I've been having some issue with opening saved OSM project files, where OSM just lags and crashed when attempting to open a project that have maybe like 10+ measurement data. What could be the issue?
Thank you Michael for such great content. Should I always EQ my speakers flat in a live environment or is this for a studio setup only? God bless you and your family.
Live sound is different from a studio environment and might use different tuning. Studios are flat because it translates the best to everyone's unique listening environment. In live sound you know what the listening environment is. That's why we use the term "target trace" because everyone's target could be slightly different. For example many mixers prefer a response that slopes up into the subs. This gives the feeling of a live show people are looking for but the recording from your board will have an appropriate amount of sub for other listening environments.
I want to ask a very broad question? Is there any programs like this that can set a EQ for your system so you can use it at gigs? Reason i am asking is cause a dsp is for some like me a bit too expensive and the analogue crossovers really miss the mark.
I'd like to add, that in LTW mode each frequency has its own time window. That's the difference with an MTW, where it's different by octaves.
I've been having some issue with opening saved OSM project files, where OSM just lags and crashed when attempting to open a project that have maybe like 10+ measurement data. What could be the issue?
May I ask what LTW stands for?
Logarithmic Time Window
This is great! Thanks Michael!, this Open Sound Meter is awesome tool, I am getting it right now.
Thanks, Michael Curtis for the Eq gear set-up explanations.
Thank you Michael for such great content. Should I always EQ my speakers flat in a live environment or is this for a studio setup only?
God bless you and your family.
Live sound is different from a studio environment and might use different tuning. Studios are flat because it translates the best to everyone's unique listening environment. In live sound you know what the listening environment is. That's why we use the term "target trace" because everyone's target could be slightly different. For example many mixers prefer a response that slopes up into the subs. This gives the feeling of a live show people are looking for but the recording from your board will have an appropriate amount of sub for other listening environments.
Question: Have you gone through the process for creating a GLL file for a speaker that doesnt have one?
Great video!👍👍
thank you !!!
I want to ask a very broad question? Is there any programs like this that can set a EQ for your system so you can use it at gigs? Reason i am asking is cause a dsp is for some like me a bit too expensive and the analogue crossovers really miss the mark.
Can I use Sweep instead Pink Noise in the transfer Function, like Rita Analyzer ?
Sure thing!