in every video on my patreon it lists the materials i use and i always use the same palette.. so just go look under any lesson or video and you can find all that information!
I just painted my best landscape so far, looked amazing when I was finished. After reviewing it weeks later, I noticed the whole seen feels very cool, not warm and sunbathed as I previously thought. After watching your video, I realized I used titanium white to brighten up pretty much every color I used. Thank you for the video!
Avoiding white is just one thing that can help but in reality what you describe is color temperature relationships. learn about that. I tell beginners to avoid whtie to develop a relationship of learning how to brighten color without it. But the next stage is teaching them about making a color the correct temperature for the relationships. So you can still make colors way too cool or too warm. Flipping paintings upside down and the photo you are working from can really help you see the correct temperatures of the color shapes.
Im saying avoid using titanium white in its pure form... the video starts off with me mixing a warm white from titanium and saying how thats what i normally use so i thought it was obvious that i wasnt saying you cant use white.. im saying it helps to get into the habit of not dipping into pure titanium white when you are punching up color and creating a sense of light. This is an older lesson from a few years ago targeted towards building habits among beginner painters. Now days in my videos at my online art school i use Michael Harding Lemon Yellow which is a very unique yellow which is semi opaque and i use that as my modifier, it has no white in it at all)
The primary cause of chalky or muddy color is incorrect color temperatures so yes if you can avoid anything thats going to mess your ability to nail your color temperature relationships its going to help you avoid chalk or mud. I learned from Richard Schmid that muddy color in general is color that is too warm for the relationship and chalky in general is color that is usually too cool as a result of desaturation from white. But again not always
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Clarification for everyone... im not clear in the video that i dont mean you shouldnt use titanium white, my point is avoid dipping right into pure titanium white to brighten colors, you can make your own warm white like i demonstrate at the start of the lesson, you can use a radiant high tinting strength color that has white in it or what I actually use now is Michael Harding Lemon yellow as my modifier to brighten colors or bright red from winsor. So I apologize if people felt misled that wasnt my intention.
Awesome video. Timing is great!
Thank you, Devin Michael Roberts!
absolutely thx
absolute gem. thank you. very well structured video. keep going.
Glad you liked it!
Also all these lessons are actually several years old from my patreon. So periodically I will post part of these old lessons on RUclips. There are many more you can access now of course on patreon but I dont expect most people will want to pay so no pressure
That's a good lesson
Glad you like it ! thanks
I can’t believe how perfect the timing of stumbling across this video, I was noticing this….. your explanation helped set it in now will be part of my mixing paint. Plus the warm & cool
😮🎉
Awesome glad it helped.
Rocked my world thanks!
glad to help
@ please give me your oil colours standard palette when painting landscapes?
@@rentiacoetzee3621 since you are signed up on the patreon.. the best place to ask questions is through the email you have. I dont always see the comments here especially as the channel grows.
When you signed up for patreon you got sent a video right away called "materials" and it goes over all that but in case you missed it, in every video on my patreon it lists the materials i use and i always use the same palette.. so just go look under any lesson or video and you can find all that information!
@ thanks!
I just painted my best landscape so far, looked amazing when I was finished. After reviewing it weeks later, I noticed the whole seen feels very cool, not warm and sunbathed as I previously thought. After watching your video, I realized I used titanium white to brighten up pretty much every color I used. Thank you for the video!
Avoiding white is just one thing that can help but in reality what you describe is color temperature relationships. learn about that. I tell beginners to avoid whtie to develop a relationship of learning how to brighten color without it. But the next stage is teaching them about making a color the correct temperature for the relationships. So you can still make colors way too cool or too warm. Flipping paintings upside down and the photo you are working from can really help you see the correct temperatures of the color shapes.
Thank you Devin, that was really helpful to me.
Glad it was helpful!
Great lesson. Thx.
Thanks
Thank you ❤
thanks for watching
Muito obrigada pelas explicações sobre as tintas e aplicações numa pintura. ❤❤
You are most welcome!
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I have a series called "Introduction to oil painting" that is available at www.patreon.com/devinmichaelroberts
Why do you say you are not using white. The Radiant Red you used has Titanium white in it.
Im saying avoid using titanium white in its pure form... the video starts off with me mixing a warm white from titanium and saying how thats what i normally use so i thought it was obvious that i wasnt saying you cant use white.. im saying it helps to get into the habit of not dipping into pure titanium white when you are punching up color and creating a sense of light. This is an older lesson from a few years ago targeted towards building habits among beginner painters. Now days in my videos at my online art school i use Michael Harding Lemon Yellow which is a very unique yellow which is semi opaque and i use that as my modifier, it has no white in it at all)
No pure white or black. White LED lights are horrible. Don't paint under them.
The primary cause of chalky or muddy color is incorrect color temperatures so yes if you can avoid anything thats going to mess your ability to nail your color temperature relationships its going to help you avoid chalk or mud. I learned from Richard Schmid that muddy color in general is color that is too warm for the relationship and chalky in general is color that is usually too cool as a result of desaturation from white. But again not always