❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr Franz Joseph Haydn (1732-1809) Symphony No. 88, 92, 95, 98, 100, 101, 102 & 104 . *Click to activate the English subtitles for the presentation* (00:00-07:30) Symphony #88 In G, H 1_88 - Adagio, Allegro (00:00) Symphony #88 In G, H 1_88 - Largo (06:57) Symphony #88 In G, H 1_88 - Menuetto (12:50) Symphony #88 In G, H 1_88 - Finale_ Allegro Con Spirito (17:14) - Symphony #92 In G, H 1/92, "Oxford" - 1. Adagio, Allegro Spiritoso (21:04) Symphony #92 In G, H 1/92, "Oxford" - 2. Adagio (30:06) Symphony #92 In G, H 1/92, "Oxford" - 3. Menuet (40:02) Symphony #92 In G, H 1/92, "Oxford" - 4. Presto (46:13) - Symphony #95 In C Minor, H 1/95 - 1. Allegro Moderato (52:18) Symphony #95 In C Minor, H 1/95 - 2. Andante Cantabile (1:00:31) Symphony #95 In C Minor, H 1/95 - 3. Menuetto & Trio (1:06:54) Symphony #95 In C Minor, H 1/95 - 4. Finale: Vivace (1:12:45) - Symphony #98 In B Flat, H 1_98 - 1. Adagio, Allegro (1:16:44) Symphony #98 In B Flat, H 1_98 - 2. Adagio (1:23:12) Symphony #98 In B Flat, H 1_98 - 3. Menuet (1:31:01) Symphony #98 In B Flat, H 1_98 - 4. Finale_ Presto (1:37:01) - Symphony #100 In G, H 1/100, "Military" - 1. Adagio, Allegro (1:43:40) Symphony #100 In G, H 1/100, "Military" - 2. Allegretto (1:52:03) Symphony #100 In G, H 1/100, "Military" - 3. Menuet (1:58:32) Symphony #100 In G, H 1/100, "Military" - 4. Finale: Presto (2:03:44) - Symphony #101 In D, H 1_101, _Clock_ - 1. Adagio, Presto (2:09:26) Symphony #101 In D, H 1_101, _Clock_ - 2. Andante (2:16:51) Symphony #101 In D, H 1_101, _Clock_ - 3. Menuet (2:25:25) Symphony #101 In D, H 1_101, _Clock_ - 4. Vivace (2:33:36) - Symphony #102 In B Flat, H 1/102 - 1. Largo, Allegro Vivace (2:38:14) Symphony #102 In B Flat, H 1/102 - 2. Adagio (2:46:50) Symphony #102 In B Flat, H 1/102 - 3. Menuetto (2:53:13) Symphony #102 In B Flat, H 1/102 - 4. Finale: Presto (2:59:19) - Symphony #104 In D, H 1/104, "London" - 1. Adagio, Allegro (3:04:12) Symphony #104 In D, H 1/104, "London" - 2. Andante (3:13:12) Symphony #104 In D, H 1/104, "London" - 3. Menuet (3:23:17) Symphony #104 In D, H 1/104, "London" - 4. Spiritoso (3:28:16) -- Philharmonia Orchestra and New Philharmonia Orchestra Conductor : Otto Klemperer Recorded 1961, 1965-66, 1972 New Mastering in 2020 by AB for CMRR Find CMRR's recordings on *Spotify* : spoti.fi/3016eVr -- ''My prince was content with all my works; I received approval, I could, as head on a orchestra, make experiments, observe what created an impression, and what weakened it, thus improving, adding to, cutting away, and running risks. I was set apart from the world, there was nobody in my vicinity to confuse me in my course, and so I had to become original.'' Franz Joseph Haydn -- Mozart - Symphonies 25-40,41 Jupiter, Paris, Prague, Linz, Haffner + P° (ref. rec.: Otto Klemperer) : ruclips.net/video/zOdgE461MfY/видео.html - Franz Joseph Haydn PLAYLIST (reference recordings) : ruclips.net/video/IVIqiR2z0ew/видео.html
Franz Joseph Haydn, vous êtes un génie parmi les génies. Merci Classical music s'est sublime.💝💖Franz Joseph Haydn, you are a genius among the geniuses. Thank you Classical music has sublime.
Klemperer--who was the father of actor Werner Klemperer--was one of the 20th century's great conductors. Klemperer and London's Philharmonia Orchestra were a marriage made in heaven. Listen to these wonderful symphonies by Haydn, and then compare them to those of Mozart. Both are great works, but it's easy to see why Mozart died broke, and Haydn was successful. Haydn's your good buddy who writes great foot tappers. Mozart was weird Wolfgang to the people of his time. Both were great men of music, and they were friends and colleagues. Both influenced Beethoven, and there fore the music of the 19th century and beyond.
''My prince was content with all my works; I received approval, I could, as head on a orchestra, make experiments, observe what created an impression, and what weakened it, thus improving, adding to, cutting away, and running risks. I was set apart from the world, there was nobody in my vicinity to confuse me in my course, and so I had to become original.'' Franz Joseph Haydn 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 ❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr
These recordings and those of Szell with the Cleveland Orchestra are the gold standard for Haydn Symphonies. But nowadays it's nearly irrelevant since these great works almost never turn up on the concert programs of major orchestras, having been replaced by virtuoso conductor specialties: the Mahler Heavy Lifting Academy and so forth. These great Haydn symphonies seldom turn up even in the programs of "rep orchestras" of leading schools of music.
Szell in Haydn is easily better and Bernstein too. I prefer also Sir Colin Davis and Bruggen. I find the Grest Klemperer in Brahms, Bruckner, Mahler, ecc....not so much in Haydn
A great complement to the Klemperer Mozart recordings recently posted by CMRR, and again really good remastering. The conductor had an acute sensibility and his realisation, with a fine orchestra and an encouraging studio milieu, meant that in the early Sixties EMI achieved another groundbreaking milestone. In those days Haydn was hardly popular material to record! These performances enriched our understanding and appreciation of the Classical period, and laid the foundation of much that has followed. Thank you.
It’s not Haydn that’s boring, it’s some of the terrible lifeless and anodyne performances of his music by some conductors who really should not be playing Haydn; fortunately, there are far fewer of these today than in the past, and anyone who does still think the way you suggest should simply pick any single performance on the Haydn 2032channel and then eat their words.
In this pop dominated culture, there are a lot of people completely in the dark about classical music. Whether they would find it boring is moot. They've hardly ever heard it.
Joseph Haydn:1737-1809:Highly prolific Haydn wrote more than a hundred Symphonies and a host of chamber works.His works were a major influence on Mozart,more especially on Beethoven .
HAYDN - o grande compositor e fonte inspiradora das mais belas sinfonias de vibrações luminosas ricas de harmonia, paz e alegria. Walter Barcelos - Brasil
" Mon prince était satisfait de toutes mes œuvres ; j'ai reçu l'approbation, je pouvais, en tant que chef d'orchestre, faire des expériences, observer ce qui créait une impression, et ce qui l'affaiblissait, améliorant ainsi, ajoutant, coupant, et courant des risques. J'étais à l'écart du monde, il n'y avait personne dans mon entourage pour me troubler dans mon parcours, et il fallait donc que je devienne original". Franz Joseph Haydn
No olvidar a E.Jochum.Escucho' a Meisendorfer?, si es Ud argentino E'l fue director en el Colon enlos anios de 1950 y pico. Estamos hablando de matices,todos los nombrados son (fueron) Grandes Directores!.-
Not normally a fan of performances from this era which often sound dated, very period-un-aware, and use horribly corrupted scores. However, I enjoy these takes on big-band Haydn, and Klemperer’s recordings of these symphonies are still available because they are fine performances. Klemperer’s spacious tempi - adopted throughout - will appeal to many who find most modern Haydn performances somewhat rushed.
Period-aware generally means threadbare ensembles playing out-of-tune instruments with overly-accented bouncy rhythms. No one has any idea whether the composer might have liked or even preferred later performance practices, so it all comes down to taste, not alleged "accuracy".
@@TedATL1 That’s not what ‘period aware’ means, but is a silly, simplistic parody of it. Period aware has enhanced all types of performances, including modern ones, and if someone like Herbert von Karajan had shown a little more period awareness, his flawed sets of both the ‘Paris’ and ‘London’ symphonies from the early 1980’s would have been some of the greatest Haydn symphony performances of all time. Period aware means understanding that these late symphonies were all conceived for large orchestras, which is why I am objecting to your parody beginning with ‘…threadbare ensembles’. Similarly, a little more awareness from a loose cannon like Beecham would have helped his performances too.
It should be noted that Klemperer's (and Szell's) way of bringing out the woodwind parts and when appropriate brass and timpani as well while reigning in the strings at times is pretty close to period practice of which, of course, he knew nothing. He was such a great musician, though, that intuitively he got some of it right. Wish he had reduced the string body even more than he did for these.
This is, for the most part, certainly the best era for classic recordings. Do you prefer Blur & Oasis to The Rolling Stones & The Beatles, as well? Which 'era' of classical recordings do you prefer?
Jesus Christ came to me in a dream. He told me that Maestro Klemperer had the Holy Spirit. I can believe that. Thank you, CMRR! Thank you, Jesus, for your exactitude.
Bach, Handel. Telemann, Mozart, et al; the list of astonishingly prolific composers is extremely long; Haydn and Vivaldi are not particularly noteworthy in this respect. (Hope you enjoy the amusing little pun).
❤️ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
Franz Joseph Haydn (1732-1809) Symphony No. 88, 92, 95, 98, 100, 101, 102 & 104 .
*Click to activate the English subtitles for the presentation* (00:00-07:30)
Symphony #88 In G, H 1_88 - Adagio, Allegro (00:00)
Symphony #88 In G, H 1_88 - Largo (06:57)
Symphony #88 In G, H 1_88 - Menuetto (12:50)
Symphony #88 In G, H 1_88 - Finale_ Allegro Con Spirito (17:14)
-
Symphony #92 In G, H 1/92, "Oxford" - 1. Adagio, Allegro Spiritoso (21:04)
Symphony #92 In G, H 1/92, "Oxford" - 2. Adagio (30:06)
Symphony #92 In G, H 1/92, "Oxford" - 3. Menuet (40:02)
Symphony #92 In G, H 1/92, "Oxford" - 4. Presto (46:13)
-
Symphony #95 In C Minor, H 1/95 - 1. Allegro Moderato (52:18)
Symphony #95 In C Minor, H 1/95 - 2. Andante Cantabile (1:00:31)
Symphony #95 In C Minor, H 1/95 - 3. Menuetto & Trio (1:06:54)
Symphony #95 In C Minor, H 1/95 - 4. Finale: Vivace (1:12:45)
-
Symphony #98 In B Flat, H 1_98 - 1. Adagio, Allegro (1:16:44)
Symphony #98 In B Flat, H 1_98 - 2. Adagio (1:23:12)
Symphony #98 In B Flat, H 1_98 - 3. Menuet (1:31:01)
Symphony #98 In B Flat, H 1_98 - 4. Finale_ Presto (1:37:01)
-
Symphony #100 In G, H 1/100, "Military" - 1. Adagio, Allegro (1:43:40)
Symphony #100 In G, H 1/100, "Military" - 2. Allegretto (1:52:03)
Symphony #100 In G, H 1/100, "Military" - 3. Menuet (1:58:32)
Symphony #100 In G, H 1/100, "Military" - 4. Finale: Presto (2:03:44)
-
Symphony #101 In D, H 1_101, _Clock_ - 1. Adagio, Presto (2:09:26)
Symphony #101 In D, H 1_101, _Clock_ - 2. Andante (2:16:51)
Symphony #101 In D, H 1_101, _Clock_ - 3. Menuet (2:25:25)
Symphony #101 In D, H 1_101, _Clock_ - 4. Vivace (2:33:36)
-
Symphony #102 In B Flat, H 1/102 - 1. Largo, Allegro Vivace (2:38:14)
Symphony #102 In B Flat, H 1/102 - 2. Adagio (2:46:50)
Symphony #102 In B Flat, H 1/102 - 3. Menuetto (2:53:13)
Symphony #102 In B Flat, H 1/102 - 4. Finale: Presto (2:59:19)
-
Symphony #104 In D, H 1/104, "London" - 1. Adagio, Allegro (3:04:12)
Symphony #104 In D, H 1/104, "London" - 2. Andante (3:13:12)
Symphony #104 In D, H 1/104, "London" - 3. Menuet (3:23:17)
Symphony #104 In D, H 1/104, "London" - 4. Spiritoso (3:28:16)
--
Philharmonia Orchestra and New Philharmonia Orchestra
Conductor : Otto Klemperer
Recorded 1961, 1965-66, 1972
New Mastering in 2020 by AB for CMRR
Find CMRR's recordings on *Spotify* : spoti.fi/3016eVr
--
''My prince was content with all my works; I received approval, I could, as head on a orchestra, make experiments, observe what created an impression, and what weakened it, thus improving, adding to, cutting away, and running risks. I was set apart from the world, there was nobody in my vicinity to confuse me in my course, and so I had to become original.'' Franz Joseph Haydn
--
Mozart - Symphonies 25-40,41 Jupiter, Paris, Prague, Linz, Haffner + P° (ref. rec.: Otto Klemperer) : ruclips.net/video/zOdgE461MfY/видео.html
-
Franz Joseph Haydn PLAYLIST (reference recordings) : ruclips.net/video/IVIqiR2z0ew/видео.html
QQá
Q
Instablaster.
As I listen, I keep saying all the time: Haydn is a genius, he is a genius!
Ja, er ist es, ein Genie
This is one of the few facts I know for sure!
Wonderful. This music just saved my life.
Franz Joseph Haydn, vous êtes un génie parmi les génies. Merci Classical music s'est sublime.💝💖Franz Joseph Haydn, you are a genius among the geniuses. Thank you Classical music has sublime.
I have these on CDs. Though I have other Haydn recording that are very good, these remain my favourites!
Thank you so much for this. Healing for us. Australia, 1st January 2023 4:04 PM.
Klemperer--who was the father of actor Werner Klemperer--was one of the 20th century's great conductors. Klemperer and London's Philharmonia Orchestra were a marriage made in heaven. Listen to these wonderful symphonies by Haydn, and then compare them to those of Mozart. Both are great works, but it's easy to see why Mozart died broke, and Haydn was successful. Haydn's your good buddy who writes great foot tappers. Mozart was weird Wolfgang to the people of his time. Both were great men of music, and they were friends and colleagues. Both influenced Beethoven, and there fore the music of the 19th century and beyond.
''My prince was content with all my works; I received approval, I could, as head on a orchestra, make experiments, observe what created an impression, and what weakened it, thus improving, adding to, cutting away, and running risks. I was set apart from the world, there was nobody in my vicinity to confuse me in my course, and so I had to become original.'' Franz Joseph Haydn
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
❤️ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
Estupenda selección de las más bellas sinfonías de Haydn.
Muchas gracias y saludos desde Chile.
Bravo bravo bravo super brilliance genial music symphony
These recordings and those of Szell with the Cleveland Orchestra are the gold standard for Haydn Symphonies. But nowadays it's nearly irrelevant since these great works almost never turn up on the concert programs of major orchestras, having been replaced by virtuoso conductor specialties: the Mahler Heavy Lifting Academy and so forth. These great Haydn symphonies seldom turn up even in the programs of "rep orchestras" of leading schools of music.
yeah because people actually want to listen to Mahler
@@fredericchopin4221 Really? I was unaware of there being a competition.
Szell in Haydn is easily better and Bernstein too. I prefer also Sir Colin Davis and Bruggen. I find the Grest Klemperer in Brahms, Bruckner, Mahler, ecc....not so much in Haydn
I find that I don't listen to Soviet conductors doing Sibelius, it's sounds like they're Rushin to the Finish. @@nicolapascoli4580
I find that a delightful comment.
I love Haydn, who really has yet to be "discovered".
Don't know where I'd be without Mahler, though, (too)?
아름다운 연주곡 잘 들었습니다~감사합니다~🎵🎻🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕
;-)
A great complement to the Klemperer Mozart recordings recently posted by CMRR, and again really good remastering. The conductor had an acute sensibility and his realisation, with a fine orchestra and an encouraging studio milieu, meant that in the early Sixties EMI achieved another groundbreaking milestone. In those days Haydn was hardly popular material to record! These performances enriched our understanding and appreciation of the Classical period, and laid the foundation of much that has followed. Thank you.
Haydn Joseph and Clemperer Otto are real Magicians !!! Tepper Michael.
Equilibre, clarté, limpidité même, respiration: c'est Klemperer au service de la musique, ici de Haydn!
Quel chef! Sublime!
No dislikes at all! How could a person in their right mind dislike this?! (And yet I know lots of crazy people who find Haydn boring)
It’s not Haydn that’s boring, it’s some of the terrible lifeless and anodyne performances of his music by some conductors who really should not be playing Haydn; fortunately, there are far fewer of these today than in the past, and anyone who does still think the way you suggest should simply pick any single performance on the Haydn 2032channel and then eat their words.
In this pop dominated culture, there are a lot of people completely in the dark about classical music. Whether they would find it boring is moot. They've hardly ever heard it.
Superbe, vous me permettez de mieux découvrir Haydn -au travers de la conduite de Otto Klemperer! Merci!
We... we... mosiour !!!
Totaly delightful including the history text on the screen. Please do not ask us to subscribe. We get too many requests. Dorothy
Thank you. It's lovely.
Personally, I've always liked Beecham's Haydn the most, but Klemperer is of course an almost peerless conductor.
Beecham and Klemperer are pretty much alien species from different musical planets.
Great music 🎶
Que bueno todo detallado no me imagine que al jubilarse iba a disfrutar de esta belleza
Always loved Klemperer and always will.
Joseph Haydn:1737-1809:Highly prolific Haydn wrote more than a hundred Symphonies and a host of chamber works.His works were a major influence on Mozart,more especially on Beethoven .
Thank you!
Erstaunliche Tiefe, Soundeffektleistung und Tonsättigung !!! So soll es sein!!! Tepper Michael.
Que música sanadora
HAYDN - o grande compositor e fonte inspiradora das mais belas sinfonias de vibrações luminosas ricas de harmonia, paz e alegria. Walter Barcelos - Brasil
Maravilla despertarse con la gloria de Dios en la tierra
Gran verdad...!!!
" Mon prince était satisfait de toutes mes œuvres ; j'ai reçu l'approbation, je pouvais, en tant que chef d'orchestre, faire des expériences, observer ce qui créait une impression, et ce qui l'affaiblissait, améliorant ainsi, ajoutant, coupant, et courant des risques. J'étais à l'écart du monde, il n'y avait personne dans mon entourage pour me troubler dans mon parcours, et il fallait donc que je devienne original".
Franz Joseph Haydn
Intéressant, merci!
Благодарю сердечно! Благодарю.
Celestial!!!!!
Impresionante version i grabacion de haydn con klemperer como siempre,referencia absoluta,otra version tambien de referencia tenemos la de Davis
No olvidar a E.Jochum.Escucho' a Meisendorfer?, si es Ud argentino E'l fue director en el Colon enlos anios de 1950 y pico. Estamos hablando de matices,todos los nombrados son (fueron) Grandes Directores!.-
Outstanding
thank you for the subtitles :)
Haydn,el maestro de la sinfónia de Mozart y Beethoven
Дякую.
Not normally a fan of performances from this era which often sound dated, very period-un-aware, and use horribly corrupted scores.
However, I enjoy these takes on big-band Haydn, and Klemperer’s recordings of these symphonies are still available because they are fine performances.
Klemperer’s spacious tempi - adopted throughout - will appeal to many who find most modern Haydn performances somewhat rushed.
Period-aware generally means threadbare ensembles playing out-of-tune instruments with overly-accented bouncy rhythms.
No one has any idea whether the composer might have liked or even preferred later performance practices, so it all comes down to taste,
not alleged "accuracy".
@@TedATL1
That’s not what ‘period aware’ means, but is a silly, simplistic parody of it.
Period aware has enhanced all types of performances, including modern ones, and if someone like Herbert von Karajan had shown a little more period awareness, his flawed sets of both the ‘Paris’ and ‘London’ symphonies from the early 1980’s would have been some of the greatest Haydn symphony performances of all time.
Period aware means understanding that these late symphonies were all conceived for large orchestras, which is why I am objecting to your parody beginning with ‘…threadbare ensembles’.
Similarly, a little more awareness from a loose cannon like Beecham would have helped his performances too.
It should be noted that Klemperer's (and Szell's) way of bringing out the woodwind parts and when appropriate brass and timpani as well while reigning in the strings at times is pretty close to period practice of which, of course, he knew nothing. He was such a great musician, though, that intuitively he got some of it right. Wish he had reduced the string body even more than he did for these.
This is, for the most part, certainly the best era for classic recordings. Do you prefer Blur & Oasis to The Rolling Stones & The Beatles, as well? Which 'era' of classical recordings do you prefer?
Superb
Haydin is very , very , very beautiful ❤
6:57 is quite ahead of it's time.
좋아요
Jesus Christ came to me in a dream. He told me that Maestro Klemperer had the Holy Spirit. I can believe that. Thank you, CMRR! Thank you, Jesus, for your exactitude.
No doubt about it... a shining ... incandescent holy spirit... !!!
Jeuss came to me in a dream and told me the exact opposite. Which Jesus to believe?
Haydn bu aka na- akporo m ubo .were ya gaba.
M, agrada molt , pero dema tinc que matinar Bona nit
Haydn was prolific. He and Tony Vivaldi could have been bros.
Bach, Handel. Telemann, Mozart, et al; the list of astonishingly prolific composers is extremely long; Haydn and Vivaldi are not particularly noteworthy in this respect.
(Hope you enjoy the amusing little pun).
@@elaineblackhurst1509 They are particularly noteworthy to me. The pun went right over my head. I'm none too bright...
Mycket trevlig
Suprt
E,
this conductor doesn't know triple croche - first learn solfeggio
Wonderful. This music just saved my life.
It did the same for me many years ago
@@luanllluan And mine, strange isn't it?
@@petercrosland5502 the power of music! Haydn is god
Wow mine too lool
im so happy that i can share it with you guys