Thanks Richo. Here, I'm using a uniball eye micro, in black. Usually I use Copic fineliners in my Instagram drawings, but I like these Uniballs for on-camera work, as they give a nice black line and the ink flows freely. It does take a moment though to dry, so I have to be careful not to smudge. :)
Good question Stacy. I do it by observation. I compare the first and last windows to see the total compression, and I also locate the middle point in the row, whether that is between two windows or in the centre of one. The greater the angle the wall slopes away from the viewer, and the longer that wall is, the greater the compression becomes. There is probably a mathematical solution, but I think learning to draw it by observation is the better skill to develop. Hope that helps.
Well, rescued and a good lesson in itself! 😃 I'm learning a lot, thank youi.
Keep at it Stephen, such a benefit in practice. :)
that's amazing bro, may i ask what pen do u use?
Thanks Richo. Here, I'm using a uniball eye micro, in black. Usually I use Copic fineliners in my Instagram drawings, but I like these Uniballs for on-camera work, as they give a nice black line and the ink flows freely. It does take a moment though to dry, so I have to be careful not to smudge. :)
How do you know how much to decrease the width of the windows by??
Good question Stacy. I do it by observation. I compare the first and last windows to see the total compression, and I also locate the middle point in the row, whether that is between two windows or in the centre of one. The greater the angle the wall slopes away from the viewer, and the longer that wall is, the greater the compression becomes. There is probably a mathematical solution, but I think learning to draw it by observation is the better skill to develop. Hope that helps.