Kedar Bodas at DMCC- Khayal & Bandish in Raga Gauri

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  • Опубликовано: 18 сен 2024
  • Khayal and Bandish by Shri Kedar Bodas in Raga Gauri. This was part of a Concert at Dadar Matunga Cultural Centre, Mumbai on 22nd Feb 2015.
    The Accompanists are: on Tabla- Shri Dattatray Bhave, on Harmonium- Shri Shriram Hasabnis.
    Tanpuras- Vishvesh Sardeshpande and Svanandi Sardesai

Комментарии • 11

  • @shahvivek
    @shahvivek 4 года назад

    Hugely under-appreciated musician of hindutani shastriya sangeet.

  • @shilpagadre1729
    @shilpagadre1729 6 месяцев назад

    It's simply out of the world experience. Thanks a ton for sharing this absolute gem 🙂🙏

  • @tendulkarmanu
    @tendulkarmanu 7 лет назад +1

    Beautiful. I m reminded of the stunning yet simple Paluskar quality.

  • @meghi1980
    @meghi1980 8 лет назад +2

    🙏🏻

  • @PranavRaomusic
    @PranavRaomusic 8 лет назад +1

    Simply amazing!!! Thank you for uploading this.

    • @spandana_music
      @spandana_music  8 лет назад

      +Pranav Rao ; thank you for your comment. Please keep watching this space, more videos of Kedar Bodas; among other Musicians, Dancers and Performers will be uploaded here.

  • @srijand-satyasheel
    @srijand-satyasheel 4 года назад

    Vah Kedar Dada, kya baat hai!

  • @rohitdharap1866
    @rohitdharap1866 7 лет назад +1

    Perfect ragoocchar

  • @arunavalahiri498
    @arunavalahiri498 3 года назад

    What is the difference between Gauri and purya?

    • @bhavyakumarsaini1639
      @bhavyakumarsaini1639 3 года назад +2

      Gauri has komal dhaivat but Pooriya has shuddha Dhaivat. Pooriya doesn't have pancham but gauri has pancham. Gauri has importance of mandra nishad and has a peculiar focus on mandra nishad. But Pooriya has focus on both gandhar, nishad and teevra madhyam. Gauri is based on Raag Poorvi but Pooriya is based on completely different chalan. Pooriya is completely vakra in its chalan. Gauri isn't vakra but the methodology of pronouncing swaras, called 'swarlagav' is very peculiar in gauri and without this proper intonation, this rare Raag can't be sung correctly.