Great video. I bought the MV7 and I love it. For what I use it for, it's perfect. I stream, and since the pandemic began, I've been teaching college online. Like you say in the video, the MV7 destroys anything else in USB, including the Yeti I had before this. For my purposes, I don't need to invest in all the other gear to go XLR. The software may be limited, but it's been working glitch-free, and there's value in that!
@@DarkCornerStudios to be totally honest ive seen a few of your results come up in my recommended but i haven't clicked which is the by-product of market saturation but I'm glad i did now. Thanks for the fast reply also.
I agree. Dudes quality exceeds booth junkie and he’s got a great voice u want to listen to as well. His videos seem equal to a channel with a quarter mil subs.
The MV7 is the first real upgrade I made when I decided to invest a little in the RUclips channel and it was a huge step up from anything else I'd used. Listening to your other comparisons I liked every other mic on XLR better than the MV7 except the Rode. But for the simplicity of a dynamic USB mic with relatively simple software I've found I get much more intuitive results and spend less time leveling and otherwise tweaking audio after recording.
I have both the SM7b and the MV7. I like them both for different reasons. The SM7b is great for a home studio setup where your running a 48v booster and some sort of audio interface with a mixer. The MV7 is a great budget option for those that want to sound professional or for a mobile set up without the extra gear.
I just bought the Shure MV7 and totally love it.. It sounds so close to SM7B and yes it doesn't beat it but on sound quality it comes close i say 9 stars out of 10 vs SM7B that is a 10. Btw your voice makes the MV7 run like a Ferrari. 😊👍
With the SM7b windscreen on the MV7 it actually makes a good difference because of the thicker end foam, try it out for yourself. Also why not just rotate it to make the buttons easier to access idk why you would complain about that when it's an easy solution.
First quality mic acquisition for me. Coming from an Antlion ModMic 4.0! I also ordered the SM7B's windscreen, as that has been noted to basically solve the plosive issue the MV7 suffers from. Also, am I the only one that likes the sound from the USB vs XLR on this mic? I've listened to so many reviews on this mic and the USB just sounds better imo.
The box says "Podcast microphone" and it's for people who need a portable setup, have an untreated room et cetera. It is actually very comparable to the SM7b, most people can't get the blind tests correct. So a $250 setup vs a $1000 setup, sure the SM7b is 10% better but also 4x the cost.
I just ordered an MV7 as I mainly use a console, it's on offer right now 35% off in bundle deals! I'm getting the boom arm free with it straight from the Shure site :D Nice upgrade from the Blue Yeti.
On a price / performance comparison, my vote goes to the EV RE320. It compares nicely with the SM7B at a much lower price. On a price / performance comparison of combination XLR / USB mics, I prefer the Sampson Q2U, the Audio-Technica ATR-2100, and the Audio-Technica AT2005, all costing $100 or less. I own the RE320, the Q2U, and both Audio-Technica mics. I don't hear a $150 difference comparing the MV7 with the other combo mics. The quality difference is negligible to none. For only $50 more, the EV RE320 offers a much better listening experience compared to the MV7 in XLR mode.
The MV7 works very well for podcasts, if you want to make it sound far better and get rid of the plosives, just pick up a filter for the SM7B. It fits perfect and will get rid of the plosives. I have two MV7s and love them. We have done side by side comparisons and yes, there was a small difference, but it was a not much when considering the cost.
@@ulfrinn8783 yeah, you probably could, but why do that and risk uneven sound when the the filter for the SM7B is what $12-$14 dollars? That wouldn’t really make sense
Hi there. Great review! Quick question, after you've used the Motiv app to alter the config. Can you unplug the mic from the app and it remember those settings?
Everybody says SM58 and SM7B. But I really like the E835, I think it sounds similar to the SM58 with a bit more presence. I feel like the SM58 is for people that are more experienced with EQ and the E835 would be a great entry level microphone for pretty much every use.
Not gonna lie...it is hard to find many differences between them. Sennheiser really did produce a great mic...just a shame that the sm58 overshadows it so much
@@DarkCornerStudios well the SM58 is by far the most famous mic of all time, when you ask the average person what a microphone looks like, they would probably describe the appearance of an SM58 because literally almost everybody uses one for live use. Sennheiser is a great brand that makes goods microphones. The E835 is a good microphone that gets overlooked like you said. Personally if you ask somebody about Sennheiser they would most likely talk about their shotgun microphones because bloggers use the MKH 416, aswell and people like the Booth Junkie. So Sennheiser has their fair share of popularity, just nothing even close to Shure.
There is two reasons, why I purched my Shure Mv7. The first reason that is Mv7 cost only 60% of Shure SM7B and the other reason is we don't need interface / Mixer. With USB output we can also connect the microphone to other devices as Ipad, Iphone and even more. The sound quality on Shure sm7B maybe 10-15% better then the Shure Mv7, so for me the Sm7B it's not worth. Thanks you so much for Great video. I just got my Shure Mv7 today and I love it.
No USB-c is a dealbreaker for me. Why is the older connection still being made? Great review. After watching several mic reviews i think i prefer the sound quality of condenser mics. I need to replace my cheap Chinese BM-800.
@@DarkCornerStudios I can understand for the SM7b, but it's weird that they'd consider the 57 and 58 'studio mics'. I know they both make perfectly fine voiceover mics, but they're primarily stage mics.
@@SavoxYT Actually both the sm57 and the sm58 have always been go to mics in music studios( hence the sm in their name ). Meanwhile the sm58 is more geared towards vocals and live settings (because of the built in popfilter/windscreen), the sm57 is notorious for being the perfect mic for literally anything (from snares to guitar cabs).
There's not a studio on this planet without at least a couple of SM57s. I'm not talking about your friends studio in his bedroom. Control room and live room you know,a studio.
Not sure how often you still check older video comments but I have a few questions related to this mic. Currently I have a BETA 58A but I've recently come across this mic along with always having the SM7B as a thought in the back of my head. I was just wondering do you happen to have any experience with the beta 58a and if so how would you say it compares to the other two and if it would make any sense to upgrade. Mainly using it for general communication, streaming and podcasts. Thanks and great video!
Talking about plosives while being too far away for thematic become an issue, feels odd to me. I also would like to hear both up close for the sound. And where is the comparison to the treated sound of the SM7B? Or against the untreated SM7B?
I really want to thank you for a very REAL evaluation of these mics. I think all mics need to be understood in the context of a given purpose, and here we are talking vocal mics (singing,narration,Live radio talk etc). After listening to your video, I say there is no substitute for a shure SM7B. And I agree that shure knows it's value in the marketplace and is using some of that to leverage success over to the MV7. If it gives it a fair hearing, I am ok with that. But ,to my ears, the flattering low end and "smoothness" of the SM7B...is just better at this application. btw: excellent quality video you made here..the lighting,audio quality,edits etc. I did subscribe.
@@DarkCornerStudios I might buy two for a project that I might be working on. A friend's sister is doing a puppet show for children and I have offered to help boost her production values. She's a school teacher and not a pro media producer. I'm a little worried about her mic handling abilities and the abilities of her colleague who works on the show. I don't want to buy a second SM7b for the project. Nor do I want either of them playing with that one. Too intimate. The girl's mine!
I just get more and more confused the more I research microphone purchases. Microphone for podcasts and possibly VO in the future. At the moment it is between the Shure Mv7 and the Movo VSM-7. Some advice?
@@donaldshong Nope. Audio goes through the microphone and into my Audiofuse Studio and into the computer...or usb when I was testing that. Then I sync it in premiere pro and replace the camera audio with the recorded audio
To be fair, it's effectively like buying a cheaper XLR with a cheap USB DAC. Because of that, if it's for podcasting/streaming, I'd compare it with cheaper XLR mics. Any XLR mic that you pick up, if it's your first, will be accompanied by the cost of a suitable DAC along with it.
Question? I agree the micro usb is a cheap way of doing things. Can you test the Shure MVX2U on the MV7? And see by using a USB type C makes a difference between the micro USB?? Via Auto mode ( Near and Dark. Thank you👍👍
It was around 3 o'clock...my bad for not mentioning that... And yeah...I am waiting for it too...I will send a reminder email to Zoom. I SHOULD have it before it is in full release
This is a great review. I bought the MV7 just a week ago, I came from a Rode NTUsb. Recently, my gf's PC was (after a long long time) integrated into the room I am sitting with my PC. Voice stuff while gaming, with a so sensitve microphone like the Rode NTUsb, was impossible with 2 people that close range. Indeed the reason I didnt want to go for the SM7B was the price of it, but not only that, also that I would have to spend another 160 Euro for a Cloudlifter, since appearantly the SM7B needs that much power. I saw a lot of videos with the SM7B with my Interface, the Scarlett 8i6 3rd Gen, and what I got from all those, that its better to get a Cloudlifter for the SM7B. And I admit, i was not willing to put that money together at the time. The MV7 works great, but I agree, from what i Hear in other videos too, its still not the same sound like the SM7B. But i think considering the price is a hundred Euro less, plus I dont need extra gear, its good. If i wouldnt need a Cloudlifter or Fethead (dont like the way it makes the whole thing so much longer, especially if you use the SM7B on a Boom Arm, the Rode PSA1). The fethead would have been cheaper, but it would look like crap. I was thinking about returning the MV7 in the beginning, but whats the point. It still sounds great, but its just not like the SM7B. And if you didnt had one before, you also dont hear the difference that much. You only hear it, if you hear other people using it. Still, i wish the SM7B wouldnt need the extras to really work.
Honestly if you grow in the future, it might interest you to get an SM7B with an interface that can push it. Fetheads and Cloudlifters are always encouraged, but not always necessary...unless you are doing live audio... That is the one sticking point. But there are some interfaces out there that can give you clean boost for the sm7b without the need for either the fethead or cloudlifter. Cheers and thanks for watching.
@@DarkCornerStudios Thanks m8. But which interfaces for example would be able to to that without such an extra device ? And if with only a interface, are we talking about Interfaces that are even more expansive than just getting a Fethead or even Cloudlifter ? Because I get a feeling that Interfaces in a whole different price range can probably do that on their own. But then I wouldnt really save money in the end. ;)
As your studio setup grows...the objective of saving money is less and less...lol. From entry level to midrange...a cloudlifter or fathead is your best bet
@@DarkCornerStudios Is there also a non-pen looking version of the Fethead, that I can use ? The fethead would make the whole thing look redicolous long. Is there no other version of a Fethead, that you can just (like with the Cloudlifter) put a cable on both sides, so I can put the Fethead someplace else than directly behind the mike ?
I use the mv7 (XLR) for drum recording, it's a great hi-hat mic. I use the USB function for podcasting and online seminars. It's the most versatile and valuable mic in my arsenal.
RE320 sounds amazing albeit doesn’t quite have the low end of the SM7b. The Sennheiser quite impressive also. mV7 sounds In the right side of good - but not spectacular but if Shure made it sound as good as it’s bigger brother it would eat up sales.
Still though. It can be a great mic but different. The sm lineup is all quite similar but different...all are amazing mics...but don't cannibalize sales. I feel like the bullseye was missed here
Your comparison with the PodMic was interesting. The PodMic has a very natural sound to it whereas the audio coming through the MV7 sounds somewhat enhanced. As for which one is better, it really comes down to preference. The MV7 might be better for someone who wants their voice to hit a little harder, and the PodMic might be better for someone who wants to maintain a conversational tone with their voice.
Hey!, awesome video and edit like every video, congrats! Can i ask you something?, I want a SM7B, but i don't know what usb audio interface do you recommend for that mic, because it need to much gain range, 70db, do you recommend the presonus studio 26c or other? Thank you very much, cheers from Chile!
You don't need 70db...but 60 dB is preferred. Just make sure whatever interface you get has very low noise. So an EIN of -129db or - 130db. I know the Motu M2 is quite popular
Modeled off...not even the 58. That is frustrating. I don't hate the mic...in fact I can see its place...just damn that marketing can be misconstrued by someone who doesn't know better. Thats kinda dirty
@@DarkCornerStudios In there defense, the reps are out there saying “It’s not an SM7B” When we first found out about it a couple years ago we were very much all “you’re going to put a converter and a headphone amp in an SM7 and pitch it to podcasters, what’s it going to be $600?”
Thanks so much for the audio comparisons. Btw, I would stick with the SM58 against the MV7, given I can tweak the audio on Pro Tools, and I don't need the USB.
If you don't need USB and you already have a Interface / mixer you may get the Shure Beta 87A Supercardioid Condenser. For me the Shure beta 87A is better then Shure sm7B.
I thought the Rode Pod Mic sounded every bit as good as the MV7 and literally at 2.5 times less the price. I also liked the sound of the RE-320 better at being in the ball park of the same price. Great video---my purpose is purely for XLR so this convinced me that this new mic is not a good purchase.
Glad you enjoyed the video! And yeah...there is so much more to buy if going XLR... I can personally say the RE320 is amazing...and a great upgrade for a lot of mics
Shure sounds nice! Btw I have a 2 pronged question. I just watched your video on Editing Voice in audition and it was a great tutorial. But.. 1. how would you go about EQing voice lets say in a live setting for podcast/livestream/discord? 2. If you were recording video with rode/lav mic attached to the camera so it is recorded with the footage itself, how does this audio normally get processed? Complete noob here so I appreciate any advice.
oh, God. your voice is so much better on a sm7b. other reviewers' voices do not get that difference. but now I'm totally not buying the mv7. and a podmic - even worse. somehow it's not about obvious better lows in your voice with sm7b, but highs are so much more pleasing as well!
I love the mv7 so much, killed the blue yeti and at2020 by a landslide, it’s a great option for those who wants to be a on a budget, I recommend the mv7
So for a very fair comparison, what mic/interface combo would you pair up to compete with the MV7 at a similar price? I've done a couple books and a tiny bit of voicework and would like to step up my game from a borrowed Blue Yeti Pro. I was considering the MV7 but am thinking a quality but basic interface and reasonable mic might still be done for under $300.
@@DarkCornerStudios Actually, that's an interesting recommendation based on how I've poured through your (quite excellent) videos lately. You recently picked the Moto M2 over the Scarlett 2i2, and you specifically mentioned in the P120 - NT2A cpmparison that the P120 would not be suitable for audiobooks. I suspect that is the noise level though, so going to P220 or P420 would clear that hurdle. Thanks again for having an awesome channel! I can't believe you have under 50k subscribers.
@@dulloldfart60 Thanks! If you are doing books...yeah the P120 is on the edge of too noisy...that said...I would assume you would be doing some noise removal in post. The p220 is better suited for the noise. As for interface...the motu and scarlett are interchangeable...either would be amazing. Over the past couple months it has been tough to find anything from Motu...so if you can...giv'r! As for the 50k...I am working on it... Somedays it is easier than others...lol
Apologies for the stupid question, but when you say 3:00 and 5:00 with regards to gain, do you mean 30db and 50db? Also, I saw someone mention the Rodecaster Pro. I literally just bought the MV7 and Rodecaster Pro, and am having a hell of a time finding the right sound balance.
Sorry...I guess I should specify in the video. That means 3 o'clock on the dial...which is an Audiofuse studio. I could do the math I guess. 70db of gain on that unit...so 3oclock would be 75% gain... So that would be 52.5 db
@@DarkCornerStudios I guess I am referring to figuring out the best balance in the XLR setting. The only way to adjust anything is through the RCP. Been messing with gain between 30 and 40 and trying to adjust the volume level accordingly. Just can't find a level I like. The RCP is supposed to be easy. hahaha
@@jasonferrari9976 it is the easiest. Take your time with it...no harm in levels being a bit off from time to time. Eventually it will just be an extension of you...and it will become quite natural. No need to rush it
That was a really great review. Thanks for breaking it down. I hope you have sponsors for products. You just earned yourself a new subscriber! I was looking at the MV7 I’m a dj and not sure what to get. I like the MV7 for the looks 🤷🏽♀️ All the mics sounded about the same to me honestly .
@@DarkCornerStudios Keep making thorough videos like this and you will be there. It’s hard to find good reviews that break things down! Good luck sir 👍🏽
I am extremely biased for undisclosed reasons, but that aside, I’d love to offer my 2¢ to an elephant in the room. Honestly in most reviews of any mic, though may have their obvious and less obvious sonic differences, we should really be asking ourselves how big of a deal is it really? When we listen to content, what’s really important? How the amount of upper mids seems .5dB too hot? The compressor set at 3.5:1 instead of 4:1 leaving the voice ever so slightly loose? Especially for the target market for these type of mics, it’s the content that is supreme, the message being conveyed, not the difference most people wouldn’t hear, much less ascribe a high return on your investment. Sure mic choice in music recording can have a much more dramatic influence, given the amount of other mics literally in the mix that need to play nice. But with one or a few talking heads, this isn’t really much of any deal breaker. So at the end of the day, it’s probably really most about what brand you want to identify with or if you want to appear to be in the “in crowd” and what mic sounds best on your own voice for your own monitoring and also nowadays, if on video, what mic is aesthetically pleasing to you. Thanks for the review, end of soapbox.
I agree somewhat. There are a billion different reasons to choose one mic over another, and honestly, they can be completely legit reasons or ones based on loyalty. My only issue from this video was the marketing of it compared to an SM7B. I love Shure products, and have long recommended them as great gear for any studio, but there seems to be this influx of equipment that has "podcasting" slapped on the side. It is disingenuous to run a marketing campaign like that when most of your buyers cant tell the sonic difference between them. Also, do not discount the issues of a mic that is ill suited to a voice. It can have a massive impact on the appealing nature of the audio. For example (And this is just one of many examples) - The sibilance of a mic can make audio almost painful to listen to for some voices... It really IS important to choose the right mic for you
@@DarkCornerStudios - yeah. Agreed it isn’t simply this or that, so many factors. I think too much high end is indeed grating to listen to, especially if a long format. I think that’s the unconscious draw of the darker sound, less fatiguing. Also agree marketing can be annoying. That’s why review videos are great. Get past what the box says and let’s see and hear how it performs. Hopefully people can judge for themselves or at the very least be a bit more informed about what to think about buying for themselves.
I have been using a Super 55 for singing at home, always wanted a SM7b but since i live in Brazil, the price goes waay over budget since i need to change my interface (I'm using a behringer umc22) and also get a cloudlifter, making the whole package of mic, interface and cloudlifter going over 6000 BRL. Maybe the MV7 could be an option since i wont need the extra gear? Would i see some improvement over my Super 55?
Improvement is a tough sell. It will sound different. I would say it sounds great on USB for me...but I wasn't too sold on its XLR performance. Give it a shot...just make sure it's returnable if you don't like it
Well, maybe i should just stick with my Super 55 since different would not be necessarily better and our return policies it's not exactly smooth as i would like lol. Thank you for the response! I love your channel, i always look for your reviews when I'm in doubt of something, you actually helped me in buying the Super 55 after some comment in another video, so thanks haha
Hello a new subscriber. Awesome video loved the content. Got a question, I was trying to do voice over on my videos like top 10 videos, I was using a Blue Yeti X and I got to say its very hard to master it since so many things can go wrong during recording. Should I sell my Yeti X and buy MV7 for voice over? Thank you for your time.
Yeah...the MV7 will be a lot easier for you to control... Just remember at some point you will need to treat some of the room you are recording in... If you have reverb in any room with a yeti, it will be there with an MV7. That said...check out the video I did a couple weeks ago on treating your room...it might help
love the honest and critical review. I saw a bunch: 7-8 also by some of the influencers.... and honestly, lots of prayers for the MV7. lacked the critical side. thanks a lot
Oh wait...that was the mic I used while reviewing the Zoom P4. I hadnt planned a review on it, but I can honestly throw one together...I wasnt positive people wanted one... Guess I should ask sometimes...lol
@@DarkCornerStudios I'm using the SM58 now and really have zero complaints with its operation or sound quality. However, I'm doing videos and it's not the sexiest looking thing. I really see no need to spend multiple hundreds on a mic when the 58 is great for my purposes. Therefore, all I want is something on par with the 58 that looks sleeker. I like the way the zdm-1 looks and from reviews I've watched thus far it seems like what I'm looking for.
@@mikeg6069 it was decent no doubt...especially considering the price. Honestly though...if you have the sm58 already...save your pennies for something like the re320. That way you get sleek, sexy, and a massive boost in sound quality too
@@DarkCornerStudios that's a $300 mic. But money is not the issue. Value is my issue. I just do not hear $200 more worth of quality. That doesn't just go for the RE320, that goes for any mic over $200. But maybe I'm just not sensitive enough to appreciate the quality increases because a lot of these differences people speak of sound like smoke and mirrors to me.
Thank you for testing and posting. I have the SM58 and thinking of SM7B. This Shure MV7 sounds great for a USB mic... and great for a first mic. Compared to my SM58 yeah it’s better... I think for USB the MV7 for beginner podcasting, voice, speaking etc... I think it will be great. Already having a SM58 and want a 10 - 20 year ownership of a voice over mic and possible mild singing... I think the SM7B + cloud lifter or the capsule you have (I missed what it was) would be a long term better answer. Oh short term running through my Roland VT-4 live effects or my Yamaha mixer into computer... so yes I can eat on my own.. but the simplicity of the USB MV7 should not be ignored by anyone who doesn’t already have a $200 mixer.
Great video great set of comparisons. I’m happy with my SM7b and I feel like shure made this so that podcasters would leave the SM7b alone like giving your little brother your old console so he lets you play your new Xbox in peace.
Mmmm. Yup. I think I liked the Sennheiser better. The market is scrabbling for the guerrilla podcasters so I guess that's where the USB mics are aimed. But for audio books and voice over I don't think it cuts the mustard. Lovely vid as usual. 👍
Yeah. I did notice a lot of the "influencers" were only testing the mic on USB in comparisons...so I am wondering if that was at the direction of Shure. It has a fuller sound on USB...and is a bit more smooth...which is odd.... But if it isnt future proofed for an XLR workflow...what is the point?
I feel like if you could real time bring down the 500hz range and bump the 250hz alongside the 3000hz the MV7 would be almost perfect. I hope shure adds proper EQ settings into their app soon.
Great video but didn't compare it to another usb microphone just xlr. What makes it better then all the other mics is someone can buy it use usb till they can afford an xlr interface, unlike all others where you need to buy it all first.
The 58 wins hands down. $100 sounds great, almost exactly like the MV7. Close your eyes when he compares. If you're all about looks, I'm sure there's a spot in "clothing design" or whatever somewhere for you. These "podcast mics" are just for talking. Not tracking vocals for an album. A $4007B is absolutely not necessary for a podcast. What is necessary is the content. Spend a $100 bucks on a decent mic. Put out good content, that's the most important thing.
This was really helpful.... and unhelpful at the same time. It shows that the MV7 is a great USB mic, which I am looking for. However, I am also trying to convince myself that I don't "need" the SM7b. The SM7B is so tempting but the cost of all the gear to run it is $$ for a beginner.
Sir, I am beginner. I want to record my written poetry professionally. In which my line will go in high tone and will also come in low tone. Tell me such a mic and audio interface. So that I can record and mix later. My room is not sound proof. My total budget is $300. But a shopkeeper told me that you cannot do recording with dynamic mic. Please tell me what should I do. Tell me such a mic and audio interface that I will not regret after buying.
Turns out there's no good reason to spend more than $100 on a microphone because the $100 microphones sounded perfectly fine to me. But can you do screaming tests? Most $100+ or even $50+ microphones sound fine when talking, but when screaming, there has to be a difference with clipping. Or maybe whisper into them to test the background noise.
Is this best for singing? I’ve never used microphones and want one for singing ( not necessarily professionally just legit for fun and covers. I’ve got £500 to spend... So far I’ve come across these names Sm7b Sm58 Sm57 Nt usb Mv7 Blue yeti Nt1 Or other Brands n names?? Which is best mic 2021 for singing possibly in future while playing guitar or piano at same time? Also I have no editing experience too so obviously the less I need to edit the better
@@DarkCornerStudios ahh. So Scarlett is out of stock on Amazon :(((( Is there any alternatives ( the more the better because I’m trying to get one on prime XD ) I have £500 for a mic + however much a interface is ALthogh preference below 300 but if it is more it don’t matter. Also I heard I need to get a cloudlifter Usb or xlr I really don’t mind I’m just trying to buy the best mic for singing for £500 + whatever I need preferably under £300 What do you mean? What about singing live ( at home for fun ) how does this work for editing
You don't need a cloudlifter. You can gain up in post. Motu m2 is good...as well as M-Audio gear. The mic you would want is probably a condenser. Go for something like the AKG P220. I did a review on that on this channel
@@DarkCornerStudios hey I was wondering if you could point me in the right direction. I am trying to get into content creation on RUclips and wanting to upgrade my microphone, I would like something like the mv7 but I want to explore all my options. Do you think there are any better microphones that are priced at 250 usd and has both usb and xlr. Thanks!
Kind of makes you wonder what other hardware they skimped on to make it though, don't it? It's cheaper to use older micro controllers and USB encoders which aren't set up for USB-C which tends to require some newer chips on the PCB. But honestly for $250 I think you're better off with an interface and a dynamic XLR mic in the $100-$150 price range. The Samson Q9U which will be released... eventually, is a USB/XLR studio dynamic with USB-C... I'm interested to see the comparisons with those when they are out.
I feel like the only reason you would get a sm7b is for the “I got the best” .. but honestly the sm7b is not meant for podcasting .. hence why you need to use a cloud lifter .. the sm7 way better guys …
Yes...they are subjective...but this is a review process. Reviews are also subjective...but an important device that potential purchasers can use to Guage whether or not a product is viable for them. No one here is arguing your point...but how needless would I be for every review to say that? Opinions of reviewers are a great tool for the above mentioned...as well as a tool for keeping companies honest. No one is saying you NEED to buy a more expensive mic...
I’m looking for a top end USB mic, will this one plug straight into the PC and still give solid quality sound? Or is there another USB mic that beats it?
You just don’t get it, who would not want to do an audio back up recording with the use of two ports? I should have known as soon as you did not know how to rotate it in the harness to utilize the mute and volume controls…
Great video. I bought the MV7 and I love it. For what I use it for, it's perfect. I stream, and since the pandemic began, I've been teaching college online. Like you say in the video, the MV7 destroys anything else in USB, including the Yeti I had before this. For my purposes, I don't need to invest in all the other gear to go XLR. The software may be limited, but it's been working glitch-free, and there's value in that!
Glad it is working out for you!
Cheers and thanks for watching!
almost anything destroys the yeti lol
Same here. I have a Yeti and this is way better. I don't want to carry a whole studio on the road with me.
Instablaster...
@@DarkCornerStudios can you make mv7 vs rode Nt1a? Since both got the same price
Geeze, based on the quality of this video i assumed you had millions of subscribers.
I appreciate that.
Give it time...lord knows I am working on it...
Cheers and thanks for watching
I thought the same :-). Great review/s,
you have another subscriber now 👍
@@dennylloydable awesome!
Thanks for the sub and welcome!!
Yea i couldn’t agree more, he should deserve millions
this dude just needs to hit the algorythm lottery and he will be on fire. Excellent quality here through and through
Thanks man.
I have been flirting with the algorithm so far...
Nothing more than hand holding though.
@@DarkCornerStudios to be totally honest ive seen a few of your results come up in my recommended but i haven't clicked which is the by-product of market saturation but I'm glad i did now. Thanks for the fast reply also.
No worries!
I try to answer all!
Good to see my thumbnails are getting it done!
I agree. Dudes quality exceeds booth junkie and he’s got a great voice u want to listen to as well. His videos seem equal to a channel with a quarter mil subs.
The MV7 is the first real upgrade I made when I decided to invest a little in the RUclips channel and it was a huge step up from anything else I'd used. Listening to your other comparisons I liked every other mic on XLR better than the MV7 except the Rode. But for the simplicity of a dynamic USB mic with relatively simple software I've found I get much more intuitive results and spend less time leveling and otherwise tweaking audio after recording.
Still a fantastic sounding mic on USB...if that's your game...you will do well with it
I have both the SM7b and the MV7. I like them both for different reasons. The SM7b is great for a home studio setup where your running a 48v booster and some sort of audio interface with a mixer. The MV7 is a great budget option for those that want to sound professional or for a mobile set up without the extra gear.
I just bought the Shure MV7 and totally love it.. It sounds so close to SM7B and yes it doesn't beat it but on sound quality it comes close i say 9 stars out of 10 vs SM7B that is a 10. Btw your voice makes the MV7 run like a Ferrari. 😊👍
With the SM7b windscreen on the MV7 it actually makes a good difference because of the thicker end foam, try it out for yourself. Also why not just rotate it to make the buttons easier to access idk why you would complain about that when it's an easy solution.
First quality mic acquisition for me. Coming from an Antlion ModMic 4.0! I also ordered the SM7B's windscreen, as that has been noted to basically solve the plosive issue the MV7 suffers from.
Also, am I the only one that likes the sound from the USB vs XLR on this mic? I've listened to so many reviews on this mic and the USB just sounds better imo.
The box says "Podcast microphone" and it's for people who need a portable setup, have an untreated room et cetera. It is actually very comparable to the SM7b, most people can't get the blind tests correct. So a $250 setup vs a $1000 setup, sure the SM7b is 10% better but also 4x the cost.
Best audio review on this mic. Straight forward, and great insights!
Thanks!
I appreciate it!
Thanks for the review, I purchased the MV7 based on your feedback. Appreciate it.
Awesome!
Hope you like it!!
From what I've seen in other videos is to buy the pop filter from the SM7B and put it on the MV7 and they sound exactly the same.
Pop filters do NOT shape sound like that.
At best you lose a small...and I mean very small amount of airyness...
@@DarkCornerStudios Correction, I meant to say windscreen, not pop filter.
@@troymitchel4790 same thing...outside of eq...there isn't any physical thing that will bridge that gap
The improvement with the RE320 and the Sennheiser is stunning. Thanks for a great comparison!
Thanks for watching it!
Exciting video! Mv7 sounds exactly like the sm58 to me.. the mv7 sounds muddy to me unless the way you treated it sounds nice
I just ordered an MV7 as I mainly use a console, it's on offer right now 35% off in bundle deals! I'm getting the boom arm free with it straight from the Shure site :D Nice upgrade from the Blue Yeti.
I really like the EV RE320
I know right?
It was the first mic I bought when I was getting into VO work.
Its a beast...and not too expensive!
@@DarkCornerStudios would you recommend the EV or the SM7B for VO work? If so why?
On a price / performance comparison, my vote goes to the EV RE320. It compares nicely with the SM7B at a much lower price. On a price / performance comparison of combination XLR / USB mics, I prefer the Sampson Q2U, the Audio-Technica ATR-2100, and the Audio-Technica AT2005, all costing $100 or less. I own the RE320, the Q2U, and both Audio-Technica mics. I don't hear a $150 difference comparing the MV7 with the other combo mics. The quality difference is negligible to none. For only $50 more, the EV RE320 offers a much better listening experience compared to the MV7 in XLR mode.
I rarely check sub counts but when I checked yours I was genuinely shocked you didn't have 100k, keep up the good work
Thanks!
It is a slow climb...but I am not stopping.
Thanks for watching!
I know right
The MV7 works very well for podcasts, if you want to make it sound far better and get rid of the plosives, just pick up a filter for the SM7B. It fits perfect and will get rid of the plosives. I have two MV7s and love them. We have done side by side comparisons and yes, there was a small difference, but it was a not much when considering the cost.
you could almost certainly just pack extra foam inside the grill on the podmic though
@@ulfrinn8783 yeah, you probably could, but why do that and risk uneven sound when the the filter for the SM7B is what $12-$14 dollars? That wouldn’t really make sense
@@thespiritualcoffeehouse Nah, you're not going to risk anything just by having the foam inside the grill rather than out.
@@ulfrinn8783 I am sure you are right, I just bought them as they were not expensive and I already knew they worked.
Hi there. Great review! Quick question, after you've used the Motiv app to alter the config. Can you unplug the mic from the app and it remember those settings?
I believe so...because the settings are not in the mic...they are in the app
Everybody says SM58 and SM7B. But I really like the E835, I think it sounds similar to the SM58 with a bit more presence. I feel like the SM58 is for people that are more experienced with EQ and the E835 would be a great entry level microphone for pretty much every use.
Not gonna lie...it is hard to find many differences between them.
Sennheiser really did produce a great mic...just a shame that the sm58 overshadows it so much
@@DarkCornerStudios well the SM58 is by far the most famous mic of all time, when you ask the average person what a microphone looks like, they would probably describe the appearance of an SM58 because literally almost everybody uses one for live use. Sennheiser is a great brand that makes goods microphones. The E835 is a good microphone that gets overlooked like you said. Personally if you ask somebody about Sennheiser they would most likely talk about their shotgun microphones because bloggers use the MKH 416, aswell and people like the Booth Junkie. So Sennheiser has their fair share of popularity, just nothing even close to Shure.
@@Daizlol That MKH 416 is on my list of must get mics...lol...
I hear literally no difference between the 2.
There is two reasons, why I purched my Shure Mv7. The first reason that is Mv7 cost only 60% of Shure SM7B and the other reason is we don't need interface / Mixer.
With USB output we can also connect the microphone to other devices as Ipad, Iphone and even more.
The sound quality on Shure sm7B maybe 10-15% better then the Shure Mv7, so for me the Sm7B it's not worth.
Thanks you so much for Great video. I just got my Shure Mv7 today and I love it.
No USB-c is a dealbreaker for me. Why is the older connection still being made? Great review. After watching several mic reviews i think i prefer the sound quality of condenser mics. I need to replace my cheap Chinese BM-800.
Condenser mics are awesome...but they do have their own list of challenges.
Cheers and thanks for watching!
Also...if you are interested in moving away from USB...check out my video on the AKG P120
Does the 'SM' in the SM58 stand for "stage microphone"?
According to Shure it's supposed to be studio microphone
@@DarkCornerStudios I can understand for the SM7b, but it's weird that they'd consider the 57 and 58 'studio mics'. I know they both make perfectly fine voiceover mics, but they're primarily stage mics.
@@SavoxYT Actually both the sm57 and the sm58 have always been go to mics in music studios( hence the sm in their name ). Meanwhile the sm58 is more geared towards vocals and live settings (because of the built in popfilter/windscreen), the sm57 is notorious for being the perfect mic for literally anything (from snares to guitar cabs).
There's not a studio on this planet without at least a couple of SM57s. I'm not talking about your friends studio in his bedroom. Control room and live room you know,a studio.
I am in love with my new mv7🎉
Not sure how often you still check older video comments but I have a few questions related to this mic. Currently I have a BETA 58A but I've recently come across this mic along with always having the SM7B as a thought in the back of my head. I was just wondering do you happen to have any experience with the beta 58a and if so how would you say it compares to the other two and if it would make any sense to upgrade. Mainly using it for general communication, streaming and podcasts. Thanks and great video!
Your channel is seriously great man, thank you.
Cheers and thanks for watching!
I appreciate it!
@ 5:17 u can easily adjust the mic position to make it easier for u to reach those buttons
Yeah...it was a mild annoyance for the way I want to position my mic
@@DarkCornerStudios cuz I just received mines yesterday and I rlly loved it made me feel more professional
@@hassanmohamed9009 Glad to hear you like it!
Cheers!
Great comparison.. I myself use the shure PGA58 for streaming.. Costs around 70€ and for that there is NOTHING that beats it
Thanks for your clear comments on both models. The good recording can help identify the difference sound quality of both.
Cheers and thanks for watching!
Talking about plosives while being too far away for thematic become an issue, feels odd to me. I also would like to hear both up close for the sound. And where is the comparison to the treated sound of the SM7B? Or against the untreated SM7B?
This was SO helpful! Thank you!
I really want to thank you for a very REAL evaluation of these mics. I think all mics need to be understood in the context of a given purpose, and here we are talking vocal mics (singing,narration,Live radio talk etc). After listening to your video, I say there is no substitute for a shure SM7B. And I agree that shure knows it's value in the marketplace and is using some of that to leverage success over to the MV7. If it gives it a fair hearing, I am ok with that. But ,to my ears, the flattering low end and "smoothness" of the SM7B...is just better at this application. btw: excellent quality video you made here..the lighting,audio quality,edits etc. I did subscribe.
Thanks George!
Glad the point gets across.
Thank you for your kind words!!
Cheers and welcome aboard!
hello
It would be great if you do a FDUCE SL40 review. There may also be a brief comparison with the MV7.
I have a Shure SM7b and I'm thinking of buying a SM58 as a backup microphone.
Can't go wrong with an SM58...ever...
It's a beast!!!
@@DarkCornerStudios I might buy two for a project that I might be working on. A friend's sister is doing a puppet show for children and I have offered to help boost her production values. She's a school teacher and not a pro media producer. I'm a little worried about her mic handling abilities and the abilities of her colleague who works on the show. I don't want to buy a second SM7b for the project. Nor do I want either of them playing with that one. Too intimate. The girl's mine!
I just get more and more confused the more I research microphone purchases. Microphone for podcasts and possibly VO in the future. At the moment it is between the Shure Mv7 and the Movo VSM-7. Some advice?
I may have misunderstood what you said, but in Europe the RE320 costs roughly the same as the SM7B.
Oof...not here
Your every point makes sense. Im buying one mv7 after this video. Can I ask what brand and model of webcam are you using? Very vibrant.
Oh that isn't a webcam.
That is a Canon T7i with a Tokina 11-16 lens.
@@DarkCornerStudios So the sound was recorded from the Canon camera? No reverb and very clear.
@@donaldshong Nope.
Audio goes through the microphone and into my Audiofuse Studio and into the computer...or usb when I was testing that.
Then I sync it in premiere pro and replace the camera audio with the recorded audio
@@DarkCornerStudios Thank you very much for your replies!
@@donaldshong cheers!!
Great comparison - love the backdrop!
Thanks!
It has switched up recently again...lol...got more room.
To be fair, it's effectively like buying a cheaper XLR with a cheap USB DAC.
Because of that, if it's for podcasting/streaming, I'd compare it with cheaper XLR mics. Any XLR mic that you pick up, if it's your first, will be accompanied by the cost of a suitable DAC along with it.
I have a Samson G Track Pro. I picked up the MV7 to see if there is a big difference. I like the design of the MV7 alot better.
If you use the MV7 for a bit and go back to the Samson, you will notice the quality difference.
Cheers, glad you found a mic that suits you!
Question? I agree the micro usb is a cheap way of doing things. Can you test the Shure MVX2U on the MV7? And see by using a USB type C makes a difference between the micro USB?? Via Auto mode ( Near and Dark. Thank you👍👍
Love the MV7! When connected to my Mac, when on streamyard, I have an audio/video lag. Do you know how to fix this?
Unless I missed it, I don't think you mentioned where the gain was set on the SM58. Also, waiting anxiously for your Podtrak P8 review.
It was around 3 o'clock...my bad for not mentioning that...
And yeah...I am waiting for it too...I will send a reminder email to Zoom.
I SHOULD have it before it is in full release
This is a great review. I bought the MV7 just a week ago, I came from a Rode NTUsb. Recently, my gf's PC was (after a long long time) integrated into the room I am sitting with my PC. Voice stuff while gaming, with a so sensitve microphone like the Rode NTUsb, was impossible with 2 people that close range. Indeed the reason I didnt want to go for the SM7B was the price of it, but not only that, also that I would have to spend another 160 Euro for a Cloudlifter, since appearantly the SM7B needs that much power. I saw a lot of videos with the SM7B with my Interface, the Scarlett 8i6 3rd Gen, and what I got from all those, that its better to get a Cloudlifter for the SM7B. And I admit, i was not willing to put that money together at the time. The MV7 works great, but I agree, from what i Hear in other videos too, its still not the same sound like the SM7B. But i think considering the price is a hundred Euro less, plus I dont need extra gear, its good.
If i wouldnt need a Cloudlifter or Fethead (dont like the way it makes the whole thing so much longer, especially if you use the SM7B on a Boom Arm, the Rode PSA1). The fethead would have been cheaper, but it would look like crap. I was thinking about returning the MV7 in the beginning, but whats the point. It still sounds great, but its just not like the SM7B. And if you didnt had one before, you also dont hear the difference that much. You only hear it, if you hear other people using it.
Still, i wish the SM7B wouldnt need the extras to really work.
Honestly if you grow in the future, it might interest you to get an SM7B with an interface that can push it.
Fetheads and Cloudlifters are always encouraged, but not always necessary...unless you are doing live audio...
That is the one sticking point.
But there are some interfaces out there that can give you clean boost for the sm7b without the need for either the fethead or cloudlifter.
Cheers and thanks for watching.
@@DarkCornerStudios Thanks m8. But which interfaces for example would be able to to that without such an extra device ? And if with only a interface, are we talking about Interfaces that are even more expansive than just getting a Fethead or even Cloudlifter ? Because I get a feeling that Interfaces in a whole different price range can probably do that on their own. But then I wouldnt really save money in the end. ;)
As your studio setup grows...the objective of saving money is less and less...lol.
From entry level to midrange...a cloudlifter or fathead is your best bet
@@DarkCornerStudios Is there also a non-pen looking version of the Fethead, that I can use ? The fethead would make the whole thing look redicolous long. Is there no other version of a Fethead, that you can just (like with the Cloudlifter) put a cable on both sides, so I can put the Fethead someplace else than directly behind the mike ?
@@OLDM4N-DE Technically you could put a fethead in between two cables.
I have never tried it....but yeah...should work just fine
I have the Shure MV7X XLR and it's a great microphone. The sound is pure.
I use the mv7 (XLR) for drum recording, it's a great hi-hat mic. I use the USB function for podcasting and online seminars. It's the most versatile and valuable mic in my arsenal.
Using a SM58 and appreciate the review. I’ll keep the SM58 for now!
That mic is a beast and for most everything is just fine.
Really only need to upgrade if you are getting into voice work or for esthetics
Also...thanks for watching!!
@@DarkCornerStudios interestestingly, found great deals on a Scarlett 2i2 and an AT 2020. Love the sound and added gain.
That at2020 is also a great mic
Moderate Compressor and a good windscreen... That's what is needed to sound it better...
RE320 sounds amazing albeit doesn’t quite have the low end of the SM7b. The Sennheiser quite impressive also. mV7 sounds In the right side of good - but not spectacular but if Shure made it sound as good as it’s bigger brother it would eat up sales.
Still though.
It can be a great mic but different.
The sm lineup is all quite similar but different...all are amazing mics...but don't cannibalize sales.
I feel like the bullseye was missed here
i just do garageband on iPad, so i think its really comfortable to use it without audio interface. its just good cuz its simple.
Your comparison with the PodMic was interesting. The PodMic has a very natural sound to it whereas the audio coming through the MV7 sounds somewhat enhanced. As for which one is better, it really comes down to preference. The MV7 might be better for someone who wants their voice to hit a little harder, and the PodMic might be better for someone who wants to maintain a conversational tone with their voice.
Cheers and thanks for watching!
PodMic sounds almost identical for less than half the cost.
Hey!, awesome video and edit like every video, congrats! Can i ask you something?, I want a SM7B, but i don't know what usb audio interface do you recommend for that mic, because it need to much gain range, 70db, do you recommend the presonus studio 26c or other? Thank you very much, cheers from Chile!
You don't need 70db...but 60 dB is preferred.
Just make sure whatever interface you get has very low noise.
So an EIN of -129db or - 130db.
I know the Motu M2 is quite popular
@@DarkCornerStudios thank you very much for your answer, have a nice weekend and keep doing more amazing videos, they're very interesting, cheers!
@@alonsohurtado2417 thank you for your kind words
You are so right - it'snot a SM7B -it's a MV7 !!! - now we cleared that up another video please. :)
I used to work for Shure, the capsule in the MV7 is modeled off of a 58. Not an SM7 capsule.
Modeled off...not even the 58.
That is frustrating. I don't hate the mic...in fact I can see its place...just damn that marketing can be misconstrued by someone who doesn't know better.
Thats kinda dirty
To add to that the SM prefix is not relevant in this case. The MV is the prefix for their Motiv line (digital mics)
@@DarkCornerStudios In there defense, the reps are out there saying “It’s not an SM7B”
When we first found out about it a couple years ago we were very much all “you’re going to put a converter and a headphone amp in an SM7 and pitch it to podcasters, what’s it going to be $600?”
Fair point...lol
Excellent in content, awesome in showmanship, entertaining in sarcasm. Thank you.
Nailed em all!!
Yoooo! What’s the beat in the intro ???? I need to know. Someone please 😭😭😭
Give me a sec...guaranteed I got it from Epidemic Sound - www.epidemicsound.com/referral/t3qjqo
Bah...I have deleted all those older files...sorry man...but there is some awesome music at Epidemic...and you may even run into it there
I liked just about all of the other mikes over the MV7, the SM58 was about the same. The SM7B was a
three steeps over all of them
It really is hard to ignore the quality of the sm7b
Thanks for watching
Thanks so much for the audio comparisons. Btw, I would stick with the SM58 against the MV7, given I can tweak the audio on Pro Tools, and I don't need the USB.
Yeah...if you dont need the USB that mic is hard to recommend.
Cheers and thanks for watching!
If you don't need USB and you already have a Interface / mixer you may get the Shure Beta 87A Supercardioid Condenser. For me the Shure beta 87A is better then Shure sm7B.
I thought the Rode Pod Mic sounded every bit as good as the MV7 and literally at 2.5 times less the price. I also liked the sound of the RE-320 better at being in the ball park of the same price. Great video---my purpose is purely for XLR so this convinced me that this new mic is not a good purchase.
Glad you enjoyed the video!
And yeah...there is so much more to buy if going XLR...
I can personally say the RE320 is amazing...and a great upgrade for a lot of mics
Shure sounds nice! Btw I have a 2 pronged question. I just watched your video on Editing Voice in audition and it was a great tutorial. But..
1. how would you go about EQing voice lets say in a live setting for podcast/livestream/discord?
2. If you were recording video with rode/lav mic attached to the camera so it is recorded with the footage itself, how does this audio normally get processed?
Complete noob here so I appreciate any advice.
For live EQing I would use voice meeter, it is a realtime audio EQer
Best unboxing experience! Subbed
Thanks!
Cheers and thanks for watching!!
@@DarkCornerStudios I have been using the MV7 for a couple months and it's been amazing so far. Your review convinced me to get it
oh, God. your voice is so much better on a sm7b. other reviewers' voices do not get that difference. but now I'm totally not buying the mv7. and a podmic - even worse. somehow it's not about obvious better lows in your voice with sm7b, but highs are so much more pleasing as well!
Yeah...the beauty of that mic is the smoothness.
When you EQ it you can really get some rich sounds with it
Someone ought to make outer shell cases for the SM58 (and other handheld mics) that look like the SM7B or RE20 for streamers on a budget.
Of course they already do that. What was I thinking?
ruclips.net/video/H6J0sT14YHk/видео.html
There is a video by DSLR Shooter that does it.
It's an interesting concept to be honest
I noticed the plosives are much worse on the mv7 when compared to the sm7b. the the foam screen for the sm7b fit on the mv7?
Nope...its a pity too.
The foam screen on the mv7 is THIN
I love the mv7 so much, killed the blue yeti and at2020 by a landslide, it’s a great option for those who wants to be a on a budget, I recommend the mv7
So for a very fair comparison, what mic/interface combo would you pair up to compete with the MV7 at a similar price?
I've done a couple books and a tiny bit of voicework and would like to step up my game from a borrowed Blue Yeti Pro. I was considering the MV7 but am thinking a quality but basic interface and reasonable mic might still be done for under $300.
Scarlett 2i2 and an AKG P120...or blow the bank out and get a P220 or P420
Especially for voice work...a condenser will suit you much better
@@DarkCornerStudios Cool! I'll looik at those now!
@@DarkCornerStudios Actually, that's an interesting recommendation based on how I've poured through your (quite excellent) videos lately. You recently picked the Moto M2 over the Scarlett 2i2, and you specifically mentioned in the P120 - NT2A cpmparison that the P120 would not be suitable for audiobooks. I suspect that is the noise level though, so going to P220 or P420 would clear that hurdle.
Thanks again for having an awesome channel! I can't believe you have under 50k subscribers.
@@dulloldfart60 Thanks!
If you are doing books...yeah the P120 is on the edge of too noisy...that said...I would assume you would be doing some noise removal in post.
The p220 is better suited for the noise.
As for interface...the motu and scarlett are interchangeable...either would be amazing.
Over the past couple months it has been tough to find anything from Motu...so if you can...giv'r!
As for the 50k...I am working on it...
Somedays it is easier than others...lol
Very good comparison, very pro! Thanks.
Thanks Tony!!
Cheers and thanks for watching!
2:03 Whoa! When the SM7B comes in 8 seconds after!!
Apologies for the stupid question, but when you say 3:00 and 5:00 with regards to gain, do you mean 30db and 50db? Also, I saw someone mention the Rodecaster Pro. I literally just bought the MV7 and Rodecaster Pro, and am having a hell of a time finding the right sound balance.
Sorry...I guess I should specify in the video.
That means 3 o'clock on the dial...which is an Audiofuse studio.
I could do the math I guess.
70db of gain on that unit...so 3oclock would be 75% gain...
So that would be 52.5 db
Thanks for watching!!
As for the RCP...I am not sure what you mean by sound balance...you mean volume or eq?
@@DarkCornerStudios I guess I am referring to figuring out the best balance in the XLR setting. The only way to adjust anything is through the RCP. Been messing with gain between 30 and 40 and trying to adjust the volume level accordingly. Just can't find a level I like. The RCP is supposed to be easy. hahaha
@@jasonferrari9976 it is the easiest.
Take your time with it...no harm in levels being a bit off from time to time.
Eventually it will just be an extension of you...and it will become quite natural.
No need to rush it
That was a really great review. Thanks for breaking it down. I hope you have sponsors for products. You just earned yourself a new subscriber! I was looking at the MV7 I’m a dj and not sure what to get. I like the MV7 for the looks 🤷🏽♀️ All the mics sounded about the same to me honestly .
Those are some kind words!
Cheers and I am glad I could help out.
Thanks for watching!
Fyi...only 1 sponsored video so far...im getting there!
@@DarkCornerStudios Keep making thorough videos like this and you will be there. It’s hard to find good reviews that break things down! Good luck sir 👍🏽
I am extremely biased for undisclosed reasons, but that aside, I’d love to offer my 2¢ to an elephant in the room. Honestly in most reviews of any mic, though may have their obvious and less obvious sonic differences, we should really be asking ourselves how big of a deal is it really? When we listen to content, what’s really important? How the amount of upper mids seems .5dB too hot? The compressor set at 3.5:1 instead of 4:1 leaving the voice ever so slightly loose? Especially for the target market for these type of mics, it’s the content that is supreme, the message being conveyed, not the difference most people wouldn’t hear, much less ascribe a high return on your investment. Sure mic choice in music recording can have a much more dramatic influence, given the amount of other mics literally in the mix that need to play nice. But with one or a few talking heads, this isn’t really much of any deal breaker. So at the end of the day, it’s probably really most about what brand you want to identify with or if you want to appear to be in the “in crowd” and what mic sounds best on your own voice for your own monitoring and also nowadays, if on video, what mic is aesthetically pleasing to you.
Thanks for the review, end of soapbox.
I agree somewhat.
There are a billion different reasons to choose one mic over another, and honestly, they can be completely legit reasons or ones based on loyalty.
My only issue from this video was the marketing of it compared to an SM7B.
I love Shure products, and have long recommended them as great gear for any studio, but there seems to be this influx of equipment that has "podcasting" slapped on the side.
It is disingenuous to run a marketing campaign like that when most of your buyers cant tell the sonic difference between them.
Also, do not discount the issues of a mic that is ill suited to a voice.
It can have a massive impact on the appealing nature of the audio.
For example (And this is just one of many examples) - The sibilance of a mic can make audio almost painful to listen to for some voices...
It really IS important to choose the right mic for you
ps...thanks for watching!
@@DarkCornerStudios - yeah. Agreed it isn’t simply this or that, so many factors. I think too much high end is indeed grating to listen to, especially if a long format. I think that’s the unconscious draw of the darker sound, less fatiguing.
Also agree marketing can be annoying. That’s why review videos are great. Get past what the box says and let’s see and hear how it performs. Hopefully people can judge for themselves or at the very least be a bit more informed about what to think about buying for themselves.
How is the latency on it?
I have been using a Super 55 for singing at home, always wanted a SM7b but since i live in Brazil, the price goes waay over budget since i need to change my interface (I'm using a behringer umc22) and also get a cloudlifter, making the whole package of mic, interface and cloudlifter going over 6000 BRL. Maybe the MV7 could be an option since i wont need the extra gear? Would i see some improvement over my Super 55?
Improvement is a tough sell.
It will sound different.
I would say it sounds great on USB for me...but I wasn't too sold on its XLR performance.
Give it a shot...just make sure it's returnable if you don't like it
Well, maybe i should just stick with my Super 55 since different would not be necessarily better and our return policies it's not exactly smooth as i would like lol.
Thank you for the response! I love your channel, i always look for your reviews when I'm in doubt of something, you actually helped me in buying the Super 55 after some comment in another video, so thanks haha
@@paulsonr awesome!
Thanks for your continuing support.
And yeah...that Super 55 is a great mic.
Not a horrible position to be in...lol
Hello a new subscriber. Awesome video loved the content. Got a question, I was trying to do voice over on my videos like top 10 videos, I was using a Blue Yeti X and I got to say its very hard to master it since so many things can go wrong during recording. Should I sell my Yeti X and buy MV7 for voice over? Thank you for your time.
Yeah...the MV7 will be a lot easier for you to control...
Just remember at some point you will need to treat some of the room you are recording in...
If you have reverb in any room with a yeti, it will be there with an MV7.
That said...check out the video I did a couple weeks ago on treating your room...it might help
love the honest and critical review. I saw a bunch: 7-8 also by some of the influencers.... and honestly, lots of prayers for the MV7. lacked the critical side. thanks a lot
Glad you liked it!
Thanks for watching!!
Just saying that the Shure MV7 is the killer of all other usb microphones made me go to the store and buy it!!!! Thank you very much!
Glad I could help.
Enjoy and thanks for watching!
Yeah, MV7 is the best USB mic right now.
I've looked through your reviews and I don't think you've reviewed the Zoom ZDM-1. Any chance that's on the horizon any time soon?
Let me look into that one.
It all comes down to availability...but I will give er a shot
Oh wait...that was the mic I used while reviewing the Zoom P4.
I hadnt planned a review on it, but I can honestly throw one together...I wasnt positive people wanted one...
Guess I should ask sometimes...lol
@@DarkCornerStudios I'm using the SM58 now and really have zero complaints with its operation or sound quality. However, I'm doing videos and it's not the sexiest looking thing. I really see no need to spend multiple hundreds on a mic when the 58 is great for my purposes. Therefore, all I want is something on par with the 58 that looks sleeker. I like the way the zdm-1 looks and from reviews I've watched thus far it seems like what I'm looking for.
@@mikeg6069 it was decent no doubt...especially considering the price.
Honestly though...if you have the sm58 already...save your pennies for something like the re320.
That way you get sleek, sexy, and a massive boost in sound quality too
@@DarkCornerStudios that's a $300 mic. But money is not the issue. Value is my issue. I just do not hear $200 more worth of quality. That doesn't just go for the RE320, that goes for any mic over $200. But maybe I'm just not sensitive enough to appreciate the quality increases because a lot of these differences people speak of sound like smoke and mirrors to me.
i got a mv7 i kinda want a mv7b do i get one ?
Thank you for testing and posting. I have the SM58 and thinking of SM7B. This Shure MV7 sounds great for a USB mic... and great for a first mic. Compared to my SM58 yeah it’s better... I think for USB the MV7 for beginner podcasting, voice, speaking etc... I think it will be great. Already having a SM58 and want a 10 - 20 year ownership of a voice over mic and possible mild singing... I think the SM7B + cloud lifter or the capsule you have (I missed what it was) would be a long term better answer. Oh short term running through my Roland VT-4 live effects or my Yamaha mixer into computer... so yes I can eat on my own.. but the simplicity of the USB MV7 should not be ignored by anyone who doesn’t already have a $200 mixer.
If you already have a mixer, I would suggest the RE320 instead.
I much prefer the tone of it.
Thanks for watching!
EXCELLENT review. Hands down.
Thanks man!
Cheers and thanks for watching!
My Shure Mv7 is too quiet. Does anybody have the same issue? If you have any fix for that, please let me know.
Great video great set of comparisons. I’m happy with my SM7b and I feel like shure made this so that podcasters would leave the SM7b alone like giving your little brother your old console so he lets you play your new Xbox in peace.
LOL...that's hilarious...never thought of that...but you may just be right.
Look ma...ima podcasterer
@@DarkCornerStudios I don’t think so!
Mmmm. Yup. I think I liked the Sennheiser better. The market is scrabbling for the guerrilla podcasters so I guess that's where the USB mics are aimed. But for audio books and voice over I don't think it cuts the mustard. Lovely vid as usual. 👍
Yeah.
I did notice a lot of the "influencers" were only testing the mic on USB in comparisons...so I am wondering if that was at the direction of Shure.
It has a fuller sound on USB...and is a bit more smooth...which is odd....
But if it isnt future proofed for an XLR workflow...what is the point?
I feel like if you could real time bring down the 500hz range and bump the 250hz alongside the 3000hz the MV7 would be almost perfect. I hope shure adds proper EQ settings into their app soon.
equalizer apo
Great video but didn't compare it to another usb microphone just xlr.
What makes it better then all the other mics is someone can buy it use usb till they can afford an xlr interface, unlike all others where you need to buy it all first.
The 58 wins hands down. $100 sounds great, almost exactly like the MV7. Close your eyes when he compares. If you're all about looks, I'm sure there's a spot in "clothing design" or whatever somewhere for you. These "podcast mics" are just for talking. Not tracking vocals for an album. A $4007B is absolutely not necessary for a podcast. What is necessary is the content. Spend a $100 bucks on a decent mic. Put out good content, that's the most important thing.
This was really helpful.... and unhelpful at the same time. It shows that the MV7 is a great USB mic, which I am looking for. However, I am also trying to convince myself that I don't "need" the SM7b. The SM7B is so tempting but the cost of all the gear to run it is $$ for a beginner.
Yeah...not a great beginner mic anyways...for that very reason.
I prefer the re320 if you really want that broadcast sound
Sir, I am beginner. I want to record my written poetry professionally. In which my line will go in high tone and will also come in low tone. Tell me such a mic and audio interface. So that I can record and mix later. My room is not sound proof. My total budget is $300. But a shopkeeper told me that you cannot do recording with dynamic mic. Please tell me what should I do. Tell me such a mic and audio interface that I will not regret after buying.
Which Program do you use to record your audio at 6:10?
Adobe Audition
@@DarkCornerStudios Ok, I thought so, but I wasn't sure. Thanks very much!
Turns out there's no good reason to spend more than $100 on a microphone because the $100 microphones sounded perfectly fine to me. But can you do screaming tests? Most $100+ or even $50+ microphones sound fine when talking, but when screaming, there has to be a difference with clipping. Or maybe whisper into them to test the background noise.
Is this best for singing?
I’ve never used microphones and want one for singing ( not necessarily professionally just legit for fun and covers. I’ve got £500 to spend...
So far I’ve come across these names
Sm7b
Sm58
Sm57
Nt usb
Mv7
Blue yeti
Nt1
Or other Brands n names??
Which is best mic 2021 for singing possibly in future while playing guitar or piano at same time?
Also I have no editing experience too so obviously the less I need to edit the better
Well...all mics require post production.
First question is...do you have an interface or are you just looking to pull a USB mic in?
@@DarkCornerStudios ahh. So Scarlett is out of stock on Amazon :((((
Is there any alternatives ( the more the better because I’m trying to get one on prime XD )
I have £500 for a mic + however much a interface is ALthogh preference below 300 but if it is more it don’t matter. Also I heard I need to get a cloudlifter
Usb or xlr I really don’t mind I’m just trying to buy the best mic for singing for £500 + whatever I need preferably under £300
What do you mean? What about singing live ( at home for fun ) how does this work for editing
You don't need a cloudlifter.
You can gain up in post.
Motu m2 is good...as well as M-Audio gear.
The mic you would want is probably a condenser.
Go for something like the AKG P220.
I did a review on that on this channel
The fact that Shure shipped a micro USB device in 2020 is absurd.
RIGHT?!?!
I am glad I am not the only one that cringes when I see this.
EVERYTHING SHOULD BE USB C
COME ON!
PS Thanks for watching...lol
@@DarkCornerStudios hey I was wondering if you could point me in the right direction. I am trying to get into content creation on RUclips and wanting to upgrade my microphone, I would like something like the mv7 but I want to explore all my options. Do you think there are any better microphones that are priced at 250 usd and has both usb and xlr. Thanks!
@@lenovi4492 With both usb and xlr?
No...not really.
The MV7 is basically your best bet.
Cheers and thanks for watching!
Kind of makes you wonder what other hardware they skimped on to make it though, don't it? It's cheaper to use older micro controllers and USB encoders which aren't set up for USB-C which tends to require some newer chips on the PCB. But honestly for $250 I think you're better off with an interface and a dynamic XLR mic in the $100-$150 price range.
The Samson Q9U which will be released... eventually, is a USB/XLR studio dynamic with USB-C... I'm interested to see the comparisons with those when they are out.
@@ulfrinn8783 Yeah, I am really curious about the Q9U as well...
I feel like the only reason you would get a sm7b is for the “I got the best” .. but honestly the sm7b is not meant for podcasting .. hence why you need to use a cloud lifter .. the sm7 way better guys …
Mics are 100% subjective, I've used budget mics over high end mics many times in studios based on listening results.
Yes...they are subjective...but this is a review process.
Reviews are also subjective...but an important device that potential purchasers can use to Guage whether or not a product is viable for them.
No one here is arguing your point...but how needless would I be for every review to say that?
Opinions of reviewers are a great tool for the above mentioned...as well as a tool for keeping companies honest.
No one is saying you NEED to buy a more expensive mic...
Very nice review!
Excellent coverage
I’m looking for a top end USB mic, will this one plug straight into the PC and still give solid quality sound? Or is there another USB mic that beats it?
No, he literally says this in the video.
@@pumpkin1escobar Control yourself.
You just don’t get it, who would not want to do an audio back up recording with the use of two ports? I should have known as soon as you did not know how to rotate it in the harness to utilize the mute and volume controls…
Who knew someone's feelings could get hurt on a review where I call it the best usb mic you could buy...
Sad