Exactly! They are perferct. I saw Ganio in Giselle three times and when it comes to II act - I think he made the greatest partnership with Evgenia. Very touching and beautiful. I'd like to see entire ballet.
Давно не видела такого хорошего исполнения Жизели. Не спортивного. Все па именно с балетной основой. Балерина с очень хорошей школой, отличными выученными ногами и позициями выразительных рук. Так устала от спорта в балете - тут совсем не так. Чувство вкуса, отлично отрепетированный образ. Браво!
Beautiful and Emotional!!💝Ganio and Obraztzova are just perfection here as Giselle and Albrecht bring me to tears in the end Myrtha was also flawless in this performance!!😊💞
oh that was so beautiful! i had tears in my eyes. I was watching giselle yes, but i got caught in the sadness and bravery of their hearts. I love them dancing together. Mathieu was amazing for our lovely, lovely Genia. Thank you so much for uploading. This Giselle is unforgettable.
Oh, it seems I'm getting blind;) Thank you - I adore Genia&Mathieu in Romeo&Juliet pdd and La Sylphide pdd also. I wish I could see them together as much as possible in future.
She is perfection. As always, the clapping in the middle of a variation drives me crazy. The Russians would never have put up with that 40 years ago. Art is an experience and the impact is so much stronger if you watch it umarred by applause until it is done.
I agree with you completely about the inappropriate and intrusive applause. But then I remember that was a culture where, for 75 years, no one was allowed to say a word or express anything for fear of Siberia. Perhaps that has something to do with it, I don't know...
If you see live perfs from 40 years ago, the Russian audiences are still applauding enough to break up things like the Black Swan coda, but I do agree I'd rather see ballet unmarred by inopportune applause
Inefable momento de intensa tristeza este último acto de Giselle.Solo pocas palabras para describirlo...Maravilloso e intenso ,de una expresividad extrema .Gracias Evgenia y Mathieu !!!!❤❤❤❤❤
ECCEZIONALE il tourbillon delle giravolte fa capogiro della ballerina è l'elanismo dei passi saltati che rendono l'impressione d una vinta sfida all aria.Ottima nel balletto duale l'impressione FIGURALE di compiuta risoluzione. BIGHIN GIULIO RENZO
OMG thanks so much for this. One thing I love about Genia is that when she does something really eye-popping (which is most of it, but I'm thinking of her gorgeous control in spots like 3:36) it's still in character and not like she's saying "Look at my fabulous penchee." I've thought of her strength being adagio rather than allegro, but between the opening spins and the entrechats, boy was I wrong. The one thing here I've seen done more strongly elsewhere (and this is dramatic, not dance-oriented) is Myrtha's reaction, or lack thereof, to Giselle harboring Albrecht by the cross on her grave. The entire company is coached so well dramatically that this was a surprise.
io ho visto anche la versione di Carla Fracci-Eric Bruhn e Svetlana Zackarova- Roberto Bolle,m sono piaciute molto,ma devo che anche questa è bella,Genia è veramente brava,e Ganio è bellissimooooo!!!!!
Really, after 23 entrechats six and perfect double tours, you're complaining? His back isn't extremely flexible so his arabesque and related movements (cabrioles, big split tour-jetes) aren't dazzling, but his technique is certainly solid.
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Ганьо прекрасен - танцующий Жерар Филип! При всем своем искрящемся темпераменте Образцова - удивительно отрешенная и нежная Жизель
Exactly! They are perferct. I saw Ganio in Giselle three times and when it comes to II act - I think he made the greatest partnership with Evgenia. Very touching and beautiful. I'd like to see entire ballet.
Давно не видела такого хорошего исполнения Жизели. Не спортивного. Все па именно с балетной основой. Балерина с очень хорошей школой, отличными выученными ногами и позициями выразительных рук. Так устала от спорта в балете - тут совсем не так. Чувство вкуса, отлично отрепетированный образ. Браво!
Е,Оразцова очаровательна своей естественностью, и большой артистичностью, Приятно снова увидеть,
Beautiful and Emotional!!💝Ganio and Obraztzova are just perfection here as Giselle and Albrecht bring me to tears in the end Myrtha was also flawless in this performance!!😊💞
Greetings from a fan of you from Argentina 🇦🇷🌷🌹🌸❤️
Evgenia is perfection!!!
oh that was so beautiful! i had tears in my eyes. I was watching giselle yes, but i got caught in the sadness and bravery of their hearts. I love them dancing together. Mathieu was amazing for our lovely, lovely Genia. Thank you so much for uploading. This Giselle is unforgettable.
Oh, it seems I'm getting blind;) Thank you - I adore Genia&Mathieu in Romeo&Juliet pdd and La Sylphide pdd also. I wish I could see them together as much as possible in future.
He is an excellent actor and excels in any role he performs.
She is perfection. As always, the clapping in the middle of a variation drives me crazy. The Russians would never have put up with that 40 years ago. Art is an experience and the impact is so much stronger if you watch it umarred by applause until it is done.
I agree with you completely about the inappropriate and intrusive applause. But then I remember that was a culture where, for 75 years, no one was allowed to say a word or express anything for fear of Siberia. Perhaps that has something to do with it, I don't know...
If you see live perfs from 40 years ago, the Russian audiences are still applauding enough to break up things like the Black Swan coda, but I do agree I'd rather see ballet unmarred by inopportune applause
@Christina cowell -- I totally agree. It drives me crazy too, especially in Act 2 of Giselle. Bus loads of tourists. They don't have a clue.
Génia est absolument fantastique je l'adore
A truly wonderful and soul-soothing work!
Inefable momento de intensa tristeza este último acto de Giselle.Solo pocas palabras para describirlo...Maravilloso e intenso ,de una expresividad extrema .Gracias Evgenia y Mathieu !!!!❤❤❤❤❤
ECCEZIONALE il tourbillon delle giravolte fa capogiro della ballerina è l'elanismo dei passi saltati che rendono l'impressione d una vinta sfida all aria.Ottima nel balletto duale l'impressione FIGURALE di compiuta risoluzione. BIGHIN GIULIO RENZO
OMG thanks so much for this. One thing I love about Genia is that when she does something really eye-popping (which is most of it, but I'm thinking of her gorgeous control in spots like 3:36) it's still in character and not like she's saying "Look at my fabulous penchee." I've thought of her strength being adagio rather than allegro, but between the opening spins and the entrechats, boy was I wrong. The one thing here I've seen done more strongly elsewhere (and this is dramatic, not dance-oriented) is Myrtha's reaction, or lack thereof, to Giselle harboring Albrecht by the cross on her grave. The entire company is coached so well dramatically that this was a surprise.
This is mesmerizing.. I am watching it again and again. Question: who is dancing Murtha in this production?
Maria Semenyachenko danced Myrtha.
A magical partnership,they compliment each other so well. Where was this performed?.
Beautifully danced.
Genias interpretation of Giselle is excellent
io ho visto anche la versione di Carla Fracci-Eric Bruhn e Svetlana Zackarova- Roberto Bolle,m sono piaciute molto,ma devo che anche questa è bella,Genia è veramente brava,e Ganio è bellissimooooo!!!!!
Act 1 excerpts are also posted on here!
Omg I love genia!
Я была на этом спектакле.
Я Вам,по хорошему, завидую!
One of the best Giselle ever!
Stanislavksy Theare in Moscow.
Невесомая птичка колибри.. Чудо какая актриса...
omg, the phone ringing at 4:40 is just aweful ! Such disrespect for the dancers, the orchestra and the audience. I would have slap him !
i was so wrapped up in the dancing i never even heard it!
Saw him in this when he was much younger. I wouldn't believe that he could get better. He has. Maybe it's because of her.
Невинность, красота и чистота...
Giselle: The ONLY man in town . . . like a true Catholic.
Ganio lacks technical skills a little bit for this no?
+Sonia A. Not at all.
Really, after 23 entrechats six and perfect double tours, you're complaining? His back isn't extremely flexible so his arabesque and related movements (cabrioles, big split tour-jetes) aren't dazzling, but his technique is certainly solid.
yah. Several times I felt he got to the limit of his ability. Didn't mess up big time, but it showed: this far and no further.
1 окт. 2010 МАМТ
Errata corrige non fa ma da